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Art historian Bonnie L. Grad's essay on the photograph in the volume "Contemporary
Masterworks" juxtaposes the photographer's lessons from painting with his commitment to the "decisive moment," a concept that he wrote about that caused some critics to overlook the careful composition of his candid
79:, at Summertime, while picnicking. The man in the highest point fills a cup of wine, while the other three people face the river, where a boat lies quietly. The picture has a kind of cascading effect as it looks down the four people as they face the boat in the river.
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photos. However, she notes that despite the apparent casualness of
Cartier-Bresson's photos, the "unified, integrated composition" of this view, and in his work in general, has led to comparisons to the art of Edgar Degas.
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Grad, Bonnie L., Henri
Cartier-Bresson, 'The Banks of the Marne,' 1936-37, in Taylor, Colin, Ed., Contemporary Masterworks, Chicago and London, St. James Press, 1991, p. 545.
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school. It was taken from a high point of view and depicts two couples, with towels, food and wine, seated on the banks of the river
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in 1938. The picture shows his influence and formation in painting and went to become one of his most known photographs.
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The photograph demonstrates the artist influence of painting, depicting a scene typical of the
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Alberto
Giacometti à la Galerie Maeght, Paris, France, 1961
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Cartier-Bresson was commissioned by the leftist newspaper
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Gestapo
Informer Recognized by a Woman She Had Denounced
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Photographs in the Museum of Modern Art (New York City)
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Juvisy, France, National
Gallery of Victoria, Melbourne
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Juvisy, France, National
Gallery of Victoria, Melbourne
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440:Collection of the National Gallery of Victoria
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276:Coronation of King George VI, London, England
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179:Juvisy, France, The Art Institute of Chicago
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42:Dimanche sur les Bords de Marne, Juvisy
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425:Photographs by Henri Cartier-Bresson
139:Henri Cartier-Bresson, The Art Story
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268:Natcho Aguirre, Santa Clara, Mexico
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334:Henri Cartier-Bresson Foundation
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244:Behind the Gare Saint-Lazare
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101:The Art Institute of Chicago
420:Black-and-white photographs
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343:Family and relationships
158:Grad, Bonnie L., p. 545.
56:History and description
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308:Rue Mouffetard, Paris
229:Henri Cartier-Bresson
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30:Henri Cartier-Bresson
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93:Museum of Modern Art
300:Gold Rush, Shanghai
384:Street photography
379:Candid photography
87:Public collections
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415:1930s photographs
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410:1938 in art
362:André Lhote
236:Photographs
404:Categories
115:References
103:, and the
28:(1938) by
364:(teacher)
109:Melbourne
97:New York
372:Related
327:Museums
62:Ce Soir
319:(1961)
311:(1954)
303:(1948)
295:(1945)
287:(1938)
279:(1937)
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107:, in
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