JOB Collection - Knowledge (XXG)

2414:. Gervais was the most prolific of the painters in the JOB collection, his creations spanning some ten years. The artist liked to depict pretty women with flowers blooming in their hair: everything was a pretext for using a colorful palette, and Woman with a Garland of Flowers 1902 was his first contribution. Relatively rare: she wasn't smoking, so the advertisement could be used for products other than cigarette paper. Two years later, the painter from Toulouse drew his second JOB woman. This woman in a hat, holding a carnival mask near a light, was the medium for a pleasant calendar. For his third contribution, Gervais remained in the register of the flower woman, which he had already interpreted for the 1902 calendar. In 1909, he again depicted a woman with flowers in her hair, in keeping with the traditional representation of the 1900 woman. In 1910, it was the turn of a woman wearing a mantilla, in 1911 a pretty calendar of a woman carrying a vase, and in 1912 a woman smoking, again in a setting of flowers on an aquatic background, one of his most successful works. 2903: 2370:. The young Jane Atché – she was only 24 when she imagined this subject – was the only woman to contribute to the collection. Produced in 1896 for a print run the following year, the stylized representation of a woman smoking and the contrasting colors make this poster a remarkable work. Its refined graphics evoke Toulouse-Lautrec or Japanese prints. The woman imagined by Jane Atché smoked with natural simplicity and elegance, in her large black cape, her hair wisely up. The draft poster presented a young woman in a straw-yellow dress and large black cape, but was modified by the JOB company: the dress became a soft green to match the background, the circle of smoke revolved around the JOB trademark and, as on most pre-1900 productions, the initials "Out of contest, Paris 1889" were added. The poster broke with the depiction of women smoking as "women of ill repute" or "of dubious morality", at a time when smoking was reserved for men. Printed in Toulouse by Cassan Fils, it was not published as a calendar. 2216: 1956:, listed by Italian author Carmello Calò Carducci in 1987. Finally, in 2001, the number of postcards was revised upwards, to around 126 for the major series (according to the table below), but this inventory remains theoretical, due to variations in certain editions. It has been established that 32 calendars and posters were the subject of postcards; cartophiles differentiate them into series. There are 5 main series up to 1914, and a rare "1916" series. The series are supposed to indicate the year in which the cards were printed, but to complicate matters, there may have been several editions of the same series, with some variations. Thus, while the 1903 and 1914 series are easily recognizable, the 1910 and especially the 1916 series are questionable. 4390: 2951: 2939: 2315:. This was the first female JOB in the series. According to the inscription on the postcards, this was originally a calendar, but it has to be said that almost all of them have now disappeared. The corresponding period poster, large in size (approx. 240 × 87 cm), was printed by Chaix; it was intended more for lining city walls than for interior decoration. Other posters have more modest formats, but are nevertheless larger than later creations by other illustrators; given the various formats encountered, we can deduce that this successful design was the subject of numerous print runs. 20: 2915: 2982: 2970: 159: 3018: 2879: 1960: 237: 2321:. Proudly displaying a cigarette, this moving woman, whose back can be seen, was typical of Chéret's elegant and cheerful creations, and was thus "La Chérette" from the JOB collection. On the small-format calendar, the design was highlighted by a decorative border: the zigzag motif used on the brand's cigarette-paper notebooks, a motif that was to be used again and again by poster artists. The design, without the frieze, was used again for an imposing 1.20-meter-high poster by Imprimerie Chaix. 2994: 2927: 297: 2423: 468: 2207:

always horizontal, the left half is the same as the 1910 series, but the right side is described, depending on the source, as either "decorated with a single diamond, containing the word Job very stylized" or as being identical to the 1910 series. The paper is rough and the printing quality, acceptable. This series is said to be subject to certain peculiarities: the 1910 Gervais calendar was mistakenly dated 1911, and the text on the Ng Duc Thuc card was adapted.

2404:. This astonishing Symbolist painting depicts a redheaded woman holding a smoking cigarette in her hand in a spidery plant setting: this is Jeanne Bardou-Job, daughter of the industrialist and patron of the arts, owner of JOB rolling papers. The calendar print, with its high-quality colors and gilding, was produced by the Sirven artistic printing house in Toulouse. Given its success, it was systematically reproduced on postcards and posters. After the 2420:. Portrait painter Duvocelle depicted a woman in profile for his only contribution to the collection. Only the woman's face, hands and especially the cigarette were pale, while the clothes and background were very dark. The complete calendar was distributed with the 1906 ephemeris, the drawing was dated 1905 and there were generally no printer's marks; the calendar also featured a wide imitation wood border, which was not repeated on the postcards. 1976: 4461: 1968: 2867: 4637: 2359: 3995: 2520: 2262: 1992: 2176:

no printer's mark or "cigarettes JOB" (JOB cigarettes) label. The background is squared. This series is available in two paper qualities: linen and smooth satin. Print quality is good on the rough paper, fair for those on the smooth satin paper. The 1910 (B) series is horizontal, and differs from the 1910 (A) series in that "lyon" is the name of the printer's town where the cards were produced by "Art couleurs".

4465: 4634: 363:

Sometimes, entire stacks are found in the stocks of former dealers. As skilled salesmen who were able to convince the customer that a print run of several thousand copies was "only slightly more expensive" than the one required, the representatives of the poster companies also unwittingly contributed to the longevity of the work. Throughout this time, it is also thanks to the many

329:(1896) was a huge success, sold as a popular edition at 3 francs and as a deluxe edition. In addition to the paper prints, the illustrations were reproduced on various supports, such as tobacco or cigarette boxes in lithographed sheet metal. In addition to these 32 well-referenced pieces, there are some fifteen other creations, curiously under-referenced, such as the poster by 3040: 3006: 1984: 2447:. These two orientalist works were painted in the orange hues so beloved of this artist. The JOB 1908 woman is wearing a shoulder-length tunic in a slightly seductive pose. The printer's mark indicated Lyon, and the calendar was bordered by a frame in orange tones. The second woman, illustrating the 1914 calendar, is a beautiful oriental woman wearing a tiara. 355: 2891: 2356:, Mucha was inspired by a fresco by Michelangelo in the Sistine Chapel. The exuberant hair, typical of Mucha, remained, as did numerous allusions to the JOB brand, from the brooch to the cigarette-paper case and even the background as wallpaper. A third poster by Mucha remained in the draft stage. The plates were printed in Paris by F. Champenois. 106: 130:. Recent biographies of the artists and the poster collections held in museums allow us to attempt to reconstruct the completeness of the collection up to the 1920s, when creation became very sporadic. Later, artists influenced by JOB and Art Nouveau revived certain posters. In the 1960s, a JOB poster by Mucha was reinterpreted with a 2842:, London, in 2009. The posters featured both real and imaginary characters, with no direct allusion to the brand except through collective memory. Thus, in a very Art Nouveau setting featuring Edgar Maxence's 1903 calendar frieze, and in a symmetrical composition, Gilbert and George posed standing framing 2515:

Other posters, which are rarely referenced and quoted, are listed here. As they were not printed on postcards, they do not benefit from the remarkable memory offered by this widely distributed medium, that of a widely collected image with the advantage of small format. A development on the comparison

2465:

Along with Cassandre, Cappiello is the precursor of the modern poster. His creation for JOB represented a resolute break with his predecessors and Art Nouveau, which was in its twilight years, for a new style of poster that played on pure color contrasts, stylized lines and artistic research. He also

2175:

The series is called "1910", but was issued at least twice, around 1907–1908. In all likelihood, these series included 20 cards in the "A" series and 8 cards in the "B" series (calendar reproductions). The 1910 (A) series was printed horizontally, with the words "Collection JOB" (JOB collection), but

340:

The recurring theme of the collection was women, often with cigarette in hand, whose wisps of smoke or background indicated that "she was smoking with JOB". The woman who smoked was certainly a liberated woman, but in the conservative society of the time it was not a sign of class. In his book France

267:

The Bardou family and their allies, in particular the Pams and Ducup de Saint Paul families, were astute industrialists but also patrons of the arts with refined tastes, asking their artist friends to illustrate the cigarette paper company's products with advertisements. Relations between this family

2276:

The poster or calendar, at least the first print run, often included the advertising slogan "Smoke with JOB or don't smoke" in the language of the poster's destination, the "JOB" trademark, sometimes a reference to "out of competition, Paris 1889" (or 1900), and was often decorated with a harmonious

2243:

There is a large-format vertical postcard from Cappiello, "JOB cigarette paper and cigarettes". The printing date of this card is not known with certainty (1914?). Some of Cappiello's postcards differ from the 1914 series in minor ways: no outline on the front, or no inscription on the reverse. This

2206:

calendars, issued in 1915 and 1916 respectively. Little known and poorly referenced, this so-called "1916" series may in fact have been marketed only after the war. What's more, a few details in the descriptions differ and could point to the existence of 2 distinct print runs. Indeed, the cards are

2193:

The 1914 series included all production up to 1914, i.e. 30 cards. The design is vertical here, and this is the only series where it occupies the entire surface of the card and not just one half. The lower third of the surface is marked "Collection JOB" (JOB collection). The divided reverse side is

2184:

This series most certainly included 24 postcards, i.e. all production up to 1911 except for Rassenfosse. The series is horizontal, marked "Collection JOB, cigarettes JOB" (JOB collection, cigarettes JOB) and has a squared background. Print quality is fair on rough backgrounds and good on cards with

2166:

This series included 12 postcards, all of which have now been found except for Meunier and Chéret. The postcards are horizontal, illustrated on the left-hand side and edged with a salmon-pink "Art Nouveau" motif. The motif also occupies the bottom of the right-hand side. A variant of this series is

476:

Angelo Asti (1847–1903), French school. Of Italian descent, born in Paris, where he produced most of his work. A genre and portrait painter, he exhibited regularly at the Salon from 1890 onwards. While he is best known for his paintings of women in dreamy or glamorous poses, he is even better known

2505:

Eugène Loup's JOB woman was finely processed in brown cameo tones. This was a very rare presentation in which the pensive JOB woman (this was wartime) was not smoking. The calendar, whose print run was small, generally lacked a printer's mark. The postcard, which obviously only existed in the last

2434:

The calendar portrayed a woman in a Spanish costume, with a black jacket and yellow dress. The background appeared flat, as was frequently done by this master of the Catalan modernist school. The finesse of the drawing, the color contrasts and the mastery and originality of the line made of this a

259:

into a large-scale factory. A wealthy industrialist and sponsor of the arts, part of his estate consisted of art collections. After his death in 1892, his three children, Camille, Justin and Jeanne, formed the Pierre Bardou-Job company in memory of their father. It was formed by Justin Bardou-Job,

2849:

Today, the posters in the collection are widely recognized and reproduced. While art lovers and collectors prefer chromolithographic plates that are easy to recognize, the market is flooded with "decorative posters", reproductions of images at low prices. To adorn walls, these beautiful images of

2289:

Other prints followed without any mention, with only the decorative image; this was also the case for the proofs before the letter, often found in the collections of old printing works. The printer's mark was often present, especially for quality prints, often the former Cassan or Sirven artistic

2492:

This original and very rare poster by Nguyen Duc Thuc is atypical in the collection. Depicting a Chinese scene, it bore, on a wide upper band, the drawing of an unrolled parchment bearing the words "la grande marque française JOB" (the great French brand JOB), demonstrating the company's growing

1951:

Calendars and posters were also widely used as postcards. Not all postcards have been inventoried, as they have never been found. In 1980, author and publisher Gérard Neudin estimated the number of postcards at "at least 84 from 31 drawings". The 32nd drawing corresponded to the 1916 calendar by

324:

Between 1895 and 1916 thirty-two works, including those reproduced on postcards, were signed by the greatest names of the time. Most often published as calendars, they were reproduced on postcards from 1903, given their success, and were sold or given as end-of-year gifts to the brand's factory

362:

Often scrupulously preserved in attics after the ephemeris had been used, calendars were forgotten after the war when fashions changed and past tragedies were erased from memory. Abandoned and often destroyed, some of them are now reappearing, in more or less good condition, for a second life.

304:

Thanks to Art Nouveau art magazines, fairs and, above all, the many poster competitions, the artists became better known and commissions were received. In 1896, for example, a major exhibition of French and foreign posters was held in Reims, attended by the leading illustrators of the day. The

2768:

poster. The few rigorously geometric posters of the brand from the 1940s, though worthy of note, do not stand out from the mass of advertising of the period; they were often anonymous. In 1961, graphic designer and illustrator Donald Brun produced an advertising poster for the brand entitled

345:

echoed this stereotype of a scatterbrained, half-closed-eyed woman intoxicated by frivolous pleasures, Jane Atché is considered one of the first artists to portray the JOB-smoking woman in a positive light, rather than as a light-hearted woman paving the way for many other female conquests.

2309:. Firmin Bouisset, the specialist in children's advertising (he was the father of the famous Menier chocolate poster), began the JOB series with a little chimney sweep, black with smoke, whose connection with the brand was hard to see. It was used on posters, now rare, but not in calendars. 223:

Thanks to this collaboration Art Nouveau was democratized through small-format reproductions on paper, and entered every household. Artistic advertising and postcards illustrated the vocation of Art Nouveau, intended as "art for all" and a marriage of Art and Industry. Even if, for

2388:. This calendar featured a woman with long hair and a flower, in the style and with this attribute of the Art Nouveau woman. Printed by Cassan Fils Toulouse-Paris, it measured 43 × 32 cm and bore the words "Hors concours Paris 1889" ("Out of competition Paris 1889"). 2807:

law of 1991 prohibited all direct or indirect advertising for tobacco and tobacco products. These measures could have put a stop to tobacco advertising, but the brand's artistic creations had already fallen into disuse at a time of serious financial difficulties.

287:

In addition to Bouisset, Meunier, Chéret, and the already famous Mucha, they were able to enlist the help of numerous artists. In all some 30 painters and designers of first or second rank collaborated on the brand's advertising creations between 1895 and 1925.

2516:

between postcard and poster collecting around 1900, specialized directories and postcard series devoted to posters (Cinos, Gérin, Job, Chemins de Fer posters). They are no less interesting, especially as they are sometimes the work of important illustrators.

2394:. Léandre, the humorist from Montmartre, made a single contribution to the JOB collection. For the calendar, printed by Sirven in Toulouse, Léandre's young redheaded JOB woman, with her slightly enticing gaze, reflected the painter's boulevardier character. 2902: 2298:

reproductions that have been in vogue for the last ten years or so, and to bear in mind that these posters, which were intended for advertising purposes and are by no means cabinet prints, were often printed in different sizes and qualities in their day.

2752:

Until 1914, calendar, poster and postcard editions were commonplace. They became rarer during the war, but continued nonetheless. In the inter-war period, posters were mainly used to promote products for exportation to the colonies.

2346:

before her time, all the elements were in place to make this calendar the emblematic centerpiece of the JOB collection. After seducing Art Nouveau enthusiasts at the beginning of the 20th century, it was rediscovered in the 1960s by

367:

trying to reconstitute the JOB collection that the memory has been preserved, all the more so as the cards generally bear the references of the calendar or poster they reproduce. So, for the most part, the memory has been preserved.

341:

fin de siècle, Eugen Weber wrote that "women who smoked were low-class women or criminals", and in the 1890s, respectable women who smoked were considered "either eccentrics or feminists demanding gender equality". While Mucha's

699:

known as PAL (1855–1942, dates uncertain), painter, illustrator and poster artist. After studying art in Paris and London, he was active in France and the United States. In Paris, he produced numerous posters and contributed to

264:, dressed in blue on a black background, with the word JOB inscribed in red in the background. Above the drawing is the name Pierre Bardou-Job, the address of the Perpignan head office and below that of a Toulouse operator. 2285:

indicated that the JOB brand was "out of competition", meaning it won a medal. This clarification is important, as biographers have sometimes believed that the date corresponded to a medal received by the artist himself.

2453:. This rare calendar from the Champenois printing house in Paris featured a woman wearing a feathered hat. Today, the work is best known for the postcard corresponding to this calendar, published during the "Great War". 2327:. The first in a long series of smaller posters (51 × 38 cm). This work by Maurice, an unidentified artist, depicted a woman in profile, stylized in orange tones. The printer was Cassan Fils Toulouse-Paris. 121:

Alongside this well-referenced production, other works do not benefit from the widespread distribution offered by the postcard, either because they remained at the sketch stage, such as the soldiers imagined by

4012: 2408:, Maxence did it again in 1903, depicting a woman with a cigarette in a boat against a watery backdrop of water lilies. Finally, for his third calendar, Maxence, as usual, depicted a woman in a plant world. 2252:

Just as there is a large-format, vertical Gervais 1905 calendar postcard dating from around 1914, it's difficult to be exhaustive, as postcard issues were undoubtedly made elsewhere, but very sporadically.

4134:

L'auteur précise qu'« ils proposaient à leurs clients des dégressivités dans les prix qui pouvaient leur laisser croire que 10000 affiches reviendraient à peine plus cher que les 500 dont ils avaient

2351:

enthusiasts, and is still used and adapted today in countless works and derivative products. This calendar was the subject of numerous poster prints in slightly different shades. For his second creation,

2337:

JOB is world-famous. A splendid, dreamy creature with long, curving hair mingling with wisps of smoke, this "Mucha-style" woman is not to be trifled with by her admirers, whose detractors refer to her as

2435:

pleasant, high-quality work. The drawing was surrounded by a gray border, which was absent from posters and postcards. This calendar was marked "hors-concours Paris 1900", but there is no printer's mark.

4654: 3531: 2938: 752:. Initially a painter of religious subjects, he resolutely embarked on the path of poster and advertising art. As early as 1889, he was one of the first to produce postcards in Italy for the 2822:, an artist inspired by Art Nouveau, to update the brand's advertising posters. The result was a series of Famous Doubles posters, a commercial reference to the JOB factory's double packs. 2202:

This set included the entire series, i.e. 32 illustrations. This series is the rarest of all, and the print run must have been small. Logically, it is the only one to include the Hervé and

2215: 2499:. This wartime calendar featured a woman in a red suit imitating a uniform jacket. The calendar is quite rare, and the postcard, from the latest 1916 series, is almost impossible to find. 2441:

It featured a smiling woman enjoying a cigarette, the smoke from which formed the three letters JOB. The work was not decorated with a frieze or frame, as was often the case with borders.

4210: 2681:

Poster on green background of a "femme fatale", Printing company Sirven, Toulouse, 26 × 35.2 cm, in addition to JOB, the poster was also used by other brands, such as Anis Antich

57:

they enlisted the help of numerous artists, often their close friends, to advertise cigarette paper. Painters and illustrators representing the main artistic currents of the time, from

2269:

Each creation in the series was initially published as a calendar, and sometimes as a poster. The calendar was generally printed on cardboard, or at least on reinforced paper, with an

260:

Charles Ducup de St Paul, Camille's husband, and Jules Pams, Jeanne's husband. As evidence of this period, there is a gouache advertising project by Alfons Mucha showing a variant of

2382:. This was the painter's only contribution as a JOB woman. Hernández often painted portraits of young women, such as this one, pensive or dreamy and very much in tune with the times. 90:, all contributed. This collection of 32 works became known to the general public through calendar and poster prints, and was widely distributed as postcards in France and abroad. 2167:

also reported with beige floral motifs. The postcards were labelled " Papier à cigarettes JOB " (JOB rolling paper). They are of excellent printing quality and relatively rare.

2486:. The fact remains that, despite these relatively large print runs, the poster remains highly collectible among lovers of fine images, and its value is reflected in its price. 3892:, distinguishes between the 2nd 1910 series (i.e. 2nd and 3rd series respectively), whereas in 1987 the author Carmello Calò Carducci, "Une grande série La Collection JOB", 4312: 2950: 2914: 2482:, demonstrating the poster's success with the public. As for Devambez, its competitor, its aggressive sales practices also favored the large print runs of Cappiello, its 4039: 3798: 2376:. This calendar is atypical of the collection. There's no JOB woman here, but an elderly man, poorly lit by a kerosene lamp, dutifully preparing himself a JOB cigarette. 2981: 2969: 4016: 760:

Other illustrators include Cyprien Boulez, a portrait painter; Nguyen Duc Thuc; G. Maurice, possibly a pseudonym; and Félix Thuillière, a French military painter and

4092: 2645:". Patriotic series of posters on the various European army corps. The posters usually featured soldiers rolling or smoking cigarettes. Slogan, in French only, " 2727:

Poster showing an old Chinese man on a red background, size 52 × 36 cm, printed by Sirven, Toulouse. Poster dated 1923 by the Musée du Papier, Angoulême

185:

Painters, even the glories of academicism, were not reluctant to take part in the many poster and postcard competitions that were published in large numbers:

2878: 516:

before moving to Paris. A talented artist, he distinguished himself by the eclecticism of his work. He exhibited a variety of subjects several times at the

2784:

lithograph. After decades of disgrace, Art Nouveau returned to the forefront in the 1960s. In 1966, Alphonse Mucha's 1897 JOB poster was reinterpreted by

2273:

of the year notched into the cardboard, which has often been leafed through and disappeared. Posters were printed on paper, sometimes in deluxe editions.

248:: people bought what they saw, better than what they thought they saw. Such was the case with advertisements for the Bardou family's JOB cigarette paper. 4585: 3947: 2649:" ("smoke with JOB or don't smoke"), various medium-sized (approx. 50 cm) unsigned signs, example of illustration: gunner, French infantry soldier. 2228:

This is the rare 1908 postcard published for the Franco-British Exhibition in London by JOB's London office. It's a reproduction of Mucha's calendar (

2474:

was a great success and was republished. It is these reprints that are the most frequent, or least rare, today. The printer was either Vercasson or

673:, a curious esoteric work written in 1895 by Augustin de Croze, illustrated by Orazi and published in 777 copies. He illustrated numerous books for 661:(1860–1934) Italian school. Illustrator and poster artist in the Art Nouveau style, whose biography is still little studied. He produced scores for 4561: 4512: 3625: 2993: 3126: 3639: 2890: 220:. The use of the three primary colors (blue, yellow, red), to which black is added, makes it possible to obtain all possible shades and nuances. 4214: 4196: 3921: 690: 596: 494: 4237: 539: 4855: 4836: 4534: 4127: 3430: 3367: 3333: 3306: 2799:

As elsewhere in the world, in the last quarter of the 20th century, the fight against smoking became a public health priority in France. The

3017: 141:

The JOB collection is a significant example of the "marriage of Art and Industry", one of the foundations of Art Nouveau, in the field of

305:

202-page catalog announced "a description of the 1,690 most beautiful posters (...) and portraits of 48 of the leading artists". Indeed,

3937:" Paris, Sept.-Oct. 2008, about a mix-up by Jiri Mucha, biographer of Alphonse Mucha, who thought Jane Atché had backdated his calendar. 3729: 3687: 2926: 4901: 4350: 3758: 3610: 3585: 3480: 4487: 4435: 4282: 2866: 2850:

yesteryear still have their enthusiasts. The JOB collection will remain an outstanding, timeless example of advertising graphics.

483:(1873–1961), French school. He exhibited regularly at the Salon from 1897 onwards, winning awards including a bronze medal at the 502: 2756:

By the 1930s, there was little to report, and collaboration with artists became the exception. Of note, however, is a typically

4316: 3287:, the JOB virtual museum by Frédéric Vavasseur and Jean-Louis Venet; consultation of the website archives on February 25, 2013. 761: 4043: 3805: 2665:

Spanish woman, elegantly dressed woman smoking a cigarette on red background, Dimensions 50 × 40 cm or 43 × 30.5 cm

178:

and postcards were at their peak. It was a period of fundamental renewal for the arts; nature and the flower-woman were, like

3323: 2695:

Poster with a pair of Asian smokers facing each other in profile, size 160 × 120 cm, printed by Sirven, Toulouse Paris.

3080:(in French). L’Histoire par l’image (l’histoire de France à travers les collections des musées et les documents d'archives) 2709:

Poster depicting a meditating Buddha, size 52 × 38 cm, one of the JOB posters signed by A. Joyeux is conserved at the

4145: 2796:. Printed in San Francisco, to advertise a rock concert. But in both cases, it was no longer an order from the JOB brand. 2282: 2278: 600: 558: 484: 19: 3470: 4921: 4171: 321:. The latter's project was not retained, while Jane Atché's was taken over by the JOB company with a few modifications. 4096: 3950:(in French). Direction de la Culture de la Ville de Perpignan sous la coordination de Marie Costa. 2011. Archived from 3554: 2710: 865: 606: 1750: 1466: 437: 1055: 412: 670: 610: 4413: 3951: 2612:

Poster entitled Cosaque de la garde, size 55 × 36 cm, published by the printing house Cassan fils, Toulouse.

4065: 2846:, the emblematic character imagined by Leonetto Cappiello almost a century earlier, as if to "come full circle". 498: 454: 318: 123: 83: 509: 158: 3775: 3504: 4589: 493:(1863–1929), Spanish school. This painter is known for his drawings and poster illustrations. A member of the 467: 3005: 609:(1869–1942), French school. A Parisian painter, draftsman, lithographer and poster artist, he was a pupil of 4916: 2777: 2673: 2657: 621: 386: 3277:"Le site des collectionneurs, la collection Job, musée virtuel de Frédéric Vavasseur et Jean-Louis Venet". 2764:" (White Job cigarettes), by Swiss engraver Noël Fontanet (1898–1982), and the 1933 reprint of Cappiello's 1959: 236: 3862:

The author, Carmello Calò Carducci, was president of the Bari (Italy) Cartophile and Cultural Association.

2270: 1626: 1530: 1498: 1306: 1274: 1210: 273: 61: 651: 4612: 2290:

printers, both of which had branches in Toulouse and Paris. It's important to distinguish these vintage

731: 3578:

L'Indochine, un lieu d'échange culturel ?: les peintres français et indochinois, fin XIX-XX siècle

3896:, classified all these cards in the 2nd series, resulting in a shift in the numbering of later series. 1402: 487:. A portrait painter, his contribution as a poster artist and postcard illustrator is less well known. 480: 3053: 2819: 2561: 36: 4657:. eMuseumZurich University of the Arts Museum of Design Zurich Archive Zurich University of the Arts 2598:, size 55 x 36 cm, published by the printing house Cassan fils, Toulouse Paris and dated 1898. 634: 464:

Alongside these big names, other illustrators also contributed to the production of the collection:

296: 2823: 2422: 1434: 737: 718: 642: 546: 75: 24: 4574:. A poster by André Joyeux, depicting an old Chinese man, illustrated the "Indochinese adventure". 2572: 2459:

The poster depicts a gypsy woman smoking. It's a large poster, 129 × 94 cm, printed in Liège.

2401: 637:. In addition to his work for JOB, he participated in the major advertising series of the period ( 528: 442: 334: 330: 281: 127: 3662: 3400: 1688: 1562: 678: 432: 391: 256: 217: 50: 3101:"Perpignan à l'ère industrielle : l'exemple du papier à cigarettes Job (XIXe-début XXe s.)" 2834:, who appeared on the poster projects without their agreement. Famous Doubles were exhibited at 1146: 417: 35:

is a production of graphic works consisting of calendars, posters and postcards advertising the

4701: 3708: 3383:

Mitchell, Dolores (1991). "The "New Woman" as Prometheus, Women Artists Depict Women Smoking".

3236: 3077: 2580:

rare JOB poster of a firefighter sacrificing fire extinguishing to the pleasure of a cigarette

4906: 4851: 4832: 4346: 4123: 3754: 3606: 3581: 3476: 3426: 3363: 3329: 3302: 3149: 2831: 2551: 727: 696: 280:'s 1901 calendar, La femme rousse à l'orchidée, a Symbolist painting whose original is in the 252: 213: 65: 228:, they represented only "the small currency of art", they "sometimes give the idea of gold". 4911: 3392: 2827: 1975: 570: 458: 269: 4259: 3447: 3175: 1967: 4641: 3100: 2812: 2475: 2295: 833: 674: 613:

at Beaux Arts de Paris. He published vignettes in the humor magazines of the day, such as

523: 381: 314: 3071: 3069: 1023: 897: 701: 630: 490: 401: 198: 4368: 3733: 2358: 3122: 2804: 2519: 2261: 2203: 1991: 1953: 1812: 666: 584: 306: 225: 206: 167: 114: 91: 4677: 2560:

Poster bearing the text "out of competition Paris 1889", depicting a sensual woman or

4895: 3045: 2785: 1338: 1242: 1178: 961: 745: 592: 517: 422: 376: 310: 277: 186: 126:, or because they were only the subject of rare posters, such as the Spanish ones by 87: 43: 39: 2483: 4172:"«2028», Art Nouveau Posters, New York, Friday, December 17, 2004 Lot 104 Pal, Job" 3640:"Manuel Orazi (1860–1934) & Austin de Croze (Dates Unknown) Calendrier magique" 2839: 2789: 2620: 2524: 2343: 1594: 1087: 929: 753: 662: 658: 427: 407: 202: 142: 58: 4403:, referenced with photograph, following an auction, by International Poster Center 4213:(in French). Zurich University of the Arts Museum of Design Zurich. Archived from 1983: 333:(circa 1900), the poster by Manuel Orazi (circa 1900) and at least two posters by 4798: 4771: 3908: 3357: 633:, he produced a large number of posters, notably for the artistic printing house 538:, France, he was a portrait and genre painter. From 1903, he was a member of the 4562:"La dimension internationale des industries Bardou-Job, l'aventure indochinoise" 4488:"Vacation Art de la publicité, Lot 316 Job, Carton de vitrine d'après A. Joyeux" 2800: 2793: 2642: 2348: 2291: 1370: 749: 682: 665:

in Milan. In France, in 1896, he exhibited a lithograph and a magic calendar at

646: 550: 396: 354: 244:

Products such as cigarette rolling papers were promoted through advertising and

175: 131: 72: 68: 54: 3874:

Neudin 1980 – sixièmme année : L'argus International Des Cartes Postales -

3035: 364: 138:

artist Paul Harvey proposed a new version of the brand's advertising posters.

79: 3799:"l'Express du midi, édition de Toulouse du mardi 23 mars 1926, avis de décès" 102:, were a huge success and are still highly sought-after by collectors today. 4746: 3203: 3201: 3199: 3197: 3195: 3193: 245: 179: 42:

factory. Artistic in character, it was illustrated by renowned painters and

3933:

Quoted by Claudine Dhotel-Velliet in the Bibliothèque Nationale magazine, "

3856:

Carducci, Carmello Calò (July 1987). "Une grande série La Collection JOB".

2628:

Poster or print, woman in profile, not JOB branded but often cited as such

216:

reproduction process, a four-color printing technique developed in 1839 by

190: 520:. Museums in Toulouse and Paris have preserved some of his works, such as 2816: 2757: 765: 712: 535: 513: 255:

turned the cigarette-paper manufacturing workshops created by his father

135: 4513:"Affiche JOB par Joyeux, 1923 – Col. Musée du papier Le Nil d'Angoulême" 4633:

Some of the brand's beautiful modern school posters can be seen on the

3905:

see this 1913 postcard, which can only be assigned to the 1916 series.

3404: 706: 615: 588: 4865:

Calò Carducci, Carmello (1987). "Une grande série La Collection JOB".

4069: 105: 4436:"Vacation Art de la publicité, Lot 317 Job, Carton d'après A. Joyeux" 4197:

Firefighter, Wikimedia Commons, JOB poster circa 1900 by Louis Vallet

573:. He was a painter and illustrator of books on colonial life such as 554: 371:

Famous painters and designers who contributed to the JOB collection:

4150:

Museum of Design Zurich Archive of the Zurich University of the Arts

3508: 3396: 4120:

Affiches et art publicitaire: 7500 résultats de ventes aux enchères

3973: 3948:"Videos, Trésor à la Une, La Belle Époque des Bardoux-Musée Rigaud" 3580:(in French). Paris: École française d'Extrême-Orient. p. 151. 3423:

Affiches et art publicitaire: 7500 résultats de ventes aux enchères

685:, among others. His poster work included an advertising poster for 53:, were industrialists and patrons of the arts. From 1895 until the 4724: 2518: 2421: 2357: 2260: 2214: 1990: 1982: 1974: 1966: 1958: 1122:(Woman with flowers in her hair), "out of competition, Paris 1889" 741: 638: 466: 353: 295: 235: 209:

and the many painters whose main source of inspiration was women.

194: 157: 49:

The owners of the JOB brand, grandchildren and allies of founder

3804:(in French). Bibliothèque municipale de Toulouse. Archived from 3472:

Georges de Feure : maître du symbolisme et de l'Art nouveau

591:

painter is known for his grisaille figures. He exhibited at the

3744: 3742: 3416: 3414: 3284: 3209: 2400:. The original 1901 calendar, an oil on canvas, is now in the 1378:(Spanish girl in black vest), "out of competition, Paris 1900" 545:

André Joyeux (1871–?), French school. A former student at the

4793: 4678:"Picture gallery "Back in Holland 1941 – 1954" Reptiles 1943" 3283:

The article presents the website, which disappeared in 2004,

2412:

1902, 1904, 1905, 1909, 1910, 1911 and 1912 Gervais calendars

841:(The young chimney sweeper), "out of competition, Paris 1889" 2244:

is linked to the period reprints of this "successful" card.

969:(Woman in green and black), "out of competition, Paris 1889" 782:

Table of series of the JOB collection -Art Nouveau period-.

2826:

supported this graphic creation, unlike other artist duos,

1346:(Woman with prickly pear), "out of competition, Paris 1900" 999:(Woman on red background), "out of competition, Paris 1889" 4613:"Leonetto Cappiello (1875–1942) "JOB Papier a Cigarettes"" 4283:"Art de la publicité, vente aux enchères, 16 février 2013" 4013:"Affiche pour le papier JOB, Collection : Jane Atché" 3214:

Revue de la Bibliothèque Nationale, nouvelles de l'estampe

4464:. Catalogue collectif suisse des affiches. Archived from 2741:

Poster showing a woman in a summer dress carrying a fan

2564:, boldly dressed in a green dress near a bedside table. 2478:. The 1933 poster from Vercasson, Paris, bore the words 284:, is a portrait of Pierre Job-Bardou's daughter Jeanne. 2470:, one of the few JOB works to feature men. Cappiello's 2219:

Postcard by Alphonse Mucha, London office edition, 1908

508:

Joseph Granié (1866–1915), French school. A student of

4042:(in French). Musée du pays rabastinois. Archived from 4015:(in French). Musée du Pays rabastinois. Archived from 3998:

The Cigarette and the New Woman in Fin de Siècle Paris

2944:

Paul Jean Gervais, calendrier 1910 avec son éphéméride

2194:

marked "postcard". The printing quality is very good.

3996:

website of the University of Florida, page 17 of the

3702: 3700: 3028:

The year indicated corresponds to the calendar date.

2884:

Jules Chéret, calendrier 1896 avec sa frise en zigzag

1282:(Woman with a mask), "out of competition, Paris 1900" 553:

around 1900. In 1906, he exhibited paintings for the

272:

spent his vacations with the Bardou-Pams family, and

4535:"Saint-Girons. Les débuts de la saga de la Moulasse" 4357:

with a photograph of this poster and its description

3507:(in French). Mutoscope Pin-Up World!. Archived from 2466:

left the over-exploited female repertoire to create

1901:

Note a large reprint of Cappiello's poster in 1933.

477:

to cartophiles for his enormous output of postcards.

337:(circa 1915), to name but a few well-known artists. 276:

and Alphonse Mucha were close friends. What's more,

3475:(in French). Courbevoie: ACR édition. p. 236. 3448:"Soldat anglais fumant sa pipe. Projet non exécuté" 1250:(Woman in a boat), "out of competition, Paris 1900" 4883:"Le site des collectionneurs. La collection JOB". 4345:(in Catalan). Infiesta Editor. p. 73 and 75. 3155:(in French). musée des Beaux-Arts Hyacinthe Rigaud 1898:Work originally published as a calendar and poster 873:(woman with cat), "out of competition, Paris 1889" 561:. He became the first teacher and director of the 149:JOB, advertising and Art Nouveau artistic creation 205:, covered the walls of Paris, paving the way for 4336: 4334: 3356:Gilman, Sander L.; Zhou, Xun (4 November 2004). 4315:. Chisholm-Larsson Galery. 1914. Archived from 1874:No poster print run or print run still unknown 734:in 1893. He moved to the United States in 1900. 534:Gabriel Hervé (1868–?), French school. Born in 4822:Documents used as a source for this article. 4727:. Arts, Images du Mouvement Ouvrier et Social 212:Based on artists' designs, printers used the 8: 4747:"Stuckism Paul Harvey (Newcastle Stuckists)" 4393:. Poster Please, International Poster Center 3148:Doumeyrou, Élisabeth; Praca, Edwige (2011). 3127:"Projet de publicité pour Pierre Bardou-job" 581:(Paris: Maurice Bauche, 1912), among others. 3851: 3849: 3847: 3845: 3843: 3841: 3532:"Inventaire général du patrimoine culturel" 3272: 3270: 3268: 3266: 3264: 3262: 3260: 3258: 3256: 3254: 3208:Dhotel-Velliet, Claudine (September 2008). 1820:(Portrait of a woman on a brown background) 4068:. Je veux une rousse. 2012. Archived from 2530: 2342:i". An icon of the "advertising woman", a 2302:Here is a brief description of the works. 780: 232:Bardou family, industrialists and sponsors 3974:"Alphons Mucha, arts décoratifs, " Job "" 3909:"carte postale du Calendrier 1913 Granié" 3281:(in French) (390): 11. November 23, 2001. 2811:Nevertheless, in 2008, JOB asked British 2331:1897 Mucha calendar and 1898 Mucha poster 2086:Squares, rhombuses + Lyon printer's mark 756:, as well as various Art Nouveau posters. 547:École nationale supérieure des Beaux-Arts 4827:Fanetti, Giovanni; Godoli, Ezio (1992). 4792:The poster can be viewed on the website 4655:"Algérienne – Job (Original Plakattext)" 4310:See the anonymous poster of the gunner: 3907:Wikimedia Commons, ed. (March 2, 2013). 3555:"Toulouse-Lautrec en son nouveau palais" 3328:. Harvard University Press. p. 29. 1998: 1841: 449:Not to forget the unpublished projects: 104: 46:, mainly during the Art Nouveau period. 18: 16:Collection of adverts for rolling papers 4700:Miller, Stanley; Kelley, Alton (1966). 4462:"JOB tabac cigares cigarettes A Joyeux" 4095:. drouot.com catalogues. Archived from 4066:"Femme à l'orchidée par Edgard Maxence" 3749:Fanelli, Giovanni; Godoli (June 1992). 3601:Fanelli, Giovanni; Godoli (June 1992). 3576:André-Pallois, Nadine (February 1998). 3065: 2965: 2862: 2678:Spain: Spanish girl with pearl necklace 1871:Work originally published as a calendar 625:, and was a regular participant in the 251:In the second half of the 19th century 197:... Thousands of posters of cartoonist 182:, a source of inspiration for artists. 3922:Leonetto Cappiello postcard on Commons 3605:(in French). Celiv-Eddl. p. 352. 1933:Cartes postales and collection, n° 116 569:) founded in 1913 on the outskirts of 457:and a series of four smoking women by 4887:(in French) (390). November 23, 2001. 3894:Cartes postales et Collection, n° 116 3834:(in French) (170): 6. March 21, 1997. 3753:(in French). Celiv-Eddl. p. 36. 2638:Militaria: Soldiers on the front line 2398:1901, 1903 and 1905 Maxence calendars 1885:Work originally published as a poster 7: 3994:This rare sketch can be seen on the 3642:(in French). Swann Auction Galleries 744:painter was a representative of the 201:'s famous Chérette, ancestor of the 3446:de Toulouse Lautrec, Henri (1898). 3299:Mucha, le triomphe du moderne style 2920:Félix Thuillière, affiche vers 1900 2445:1908 and 1914 Rochegrosse calendars 1092:La Femme brune (The Brunette woman) 512:, this painter began his career in 4878:(in French) (170). March 21, 1997. 4093:"Papier à cigarettes JOB le Pacha" 3359:Smoke: A Global History of Smoking 3301:(in French). Terrail. p. 71. 2641:Soldiers at the front during the " 2279:Paris Universal Exhibition of 1889 1120:Femme avec fleurs dans les cheveux 905:, "out of competition, Paris 1889" 740:(1865-1906), Italian school. This 268:and renowned painters were close: 14: 3876:(in French). Neudin. p. 170. 3362:. Sander L. Gilman. p. 294. 3011:Paul Jean Gervais, 1912 postcard 2257:Brief description of series works 1818:Portrait de femme sur fond marron 1218:(Woman with a bouquet of flowers) 722:and Le Frou-Frou. He illustrated 587:(1867–1948), French school. This 567:Trường Mỹ nghệ thực hành Gia Định 501:. His works are exhibited at the 3038: 3016: 3004: 2999:Paul Jean Gervais, 1905 postcard 2992: 2987:Paul Jean Gervais, 1904 postcard 2980: 2975:Paul Jean Gervais, 1902 postcard 2968: 2956:Paul Jean Gervais, affiche 1911 2949: 2937: 2932:Armand Rassenfosse, affiche 1910 2925: 2913: 2901: 2889: 2877: 2865: 2838:, a contemporary art gallery in 2493:importance in the export market. 2114:5th known as "The Great Series". 2106:(JOB collection, JOB cigarettes) 1941:La vie du collectionneur, n° 390 1928:La vie du collectionneur, n° 170 1634:(Woman on an aquatic background) 704:humor and art magazines such as 691:Société Nationale des Beaux-Arts 629:(Humorists Show). Influenced by 599:. He was awarded a medal at the 597:Société Nationale des Beaux-Arts 503:National Art Museum of Catalonia 495:Société Nationale des Beaux-Arts 94:'s two most famous productions, 4635:Swiss Poster Catalogue website. 4341:Escala I Romeu, Gloria (2004). 4146:"Lithografie Job – Eugène Loup" 3887:La vie du collectionneur n° 170 3469:Millman, Ian (September 1996). 3297:Ellridge, Arthur (April 1992). 358:1914 Leonetto Cappiello poster. 4040:"Collection : Jane Atché" 3534:(in French). French government 3210:"Jane Atché : Le mystère" 3178:. Réunion des Musées Nationaux 2859:Selected calendars and posters 2692:Colonies: Asian smoking couple 2662:Spain: cigarette-smoking woman 1912:Serial year of postcard prints 1724:la grande marque française JOB 1472:Femme à la guirlande de fleurs 1186:(Red-haired woman with orchid) 471:1898 Daniel Hernández Calendar 1: 4867:Cartes Postales et Collection 4850:(in French). Editions Mayer. 4829:Art nouveau. La carte postale 4588:. Galerie 123. Archived from 4240:(in French). Antikbar website 3858:Cartes Postales et Collection 3751:Art nouveau, la carte postale 3603:Art nouveau, la carte postale 3450:(in French). Sept Deniers Web 2872:Firmin Bouisset, affiche 1895 2776:JOB inspired artists such as 2362:1900 Charles Léandre calendar 2277:border. The reference to the 2104:collection JOB Cigarettes JOB 1938:imuseejob.free.fr website and 559:Marseille colonial exhibition 540:Société des Artistes Français 4848:Affiches et art publicitaire 4611:Cappiello, Leonetto (1933). 4560:Les amis des Bardou (2012). 4391:"Lot 162: Job. Gaspar Camps" 3285:http://www.imuséejob.free.fr 3150:"La Belle Époque des Bardou" 3103:. Perpignan une et plurielle 3023:Joseph Granié, 1913 postcard 2647:fumez le JOB ou ne fumez pas 2506:series (1916), is very rare. 1726:(the great French brand JOB) 1506:(Woman with bouquet in hand) 1504:Femme avec bouquet à la main 1344:Femme au figuier de Barbarie 730:, a collection published by 4515:. Les amis des Bardou. 1923 4238:"Fumez Job ou ne fumez pas" 4211:"Fumez Job ou ne fumez pas" 4170:de Paléologu, Jean (1897). 4091:Leonetto Cappiello (1933). 3776:"Félix Thuilliere (French)" 3530:Duvocelle, Julien-Adolphe. 2625:Art nouveau: Female profile 1751:Georges-Antoine Rochegrosse 1538:(Woman with black mantilla) 1474:(Woman with flower garland) 1467:Georges-Antoine Rochegrosse 1410:(Woman on brown background) 790:Postcard print, series of: 593:Salon des artistes français 579:La Vie des grandes colonies 518:Salon des artistes français 438:Georges-Antoine Rochegrosse 309:worked alongside the young 154:Advertising and Art Nouveau 4938: 4794:http://www.3ammagazine.com 4725:"JOB. Dessins d'une lutte" 4702:"Alton Kelley (1940–2008)" 4236:Thuillière, Félix (1900). 4209:Thuillière, Félix (1898). 3797:Thuillière Family (1926). 3734:Notice of authority person 3709:"Manuel Orazi (1860–1934)" 2896:Jules Chéret, affiche 1896 2557:Art nouveau: sensual woman 1963:1903 series, D. Hernández. 1843:Key for reading the table 1664:(Woman with feathered hat) 1216:Femme au bouquet de fleurs 1063:(Woman with green cushion) 787:JOB collection composition 292:JOB Art Nouveau Collection 240:1904 Paul Gervais calendar 4343:Gaspar Camps: Gent Nostra 3626:Magic calendar on Commons 3557:(in French). www.evene.fr 3237:"Papier à cigarettes JOB" 3078:"Papier à cigarettes JOB" 2724:Colonies: old Chinese man 2609:Militaria: Guard Cossacks 2426:1906 Ramon Casas calendar 2406:Femme rousse à l'orchidée 1786:Femme à la jaquette rouge 1662:Femme au chapeau à plumes 1536:Femme à la mantille noire 1184:Femme rousse à l'orchidée 789: 786: 748:, the Italian version of 689:. He was a member of the 601:1900 Universal Exhibition 499:1889 Universal Exhibition 485:1900 Universal Exhibition 455:Henri de Toulouse-Lautrec 319:Henri de Toulouse-Lautrec 300:1900 Louis Vallet poster. 124:Henri de Toulouse-Lautrec 4902:Cigarette rolling papers 4885:La Vie du Collectionneur 4876:La Vie du Collectionneur 4723:Tellier, Emeric (2011). 4586:"Cigarettes Job blanche" 4038:Ahlsell de Toulza, Guy. 3832:La Vie du Collectionneur 3707:Moretti, Mattia (2011). 3553:Auguste, Cécile (2012). 3279:La Vie du Collectionneur 3239:. L’Histoire par l’image 2908:Jane Atché, affiche 1896 2457:1910 Rassenfosse poster. 2265:1897 G. Maurice calendar 1979:1911 series, P. Gervais. 1632:Femme sur fond aquatique 575:Silhouettes Saigonnaises 565:School of Applied Arts ( 497:, he won a prize at the 4874:"La "Collection Job"". 4704:. World Music, Ken Hunt 4584:Fontanet, Noël (1930). 4493:. Ivoire Chartres. 2013 4441:. Ivoire Chartres. 2013 3176:"La Femme à l'orchidée" 2778:Maurits Cornelis Escher 2762:Cigarettes Job blanches 2480:13th edition, June 1933 2418:1906 Duvocelle calendar 2380:1898 Hernández calendar 2035:Papier à Cigarettes JOB 1995:1916 series, J. Granié. 1971:1910 series, L. Graner. 1788:(Woman in a red jacket) 1376:Espagnole au gilet noir 834:Étienne Firmin Bouisset 671:Maison de l'Art Nouveau 4367:Camps, Gaspar (2005). 3935:Nouvelles de l'Estampe 3174:Edgar Maxence (1900). 2815:musician, painter and 2713:and dated Circa 1910. 2711:Bibliothèque de Genève 2706:Colonies : Buddha 2577:Humor: the firefighter 2528: 2463:1914 Cappiello poster. 2427: 2363: 2266: 2220: 2132:Frieze flower garland 1996: 1988: 1980: 1972: 1964: 1442:(Woman with blue veil) 549:in Paris, he moved to 472: 359: 301: 241: 171: 118: 28: 4846:Weill, Alain (1987). 4801:. 3:AM Magazine. 2009 4774:. 3:AM Magazine. 2009 4653:Brun, Donald (1961). 4260:"Manuel Orazi poster" 4118:Weill, Alain (1987). 3830:"La Collection Job". 3778:(in French). arnet.fr 3421:Weill, Alain (1987). 3325:France: Fin de Siècle 3322:Weber, Eugen (1986). 2522: 2490:1914 Duc Thuc poster. 2425: 2392:1900 Léandre calendar 2361: 2325:1897 Maurice calendar 2313:1895 Meunier Calendar 2294:from the more recent 2264: 2224:Mucha's London office 2218: 1994: 1987:1914 series, A. Asti. 1986: 1978: 1970: 1962: 1758:(Oriental with tiara) 1061:Femme au coussin vert 1031:(Old man with a lamp) 967:Femme en vert et noir 470: 451:Soldat fumant sa pipe 357: 299: 239: 161: 134:effect, and in 2008, 108: 22: 4831:(in French). Celiv. 4676:Escher, M.C (1943). 4369:"JOB Papel de Fumar" 4122:. Mayer. p. 8. 3425:(in French). Mayer. 3129:(in French). Arcadja 3076:Nourrisson, Didier. 3054:JOB (rolling papers) 2803:law of 1976 and the 2591:Militaria: The spahi 2451:1913 Granié calendar 2439:1907 Villa calendar. 2432:1906 Casas calendar. 2374:1898 Graner calendar 2319:1896 Chéret calendar 2307:1895 Bouisset poster 2185:smooth backgrounds. 2040:Art Nouveau flowers 2011:Postcard orientation 1756:Orientale au diadème 1029:Vieillard à la lampe 997:Femme sur fond rouge 732:Editions Charpentier 724:Petits poèmes russes 627:Salon des Humoristes 622:L'Assiette au Beurre 4922:Postcard publishers 4680:. The Official Site 4541:. February 27, 2011 4460:Joyeux, A. (1910). 4072:on 2 September 2013 3774:Thuilliere, Félix. 3385:Woman's Art Journal 3235:Didier Nourrisson. 2748:In 20th-century art 2503:1916 Loup calendar. 2497:1915 Hervé calendar 2292:lithographic prints 2155:Squares, rhombuses 2109:Squares, rhombuses 2063:Squares, rhombuses 2037:(JOB rolling paper) 1844: 1440:Femme au voile bleu 783: 652:Collection des cent 76:Georges Rochegrosse 4869:(in French) (116). 4640:2016-03-03 at the 4539:La Dépêche du Midi 4414:"Tabac JOB Joyeux" 4281:Chartres, Ivoire. 4262:. Sept Deniers Web 4019:on 7 February 2016 4011:photo GAT (1896). 3976:. Lagribouille.com 3954:on 1 February 2013 3860:(in French) (116). 3667:vincentlecuyer.com 3661:Lécuyer, Vincent. 3511:on 26 January 2013 2962:Selected postcards 2824:Gilbert and George 2794:psychedelic effect 2552:Jean de Paleologue 2529: 2428: 2386:1899 Asti calendar 2364: 2267: 2221: 1997: 1989: 1981: 1973: 1965: 1842: 1689:Leonetto Cappiello 1563:Armand Rassenfosse 1154:(Red-haired woman) 937:(The blonde woman) 781: 679:Charles Baudelaire 611:William Bouguereau 473: 433:Armand Rassenfosse 392:Leonetto Cappiello 360: 302: 242: 218:Godefroy Engelmann 172: 119: 29: 4857:978-2-85299-003-6 4838:978-2-86535-158-9 4564:. amis des bardou 4129:978-2-85299-003-6 3890:of March 21, 1997 3811:on 7 January 2014 3690:La Maison moderne 3432:978-2-85299-003-6 3369:978-1-86189-200-3 3335:978-0-674-31813-7 3308:978-2-87939-047-5 3216:(in French) (219) 3099:E. Praca (2004). 2832:The White Stripes 2745: 2744: 2368:1897 Atché poster 2333:. Mucha's famous 2159: 2158: 2017:Ornament/Printer 1919: 1918: 1915:2 series in 1910 1840: 1839: 1627:Paul Jean Gervais 1602:(Woman with vase) 1595:Paul Jean Gervais 1531:Paul Jean Gervais 1499:Paul Jean Gervais 1408:Femme fond marron 1314:(Woman in yellow) 1307:Paul Jean Gervais 1275:Paul Jean Gervais 1211:Paul Jean Gervais 839:Le jeune ramoneur 697:Jean de Paleologu 687:La maison moderne 408:Paul Jean Gervais 325:workers. Mucha's 274:Paul Jean Gervais 253:Pierre Bardou-Job 214:chromolithography 66:Catalan Modernist 62:Paul Jean Gervais 4929: 4888: 4879: 4870: 4861: 4842: 4811: 4810: 4808: 4806: 4790: 4784: 4783: 4781: 4779: 4768: 4762: 4761: 4759: 4757: 4743: 4737: 4736: 4734: 4732: 4720: 4714: 4713: 4711: 4709: 4697: 4691: 4689: 4687: 4685: 4673: 4667: 4666: 4664: 4662: 4650: 4644: 4631: 4625: 4624: 4622: 4620: 4608: 4602: 4601: 4599: 4597: 4581: 4575: 4573: 4571: 4569: 4557: 4551: 4550: 4548: 4546: 4531: 4525: 4524: 4522: 4520: 4509: 4503: 4502: 4500: 4498: 4492: 4484: 4478: 4477: 4475: 4473: 4457: 4451: 4450: 4448: 4446: 4440: 4432: 4426: 4425: 4423: 4421: 4410: 4404: 4402: 4400: 4398: 4387: 4381: 4380: 4378: 4376: 4364: 4358: 4356: 4338: 4329: 4328: 4326: 4324: 4308: 4302: 4301: 4299: 4297: 4287: 4278: 4272: 4271: 4269: 4267: 4256: 4250: 4249: 4247: 4245: 4233: 4227: 4226: 4224: 4222: 4206: 4200: 4194: 4188: 4187: 4185: 4183: 4167: 4161: 4160: 4158: 4157: 4142: 4136: 4133: 4115: 4109: 4108: 4106: 4104: 4088: 4082: 4081: 4079: 4077: 4062: 4056: 4055: 4053: 4051: 4046:on 8 August 2016 4035: 4029: 4028: 4026: 4024: 4008: 4002: 3992: 3986: 3985: 3983: 3981: 3970: 3964: 3963: 3961: 3959: 3944: 3938: 3931: 3925: 3919: 3913: 3912: 3903: 3897: 3884: 3878: 3877: 3872:Neudin, Gérard. 3869: 3863: 3861: 3853: 3836: 3835: 3827: 3821: 3820: 3818: 3816: 3810: 3803: 3794: 3788: 3787: 3785: 3783: 3771: 3765: 3764: 3746: 3737: 3727: 3721: 3720: 3718: 3716: 3704: 3695: 3688:advertising for 3685: 3679: 3678: 3676: 3674: 3658: 3652: 3651: 3649: 3647: 3635: 3629: 3623: 3617: 3616: 3598: 3592: 3591: 3573: 3567: 3566: 3564: 3562: 3550: 3544: 3543: 3541: 3539: 3527: 3521: 3520: 3518: 3516: 3500: 3494: 3493: 3491: 3489: 3466: 3460: 3459: 3457: 3455: 3443: 3437: 3436: 3418: 3409: 3408: 3380: 3374: 3373: 3353: 3347: 3346: 3344: 3342: 3319: 3313: 3312: 3294: 3288: 3282: 3274: 3249: 3248: 3246: 3244: 3232: 3226: 3225: 3223: 3221: 3205: 3188: 3187: 3185: 3183: 3171: 3165: 3164: 3162: 3160: 3154: 3145: 3139: 3138: 3136: 3134: 3119: 3113: 3112: 3110: 3108: 3096: 3090: 3089: 3087: 3085: 3073: 3048: 3043: 3042: 3041: 3020: 3008: 2996: 2984: 2972: 2953: 2941: 2929: 2917: 2905: 2893: 2881: 2869: 2828:The Mighty Boosh 2773:(Algerian Job). 2738:Woman with a fan 2606:Félix Thuillière 2594:Poster entitled 2588:Félix Thuillière 2531: 2211:Single postcards 2152:(JOB collection) 2129:(JOB collection) 2083:(JOB collection) 2060:(JOB collection) 1999: 1845: 1403:Julien Duvocelle 1056:Daniel Hernández 935:La Femme blonde, 784: 577:(Saigon, 1909), 557:pavilion at the 510:Jean-Léon Gérôme 481:Julien Duvocelle 459:Georges de Feure 413:Daniel Hernández 270:Georges de Feure 59:academic painter 4937: 4936: 4932: 4931: 4930: 4928: 4927: 4926: 4892: 4891: 4882: 4873: 4864: 4858: 4845: 4839: 4826: 4820: 4815: 4814: 4804: 4802: 4799:"Famous double" 4797: 4791: 4787: 4777: 4775: 4772:"Famous double" 4770: 4769: 4765: 4755: 4753: 4745: 4744: 4740: 4730: 4728: 4722: 4721: 4717: 4707: 4705: 4699: 4698: 4694: 4683: 4681: 4675: 4674: 4670: 4660: 4658: 4652: 4651: 4647: 4642:Wayback Machine 4632: 4628: 4618: 4616: 4615:. Posterpassion 4610: 4609: 4605: 4595: 4593: 4592:on 3 March 2016 4583: 4582: 4578: 4567: 4565: 4559: 4558: 4554: 4544: 4542: 4533: 4532: 4528: 4518: 4516: 4511: 4510: 4506: 4496: 4494: 4490: 4486: 4485: 4481: 4471: 4469: 4468:on 3 March 2016 4459: 4458: 4454: 4444: 4442: 4438: 4434: 4433: 4429: 4419: 4417: 4412: 4411: 4407: 4396: 4394: 4389: 4388: 4384: 4374: 4372: 4366: 4365: 4361: 4353: 4340: 4339: 4332: 4322: 4320: 4319:on 3 March 2016 4311: 4309: 4305: 4295: 4293: 4285: 4280: 4279: 4275: 4265: 4263: 4258: 4257: 4253: 4243: 4241: 4235: 4234: 4230: 4220: 4218: 4217:on 3 March 2016 4208: 4207: 4203: 4195: 4191: 4181: 4179: 4169: 4168: 4164: 4155: 4153: 4144: 4143: 4139: 4130: 4117: 4116: 4112: 4102: 4100: 4099:on 3 March 2016 4090: 4089: 4085: 4075: 4073: 4064: 4063: 4059: 4049: 4047: 4037: 4036: 4032: 4022: 4020: 4010: 4009: 4005: 3993: 3989: 3979: 3977: 3972: 3971: 3967: 3957: 3955: 3946: 3945: 3941: 3932: 3928: 3920: 3916: 3906: 3904: 3900: 3885: 3881: 3871: 3870: 3866: 3855: 3854: 3839: 3829: 3828: 3824: 3814: 3812: 3808: 3801: 3796: 3795: 3791: 3781: 3779: 3773: 3772: 3768: 3761: 3748: 3747: 3740: 3728: 3724: 3714: 3712: 3706: 3705: 3698: 3686: 3682: 3672: 3670: 3660: 3659: 3655: 3645: 3643: 3638:Bergé, Pierre. 3637: 3636: 3632: 3624: 3620: 3613: 3600: 3599: 3595: 3588: 3575: 3574: 3570: 3560: 3558: 3552: 3551: 3547: 3537: 3535: 3529: 3528: 3524: 3514: 3512: 3503:Kevin Freeman. 3502: 3501: 3497: 3487: 3485: 3483: 3468: 3467: 3463: 3453: 3451: 3445: 3444: 3440: 3433: 3420: 3419: 3412: 3397:10.2307/1358183 3382: 3381: 3377: 3370: 3355: 3354: 3350: 3340: 3338: 3336: 3321: 3320: 3316: 3309: 3296: 3295: 3291: 3276: 3275: 3252: 3242: 3240: 3234: 3233: 3229: 3219: 3217: 3207: 3206: 3191: 3181: 3179: 3173: 3172: 3168: 3158: 3156: 3152: 3147: 3146: 3142: 3132: 3130: 3123:Mucha, Alphonse 3121: 3120: 3116: 3106: 3104: 3098: 3097: 3093: 3083: 3081: 3075: 3074: 3067: 3062: 3044: 3039: 3037: 3034: 3024: 3021: 3012: 3009: 3000: 2997: 2988: 2985: 2976: 2973: 2964: 2957: 2954: 2945: 2942: 2933: 2930: 2921: 2918: 2909: 2906: 2897: 2894: 2885: 2882: 2873: 2870: 2861: 2856: 2750: 2603:circa 1900–1910 2513: 2511:Other creations 2259: 2213: 2200: 2191: 2182: 2173: 2164: 2008:N° of postcards 1949: 1722:Chinese scene, 1719:Nguyen Duc Thuc 1280:Femme au masque 1248:Femme en barque 1147:Charles Léandre 866:Georges Meunier 779: 777:Table of series 774: 762:academy officer 675:Edgar Allan Poe 607:Georges Meunier 524:Yvette Guilbert 447: 418:Charles Léandre 382:Firmin Bouisset 352: 343:La Femme Blonde 327:La Femme Blonde 315:Firmin Bouisset 294: 262:La Femme Blonde 234: 156: 151: 111:La femme blonde 109:1897 calendar. 96:La femme blonde 84:Charles Léandre 17: 12: 11: 5: 4935: 4933: 4925: 4924: 4919: 4917:Graphic design 4914: 4909: 4904: 4894: 4893: 4890: 4889: 4880: 4871: 4862: 4856: 4843: 4837: 4819: 4816: 4813: 4812: 4785: 4763: 4738: 4715: 4692: 4668: 4645: 4626: 4603: 4576: 4552: 4526: 4504: 4479: 4452: 4427: 4416:. postersparis 4405: 4382: 4359: 4351: 4330: 4313:"Fumez le Job" 4303: 4273: 4251: 4228: 4201: 4189: 4162: 4137: 4135:besoin. » 4128: 4110: 4083: 4057: 4030: 4003: 3987: 3965: 3939: 3926: 3914: 3898: 3879: 3864: 3837: 3822: 3789: 3766: 3759: 3738: 3722: 3696: 3680: 3663:"Manuel Orazi" 3653: 3630: 3618: 3611: 3593: 3586: 3568: 3545: 3522: 3495: 3481: 3461: 3438: 3431: 3410: 3375: 3368: 3348: 3334: 3314: 3307: 3289: 3250: 3227: 3189: 3166: 3140: 3114: 3091: 3064: 3063: 3061: 3058: 3057: 3056: 3050: 3049: 3033: 3030: 3026: 3025: 3022: 3015: 3013: 3010: 3003: 3001: 2998: 2991: 2989: 2986: 2979: 2977: 2974: 2967: 2963: 2960: 2959: 2958: 2955: 2948: 2946: 2943: 2936: 2934: 2931: 2924: 2922: 2919: 2912: 2910: 2907: 2900: 2898: 2895: 2888: 2886: 2883: 2876: 2874: 2871: 2864: 2860: 2857: 2855: 2852: 2836:Wanted Gallery 2780:with his 1943 2771:Algérienne Job 2749: 2746: 2743: 2742: 2739: 2736: 2735:Cyprien Boulez 2733: 2729: 2728: 2725: 2722: 2719: 2715: 2714: 2707: 2704: 2701: 2697: 2696: 2693: 2690: 2687: 2683: 2682: 2679: 2676: 2671: 2667: 2666: 2663: 2660: 2655: 2651: 2650: 2639: 2636: 2634: 2630: 2629: 2626: 2623: 2618: 2614: 2613: 2610: 2607: 2604: 2600: 2599: 2592: 2589: 2586: 2582: 2581: 2578: 2575: 2570: 2566: 2565: 2558: 2555: 2549: 2545: 2544: 2541: 2538: 2535: 2512: 2509: 2508: 2507: 2500: 2494: 2487: 2460: 2454: 2448: 2442: 2436: 2429: 2415: 2409: 2395: 2389: 2383: 2377: 2371: 2365: 2354:La femme brune 2328: 2322: 2316: 2310: 2258: 2255: 2250: 2249: 2241: 2240: 2226: 2225: 2212: 2209: 2199: 2196: 2190: 2187: 2181: 2178: 2172: 2169: 2163: 2160: 2157: 2156: 2153: 2150:collection JOB 2147: 2144: 2141: 2138: 2134: 2133: 2130: 2127:collection JOB 2124: 2121: 2118: 2115: 2111: 2110: 2107: 2101: 2098: 2095: 2092: 2088: 2087: 2084: 2081:collection JOB 2078: 2075: 2072: 2069: 2065: 2064: 2061: 2058:collection JOB 2055: 2052: 2049: 2046: 2042: 2041: 2038: 2032: 2029: 2026: 2023: 2019: 2018: 2015: 2012: 2009: 2006: 2003: 1948: 1945: 1944: 1943: 1935: 1930: 1917: 1916: 1913: 1910: 1908: 1906: 1903: 1902: 1899: 1896: 1894: 1892: 1889: 1888: 1886: 1883: 1881: 1879: 1876: 1875: 1872: 1869: 1867: 1865: 1862: 1861: 1858: 1855: 1852: 1849: 1838: 1837: 1835: 1833: 1831: 1829: 1827: 1825: 1823: 1821: 1815: 1810: 1806: 1805: 1803: 1801: 1799: 1797: 1795: 1793: 1791: 1789: 1783: 1780: 1776: 1775: 1773: 1771: 1769: 1767: 1765: 1763: 1761: 1759: 1753: 1748: 1744: 1743: 1741: 1739: 1737: 1735: 1733: 1731: 1729: 1727: 1720: 1717: 1713: 1712: 1710: 1708: 1706: 1704: 1702: 1700: 1698: 1696: 1691: 1686: 1682: 1681: 1679: 1677: 1675: 1673: 1671: 1669: 1667: 1665: 1659: 1656: 1652: 1651: 1649: 1647: 1645: 1643: 1641: 1639: 1637: 1635: 1629: 1624: 1620: 1619: 1617: 1615: 1613: 1611: 1609: 1607: 1605: 1603: 1597: 1592: 1588: 1587: 1585: 1583: 1581: 1579: 1577: 1575: 1573: 1571: 1565: 1560: 1556: 1555: 1553: 1551: 1549: 1547: 1545: 1543: 1541: 1539: 1533: 1528: 1524: 1523: 1521: 1519: 1517: 1515: 1513: 1511: 1509: 1507: 1501: 1496: 1492: 1491: 1489: 1487: 1485: 1483: 1481: 1479: 1477: 1475: 1469: 1464: 1460: 1459: 1457: 1455: 1453: 1451: 1449: 1447: 1445: 1443: 1437: 1432: 1428: 1427: 1425: 1423: 1421: 1419: 1417: 1415: 1413: 1411: 1405: 1400: 1396: 1395: 1393: 1391: 1389: 1387: 1385: 1383: 1381: 1379: 1373: 1368: 1364: 1363: 1361: 1359: 1357: 1355: 1353: 1351: 1349: 1347: 1341: 1336: 1332: 1331: 1329: 1327: 1325: 1323: 1321: 1319: 1317: 1315: 1312:Femme en jaune 1309: 1304: 1300: 1299: 1297: 1295: 1293: 1291: 1289: 1287: 1285: 1283: 1277: 1272: 1268: 1267: 1265: 1263: 1261: 1259: 1257: 1255: 1253: 1251: 1245: 1240: 1236: 1235: 1233: 1231: 1229: 1227: 1225: 1223: 1221: 1219: 1213: 1208: 1204: 1203: 1201: 1199: 1197: 1195: 1193: 1191: 1189: 1187: 1181: 1176: 1172: 1171: 1169: 1167: 1165: 1163: 1161: 1159: 1157: 1155: 1149: 1144: 1140: 1139: 1137: 1135: 1133: 1131: 1129: 1127: 1125: 1123: 1117: 1114: 1110: 1109: 1107: 1105: 1103: 1101: 1099: 1097: 1095: 1093: 1090: 1085: 1081: 1080: 1078: 1076: 1074: 1072: 1070: 1068: 1066: 1064: 1058: 1053: 1049: 1048: 1046: 1044: 1042: 1040: 1038: 1036: 1034: 1032: 1026: 1021: 1017: 1016: 1014: 1012: 1010: 1008: 1006: 1004: 1002: 1000: 994: 991: 987: 986: 984: 982: 980: 978: 976: 974: 972: 970: 964: 959: 955: 954: 952: 950: 948: 946: 944: 942: 940: 938: 932: 927: 923: 922: 920: 918: 916: 914: 912: 910: 908: 906: 900: 895: 891: 890: 888: 886: 884: 882: 880: 878: 876: 874: 868: 863: 859: 858: 856: 854: 852: 850: 848: 846: 844: 842: 836: 831: 827: 826: 823: 820: 817: 814: 811: 808: 805: 802: 799: 796: 792: 791: 788: 778: 775: 773: 770: 758: 757: 735: 728:Catulle Mendès 694: 656: 649:) and for the 604: 582: 543: 532: 506: 488: 478: 446: 445: 440: 435: 430: 425: 420: 415: 410: 405: 399: 394: 389: 384: 379: 373: 351: 348: 307:Alphonse Mucha 293: 290: 233: 230: 207:Alphonse Mucha 168:Alphonse Mucha 164:La femme brune 155: 152: 150: 147: 115:Alphonse Mucha 100:La femme brune 92:Alphonse Mucha 44:poster artists 33:JOB collection 15: 13: 10: 9: 6: 4: 3: 2: 4934: 4923: 4920: 4918: 4915: 4913: 4910: 4908: 4905: 4903: 4900: 4899: 4897: 4886: 4881: 4877: 4872: 4868: 4863: 4859: 4853: 4849: 4844: 4840: 4834: 4830: 4825: 4824: 4823: 4817: 4800: 4795: 4789: 4786: 4773: 4767: 4764: 4752: 4748: 4742: 4739: 4726: 4719: 4716: 4703: 4696: 4693: 4679: 4672: 4669: 4656: 4649: 4646: 4643: 4639: 4636: 4630: 4627: 4614: 4607: 4604: 4591: 4587: 4580: 4577: 4563: 4556: 4553: 4540: 4536: 4530: 4527: 4514: 4508: 4505: 4489: 4483: 4480: 4467: 4463: 4456: 4453: 4437: 4431: 4428: 4415: 4409: 4406: 4392: 4386: 4383: 4370: 4363: 4360: 4354: 4352:84-933589-0-8 4348: 4344: 4337: 4335: 4331: 4318: 4314: 4307: 4304: 4291: 4290:interencheres 4284: 4277: 4274: 4261: 4255: 4252: 4239: 4232: 4229: 4216: 4212: 4205: 4202: 4198: 4193: 4190: 4177: 4173: 4166: 4163: 4151: 4147: 4141: 4138: 4131: 4125: 4121: 4114: 4111: 4098: 4094: 4087: 4084: 4071: 4067: 4061: 4058: 4045: 4041: 4034: 4031: 4018: 4014: 4007: 4004: 4001: 3999: 3991: 3988: 3975: 3969: 3966: 3953: 3949: 3943: 3940: 3936: 3930: 3927: 3923: 3918: 3915: 3910: 3902: 3899: 3895: 3891: 3888: 3883: 3880: 3875: 3868: 3865: 3859: 3852: 3850: 3848: 3846: 3844: 3842: 3838: 3833: 3826: 3823: 3807: 3800: 3793: 3790: 3777: 3770: 3767: 3762: 3760:2-86535-158-0 3756: 3752: 3745: 3743: 3739: 3735: 3731: 3726: 3723: 3710: 3703: 3701: 3697: 3693: 3691: 3684: 3681: 3668: 3664: 3657: 3654: 3641: 3634: 3631: 3627: 3622: 3619: 3614: 3612:2-86535-158-0 3608: 3604: 3597: 3594: 3589: 3587:2-85539-784-7 3583: 3579: 3572: 3569: 3556: 3549: 3546: 3533: 3526: 3523: 3510: 3506: 3505:"Angelo Asti" 3499: 3496: 3484: 3482:2-86770-046-9 3478: 3474: 3473: 3465: 3462: 3449: 3442: 3439: 3434: 3428: 3424: 3417: 3415: 3411: 3406: 3402: 3398: 3394: 3390: 3386: 3379: 3376: 3371: 3365: 3361: 3360: 3352: 3349: 3337: 3331: 3327: 3326: 3318: 3315: 3310: 3304: 3300: 3293: 3290: 3286: 3280: 3273: 3271: 3269: 3267: 3265: 3263: 3261: 3259: 3257: 3255: 3251: 3238: 3231: 3228: 3215: 3211: 3204: 3202: 3200: 3198: 3196: 3194: 3190: 3177: 3170: 3167: 3151: 3144: 3141: 3128: 3124: 3118: 3115: 3102: 3095: 3092: 3079: 3072: 3070: 3066: 3059: 3055: 3052: 3051: 3047: 3046:France portal 3036: 3031: 3029: 3019: 3014: 3007: 3002: 2995: 2990: 2983: 2978: 2971: 2966: 2961: 2952: 2947: 2940: 2935: 2928: 2923: 2916: 2911: 2904: 2899: 2892: 2887: 2880: 2875: 2868: 2863: 2858: 2854:Image gallery 2853: 2851: 2847: 2845: 2841: 2837: 2833: 2829: 2825: 2821: 2818: 2814: 2809: 2806: 2802: 2797: 2795: 2791: 2787: 2786:Stanley Mouse 2783: 2779: 2774: 2772: 2767: 2763: 2759: 2754: 2747: 2740: 2737: 2734: 2731: 2730: 2726: 2723: 2720: 2717: 2716: 2712: 2708: 2705: 2702: 2699: 2698: 2694: 2691: 2688: 2685: 2684: 2680: 2677: 2675: 2672: 2669: 2668: 2664: 2661: 2659: 2656: 2653: 2652: 2648: 2644: 2640: 2637: 2635: 2632: 2631: 2627: 2624: 2622: 2619: 2616: 2615: 2611: 2608: 2605: 2602: 2601: 2597: 2593: 2590: 2587: 2584: 2583: 2579: 2576: 2574: 2571: 2568: 2567: 2563: 2559: 2556: 2553: 2550: 2547: 2546: 2542: 2539: 2536: 2533: 2532: 2526: 2521: 2517: 2510: 2504: 2501: 2498: 2495: 2491: 2488: 2485: 2481: 2477: 2473: 2469: 2464: 2461: 2458: 2455: 2452: 2449: 2446: 2443: 2440: 2437: 2433: 2430: 2424: 2419: 2416: 2413: 2410: 2407: 2403: 2402:Musée d'Orsay 2399: 2396: 2393: 2390: 2387: 2384: 2381: 2378: 2375: 2372: 2369: 2366: 2360: 2355: 2350: 2345: 2341: 2340:Mucha macaron 2336: 2332: 2329: 2326: 2323: 2320: 2317: 2314: 2311: 2308: 2305: 2304: 2303: 2300: 2297: 2293: 2287: 2284: 2280: 2274: 2272: 2263: 2256: 2254: 2247: 2246: 2245: 2239: 2235: 2234: 2233: 2231: 2223: 2222: 2217: 2210: 2208: 2205: 2197: 2195: 2188: 2186: 2179: 2177: 2170: 2168: 2161: 2154: 2151: 2148: 2145: 2142: 2139: 2137:"1916 series" 2136: 2135: 2131: 2128: 2125: 2122: 2119: 2116: 2113: 2112: 2108: 2105: 2102: 2099: 2096: 2093: 2090: 2089: 2085: 2082: 2079: 2076: 2073: 2070: 2067: 2066: 2062: 2059: 2056: 2053: 2050: 2047: 2044: 2043: 2039: 2036: 2033: 2030: 2027: 2024: 2021: 2020: 2016: 2013: 2010: 2007: 2004: 2001: 2000: 1993: 1985: 1977: 1969: 1961: 1957: 1955: 1946: 1942: 1939: 1936: 1934: 1931: 1929: 1926: 1925: 1924: 1923: 1922:Table sources 1914: 1911: 1909: 1907: 1905: 1904: 1900: 1897: 1895: 1893: 1891: 1890: 1887: 1884: 1882: 1880: 1878: 1877: 1873: 1870: 1868: 1866: 1864: 1863: 1859: 1856: 1853: 1850: 1847: 1846: 1836: 1834: 1832: 1830: 1828: 1826: 1824: 1822: 1819: 1816: 1814: 1811: 1808: 1807: 1804: 1802: 1800: 1798: 1796: 1794: 1792: 1790: 1787: 1784: 1782:Gabriel Hervé 1781: 1778: 1777: 1774: 1772: 1770: 1768: 1766: 1764: 1762: 1760: 1757: 1754: 1752: 1749: 1746: 1745: 1742: 1740: 1738: 1736: 1734: 1732: 1730: 1728: 1725: 1721: 1718: 1715: 1714: 1711: 1709: 1707: 1705: 1703: 1701: 1699: 1697: 1695: 1692: 1690: 1687: 1684: 1683: 1680: 1678: 1676: 1674: 1672: 1670: 1668: 1666: 1663: 1660: 1658:Joseph Granié 1657: 1654: 1653: 1650: 1648: 1646: 1644: 1642: 1640: 1638: 1636: 1633: 1630: 1628: 1625: 1622: 1621: 1618: 1616: 1614: 1612: 1610: 1608: 1606: 1604: 1601: 1600:Femme au vase 1598: 1596: 1593: 1590: 1589: 1586: 1584: 1582: 1580: 1578: 1576: 1574: 1572: 1569: 1566: 1564: 1561: 1558: 1557: 1554: 1552: 1550: 1548: 1546: 1544: 1542: 1540: 1537: 1534: 1532: 1529: 1526: 1525: 1522: 1520: 1518: 1516: 1514: 1512: 1510: 1508: 1505: 1502: 1500: 1497: 1494: 1493: 1490: 1488: 1486: 1484: 1482: 1480: 1478: 1476: 1473: 1470: 1468: 1465: 1462: 1461: 1458: 1456: 1454: 1452: 1450: 1448: 1446: 1444: 1441: 1438: 1436: 1435:Aleardo Villa 1433: 1430: 1429: 1426: 1424: 1422: 1420: 1418: 1416: 1414: 1412: 1409: 1406: 1404: 1401: 1398: 1397: 1394: 1392: 1390: 1388: 1386: 1384: 1382: 1380: 1377: 1374: 1372: 1369: 1366: 1365: 1362: 1360: 1358: 1356: 1354: 1352: 1350: 1348: 1345: 1342: 1340: 1339:Edgar Maxence 1337: 1334: 1333: 1330: 1328: 1326: 1324: 1322: 1320: 1318: 1316: 1313: 1310: 1308: 1305: 1302: 1301: 1298: 1296: 1294: 1292: 1290: 1288: 1286: 1284: 1281: 1278: 1276: 1273: 1270: 1269: 1266: 1264: 1262: 1260: 1258: 1256: 1254: 1252: 1249: 1246: 1244: 1243:Edgar Maxence 1241: 1238: 1237: 1234: 1232: 1230: 1228: 1226: 1224: 1222: 1220: 1217: 1214: 1212: 1209: 1206: 1205: 1202: 1200: 1198: 1196: 1194: 1192: 1190: 1188: 1185: 1182: 1180: 1179:Edgar Maxence 1177: 1174: 1173: 1170: 1168: 1166: 1164: 1162: 1160: 1158: 1156: 1153: 1150: 1148: 1145: 1142: 1141: 1138: 1136: 1134: 1132: 1130: 1128: 1126: 1124: 1121: 1118: 1115: 1112: 1111: 1108: 1106: 1104: 1102: 1100: 1098: 1096: 1094: 1091: 1089: 1086: 1083: 1082: 1079: 1077: 1075: 1073: 1071: 1069: 1067: 1065: 1062: 1059: 1057: 1054: 1051: 1050: 1047: 1045: 1043: 1041: 1039: 1037: 1035: 1033: 1030: 1027: 1025: 1022: 1019: 1018: 1015: 1013: 1011: 1009: 1007: 1005: 1003: 1001: 998: 995: 992: 989: 988: 985: 983: 981: 979: 977: 975: 973: 971: 968: 965: 963: 960: 957: 956: 953: 951: 949: 947: 945: 943: 941: 939: 936: 933: 931: 928: 925: 924: 921: 919: 917: 915: 913: 911: 909: 907: 904: 901: 899: 896: 893: 892: 889: 887: 885: 883: 881: 879: 877: 875: 872: 871:Femme au chat 869: 867: 864: 861: 860: 857: 855: 853: 851: 849: 847: 845: 843: 840: 837: 835: 832: 829: 828: 824: 821: 818: 815: 812: 809: 806: 803: 800: 797: 794: 793: 785: 776: 771: 769: 767: 763: 755: 754:Ricordi house 751: 747: 746:liberty style 743: 739: 738:Aleardo Villa 736: 733: 729: 725: 721: 720: 715: 714: 709: 708: 703: 698: 695: 692: 688: 684: 680: 676: 672: 668: 664: 660: 657: 654: 653: 648: 644: 640: 636: 632: 628: 624: 623: 618: 617: 612: 608: 605: 602: 598: 594: 590: 586: 583: 580: 576: 572: 568: 564: 560: 556: 552: 548: 544: 541: 537: 533: 530: 529:Musée d'Orsay 526: 525: 519: 515: 511: 507: 504: 500: 496: 492: 489: 486: 482: 479: 475: 474: 469: 465: 462: 460: 456: 452: 444: 441: 439: 436: 434: 431: 429: 426: 424: 423:Edgar Maxence 421: 419: 416: 414: 411: 409: 406: 403: 400: 398: 395: 393: 390: 388: 385: 383: 380: 378: 375: 374: 372: 369: 366: 356: 349: 347: 344: 338: 336: 332: 328: 322: 320: 316: 312: 308: 298: 291: 289: 285: 283: 282:Musée d'Orsay 279: 278:Edgar Maxence 275: 271: 265: 263: 258: 254: 249: 247: 238: 231: 229: 227: 221: 219: 215: 210: 208: 204: 200: 196: 192: 188: 187:Lefèvre-Utile 183: 181: 177: 169: 165: 162:1898 poster. 160: 153: 148: 146: 144: 139: 137: 133: 129: 125: 116: 112: 107: 103: 101: 97: 93: 89: 86:, as well as 85: 81: 77: 74: 70: 67: 63: 60: 56: 52: 47: 45: 41: 40:rolling paper 38: 34: 26: 25:Aleardo Villa 21: 4884: 4875: 4866: 4847: 4828: 4821: 4818:Bibliography 4803:. Retrieved 4788: 4776:. Retrieved 4766: 4754:. Retrieved 4750: 4741: 4729:. Retrieved 4718: 4706:. Retrieved 4695: 4682:. Retrieved 4671: 4659:. Retrieved 4648: 4629: 4617:. Retrieved 4606: 4594:. Retrieved 4590:the original 4579: 4566:. Retrieved 4555: 4545:February 24, 4543:. Retrieved 4538: 4529: 4517:. Retrieved 4507: 4495:. Retrieved 4482: 4470:. Retrieved 4466:the original 4455: 4443:. Retrieved 4430: 4418:. Retrieved 4408: 4395:. Retrieved 4385: 4373:. Retrieved 4371:. iCollector 4362: 4342: 4321:. Retrieved 4317:the original 4306: 4294:. Retrieved 4289: 4276: 4264:. Retrieved 4254: 4242:. Retrieved 4231: 4219:. Retrieved 4215:the original 4204: 4192: 4180:. Retrieved 4176:artvalue.com 4175: 4165: 4154:. Retrieved 4149: 4140: 4119: 4113: 4101:. Retrieved 4097:the original 4086: 4074:. Retrieved 4070:the original 4060: 4048:. Retrieved 4044:the original 4033: 4021:. Retrieved 4017:the original 4006: 3997: 3990: 3978:. Retrieved 3968: 3956:. Retrieved 3952:the original 3942: 3934: 3929: 3917: 3911:(in French). 3901: 3893: 3889: 3886: 3882: 3873: 3867: 3857: 3831: 3825: 3813:. Retrieved 3806:the original 3792: 3780:. Retrieved 3769: 3750: 3725: 3713:. Retrieved 3689: 3683: 3671:. Retrieved 3666: 3656: 3644:. Retrieved 3633: 3621: 3602: 3596: 3577: 3571: 3559:. Retrieved 3548: 3536:. Retrieved 3525: 3513:. Retrieved 3509:the original 3498: 3486:. Retrieved 3471: 3464: 3452:. Retrieved 3441: 3422: 3388: 3384: 3378: 3358: 3351: 3339:. Retrieved 3324: 3317: 3298: 3292: 3278: 3241:. Retrieved 3230: 3220:February 24, 3218:. Retrieved 3213: 3180:. Retrieved 3169: 3157:. Retrieved 3143: 3131:. Retrieved 3117: 3105:. Retrieved 3094: 3082:. Retrieved 3027: 2848: 2843: 2840:Notting Hill 2835: 2810: 2798: 2790:Alton Kelley 2781: 2775: 2770: 2765: 2761: 2755: 2751: 2721:André Joyeux 2703:André Joyeux 2689:André Joyeux 2674:Gaspar Camps 2658:Gaspar Camps 2646: 2621:Manuel Orazi 2595: 2573:Louis Vallet 2543:Description 2525:Manuel Orazi 2514: 2502: 2496: 2489: 2479: 2471: 2467: 2462: 2456: 2450: 2444: 2438: 2431: 2417: 2411: 2405: 2397: 2391: 2385: 2379: 2373: 2367: 2353: 2339: 2335:Femme Blonde 2334: 2330: 2324: 2318: 2312: 2306: 2301: 2288: 2275: 2268: 2251: 2242: 2237: 2230:Femme blonde 2229: 2227: 2201: 2192: 2183: 2174: 2165: 2149: 2126: 2103: 2080: 2057: 2034: 1950: 1940: 1937: 1932: 1927: 1921: 1920: 1817: 1785: 1755: 1723: 1693: 1661: 1631: 1599: 1567: 1535: 1503: 1471: 1439: 1407: 1375: 1343: 1311: 1279: 1247: 1215: 1183: 1152:Femme rousse 1151: 1119: 1088:Alfons Mucha 1060: 1028: 1024:Lluís Graner 996: 966: 934: 930:Alfons Mucha 902: 898:Jules Chéret 870: 838: 764:who died in 759: 723: 717: 711: 705: 702:Belle Époque 686: 659:Manuel Orazi 650: 647:Mariani wine 641:collection, 631:Jules Chéret 626: 620: 614: 578: 574: 566: 562: 521: 491:Lluís Graner 463: 450: 448: 443:Louis Vallet 428:Alfons Mucha 402:Jules Chéret 387:Gaspar Camps 370: 361: 350:Illustrators 342: 339: 335:Gaspar Camps 331:Louis Vallet 326: 323: 303: 286: 266: 261: 250: 243: 222: 211: 199:Jules Chéret 189:, La Meuse, 184: 174:Around 1900 173: 163: 143:graphic arts 140: 128:Gaspar Camps 120: 110: 99: 95: 48: 32: 30: 4708:23 February 4684:23 February 4619:23 February 4519:27 February 4497:27 February 4472:27 February 4445:27 February 4420:27 February 4397:27 February 4375:24 February 4296:27 February 4292:(in French) 4266:26 February 4182:23 February 4178:(in French) 4152:(in German) 4103:23 February 4076:26 February 4050:19 February 4023:26 February 3736:(in French) 3715:25 February 3711:(in French) 3673:25 February 3669:(in French) 3646:25 February 3561:24 February 3538:24 February 3515:24 February 3488:23 February 3454:23 February 3341:24 February 3243:24 February 3182:28 February 3159:22 February 3133:20 February 3107:20 February 3084:19 February 2820:Paul Harvey 2760:creation, " 2537:Illustrator 2349:Psychedelic 2248:Other cards 2236:Cappiello, 2198:1916 series 2189:1914 series 2180:1911 series 2171:1910 series 2162:1903 series 1954:Eugène Loup 1813:Eugène Loup 1371:Ramon Casas 1116:Angelo Asti 903:La Cherette 798:Illustrator 750:Art Nouveau 683:Oscar Wilde 667:Samuel Bing 585:Eugène Loup 551:Cochinchina 522:Portrait d' 397:Ramon Casas 257:Jean Bardou 226:Paul Éluard 176:Art Nouveau 132:psychedelic 73:orientalist 69:Ramon Casas 51:Jean Bardou 4896:Categories 4156:2022-01-05 3692:on Commons 3391:(1): 3–9. 3060:References 2700:circa 1920 2686:circa 1920 2670:circa 1920 2633:circa 1914 2569:circa 1900 2146:Horizontal 2100:Horizontal 2077:Horizontal 2054:Horizontal 2031:Horizontal 993:G. Maurice 962:Jane Atché 377:Jane Atché 365:collectors 311:Jane Atché 246:catchwords 88:Jane Atché 80:Montmartre 2643:Great War 2271:ephemeris 1947:Postcards 768:in 1926. 180:Japonisme 82:humorist 55:Great War 27:calendar. 4907:Graphics 4751:stuckism 4731:15 March 4638:Archived 4596:10 March 4568:14 April 4323:23 March 4244:20 March 4000:document 3980:12 March 3958:16 March 3815:19 March 3782:19 March 3125:(1895). 3032:See also 2844:Le pacha 2817:stuckist 2766:Le pacha 2758:Art Deco 2476:Devambez 2472:Le pacha 2468:Le pacha 2238:Le pacha 2123:Vertical 1952:painter 1854:postcard 1848:calendar 1694:Le pacha 816:1910 (B) 813:1910 (A) 804:Calendar 772:Artworks 766:Toulouse 742:Milanese 719:Cocorico 713:La Plume 595:and the 563:Gia Định 536:Charente 514:Toulouse 4912:Posters 4805:1 April 4778:1 April 4756:1 April 4690:(image) 4661:3 March 4221:2 March 4199:(image) 3924:(image) 3694:(image) 3628:(image) 3405:1358183 2792:with a 2782:reptile 2562:cocotte 2484:protégé 1857:meaning 1570:(Gypsy) 707:Le Rire 663:Ricordi 616:Le Rire 589:Aveyron 71:, from 4854: 4835: 4349: 4126: 3757: 3609: 3584: 3479: 3429: 3403: 3366: 3332: 3305: 2527:poster 2344:pin-up 2296:offset 2002:Series 1851:poster 1568:Gitane 807:Poster 571:Saigon 555:Tonkin 203:Pin-up 191:Nestlé 4491:(PDF) 4439:(PDF) 4286:(PDF) 3809:(PDF) 3802:(PDF) 3401:JSTOR 3153:(PDF) 2596:Spahi 2554:(Pal) 2540:Theme 2523:1902 1860:note 825:1916 801:Theme 643:album 639:Byrrh 635:Chaix 195:Byrrh 136:Stuck 23:1907 4852:ISBN 4833:ISBN 4807:2013 4780:2013 4758:2013 4733:2013 4710:2012 4686:2013 4663:2013 4621:2013 4598:2012 4570:2013 4547:2013 4521:2013 4499:2013 4474:2013 4447:2013 4422:2012 4399:2013 4377:2013 4347:ISBN 4325:2013 4298:2013 4268:2013 4246:2013 4223:2013 4184:2013 4124:ISBN 4105:2013 4078:2013 4052:2013 4025:2013 3982:2013 3960:2013 3817:2013 3784:2013 3755:ISBN 3717:2013 3675:2013 3648:2013 3607:ISBN 3582:ISBN 3563:2013 3540:2013 3517:2013 3490:2012 3477:ISBN 3456:2013 3427:ISBN 3364:ISBN 3343:2013 3330:ISBN 3303:ISBN 3245:2013 3222:2013 3184:2013 3161:2013 3135:2013 3109:2012 3086:2013 2813:punk 2805:Évin 2801:Veil 2788:and 2732:1924 2718:1923 2654:1915 2617:1902 2585:1898 2548:1895 2534:Year 2283:1900 2204:Loup 2140:1916 2117:1914 2094:1911 2071:1910 2048:1910 2025:1903 2014:Text 2005:Year 1809:1916 1779:1915 1747:1914 1716:1914 1685:1914 1655:1913 1623:1912 1591:1911 1559:1910 1527:1910 1495:1909 1463:1908 1431:1907 1399:1906 1367:1906 1335:1905 1303:1905 1271:1904 1239:1903 1207:1902 1175:1901 1143:1900 1113:1899 1084:1898 1052:1898 1020:1898 990:1897 958:1897 926:1897 894:1896 862:1895 830:1895 822:1914 819:1911 810:1903 795:Year 681:and 645:for 619:and 317:and 98:and 31:The 3730:BnF 3393:doi 2830:or 2281:or 2232:). 2091:4th 2068:3rd 2045:2nd 2022:1st 726:by 669:'s 453:by 78:to 64:to 37:JOB 4898:: 4796:, 4749:. 4537:. 4333:^ 4288:. 4174:. 4148:. 3840:^ 3741:^ 3732:, 3699:^ 3665:. 3413:^ 3399:. 3389:12 3387:. 3253:^ 3212:. 3192:^ 3068:^ 2143:32 2120:30 2097:24 2051:20 2028:12 716:, 710:, 677:, 531:). 461:. 313:, 193:, 166:, 145:. 113:, 4860:. 4841:. 4809:. 4782:. 4760:. 4735:. 4712:. 4688:. 4665:. 4623:. 4600:. 4572:. 4549:. 4523:. 4501:. 4476:. 4449:. 4424:. 4401:. 4379:. 4355:. 4327:. 4300:. 4270:. 4248:. 4225:. 4186:. 4159:. 4132:. 4107:. 4080:. 4054:. 4027:. 3984:. 3962:. 3819:. 3786:. 3763:. 3719:. 3677:. 3650:. 3615:. 3590:. 3565:. 3542:. 3519:. 3492:. 3458:. 3435:. 3407:. 3395:: 3372:. 3345:. 3311:. 3247:. 3224:. 3186:. 3163:. 3137:. 3111:. 3088:. 2338:" 2074:8 693:. 655:. 603:. 542:. 527:( 505:. 404:, 170:. 117:.

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

Index