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He is among others known for his production of luminaries during the 1920s and 1930s. He used industrial materials to create lamps designed for individuals in general or to be used in well-defined architectural projects.
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As a child, Le
Chevallier attended the École natione des Arts décoratifs between 1911 and 1915 where he was a student of Paul Renouard and Eugene Morand. Although mobilized during
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windows in the studio of Louis
Barillet, 15 Square de Vergennes, for the French Pavilion at the Exposition international des Arts décoratifs de 1925 in Paris.
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He worked on the windows of churches and chapels in France, Belgium and
Switzerland (Doullens, La Roche-Posay, Noireau Conde-sur-, Notre Dame du Cap Lihou,
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Among his finest achievements are the works done with the help of his son Borny (Metz) for the Church of Saint-Pierre de
Pingusson.
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163:"DOCANTIC : ART DECO EXPERT DESIGN & DOCUMENTATION -LE CHEVALLIER Jacques - Peintre et Maître Verrier"
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His father was a representative in the architecture circles and his mother an art teacher in Paris.
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In 1948, Le
Chevallier organized the Centre d’Art sacré in collaboration with
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Several exhibits are devoted to Le
Chevallier in 2007–2008. They include:
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26:, decorative artist, illustrator, and engraver. He was mobilized during
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French glassmaker, decorative artist, illustrator and engraver
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22:(July 26, 1896 – 1987) was a French
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