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After the
Revolution, Monvel returned to the reconstituted Comédie-Française with all his old companions, but retired in 1807. Monvel was made a member of the Institute in 1795. He wrote six plays (four of them performed at the Comédie-Française), two comedies, and fifteen libretti for comic operas,
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Georg
Nordensvan: "Svensk teater och svenska skådespelare från Gustav III till våra dagar. first book 1772–1842" (Swedish theatre and Swedish actors from Gustav III to our days) (Swedish)
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Georg
Nordensvan: "Svensk teater och svenska skådespelare från Gustav III till våra dagar. First book 1772–1842" (Swedish theatre and Swedish actors from Gustav III to our day) (Swedish)
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In the 1780s Monvel fled France and went into a brief exile in Sweden after he was caught making sexual assignations with men in the gardens of the
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and had a great importance for the development for the organisation of the native
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was Monvel. He was a small, thin man without good looks or voice, and yet he became one of the greatest comedians of his time.
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he returned to Paris, embraced its principles with ardour, and joined the theatre in the rue
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in 1772. Monvel secretly left Paris for Sweden in 1781, as the head of a troupe of French actors. He became reader to
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One or more of the preceding sentences incorporates text from a publication now in the
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After some years of apprenticeship in the provinces, he made his debut in 1770 at the
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The actor's liaison with actress Jeanne-Marie-Marguerite
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97:(25 March 1745 – 13 February 1812) was a French actor and comic playwright from
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386:. Vol. 18 (11th ed.). Cambridge University Press. p. 801.
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La
Jeunesse du duc de Richelieu, le Lovelace français
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Le Chêne patriotique ou la Matinée du 14 juillet 1790
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