325:. During the Primal plunge gig he began buying films and creating programs on themes. In 1989 Stevenson did something that had never been done before. He threw 16mm films in a rucksack and flew to Europe; traveling from country to country arranging screenings. Among the films he showed were Assembly line (1962) and Ulcer at Work (1959). Road Showing goes back a hundred years with independent producers taking their outside of Hollywood productions from town to town by automobile. Collectively they became known as the "Forty Thieves". What their films lacked in production values and fluid narrative, they made up with spectacle and the offer of forbidden images. Where Stevenson differed from the Forty Thieves, who were producers exploiting their own product, or even road showing underground filmmakers, was by taking quality short films from a wide range of sources on the road. Stevenson, back in Boston, continued screenings at the Primal Plunge. In 1991 he began midnight screenings at the
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the tour was an unauthorized urban Drive-in show in
Seattle, projecting from a storefront rooftop across a parking lot to project on the wall of the opposite building. He showed Viva Las Vegas and Hell's Angels on Wheels. The police visited but left after members of the audience shouted "We're watching a movie". He again showed films in Europe in 1991. Later that year he moved to San Francisco. There he arranged film screenings at the ATA Gallery. In 1992 he expanded his SF screenings to the Chameleon Club, the Epicenter,
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of classic exploitation and underground films. Stevenson also arranged film screenings for visiting
Underground Film Makers. Stevenson drove cross country showing films in the summer/fall 1990. Among his stops were Detroit, Toronto, Minneapolis, Seattle, Portland and San Francisco. A highlight of
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wrote “ overview of Danish society and culture, as well as the country's important filmmakers, producers, cinematographers, and studios, is invaluable for those interested in
Copenhagen's hotbed of creativity. On this account, Dogme Uncut provides terrific contextual background—including the
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Stevenson's first book, Desperate
Visions: Camp America (1996), focused on the films of John Waters and the Kuchar Brothers. It had its launch party at the Lighthouse Cinema, in New York on June 12, 1996, kicking off the first ever major retrospective of the films of
133:, his own short fiction, and works by Jim Morton and William Sikorsky. A review didn't mention the Waters interview, barely mentioned Bukowski, but did say "Otherwise, there's good film coverage, especially on Godfather of Gore
256:" in the magazine Chemical Imbalance and "Underground USA The Pike St. Cinema" in the magazine Divinity. "Market Street - Movie Theater Graveyard USA" was published in the monthly tabloid dedicated to buying and selling films
722:"PANDEMONIUM - NO.1 by Stevenson, Jack (editor); Bukowski, Charles, William S. Burroughs, Al Goldstein, Charles Manson, and John Waters (contributors): Living Color Productions, Inc. First Edition. - Captain Ahab's Rare Books"
95:(Horror Stories from Viking Country), a collection of ten horror stories drawn from the extremes of Scandinavian history and culture, and spans the period from the Dark Ages to World War II. The through line of the book is
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Stevenson followed that up with two books published in 2000, "Addicted: The Myth & Menace of Drugs in Film and "Fleshpot: Cinema's Myth Makers & Taboo
Breakers." His book Dogme Uncut:
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wrote “Stevenson presents an uncluttered and jargon-free assessment of an important movement in independent film, making this an excellent choice for foreign film buffs and aficionados.”
350:, Denmark from 1995 to 1998. He has been featured several times at Yerba Buena Center for the Arts in San Francisco. Stevenson currently operates Husets Biograf, a cinema in Copenhagen.
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controversial workings and economics of the Danish Film
Institute—for understanding the emergence of Dogme . . . . Dogme Uncut accomplishes a worthwhile task in cataloguing almost every
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His books illuminate aspects of cinema and history that have been largely neglected by mainstream media. Also, of value to future historians, are his published interviews of
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Jack
Stevenson Pushing Film Exhibition to the Limit Mail Interview, Galen Young, Essential Cinema Journal of Independent Film, Seattle, Vol 1 Number 1, Fall 1993
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The Field Guide to
Sponsored Films, Rick Prelinger, Publisher: NFPF (National Film Preservation)2006 Foundation)Ulcer at Work 1959, Sound, 26 Min, B&W
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Trashfilm
Roadshows, Johannes Shoenherr, Introduction, Jack Stevenson.Series: Headpress Paperback: 196 pages, Publisher: Critical Vision (June 1, 2002)
185:, a "Freaks, Magicians & Movie Stars Special Edition" was published in 1989. Again improved, the issue featured articles and interviews, including
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338:. In 1993 he moved to Denmark. Since then he has toured regularly in Europe and Scandinavia, with regular stops at the Werkstattkino in Munich, the
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145:. The first issue came out in 1986. Leading up to it, Stevenson had exchanged letters with a wide range of underground and outlaw individuals.
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In Boston in 1986 Stevenson began showing films at the bar Chet's Last Call, which was up a flight of stairs and across the street from the
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137:, a punchy sports column and a fascist advice page. A lot, really, for free." In Boston Stevenson's more ambitious and bigger magazine,
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with long form essays including George Kuchar: A First-Person Life and Robert Cowan (1930-2011): Unsung
Superstar of the Underground.
321:. The Chet's gig ended when it went out of business on New Year's Eve 1987. In 1988 he began a weekly series at the Primal Plunge in
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release and introducing the (often unknown) filmmakers behind them.” Stevenson has authored 7 other books on subjects ranging from
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Midnight Movies at the Coolidge Corner, Faster Pussycat, Kill Kill, Wild in the Streets, etc, Poster, January - February 1991
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John Waters' Multiple Maniacs, Divine is raped by a lobster, At the Coolidge Corner Theater March 15–16 22-12, Flier, 1991
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Jack Stevenson Interview by Galen Young, Essential Cinema: Journal of Independent Film, Volume One Number One, Fall, 1993
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SF Weekly, Reel World Kitten With a Whip and Chasing Rainbows by SF Weekly Staff, San Francisco, California 10/13/1999
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in Brussels, the Lichtspiel / Kiemathek in Bern, the Kino Komm in Nuremberg, and many other places. He taught at the
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262:, and "Film Co-ops: Old Soldiers of the Sixties Still Standing" was published in the New York Independent Monitor.
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Chemical Imbalance Magazine, Vol. 2, # 2 (tenth issue, Michael McGonigal, Editor-Publisher, New York, Ny, 1992
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Witchcraft Through The Ages: The Story Of Haxan, The World's Strangest Film, And The Man Who Made It (2007)
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125:, published in Los Angeles in 1982. The Living Color featured Stevenson's interviews, most notably of
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224:, and the Gang That Took on Hollywood, was published in 2003. Reviews were consistently excellent.
165:. Pandemonium #2 was more ambitious with a slick cover, and articles about and/or interviews with,
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From the Bedroom to the Bijou, Jack Stevenson, The Film Quarterly, Volume 5, Number 1, Fall, 1997
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1108:"Classical exploitation movies - Exploitation Films - show, producer, name, cinema, book, story"
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Beneath Contempt & Happy to Be There: The Fighting Life of Porn King Al Goldstein (2011)
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The Living Color, Issue March - April 1982, Living Color Productions, Hollywood, California
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Land of a Thousand Balconies: Discoveries and Confessions of A B-Movie Archaeologist (2003)
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The Haunted North (Horror Stories from Viking Country), Jack Stevenson, Park River Books,
377:
Dogme Uncut: Lars von Trier, Thomas Vinterberg, and the Gang That Took on Hollywood (2003)
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Scandinavian Blue: The Erotic Cinema of Sweden and Denmark in the 1960s and 1970s (2010)
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Misadventures in the Seattle Film Scene, The Belltown Messenger, issue # 77, March 2010
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Inside the World's Wildest Rep Cinema: Werkstattkino Programming Without Limits (1991)
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Publisher: Santa Monica Press; First edition (September 1, 2003), Language: English,
786:"Interview: George Kuchar, by Pat Hollis & Jack Stevenson", Film Threat #17, 1988
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The Day the Bronx Invaded Earth: The Life and Cinema of the Kuchar Brothers (1999)
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De vuilnisbelt van de cinematografie, Het Parool, Amsterdam, Vrijdag 1 April 1994
1124:"Juke Box Movies" 8 Days a Week, Amy Finch, The Boston Phoenix, newspaper, 2/8/91
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1011:"Freedom in an Unfree World: Boston Rock Clubs of the 1980s: Chet's Last Call"
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Series: Creation Cinema Collection (Book 16) Publisher: Creation Books (2000)
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Berlingske Tidende, "Film om darlig smag" Newspaper, Onsdag 21, oktober 1992
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Desperate Visions: The Films of John Waters & the Kuchar Brothers (1996)
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He has had dozens of stories published in a wide variety of places such as "
201:. Film Threat Magazine published his interview with George Kuchar in 1988.
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1083:"Bold! Daring! Shocking! True!": A History of Exploitation Films, 1919-1959
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Stevenson on right, Dennis Nyback on left, Pike St. Cinema in Seattle, 1993
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Divinity, Volume 2, Number 4, Editor David Flint, Stockport, England, 1994
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1222:"Werkstattkino • Fraunhoferstraße 9, 80469 München Tel/Fax: 089/2607250"
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Porno to the People: The Danish Revolution that Liberated America (2009)
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Since 2009, Stevenson operates Husets Biograf, a cinema in Copenhagen.
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Publisher: Creation Books; 1st edition (May 1, 1996)Language: English
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Robert Cowan (1930 - 2011) Unsung Superstar of the Underground (2012)
77:(born 14 September 1955) is an author and film showman, who lives in
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1990 US American Cross-Country Summer-Fall Film Tour, Flier, no date
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Fleshpot: Cinema's Sexual Myth Makers & Taboo Breakers (2000)
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The High Priest of Schlock, Lawrence Levi, The SF Weekly, 2/5/92
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wrote "Well written, unaffected and ringing with authenticity".
992:"Robert Cowan (1930-2011): Unsung Superstar of the Underground"
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No Stories to Tell: Danish Cinema Searches for a Subject (2004)
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The Wave Breaks: Star Danish Directors Fail to Translate (2003)
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Pandemonium issue 3: freaks, magicians & movie stars issue
741:# 2, Copyright Living Color Productions, Cambridge, Mass, 1987
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Film Co-ops: Old Soldiers of the Sixties Still Standing (1999)
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The Haunted North (Horror Stories from Viking Country) (2020)
1281:"Jack Stevenson on 'The Superstars Next Door' | SF360"
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149:# 1 featured articles, correspondence, and interviews with
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Stevenson's earliest published writing was in his magazine
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Murray Glass: King of the Narrow Gauge Still Rules (1999)
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Attack on Reason: Three Propaganda Films Examined (1996)
905:"Books by Jack Stevenson (Author of Desperate Visions)"
464:
Jesus Fucking Christ: Lars von Trier Anti-Christ (2009)
368:
Addicted: The Myth & Menace of Drugs in Film (2000)
1315:"Huset's Biograf in Copenhagen, DK - Cinema Treasures"
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New York Independent Monitor, Vol 5 #1, September 1999
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In A Garden of Tin Men: Marion Eaton Remembered (2012)
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figures that he did starting in the early eighties.
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Loony Tunes, The San Francisco Bay Guardian, 9/4/91
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in Pandemonium Three (Interview by Pat Hollis) 1989
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in Pandemonium Three (Interview by Pat Hollis) 1989
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in Pandemonium Three (Interview by Dale Ashmun)1989
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Freaks: The Movie and the Myth Reconsidered (1996)
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39:
23:
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482:Soul Diva, John Waters Star Jean Hill Dies (2013)
470:Haunted Cinema: Movie Theatres of the Dead (2010)
758:. Living Color Productions. 1989. pp. 1–16.
452:Market Street: Movie Theater Graveyard USA (2000)
213:. Stevenson flew in from Denmark for the event.
265:Stevenson has been a regular contributor to the
856:Publisher: Critical Vision; 1st edition (2000)
410:Mary Vivian Pearce Article and Interview (1989)
181:and many others. The third and final issue of
1245:"Filmfabrik - Kino im Komm e.V. - Startseite"
8:
1333:"Soul Diva, John Waters Star Jean Hill Dies"
422:Underground USA: The Pike St. Cinema (1992)
16:American author and film showman (born 1955)
413:Miss Jean Hill Article and Interview (1989)
305:. Among the feature films he screened were
31:
20:
1211:SF Weekly Night and Day September 4, 1991
473:George Kuchar: A First Person Life (2011)
434:The Day They Turned the Lights Up (1996)
245:, to one on the Scandinavian silent film
650:"Cine-files: Husets Biograf, Copenhagen"
428:Before there was MTV There was Scopitone
106:is his first work of fiction. About it,
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400:Hotrod Billy & Friends (2019) cover
631:Hotrod Billy and Friends, Stevenson,
458:Lars von Trier: Pornographer? (2004)
129:, poems he received in the mail from
7:
974:"George Kuchar: A First-Person Life"
598:"paper-plastic: Pandemonium 2 and 3"
561:Jean Hill in Pandemonium Three 1989
516:John Waters in Pandemonium Two 1987
1080:Schaefer, Eric (20 January 1999).
648:Stevenson, Jack (8 October 2013).
14:
392:Hotrod Billy & Friends (2021)
1384:People from Wellsville, New York
1352:
656:– via www.theguardian.com.
91:Stevenson's most recent book is
1379:American expatriates in Denmark
431:Lighthouse on the Rocks (1996)
1044:"Fatal Visions 11 (Starbrite)"
104:Hotrod Billy & his Friends
1:
1046:– via Internet Archive.
1042:Starbrite (20 January 1991).
315:Faster, Pussycat! Kill! Kill!
293:to Chet's for a screening of
1060:– via letterboxd.com.
924:retrieved December 27, 2018
405:Magazine and other articles
362:Tod Brownings Freaks (1997)
247:Witchcraft Through the Ages
1410:
1337:Bright Lights Film Journal
996:Bright Lights Film Journal
978:Bright Lights Film Journal
319:the Diane Linkletter Story
303:The Last House on the Left
267:Bright Lights Film Journal
1096:– via Google Books.
1086:. Duke University Press.
1009:Man, Wal (10 July 2012).
573:in Pandemonium Three 1989
567:in Pandemonium Three 1989
558:in Pandemonium Three 1989
552:in Pandemonium Three 1989
540:in Pandemonium Three 1989
30:
495:in The Living Color 1984
1285:sf360.org.mytempweb.com
951:The Big Reel, July 2000
528:in Pandemonium two 1987
522:in Pandemonium Two 1987
513:in Pandemonium Two 1987
327:Coolidge Corner Theatre
1058:"Assembly Line (1962)"
425:Dusan Makavejev (1994)
401:
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135:Herschell Gordon Lewis
1361:at Wikimedia Commons
1112:www.filmreference.com
602:www.paper-plastic.com
507:in Pandemonium 1 1985
501:in Pandemonium 1 1985
399:
371:Lars von Trier (2002)
344:European Film College
280:
708:"retrieved 12/27/18"
691:"retrieved 12/26/18"
299:Document of the Dead
155:William S. Burroughs
57:Wellsville, New York
1339:. 5 September 2013.
1319:cinematreasures.org
980:. 8 September 2011.
301:, and footage from
79:Copenhagen, Denmark
68:Author Film Showman
998:. 1 February 2012.
556:Mary Vivian Pearce
526:Rosa von Praunheim
416:Johnny Eck (1989)
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187:Mary Vivian Pearce
179:Rosa von Praunheim
50:September 14, 1955
1357:Media related to
909:www.goodreads.com
620:978-1-71-434225-9
550:Frederick Wiseman
226:Publishers Weekly
222:Thomas Vinterberg
102:Stevenson's book
93:The Haunted North
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183:Pandemonium
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147:Pandemonium
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139:Pandemonium
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