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colors, such as blue, black, red, yellow, and white. Growing up, Bread mainly used a limited number of colors because they were cheaper but as years progressed, Bread began to incorporate more diverse colors. Through illusionary beadwork, Larson mixes two different styles, traditional and contemporary imagery to create pictorial depth through different shades of beads. Within Bread's imagery beadwork, she integrates her culturally rich heritage and images of members of her community on bags, leather boxes, parasols, and other traditional items.
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70:. Her interest in bead work was sparked from looking at her late-grandmother's beaded pieces. In awe of these objects, Bread self-taught herself how to bead when she was younger and now, she has been beading for more than 20 years. Continuing through trial and error, Bread has received numerous awards for her beading.
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When beading, Bread uses the applique stitch method which requires the use of two needles, as the first needle holds a row of beads and the second needle pins down one bead at a time to receive a precise placement. Bread uses a limited color palette that reflects Native
American traditional beading
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After graduating from the
Institute of American Indian Art, Bread returned to her reservation in Browning, Montana. Applying her newly received degrees, Bread began working for the Museum of the Plains Indians. Bread took this job opportunity to further her education as she studied beadwork from
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previous artists. While working for museum, Bread also hosts workshops in the relatively close states to
Montana, such as Idaho and California. Through her workshops, she teaches and shares her knowledge of traditional style beading. Working with the
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Summer of 2015, Bread collaborated with another Native
American beadwork artist, Ken Williams in the Cherokee Art Market. Together, they won "Best of Division" in the beadwork and
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197:"art.mt.gov > Grants, Awards & Public Art > Montana's Circle of American Masters > Montana's Circle of American Masters Gallery"
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86:. Upon completion, Bread earned associate degrees in two-dimensional art and museum studies. Afterwards, Bread continued her education at
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Honored by
Montana's Circle of American Masters that recognizes artists that use their artwork as a reflection of Montana's heritage.
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Dodd, Jeni (April 19, 2008). "Montana Arts
Council: Programs honors area folks artists".
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Douglas, Patrick (November 23, 2013). "Museum
Purchases Local Bead Artist's Jacket".
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Specialist, Cindy
Kittredge-Montana Arts Council Folk Arts and Market Development.
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Murphy, Jami (November 18, 2015). "Cherokee Art Market awards $ 75K in prizes".
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division with the artwork titled "Fit for An
Arapaho/Blackfeet Dandy".
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with approximately 12,000 other artists and her beaded artwork titled
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457:"The Montana Circle of American Masters: Reflections of Montana"
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The
Intricate Beadwork of Jackie Larson Bread (10 Pictures)
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Portrait of Jackie Larson Bread with award-winning artwork
409:"Washington, DC | National Museum of the American Indian"
334:"Meet Native American Bead Weaver Jackie Larson Bread"
227:"Postcard From Montana: The Beadwork of Jackie Bread"
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Meet Native American Bead Weaver Jackie Larson Bread
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112:, Bread regularly teaches classes on beading.
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556:Santa Fe University of Art and Design alumni
125:in Manhattan, New York, purchased and added
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541:Institute of American Indian Arts alumni
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278:"Montana's Circle of American Masters"
160:Summer of 2013, Bread competed in the
141:National Museum of the American Indian
88:Santa Fe University of Art and Design
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148:Institute of American Indian Arts
80:Institute of American Indian Arts
48:Institute of American Indian Arts
314:contemporary arts americas tbc..
137:Traveling Through Indian Country
78:In 1978, Bread enrolled at the
16:Native American beadwork artist
310:"Jackie Larson Bread (b.1960)"
237:: 64–66 – via EBSCOhost.
139:are in the collections of the
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571:21st-century American artists
561:20th-century American artists
551:People from Browning, Montana
546:Native American women artists
581:Native American beadworkers
506:First American Art Magazine
168:was awarded "Best of Show".
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225:Begay, Jason (July 2014).
389:collections.madmuseum.org
127:Keeper of Random Thoughts
123:Museum of Arts and Design
37:Keeper of Random Thoughts
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150:in Santa Fe, New Mexico
276:Bannes, Cheryl (2008).
231:Native Peoples Magazine
536:Blackfeet Tribe people
162:Santa Fe Indian Market
116:Artwork in collections
74:Education and training
413:americanindian.si.edu
64:Blackfeet Reservation
58:is a Native American
586:American beadworkers
531:Artists from Montana
497:Indian Country Today
308:sofia (2014-12-02).
84:Santa Fe, New Mexico
363:Great Falls Tribune
285:Montana Art Council
250:Great Falls Tribune
143:in Washington, D.C
110:C.M. Russell Museum
94:Style and technique
56:Jackie Larson Bread
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129:to its collection
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155:Awards and honors
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488:Interweave
466:2018-12-20
442:1733596286
418:2018-12-20
394:2018-12-20
344:2018-12-11
338:Interweave
319:2018-12-20
258:1461193642
206:2018-11-08
201:art.mt.gov
183:References
371:441296416
173:quillwork
121:In 2005,
438:ProQuest
367:ProQuest
254:ProQuest
103:Teaching
60:beadwork
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