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492:" (1912) by Julie de Cistello uses the garden as a place of introspection, enhancing a female character and exacerbating the melancholy and meditative feeling. The character directly addresses the observer through her gaze, and the context highlights the status of a privileged woman, through the maid who prepares her tea. It is also a testimony to the importance given by privileged women to education, depicting female characters reading, or in the case of "
222:, June 14, 1894) who went very young and poor to Brazil where he made a fortune as a merchant, and then been a patron of social, artistic and literary initiatives. Her mother, Maria Luisa de Labourdonnay, was from a family of French aristocratic origin exiled to Rio de Janeiro after the French Revolution. From an early age, her mother educated her three daughters in music and the arts, and they were pupils of the French landscape painter
270:(Sistelo, 14 June 1834 - Rio de Janeiro, 19 October 1886), her father's younger brother, twenty years her senior, in Rio de Janeiro in 1870. He too had emigrated young to follow his brother to Brazil, where he made his fortune as a merchant. Julie probably returned to Portugal in around 1880, the year in which her husband, a renowned patron of social and artistic initiatives in Brazil and Portugal, was appointed 1st
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299:, he built the Castle of Sistelo, and paid for the village fountain, the public school and the grave where the family is buried. They had no children and Julie was widowed in 1886, at the age of 32. It was precisely from then on that her career would have a great development, having financed herself her artistic studies at the
238:
Julie de
Cistello was the first-born daughter. Her sister Isabel was also an artist and died at the age of 32 in 1888 in Rio de Janeiro, two years after having won the Gold Medal of the Artistic and Industrial Exhibition of Petropólis with a landscape painting. Her younger sister, Emília Labourdonnay
500:
writing, representing a woman who has put down her parasol and her hat, sitting down in front of a small desk full of notebooks, together with the attempts to reply that were rejected by the character and are laid out on the floor, referring the observer to the psychological state of the model.
239:
Gonçalves Roque, become a well-known painter in
Portugal with whom Julie exhibited in parallel throughout her career. Emília was married in 1894 to her widowed brother-in-law, and began to sign her artistic work as Countess of Alto Mearim. She died in 1939.
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in Paris, where she enrolled in 1892 and again in 1900. The Académie Julian was one of the first schools to accept to integrate women in art education classes, preceding the School of Fine Arts in Paris. Julie de
Cistello was a pupil of
376:
230:. They exhibited at the General Exhibition of Fine Arts in 1879 (at the Imperial College D. Pedro II), where they received honourable mentions. They spoke French, English, Italian and German.
476:
regularly announced her presence at mundane events in Paris between
January 1901 and June 1914, a month before the outbreak of the First World War. She died in 1932 at the age of 69.
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painter in the late 19th and early 20th centuries, a pioneer in women's access to art education, and one of the first
Portuguese-Brazilian women artists in the annual
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281:. He was a benefactor, among others, of the Association of Portuguese Architects and Archaeologists and the Gabinete Português de Leitura in Rio de Janeiro.
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and joined the "Cercle des
Artistes Brésiliens" in Paris. She exhibited at the Salon until 1924.
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590:"Julie De Cistello (1860-1932) Signed French Impressionist Oil Wildflowers • £1,333.00"
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She was one of the first
Portuguese-Brazilian women artists to exhibit in the
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Castle of
Sistelo in the village of Sistelo, northern Portugal, part of the
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496:" (1909) to the importance of writing in women's lives. In this case to
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Exhibition of the centenary of the opening of the Ports of Brazil
202:. Her name in Portuguese is Júlia Labourdonnay Gonçalves Roque.
447:"). In 1912, she exhibited perhaps her best known painting, "
15:
543:"Lot 232 - Julie Viscountess of BOURDONNAY Cistello - Female"
347:". In 1900 she exhibited in the Pavilion of Portugal at the
519:"Réunion des Musées Nationaux-Grand Palais - Search Result"
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36:
451:" (French: Under the apple trees) at the Salon of the
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214:, she was the daughter of Boaventura Gonçalves Roque (
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The Castle of
Sistelo and the Julian Academy in Paris
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Exhibitions and participation in the Parisian Salons
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566:"Cistello, Julie de La Bourdonnay (Vicomtesse)".
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576:10.1093/benz/9780199773787.article.B00038575
459:. In 1913 she again exhibited his painting "
401:Coucher du soleil (Margens do Seine, Paris)
295:, his village in northern Portugal in the
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393:Olaias in flora (Tapada da Ajuda, Lisbon)
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194:, 1853–1932) was a Portuguese-Brazilian
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397:Temps brumeux (Margens do Seine, Paris)
351:, where she lived (with the paintings "
486:Maria da Luz Quintão de Jesus Pinheiro
484:According to Portuguese art historian
425:Union of Women Painters and Sculptors
369:Union of Women Painters and Sculptors
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660:20th-century Brazilian women artists
655:19th-century Brazilian women artists
640:Brazilian people of French descent
630:Artists from Rio de Janeiro (city)
385:Première étoile (Leça da Palmeira)
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680:Brazilian expatriates in Portugal
453:Société Nationale des Beaux Arts
417:Société Nationale des Beaux Arts
409:Société Nationale des Beaux Arts
407:"); in 1909 at the Salon of the
389:Castelo do Queijo (Foz do Douro)
367:"). In 1906 at the Salon of the
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20:
675:Brazilian expatriates in France
670:20th-century Brazilian painters
665:19th-century Brazilian painters
415:"; in 1910 at the Salon of the
178:Julie de la Bourdonnay Cistello
93:Julie de la Bourdonnay Cistello
578:– via Oxford Art Online.
455:in Paris, and is owned by the
261:Manuel Antônio Gonçalves Roque
210:Born on November 22, 1853, in
152:Manuel Antônio Gonçalves Roque
1:
568:Benezit Dictionary of Artists
349:Universal Exhibition of Paris
457:Musée des Beaux-Arts in Nice
411:in Paris with the painting "
110:1932 (aged 78–79)
690:19th-century women painters
685:20th-century women painters
226:and the Portuguese painter
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423:" and at the Salon of the
297:Peneda-Gerês National Park
259:Julie de Cistello married
253:Peneda-Gerês National Park
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635:Brazilian women painters
35:, as no other articles
650:Académie Julian alumni
645:Impressionist painters
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470:The French newspaper
461:Jeune fille, portrait
381:Pescador (Matosinhos)
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314:Jean-Jacques Rousseau
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373:landscapes paintings
371:in Paris with three
570:. 31 October 2011.
353:La Fin d'une ondine
272:Viscount of Sistelo
224:Henri Nicolas Vinet
218:, April 22, 1822 -
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310:William Bouguereau
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54:for suggestions.
44:to this page from
490:Sous les Pommiers
449:Sous les Pommiers
437:Coucher du soleil
429:Fleurs des Champs
375:; in 1908 at the
343:" and 1898 with "
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625:1932 deaths
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594:PicClick UK
345:Communiante
289: [
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228:José Malhoa
614:Categories
599:2018-06-24
552:2018-06-24
528:2022-12-23
505:References
498:epistolary
494:La Réponse
413:La Réponse
50:; try the
37:link to it
473:Le Figaro
405:O rosário
183:known as
158:Signature
115:Education
40:. Please
480:Art work
433:Solitude
138:Movement
443:" and "
403:" and "
363:" and "
286:Sistelo
220:Estoril
216:Sistelo
187:Sistelo
148:Spouse
133:(1912)
33:orphan
31:is an
465:Salon
361:Irène
341:Pietà
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89:Born
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