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431:(FAM) was a women artists' collective in Paris. FAM was headed by Marie-Anne Camax-Zoegger (1887-1952), "a bourgeois French Catholic woman." They put on a retrospective of Marval's work in 1933 as part of their annual exhibition. Marval, who did not identify as a feminist, was appropriated by FAM as one and has since been celebrated as living a feminist life. Since her work was figural in nature, it fit well within the focus of FAM, which aimed to "organize annual exhibitions that featured the work of female artists from different countries and stylistic movements'."
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painters who came before her. According to Lucien
Manissieux, a student of Flandrin, "Marquet, Flandrin, Matisse all awaited each work she produced with curiosity and emotion" and there is some evidence that her male peers borrowed from her "brilliant colour and formal economy of her painting."
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in 1912 that "Mme. Marval has given the measure of her talent and has achieved a work of importance for modern painting. This strong and sensual work, freely painted and wholly personal in composition, line, and coloring, deserves to survive."
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area. She would live with him as his companion for 20 years. As an artist, Marval worked primarily as a painter; however, she also made "lithographs, watercolours, pastels, engravings, tapestry designs and experimented with sculpture."
304:, and became friends with Van Dongen, setting up her studio near his. Marval and Flandrin moved into 40 rue Denfert Rochereau, which was next door to Van Dongen in 1914. She attended his famous costumed ball in 1914.
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and worked as a seamstress sewing waistcoats before moving to Paris in 1900. It was in 1900 when Vallet took on the pseudonym
Jacqueline Marval, "Marval" being the composite of her first and last name "MARie VALlet."
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Beginning in 1923, Marval was active in favor of the creation of modern art museums in Paris and
Grenoble. Towards the end of her life she fell into poverty. Marval died of cancer at the
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into a family of school teachers. She was married in 1866, to a traveling salesperson, Albert
Valentin, but separated from her husband in 1891 after the death of her son. She moved to
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411:, for example, it was written that at an exhibition at the Druet Gallery, "The paintings of Madame Marval were among the most striking..." Apollinaire, aside from his compliments to
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The
Papillon Gallery wrote that "Marval's paintings are provocative and edgy, challenging and unusual, she was an important modernist at the earliest moments of the movement."
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397:, 1911, was shown at the Armory Show, after an invitation by Vollard. Marval exhibited in the United States a number of additional times after the Armory Show.
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In 1902, several of her paintings were displayed alongside works by
Flandrin, Albert Marquet, and Henri Matisse in a gallery in Rue Victor-Massé curated by
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follows in the art historical tradition of large-scale orientalized bathing scenes, with a strong focus on the nude body and interaction between figures.
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in 1903. This painting depicts five women: three seated nude, one dressed and reclining on her elbow, and one standing, clothed and holding a tray.
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Since her death, Marval's work has been exhibited many times, most often in France. A full list of exhibitions has been compiled on the website
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During her lifetime, Marval refused to exhibit in all-female exhibitions; yet, after her death, her career and work was celebrated in one. The
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Marval's works began to be recognized across Europe and beyond; she exhibited in
Barcelona, Liège, Venice, Zurich, Budapest, and Kyoto.
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in 1932. After her death, her works were held in the
Galerie Druet before it was closed in 1938 and they were sold. Her painting
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at the Musée des beaux-arts de limoges, which was also on view at the Monstaère Royal de Brou from 13 March 2021 – 27 June 2021.
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241:, who was particularly interested in promoting the works of female artists living in Paris. Marval also exhibited in the first
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631:. Manchester: Manchester Univ. Press. pp. 2, 10, 19, 20, 34, 39, 41, 45, 78 (n.8), 87, 89, 93, 140, 147, 156–7.
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207:. The two fell in love, and Marval left Girot to move in with Flandrin in Rue Campagne-Première, in the
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Women artists and the
Parisian avant-garde : modernism and "feminine" art, 1900 to the late 1920s
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Dictionary of Women
Artists: An International Dictionary of Women Artists Born Before 1900
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Modernism on stage : the Ballets Russes and the Parisian avant-garde
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Critics gave Marval high praise during her career. In a 1911 issue of
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and began living with him in Paris, where she was introduced to
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The MAM link may not work in Firefox; use archive link instead.
708:"The Marvelous Madame Marval: A Woman Artist Among the Fauves"
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femmes artistes: artistes femmes: Paris, de 1800 Ă nos jours
883:(1180). The Burlington Magazine Publications Ltd.: 440–441.
832:"MAHVAL, JACQUELINE, (pseudonym for MARIE JOSEPHINE VALLET)"
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Also in 1913, Marval protested against the removal from the
1322:] (in French). Grenoble, Veurey, FR: Musée dauphinois.
274:. She created a series of twelve paintings on the theme of
147:(19 October 1866 – 28 May 1932), who was a French painter,
1264:] (in French). Paris: Éditions Hazan. pp. 67–68.
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Between 1901 and 1905, Marval worked frequently alongside
1391:[Jacqueline Marval: the life of a great artist].
1353:] (in French). Grenoble: Selbstverlag. p. 269.
1186:(97). The Burlington Magazine Publications Ltd.: 61–62.
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and was last exhibited at the Musée Paul-Dini in 2018.
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The Dauphiné and the painters: a source of inspiration
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women artists: artist women: Paris, from 1800 to today
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Women Artists in Interwar France: Framing Femininities
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Le Dauphiné et les peintres: une source d'inspiration
234:, and Flandrin, and the four influenced each other.
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1141:(2nd ed.). New York: Abbeville Press. p.
356:was made in 1902-03 and was first exhibited at the
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1034:Apollinaire on art: essays and reviews, 1902-1918
445:. In 2020-21, she was included in the exhibition
215:Vallet's first works were rejected from the 1900
1389:"Jacqueline Marval: la vie d'une grande artiste"
254:In 1913, Marval was chosen by a jury made up of
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1351:Two centuries and more of Dauphinoise painting
1347:Deux siècles, et plus, de peinture dauphinoise
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8:
816:10.1093/benz/9780199773787.article.b00118008
810:. Oxford University Press. 31 October 2011.
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505:(1903), oil on canvas, Ancienne Collection
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180:Marval in her apartment, Paris, circa 1925
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839:. Boston, Mass.: G.K. Hall. p. 480.
379:now resides within the collection of the
1180:The Burlington Magazine for Connoisseurs
408:The Burlington Magazine for Connoisseurs
597:
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389:was not included in the historic 1913
370:was struck by this work, and wrote in
223:, who continued to support her work.
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1291:(in French). Paris: Thalia Édition.
923:. Thalia édition. pp. 140–141.
429:Société des Femmes Artistes Modernes
719:from the original on 19 August 2020
322:, 1925 is in the collection of the
203:, another painter and a student of
107:Albert Valentin (m. 1886 - d. 1891)
1450:New Woman of the late 19th century
1042:. New York: Viking Press. p.
998:from the original on 16 March 2023
705:Gersh-Nesic, Beth (7 April 2020).
14:
1946:20th-century French women artists
1936:19th-century French women artists
1115:. 6 February 2013. Archived from
270:to decorate the foyer of the new
1109:"Armory Show 1913 Complete List"
671:. Farnham, Surrey, UK: Ashgate.
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184:In 1894, Marval met the painter
1387:Andry-Farcy (15 January 2006).
199:group. Girot introduced her to
1030:. In Breunig, LeRoy C. (ed.).
352:Perhaps her most famous work,
278:. The series was based on the
1:
1697:(Mary Chavelita Dunne Bright)
1163:– via Internet Archive.
1064:– via Internet Archive.
857:– via Internet Archive.
808:Benezit Dictionary of Artists
649:– via Internet Archive.
447:Valadon et ses contemporaines
401:Critical reception and legacy
1941:20th-century French painters
1931:19th-century French painters
1836:The Case of Rebellious Susan
1314:Wantellet, Maurice (2003) .
1289:Jacqueline Marval: 1866-1932
1287:Roussier, François (2008) .
1137:The Story of the Armory Show
958:. Farnham, Surrey: Ashgate.
1971:19th-century women painters
1951:20th-century women painters
1802:The Story of a Modern Woman
1395:(in French). Archived from
1345:Wantellet, Maurice (1987).
920:Jacqueline Marval 1866-1932
917:Roussier, François (2008).
64:Quaix-en-Chartreuse, France
1987:
1659:Elizabeth Barrett Browning
1528:Jennie Augusta Brownscombe
1027:"Art News: Women Painters"
667:Birnbaum, Paula J (2016).
581:La grande plage Ă Biarritz
289:performed the year prior.
272:Théâtre des Champs-Élysées
1503:Sophie Gengembre Anderson
1457:
988:"Portrait of Dolly Davis"
30:
1874:Mrs. Warren's Profession
1573:Wilhelmina Weber Furlong
1174:D., R. E. (April 1911).
873:"Jules Flandrin. Oxford"
1578:Elizabeth Shippen Green
1568:Susan Stuart Frackelton
1415:(in French and English)
952:Bellow, Juliet (2012).
877:The Burlington Magazine
871:Beechey, James (2001).
829:Petteys, Chris (1985).
320:Portrait of Dolly Davis
115:François Joseph Girot,
1754:The Portrait of a Lady
1553:Alice Brown Chittenden
1533:Julia Margaret Cameron
1113:The Armory Show at 100
1022:Apollinaire, Guillaume
806:"Marval, Jacqueline".
488:L'Odalisque au guépard
358:Salon des Indépendants
349:
217:Salon des Indépendants
181:
145:Marie Josephine Vallet
143:was the pseudonym for
51:Marie Josephine Vallet
1956:French women painters
1862:The Romance of a Shop
1613:Elizabeth Okie Paxton
1462:19th-century feminism
1393:jacqueline-marval.com
1040:Suleiman, Susan Rubin
441:29 April 2021 at the
436:jacqueline-marval.com
368:Guillaume Apollinaire
340:
186:François Joseph Girot
179:
1966:Pseudonymous artists
1757:(serialized 1880–81)
1730:Alice Freeman Palmer
1628:Jessie Willcox Smith
992:Milwaukee Art Museum
395:Odalisques au miroir
324:Milwaukee Art Museum
1881:George Bernard Shaw
1869:George Bernard Shaw
1797:Ella Hepworth Dixon
1684:Ella Hepworth Dixon
1623:Pamela Colman Smith
1563:Emma Lampert Cooper
1467:First-wave feminism
1254:Lebovici, Élisabeth
1221:"Jacqueline Marval"
743:"REVOLT, THEY SAID"
741:(16 October 2015).
262:, and the painters
172:Career as an artist
161:Quaix-en-Chartreuse
159:Vallet was born in
1832:Henry Arthur Jones
1543:Minerva J. Chapman
1452:(born before 1880)
1399:on 7 January 2009.
1250:Gonnard, Catherine
372:Chronique des arts
350:
346:Museum of Grenoble
182:
130:.jacqueline-marval
1961:People from Isère
1908:
1907:
1853:(serialized 1878)
1761:Elizabeth Barrett
1747:Isabel Archer in
1674:Annie Sophie Cory
1360:978-2-9502223-0-5
1329:978-2-911739-49-1
1298:978-2-35278-040-3
1271:978-2-7541-0206-3
1152:978-0-89659-795-2
1119:on 17 April 2021.
1083:Jacqueline Marval
1053:978-0-670-12960-7
965:978-1-4094-0911-3
930:978-2-35278-040-3
846:978-0-8161-8456-9
779:Jacqueline Marval
678:978-1-138-27546-1
638:978-0-7190-4164-8
551:La bise d'automne
536:Portrait de femme
381:Musée de Grenoble
302:The Spanish Shawl
276:Daphnis and Chloe
260:Antoine Bourdelle
141:Jacqueline Marval
138:
137:
25:Jacqueline Marval
1978:
1808:Gustave Flaubert
1739:Literature about
1698:
1633:Annie Swynnerton
1598:Elizabeth Nourse
1593:Anna Lea Merritt
1558:Elizabeth Coffin
1498:Nina E. Allender
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1406:Official website
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1089:on 29 April 2021
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221:Ambroise Vollard
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354:Les Odalisques,
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298:Kees van Dongen
294:Salon d'Automne
258:, the sculptor
250:Les Odalisques.
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362:Les odalisques
342:The Odalisques
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331:Les Odalisques
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312:Hôpital Bichât
280:Ballets Russes
256:Gabriel Astruc
232:Albert Marquet
205:Gustave Moreau
201:Jules Flandrin
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1397:the original
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1926:1932 deaths
1921:1866 births
1893:H. G. Wells
1842:Henry James
1773:Kate Chopin
1749:Henry James
1702:Sarah Grand
1679:Ella D'Arcy
1669:Kate Chopin
775:"Biography"
621:Perry, Gill
391:Armory Show
189: [
86:Nationality
73:19 May 1932
1915:Categories
1664:Mona Caird
1373:1254801934
1307:1423856150
687:1223290241
592:References
155:Early life
112:Partner(s)
57:1866-10-19
1722:Educators
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197:Les Nabis
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1707:Amy Levy
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1256:(2007).
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1024:(1972).
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717:Archived
623:(1995).
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165:Grenoble
98:Painting
1886:Candida
1846:novella
1652:Writers
1481:Artists
456:Gallery
123:Website
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266:and
132:.com
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