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95:, which also provided material for the subplot concerning the love of Camelia and Planet. It satirizes both human folly in general and the madness of being in love, although its harshest criticism is reserved for those who cannot feel love, like the wicked usurer Mamon, or those who believe themselves superior, failing to recognize that all men may be foolish at times, like the self-satisfied critic Brabant Senior.
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The play has been described as a "hodgepodge of undeveloped romantic, comic, and satiric motifs" and "a strange mixture of genres" including elements of mediaeval romance, satire, and later
Jacobean city comedies. Some have emphasized its fundamentally romantic nature, while others have seen it as a
123:, have assumed that the character of Brabant Senior was meant as a satirical portrait of Jonson, although others have rejected this interpretation. Similarly, the character of Sir Edward Fortune has occasionally been seen as an allusion to the actor
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are anonymous, but the play has long been attributed to
Marston on stylistic grounds, and his authorship is explicitly confirmed by extracts quoted in the commonplace book of Edward Pudsey (1573–1613).
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The play tells the story of the love between
Pasquil and Katherine and the trials that they face on the way to happiness. It is based loosely on the story of Argalus and Parthenia in Sir
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is derived from an
Elizabethan and Jacobean colloquial expression for rough or ill-mannered treatment, especially of an unwanted guest.
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77:. A second edition, issued by Philip Knight, appeared in 1616, and was reprinted in 1618 by Nathaniel Fosbrooke. All three
73:. On 23 October the rights were transferred to Richard Olive (i.e., Oliff), and the first edition was printed for Oliff in
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satire of romantic comedy and "gallant" manners, or more specifically as a burlesque of the roughly contemporary play
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The play can be dated to 1600 on internal evidence, including a reference to
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377:. Rutherford, NJ: Fairleigh Dickinson University Press. pp. 51–60.
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The Stage-Quarrel between Ben Jonson and the So-Called
Poetasters
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Jack Drum's
Entertainment, or the Comedy of Pasquil and Katherine
337:. San Marino, CA: Henry E. Huntington Library. pp. 154–166.
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243:. Cambridge, MA: Cambridge University Press. pp. 125–139.
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443:. Vol. 2. London: Reeves and Turner. pp. 72–74.
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A Biographical
Chronicle of the English Drama, 1559–1642
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Pudsey's commonplace book is Oxford, Bodleian
Library
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172:. Vol. 4. Oxford: Clarendon Press. p. 21.
457:A Dictionary of Slang and Unconventional English
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460:(3 ed.). London: Routledge. p. 430.
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46:in 1600. It was first performed by the
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25:Title page of the first edition of
354:The Complete Works of John Marston
331:Comicall satyre and Shakespeare's
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240:John Marston of the Middle Temple
237:Finkelpearl, Philip J. (1969).
328:Campbell, Oscar James (1938).
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391:Andrews, Michael C. (1971).
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16:Play written by John Marston
477:Green's Dictionary of Slang
473:"Jack Drum's entertainment"
367:Geckle, George L. (1980). "
350:"Jack Drum's Entertainment"
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371:: The Title's the Thing".
286:Baskervill, C. R. (1912).
600:Parasitaster, or The Fawn
568:Jack Drum's Entertainment
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422:Small, Roscoe A. (1899).
369:Jack Drum's Entertainment
140:Jack Drum's Entertainment
119:against John Marston and
109:Jack Drum's Entertainment
27:Iacke Drums Entertainment
454:Partridge, Eric (1949).
188:Caputi, Anthony (1961).
166:Chambers, E. K. (1923).
50:, one of the troupes of
497:(Internet Archive) and
259:Schurink, Fred (2010).
127:, who was building the
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356:. University of Leeds.
294:The Tryall of Chevalry
205:The three quartos are
191:John Marston, Satirist
101:The Tryall of Chevalry
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660:Plays by John Marston
397:Renaissance Quarterly
169:The Elizabethan Stage
54:popular in that era.
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333:Troilus and Cressida
67:Stationers' Register
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616:The Dutch Courtesan
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113:War of the Theatres
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655:1600 plays
649:Categories
499:transcript
288:"Sidney's
146:References
138:The title
117:Ben Jonson
61:'s famous
52:boy actors
38:is a late
611:(1604–5)
595:(1603–4)
409:2859199
290:Arcadia
218:S116271
214:S109943
210:S105365
105:Arcadia
92:Arcadia
79:quartos
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312:432680
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257:; see
216:, and
29:(1601)
536:Plays
405:JSTOR
308:JSTOR
495:scan
292:and
207:ESTC
75:1601
71:1600
538:by
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