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for an additional layer of sheen, and at times have as many as 50 layers of paint on her canvas. These actions, and the added bright colors, introduced an additional element of spontaneity to her works. The outcome was highly layered, vibrantly colored, drip-networked, and had large shifting fields
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Saccoccio worked with large canvases on which she outlaid "expansive waves and splashes of bright, luminous color", creating fragmented visual spaces. She introduced randomness in her works by pouring and splattering paint while tilting the canvas in different directions. She also transferred paint
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Starting in 2008, Saccoccio focused on a style of painting featuring abstractions with amorphous blobs of paint resting on top of grids of paintings. Calling them "portraits", she focused on creating a hovering effect in her paintings. In an interview with
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between canvases, pulled them across, and scraped through dry paint pigments to add onto the randomness. In what has been described as an intensely physical process, she would sometimes press together two large and wet canvases, apply
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Saccoccio met her husband, Carl D'Alvia, when she was a student at the Rhode Island School of Design. The couple were married in 1992 and had a daughter. They lived in
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award. In the citation, the committee drew attention to her "substantial, complex and accomplished painting". She had also received grants from the
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A third-generation
Italian-American, Jackie Saccoccio was born on December 16, 1963, to Anna (née DiSanto) and Harry Saccoccio, in
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McQuaid, Cate (March 6, 2012). "Circular take on modernism: Show highlighting contemporary artists makes surprising links".
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133:(December 16, 1963 – December 4, 2020) was an American abstract painter. Her works, considered examples of
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350:(1864), a pairing that called for classical references for modern works. Some of the paintings exhibited in
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Abstract paintings with emphasis on large canvases, bright colors, broad strokes, and deliberate randomness
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movement, which focused on raw and emotional work made by artists outside of the mainstream art world.
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Martha
Schwendener wrote that her "recent paintings look as if they were blasted onto the canvas".
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282:. Yet if you spend time in this show, the old-school quotient subsides and sparks begin to fly."
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in 1983, and would make several subsequent visits to Italy on scholarships and grants from the
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Starting in the 1990s, Saccoccio was known for her vivid and evocative works of
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704:"Jackie Saccoccio, Acclaimed Painter of Elegant Abstractions, Has Died at 56"
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758:"Jackie Saccoccio Could See Her Colorful Creations Flitting Down the Runway"
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1114:"Painter Jackie Saccoccio on Her Endlessly Regenerating Abstract Portraits"
620:"Jackie Saccoccio, Painter Known for Her Inventive Abstraction, Died at 56"
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417:(2019). Her paintings were often named after plays like Shakespeare's
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550:"Jackie Saccoccio, Painter of Explosive Abstraction, Dies at 56"
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through experimentation with randomness and paint handling.
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Saccoccio noted that, in addition to visual artists like
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936:"Jackie Saccoccio's Femme Brut Goes Beyond Seduction"
880:"Jackie Saccoccio's Femme Brut Goes Beyond Seduction"
586:"Awardee Spotlight: A Dialogue with Jackie Saccoccio"
786:"The Skin She Lives In: Jackie Saccoccio Paints Big"
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1011:"Jackie Saccoccio, Portrait (Stubborn), 2013"
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140:Saccoccio's works have been displayed at the
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494:(2004), and a Civitella Ranieri Fellowship.
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484:John Simon Guggenheim Memorial Foundation
405:Some of her other notable works included
291:of color. In a review of a 2014 exhibit,
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170:John Simon Guggenheim Memorial Foundation
961:"Jackie Saccoccio: Femme Brut on artnet"
906:MacAdam, Barbara A. (February 5, 2020).
784:Micchelli, Thomas (September 19, 2015).
471:Saccoccio was the recipient of the 2015
986:"Jackie Saccoccio | Untitled | The Met"
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223:degree from RISD. She went on to get a
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647:(January 10, 2007). "Dark Horse".
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1211:People from Cornwall, Connecticut
756:Ehsan, Pari (September 3, 2014).
618:Kamp, Justin (December 7, 2020).
431:. Her works are displayed at the
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908:"Jackie Saccoccio: Femme Brut"
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193:Rhode Island School of Design
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211:(2004). She worked for an
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480:Fulbright-Hays foundation
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217:Cambridge, Massachusetts
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360:The Tempest (concave),
347:The Source of the Loue
258:abstract expressionism
201:Fulbright–Hays Program
186:Cranston, Rhode Island
166:Fulbright–Hays Program
123:Abstract expressionism
364:The Tempest (convex).
318:Her last exhibition,
221:Bachelor of Fine Arts
449:Dallas Museum of Art
356:La Source de la Loue
330:and was inspired by
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1040:collections.mfa.org
411:Apocalypse Confetti
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332:William Shakespeare
262:Italian Baroque art
250:Helen Frankenthaler
225:Master of Fine Arts
156:. She received the
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62:Manhattan, New York
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673:"Jackie Saccoccio"
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441:Museum of Fine Art
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990:www.metmuseum.org
913:The Brooklyn Rail
650:The Village Voice
592:. October 3, 2019
428:Chungking Express
275:The Village Voice
266:abstract painting
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486:(2000), the
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1186:2020 deaths
1181:1963 births
708:ARTnews.com
461:Connecticut
419:The Tempest
337:The Tempest
314:Exhibitions
270:Jerry Saltz
1175:Categories
510:References
488:Rome Prize
352:Femme Brut
320:Femme Brut
298:art critic
280:de Kooning
180:Early life
148:, and the
35:1963-12-16
1166:Instagram
851:0362-4331
824:926244468
659:232295124
562:0362-4331
490:from the
354:included
328:seduction
1118:Artspace
1068:THE CLUB
1045:March 6,
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995:March 6,
945:March 5,
820:ProQuest
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682:March 5,
655:ProQuest
596:March 5,
482:(1990),
409:(2015),
400:Art Brut
358:(2019),
203:(1990),
168:(1990),
119:Movement
590:Artadia
476:Artadia
415:Tempest
324:Tribeca
162:Artadia
160:(NADA)
101:Tempest
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467:Awards
451:, and
445:Boston
390:, and
382:, and
154:Boston
103:(2019)
97:(2017)
91:(2015)
940:Vogue
885:Vogue
624:Artsy
240:Style
235:Works
111:Style
1125:2020
1100:2020
1075:2020
1047:2020
1022:2020
997:2020
972:2020
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921:2020
893:2020
858:2020
847:ISSN
799:2020
771:2020
763:Elle
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715:2020
684:2020
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598:2020
569:2020
558:ISSN
362:and
340:and
307:Elle
288:mica
260:and
252:and
197:Rome
51:Died
29:Born
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1015:MCA
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