359:"From now on no celebration, no artistic or acrobatic spectacle can do without this amazing performer, who has invented something quite his own ... His act is partly ballet and partly sport, partly satire and partly a charade. He has devised a way of being both the player, the ball and the tennis racquet, of being simultaneously the football and the goalkeeper, the boxer and his opponent, the bicycle and the cyclist. Without any props, he conjures up his accessories and his partners. He has suggestive powers of all great artists. How gratifying it was to see the audience's warm reaction! Tati's success says a lot about the sophistication of the allegedly "uncouth" public, about its taste for novelty and its appreciation of style. Jacques Tati, the horse and rider conjured, will show all of Paris the living image of that legendary creature, the centaur."
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669:"Tati could easily have made lots of money with sequels featuring his comic character of the little rural mailman. He chose instead to wait for four years, and, after much reflection, he revised his formula completely. The result this time was an extraordinary masterpiece about which one can say, I think, that it is the most radical innovation in comic cinema since the Marx Brothers: I am referring, of course, to
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1008:), although originally designed to be a TV film, received a theatrical release in 1971, and placed Monsieur Hulot back at the centre of the action. It was the last Hulot film, and followed the vein of earlier works that lampooned modern society. In the film, Hulot is a bumbling automobile inventor, who is traveling to an exhibition in a gadget-filled recreational vehicle.
1414:, I remember seeing when I was 17âthat was a major inspiration. He opened a window to a world that I'd never looked out on before, and I thought, 'God, that's interesting,' how a comic situation can be developed as purely visual and yet it's not under-cranked, it's not speeded-up, Benny Hill comedyâit's more deliberate; it takes its time. And I enjoyed that".
567:), is about an inept rural village postman who interrupts his duties to inspect the traveling fair that has come to town. Influenced by too much wine and a documentary on the rapidity of the American postal service, he goes to hilarious lengths to speed his mail deliveries aboard his bicycle. Tati filmed it in 1947 in the village of
1050:, which he did not complete. Tati undertook the project at the request of his friend Gilberto Trigano, who was the president of the Bastia club at the time. His younger daughter, Sophie Tatischeff, later edited the remaining footage, which was posthumously released in 2002; Sophie died of lung cancer in 2001.
517:. They include Western society's obsession with material goods, particularly American-style consumerism, the pressure-cooker environment of modern society, the superficiality of relationships among France's various social classes, and the cold and often impractical nature of space-age technology and design.
935:, in which he depicted a dehumanized bank of the future, with money dispensed by a computerized counter. "The message of the advert was that however modern Lloyds are, technology isn't everything and you'll always be able to speak to a "friendly member of staff or understanding manager" in their branches".
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was finished, Tati was in substantial debt to the least forgiving of all creditors, the
Collectors of Taxes." When Tati failed to pay off his loans, his films were impounded by the banks. Tati was forced to sell the family house of Saint-Germain shortly after the death of his mother, Claire van Hoof,
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region. The hotel in which Mr. Hulot stays (l'HĂŽtel de la Plage) is still there, and a statue memorialising the director has been erected on the beach. Tati had fallen in love with the coast while staying in nearby Port
Charlotte with his friends, Mr. and Mrs. Lemoine, before the war, and resolved to
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for independence against its French protectorate. Having been at the centre of the
Christmas Eve bombing of the main Marrakech market in which she witnessed the massacre of a number of her boarding school friends, Helga Marie-Jeanne was actively encouraged by the French Consulate to flee Morocco for
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was therefore released only in black and white. Unlike his later films, it has many scenes with dialogue, and offers a droll, affectionate view of life in rural France. The colour version was restored by his daughter, film editor and director Sophie
Tatischeff, and released in 1995. The film won the
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Dmitri
Tatischeff died under suspicious circumstances from injuries sustained in a horse-riding accident, shortly after the birth of Georges-Emmanuel. As a child, Georges-Emmanuel experienced turbulent times, such as being forcibly removed from France and taken to live in Russia. In 1883, his mother
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Various problems delayed the release of Tati's follow-up to his international hit. In 1955, he suffered a serious car accident that physically impaired his left hand. Then, a dispute with Fred Orain ensued, and Tati broke away from Cady Films to create his own production company, Spectra Films, in
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in 1931â32. Tati left both the Racing Club de France, and to his family's disapproval, his apprenticeship at Cadres Van Hoof. Giving up a relatively comfortable middle-class lifestyle to be a struggling performing artist during hard economic times, he developed a collection of highly physical mime
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labeled Tati as a major influence on his work. According to
Plympton, "his jokes are very visual, there is not a lot of verbal interplay and talking, which I like. He's such a great character. are surreal, they are very dry, it's not slapstick where you trip on a rake and fall on the ground, its
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During the 1980s, concerned that their father's legacy would be permanently lost, Pierre and Sophie
Tatischeff tracked the rights to their father's oeuvre to a bank in Switzerland. The bank, unable to trace the owner who had made the deposit, eventually returned the rights to Pierre and Sophie as
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In 2000, the screenplay was handed over to Chomet by Tati's daughter, Sophie, two years before her death. Now, however, the family of Tati's illegitimate and estranged eldest child, Helga Marie-Jeanne Schiel, who lives in the north-east of
England, are calling for the French director to give her
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was originally 155 minutes in length, but Tati soon released an edited version of 126 minutes; this is the version that was generally released to theatres in 1967. Later versions appeared in 35mm format. In 1979, a copy of the film was revised again to 108 minutes, and this re-edited version was
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is the big leap, the big screen. I'm putting myself on the line. Either it comes off or it doesn't. There's no safety net." Tati famously built an entire glass and steel mini-city (nicknamed
Tativille) on the outskirts of Paris for the film, which took years to build and left him mired in debt.
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in 1958, Jacques Tati had become fed up with
Monsieur Hulot, his signature comic creation. With international renown came a growing dissatisfaction with straightforward scenarios centered around one lovable, recognizable figure. So he slowly inched his way toward a new kind of film, a supremely
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her own safety. Holding only a French passport she wrote to her father in hope that he would show compassion towards her plight and help her escape the hostilities that had built up in Morocco by offering her safe passage back to her home city of Paris. He was never forthcoming with help."
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In the film, Hulot and a group of American tourists lose themselves in the futuristic glass and steel of the commercially globalised modern Parisian suburbs, where only human nature and a few reflective views of the old city of Paris itself still emerge to breathe life into the sterile new
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introduced the character of Mr. Hulot and follows his adventures in France during the mandatory August vacation at a beach resort, lampooning several hidebound elements of French political and social classes. It was shot almost entirely in the tiny west coast seaside village of
1182:. In the summer of 1942, Herta gave birth to their daughter, Helga Marie-Jeanne Schiel. Tati refused to recognise the child, reportedly due to pressure from his sister, Nathalie. As a result, he was forced by Leon Volterra to depart from the Lido at the end of the 1942 season.
703:), was his first film to be released in colour. The plot centers on Mr. Hulot's comedic, quixotic, and childlike struggle with postwar France's obsession with modernity and American-style consumerism, entwined with the relationship he has with his nine-year-old nephew, GĂ©rard.
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Tati seems to have been an indifferent student, yet excelled in tennis and horse riding. He left school in 1923, at the age of 16, and his grandfather trained him as a picture framer in the family business. Between 1927 and 1928, he completed his national military service at
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Having lost her brother Pierre to a traffic accident, and having herself been diagnosed terminally ill, Sophie Tatischeff took the initiative to set up Les Films de Mon Oncle in 2001 to preserve, restore, and circulate her father's work. Enlisting the services of
579:. The film was intended to be the first French feature film shot in colour; Tati simultaneously shot the film in black and white as an insurance policy. The newly developed Thomson colour system proved impractical, as it could not deliver colour prints.
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1246:, was born. Tati's son, Pierre-François Tatischeff, also known as Pierre Tati, was born in 1949. Both Pierre and Sophie worked in the French film industry in various capacities, beginning in the early 1970s. Notably, they both worked on
242:, on the outskirts of Paris. In 1903, Georges-Emmanuel Tatischeff married the Dutch-Italian Marcelle Claire van Hoof (died 1968). Together, they had two children, Natalie (born 1905) and Jacques. Claire's Dutch father, a friend of
1115:. It tells the bittersweet tale of a modestly talented magician â referred to only as the Illusionist â who, during a tour of decaying music halls in Eastern Europe, protectively takes an impoverished young woman under his wing.
1157:, they say, was Tati's response to the shame of having abandoned his first child and it remains the only public recognition of her existence. They accuse Chomet of attempting to airbrush out their painful family legacy again.
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in Paris, and he brought Georges-Emmanuel into the family business. Subsequently, Georges-Emmanuel became the director of the company Cadres Van Hoof, and the Tatischeff family enjoyed a relatively high standard of living.
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Catalogued in the CNC (Centre National de la CinĂ©matographie) archives under the title 'Film Tati NÂș 4', and written in the late 1950s, the treatment was to have been the follow-up to Tati's internationally successful
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and move back into Paris. Spectra Films was placed into administration, concluding in the liquidation of the company in 1974, with an auction of all film rights held by the company for little more than 120,000 francs.
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would have played two American TV studio employees brought in by a rural French TV company to help them out with some American technical expertise and input into how TV is really done. While the script still exists,
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descent. Whilst stationed in Paris, Dmitri Tatischeff married a French woman, Rose Anathalie Alinquant (Russian sources indicate that Alinquant was a circus performer and that the couple were never actually married).
1309:, the artistic and cultural mission of Les Films de Mon Oncle is to allow audiences as well as researchers to (re-)discover the work of Tati the filmmaker, his archives, and to ensure its influence around the world.
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Tati was of Russian, Dutch, and Italian ancestry. His father, Georges-Emmanuel Tatischeff (1875-1957), was born in Paris, the son of Dmitry Tatishcheff (ĐĐŒĐžŃŃĐžĐč йаŃĐžŃĐ”ĐČ; also spelled Tatishchev), General of the
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1280:, under the heading "Adieu Monsieur Hulot. On le pleure mort, il aurait fallu l'aider vivant!" ("Farewell, Monsieur Hulot. We mourn him in his death, but we should have aided him while he was still alive!")
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in 2010, openly criticising the production's interpretation of Tati's intent for the script and explaining the family's understanding of its origins with respect to Tati's having abandoned his eldest child.
538:(1946), directing duties fell to Tati, who also starred in this short comedy about rural life. Encouragingly, "L'Ăcole des facteurs" was enthusiastically well-received upon release, winning the
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praised it as "a film that comes from another planet, where they make films differently"), it was a massive and expensive commercial failure, eventually resulting in Tati's bankruptcy.
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album, with the internal sleeve of its 2006 re-mastered CD featuring a letter announcing the pending collaboration, as well as a photo of the Mael brothers in conversation with Tati.
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343:, who offered him an engagement at the Theatre-Michel, where he quickly became the star act. After his success there, Tati tried to make it in London, playing a short season at the
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had even less of a plot than Tati's earlier films, and he endeavored to make his characters, including Hulot, almost incidental to his portrayal of a modernist and robotic Paris.
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was not presented until 2002, at the 55th Cannes Film Festival, eight months after the death of Sophie Tatischeff. In 2004, Les Films de Mon Oncle completed the restoration of
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Herta Schiel remained in Paris throughout the war, where she met physician Jacques Weil, after he was called upon to treat her sister Molly for the then-incurable disease of
639:. Production of the movie also reintroduced Jacques Lagrange into Tati's life, beginning a lifelong working partnership with the painter, who would become his set designer.
284:. It was there that he first discovered his comic talents, entertaining his teammates during intervals with impersonations of their sporting endeavours. He also first met
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1073:, was a story about a futuristic Paris where activity is centered around television, communication, advertising, and modern society's infatuation with visual imagery.
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was first successfully released in London in March 1949, before obtaining a French release on 4 July 1949, where it became a great public success, receiving the 1950
499:. With his trademark raincoat, umbrella and pipe, Hulot is among the most memorable comic characters in cinema. Several themes recur in Tati's work, most notably in
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remains one of the best-loved French films of that period. The film's comic influence has extended well beyond France and can be found as recently as 2007 in the
1410:. When asked about what influenced him, Atkinson claimed: "I think it was particularly a French comedian called Jacques Tati. I loved his movies, and you know,
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On receiving his Oscar, Tati was offered any treat that the Academy could bestow on him. To their surprise, Tati simply requested the opportunity to visit
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In 1995, after a year of meticulous work, Sophie, with the aid of film technician François Ede, was able for the first time to release a colour print of
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was headlining, Tati, having been shunned by his former colleagues at the Lido de Paris for his behaviour, left Paris under a cloud, with his friend
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According to Helga Marie-Jeanne Schiel's son, Richard Tatischeff Schiel McDonald, "As a refugee Helga Marie-Jeanne trapped in Marrakech during the
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and his honest sentiment, and it was a tribute to Jacques Tati and the way he allowed his scenes to go on and on and on. The character he played in
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very subtle humor, very sensitive humor, and very ironic humor. I love the irony in his works. He's a very good example of one of my influences."
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Although he had likely played music hall engagements before, his act was first mentioned in 1935, when he performed at the gala for the newspaper
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poll of the Greatest Movie Directors, he was voted the 46th greatest of all time (out of 50), although he directed only six feature-length films.
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1024:, a film produced for Swedish television in 1973, is more or less a filmed circus performance, featuring Tati's mime acts and other performers.
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with the Cavalry's 16th Regiment of Dragoons. On leaving the military, he took on an apprenticeship in London, where he was first introduced to
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in March 1936. Upon his return to Paris in the same year, he was immediately hired as top billing at the ABC Théùtre, alongside the singer
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Weakened by serious health problems, Tati died on 5 November 1982, at the age of 75, of a pulmonary embolism, leaving a final scenario,
727:), there stands a bronze statue of Tati as Monsieur Hulot talking to a boy, in a pose echoing the movie's poster, which was designed by
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351:, where he would work uninterrupted until the outbreak of the Second World War. It was for Tati's performances of his now-finely tuned
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In 1969, with reduced means, Tati created a new production company, CEPEC, to oversee his opportunities in film and TV production.
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took nine years to make, and Tati had to borrow heavily from his own resources to complete the picture. At the time of its making,
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as Sylvie, and also appeared as The Devil in the same film. Here, he met Fred Orain, studio director of St. Maurice and the
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1332:. This was followed by demanding editorial work for the DVDs of these films, including original bonuses and a double CD,
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383:(1934). Directed by Charles Barrois; featuring Jacques Tati as "Roger" and Enrico Sprocani as "le clown Rhum (Enrico)".
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1975:
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805:"I picked these particular films because they are the ones that have inspired me most. I think each is a masterpiece."
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In September 1939, Tati was conscripted back into his 16th Regiment of Dragoons, which was then incorporated into the
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401:; starring Jacques Tati as "Roger", with Jacques Broido as "Sparring Partner", and Max Martel as "The Postman".
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polled 846 critics, programmers, academics, and distributors to find "The Top 50 Greatest Films of All Time";
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began in 1998, when Sophie Tatischeff made the acquaintance of Jean-Rene Failot, technical director of the
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The semi-autobiographical script that Tati wrote in 1956 was released internationally as an animated film,
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With the exception of his first and last films, Tati played the gauche and socially inept lead character,
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746:. Keaton reportedly said that Tati's work with sound had carried on the true tradition of silent cinema.
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Il a conservé le statut et la rémunération d'apprenti, n'ayant pas réussi l'examen pour devenir ouvrier.
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cited Tati as an inspiration for the physical comedy approach of his internationally renowned character
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Returning to Paris, Tati resumed his civilian profession as a cabaret performer, finding employment at
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was awarded the accolade of being seen as the 37th greatest film of all time by his fellow directors.
391:(1935). Directed by Jacques Berr; written by and starring Jacques Tati, and featuring Enrico Sprocani.
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return one day to make a film there. The film was widely praised by critics, and earned Tati an
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is (in film theory) supposed to be: the controlling mind behind a vision of the world on film".
142:; 9 October 1907 â 5 November 1982) was a French mime, filmmaker, actor and screenwriter. In an
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304:). Each year from 1931 to 1934, he participated in an amateur show organised by Alfred Sauvy.
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was never filmed. What would have been its title track, "Confusion", appears on Sparks' 1976
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in a bid to get the film completed. "His personal overdrafts began to mount, and long before
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to the Russian embassy in Paris. The Tatischeffs were a Russian noble family of patrilineal
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In 1944, Tati returned to Paris, and after a brief courtship, married Micheline Winter.
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Tati's grandson, Richard Tatischeff Schiel McDonald, wrote a long letter to film critic
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In the original script, an aging Mr. Hulot was slated to be accidentally killed on-air.
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2635:"Striking Sparks with Bergman â The Mael brothers' new album takes a poke at Hollywood"
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In 2009, Macha MakeĂŻeff, the partner of Deschamps, designed and co-curated (along with
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Tati and an interpreter presenting the film for a special screening in Helsinki, 1969
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377:(1932). Directed by Jack Forrester; written by and starring Jacques Tati (film lost).
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During the 1930s, he began to experiment with film, acting in the following shorts:
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2120:[Cartoon "The Illusionist" and Jacques Tati's daughters] (in Russian).
2035:(1977) from the French Film Institute for his lifetime contributions to cinema.
856:(1967) was the most expensive film in French history. Of the film, Tati said: "
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1038:", a short documentary focusing on a football match between the Corsican team
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was all about resourcefulness and using what's around him to make us laugh".
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Jacques Tati's ode to his illegitimate daughter, The Telegraph, 16 June 2010
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Tati biographer David Bellos noted that Tati had approached everybody from
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In early 1946, Jacques Tati and Fred Orain founded the production company
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in Paris, and installed the full-scale mythical Villa Arpel, the set of
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Hamilton, Fiona; Coates, Sam; Savage, Michael (17 February 2007).
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was voted 42nd. In the corresponding "Directors Poll" by the BFI,
815:
423:
311:
250:, was the owner of a prestigious picture-framing company near the
83:
4603:
272:. Returning to Paris, he joined the semi-professional rugby team
3037:"Before and after 'Bean': A talk with Rowan Atkinson, continued"
2754:"Jacques Tati's ode to his illegitimate daughter". 2010-06-16
1220:. Through Weil, second-in-command of the Juggler network of the
1134:, the main character is an animated caricature of Tati himself.
830:
477:
234:
brought him back to France, where they settled on the estate of
4607:
3448:
3263:
3259:
3226:
1174:
At the Lido de Paris, Tati met and fell in love with the young
3071:"Bill Plympton Does "The 11" with Alone In The Dark Film Blog"
2690:"Sylvain Chomet's 'Illusionist' Uses Scenario by Jacques Tati"
1352:
5311:
Directors of Best Foreign Language Film Academy Award winners
707:
quickly became an international success, and won that year's
665:, wrote in his 1957 essay, "Fifteen Years of French Cinema":
335:. Among the honourable spectators was the influential writer
2478:
2476:
2474:
2118:"ĐĐžĐœĐŸĐżĐ°ĐœĐŸŃĐ°ĐŒĐ° - ĐŃĐ»ŃŃŃОлŃĐŒ "ĐллŃĐ·ĐžĐŸĐœĐžŃŃ" Đž ĐŽĐŸŃĐ”ŃĐž ĐĐ°ĐșĐ° йаŃĐž"
1417:
On an interview at "The 11", independent animation director
836:
In an essay for the Criterion Collection, Kent Jones wrote:
1153:
credit as the true inspiration for the film. The script of
801:, 1950) to be screened in his sidebar program, explaining:
16:
French mime, filmmaker, actor, and screenwriter (1907â1982)
2105:
Jacques Tati, His Life and Art, David Bellos, Random House
3185:] (in French). Translated by Pascale Voilley. Paris:
2144:, 1, " Une famille bien française : les Tatischeff "
355:
at the ABC that the previously impressed Colette wrote,
2536:"The 50 Greatest Films of All Time - Sight & Sound"
2237:) et 1933, oĂč il est citĂ© en haut de l'affiche :
1197:. While residing there, they completed the script for
1137:
Controversy dogged the release of Chomet's version of
418:
in May 1940, when the German Army marched through the
3117:"The 31st Academy Awards (1959) Nominees and Winners"
2822:"The private torment behind Tati's "The Illusionist""
2727:
2725:
1185:
In 1943, after a short engagement at the ABC, where
5012:
4641:
4268:
3907:
3612:
3482:
3418:
3383:
3356:
3297:
107:
99:
91:
72:
46:
21:
2342:"André Bazin: Fifteen Years of French Cinema 1957"
931:In 1971, Tati made an advertisement for England's
3476:Academy Award for Best International Feature Film
2846:
2844:
961:has said he was paying a "very slight homage" to
845:democratic film that would be about "everybody".
521:"L'Ăcole des facteurs" ("The School for Postmen")
422:into northern France. The 3rd DLC retreated from
2798:"Jacques Tati's lost film reveals family's pain"
1268:, which he had completed with Jacques Lagrange.
492:, which would produce Tati's first three films.
3142:"6th Moscow International Film Festival (1969)"
1339:In 2014, Les Films de Mon Oncle became part of
838:
434:, where the division was demobilised after the
189:critics' poll of the greatest films ever made.
2233:, p. 56 et 57 : affiches pour 1931 (
1367:On 3 June 1995, the rebuilt L'Idéal Cinéma in
532:" (1947), but as he was preoccupied directing
4619:
3460:
3275:
2875:
2873:
151:Tati is perhaps best known for his character
8:
1379:
709:Academy Award for Best Foreign Language Film
2393:, p. 226, "The Old World and the New".
1371:opened as the L'Idéal Cinéma Jacques Tati.
1065:Tati had plans for at least one more film.
4626:
4612:
4604:
3823:Investigation of a Citizen Above Suspicion
3467:
3453:
3445:
3282:
3268:
3260:
3237:"Confusion" Jacques Tati's unfinished film
1429:
1381:Jacques Tati, deux temps, trois mouvements
339:. Tati's act also caught the attention of
29:
18:
3232:Jacques Tati profile at FilmsdeFrance.com
2661:"Sony Classics, The Illusionist presskit"
1242:On 23 October 1946, Tati's second child,
445:'s Lido de Paris, where he performed his
3183:Jacques Tati : His life and his art
2815:
2813:
452:Considered as a possible substitute for
288:, with whom he became lifelong friends.
95:Filmmaker, actor, screenwriter, director
2769:"Sylvain Chomet: the trials of making "
2308:"Happy vacances: Jacques Tati's France"
2116:Dombrovskaya, Inga (20 February 2011).
2054:"Jacques Tati âą Great Director profile"
2045:
2002:Cannes Festival (1958): Grand Prix for
1392:created by Jacques Tati and his friend
1224:, both sisters were recruited into the
1069:, a planned collaboration with pop duo
363:From 1937 to 1938, he performed at the
103:Micheline Winter (1944â1982; his death)
2735:; "The secret of Jacques Tati" 2010-05
2390:
2282:
2265:
2249:
2247:
2230:
2209:
2197:
2185:
2141:
2020:6th Moscow International Film Festival
876:released on VHS video in 1984. Though
584:Prize for Best Original Script at the
3851:The Discreet Charm of the Bourgeoisie
2620:"Trafic (1971), Criterion Collection"
1193:, and they settled in the Village of
659:, founder of the influential journal
293:global economic crisis reached France
137:
124:
7:
2633:Galliano, Joseph (30 October 2009).
2449:""Roger Ebert, Ebertfest, Playtime""
4002:Volver a Empezar ('To Begin Again')
2955:"Jour de fete - Jonathan Rosenbaum"
2796:Thorpe, Vanessa (31 January 2010).
1301:, as Tati had originally intended.
406:World War II and postwar employment
3242:Museum of Modern Art retrospective
2306:Simkins, Michael (24 April 2010).
2235:Sport muet par Jacques Tattischeff
14:
3227:The Official Jacques Tati website
2012:: Best Foreign Language Film for
5271:French people of Italian descent
5261:French people of Russian descent
4354:Florian Henckel von Donnersmarck
3974:Moscow Does Not Believe in Tears
3837:The Garden of the Finzi-Continis
2980:"The restoration of "Play Time""
2483:Macnab, Geoffrey (21 May 2002).
2277:Colette, "Spectacles de Paris",
2256:French Knowledge (XXG) for l'ABC
2081:"The Greatest Films of All Time"
1616:The Ghost of Alain de Francigny
1294:heirs to their father's estate.
577:Le Grand prix du cinéma français
528:was first approached to direct "
412:3rd Division Legere de Cavalerie
280:, and whose supporters included
5316:CĂ©sar Honorary Award recipients
5306:20th-century French male actors
5301:Rostislavichi family (Smolensk)
3178:Jacques Tati: Sa vie et son art
3092:"Festival de Cannes: Mon Oncle"
3035:Lloyd, Robert (27 March 2015).
542:Prize for film comedy in 1947.
296:routines that would become his
5266:French people of Dutch descent
5256:Male actors from Ăle-de-France
4573:All Quiet on the Western Front
4254:Crouching Tiger, Hidden Dragon
3598:Samurai, The Legend of Musashi
3432:Jacques Tati: His Life and Art
3314:Les Vacances de Monsieur Hulot
2688:Kehr, Dave (29 October 2010).
2510:"Bank Of The Future (In 1971)"
749:As guest artistic director at
641:Les Vacances de Monsieur Hulot
606:Les Vacances de Monsieur Hulot
593:Les Vacances de Monsieur Hulot
438:was declared on 22 June 1940.
158:Les Vacances de Monsieur Hulot
1:
5321:20th-century French comedians
5281:French male television actors
3735:Yesterday, Today and Tomorrow
2944:, 19 novembre 1982, no. 1747.
2405:Films Selected by David Lynch
2155:"David Lynch on Jacques Tati"
1034:In 1978, Tati began filming "
36:
5331:Comedians from Ăle-de-France
2853:"The secret of Jacques Tati"
1018:Tati's last completed film,
557:Tati's first major feature,
414:(DLC). He saw action in the
204:, is the epitome of what an
2188:, 2, "Les Cadres Van Hoof".
1244:Sophie Catherine Tatischeff
721:New York Film Critics Award
462:, Tati played the ghost in
5347:
3946:Get Out Your Handkerchiefs
2916:"La postérité de M. Hulot"
2599:Directors Guild of America
2593:Schickel, Richard (2006).
2281:, 28 June 1936, quoted in
1131:The Triplets of Belleville
723:. In Place de la Pelouse (
2959:www.jonathanrosenbaum.net
2022:(1969): Silver Prize for
1990:Original screenplay only
1748:Also uncredited producer
1460:Oscar, champion de tennis
1363:Recognition and influence
1328:, the English version of
1274:reported Tati's death in
891:to French prime minister
693:Tati's next film, 1958's
613:), was released in 1953.
375:Oscar, champion de tennis
246:, whose clients included
28:
4391:The Secret in Their Eyes
3918:Black and White in Color
2881:La postérité de M. Hulot
2782:27 December 2012 at the
2699:– via NYTimes.com.
1729:Monsieur Hulot's Holiday
1723:Les Vacances de M. Hulot
1441:
1438:
1432:
977:Monsieur Hulot's Holiday
880:was a critical success (
671:Les Vacances de M. Hulot
635:, which was shared with
633:Best Original Screenplay
611:Monsieur Hulot's Holiday
597:Monsieur Hulot's Holiday
591:
183:ranked 23rd in the 2022
5276:French male film actors
4307:The Barbarian Invasions
3749:The Shop on Main Street
3247:2 December 2013 at the
2898:"Illusions of grandeur"
2737:. Accessed 2010-08-19
1871:Also uncredited editor
1195:Sainte-SĂ©vĂšre-sur-Indre
1124:, in 2010. Directed by
569:Sainte-SĂ©vĂšre-sur-Indre
3781:Closely Watched Trains
3693:Through a Glass Darkly
3298:Feature films directed
3175:Bellos, David (2002).
3010:"L'histoire du cinéma"
2085:British Film Institute
1711:François, the postman
1386:CinémathÚque Française
1380:
1343:, in partnership with
1289:Les Films de Mon Oncle
1236:Moroccan 1955 uprising
1222:SOE F Section networks
1205:The School for Postmen
1159:
945:British Film Institute
847:
821:
807:
675:
459:Les Enfants du Paradis
361:
317:
5326:French male comedians
5286:French film directors
4790:Christine Gouze-RĂ©nal
4766:Georges de Beauregard
3537:The Walls of Malapaga
2786:. Accessed 2010-08-19
2759:. Accessed 2010-08-19
2733:Roger Ebert's Journal
2595:"Age & Innocence"
2295:"l'Hotel de la Plage"
2212:, 4, "DrĂŽle d'Ă©cole".
2010:Academy Awards (1958)
1396:, at the 104 (Paris,
1150:
840:After the success of
819:
803:
725:Saint-Maur-des-Fossés
667:
357:
353:Impressions Sportives
316:Tati in Germany, 1938
315:
298:Impressions Sportives
274:Racing Club de France
266:Saint-Germain-en-Laye
240:Saint-Germain-en-Laye
219:Imperial Russian Army
196:puts it, "Tati, from
5251:People from Yvelines
4889:Marcello Mastroianni
4819:René Ferracci (1986)
4739:Alexandre Mnouchkine
4587:The Zone of Interest
4396:Juan José Campanella
3357:Short films directed
3251:in the Village Voice
2571:Entertainment Weekly
2371:translate.google.com
2346:brightlightsfilm.com
1628:L'Ăcole des facteurs
1604:Sylvie and the Ghost
1598:Sylvie et le fantĂŽme
1483:On demande une brute
1248:Jean-Pierre Melville
1200:L'Ăcole des facteurs
943:In August 2012, the
914:While on the set of
603:Tati's second film,
586:Venice Film Festival
530:L'Ăcole des facteurs
465:Sylvie and the Ghost
447:Sporting Impressions
397:(1936). Directed by
381:On demande une brute
345:Finsbury Park Empire
302:Sporting Impressions
198:l'Ecole des facteurs
145:Entertainment Weekly
4349:The Lives of Others
4240:All About My Mother
4133:Gabriele Salvatores
4086:Pelle the Conqueror
4016:Fanny and Alexander
3923:Jean-Jacques Annaud
3096:festival-cannes.com
2741:31 May 2010 at the
1412:Mr. Hulot's Holiday
1398:19th arrondissement
1312:The restoration of
1042:and the Dutch team
535:La Bataille du rail
454:Jean-Louis Barrault
449:from 1940 to 1942.
5164:Scarlett Johansson
5026:Charlotte Rampling
4877:Sylvester Stallone
4859:Jean-Pierre Aumont
4703:Pierre Braunberger
4363:The Counterfeiters
4326:Alejandro AmenĂĄbar
4105:Giuseppe Tornatore
4044:The Official Story
3965:Volker Schlöndorff
3707:Sundays and CybĂšle
3589:Teinosuke Kinugasa
3365:School for Postmen
3152:on 16 January 2013
2516:. 15 February 2011
2367:"Google Translate"
2167:on 9 November 2011
1954:DĂ©gustation maison
1945:Documentary short
1667:Devil in the Flesh
1661:Le Diable au corps
1634:School for Postmen
1378:) the exhibition "
822:
650:Mr. Bean's Holiday
620:Saint-Marc-sur-Mer
318:
131:Jacques Tatischeff
51:Jacques Tatischeff
5221:
5220:
5212:Christopher Nolan
5146:Quentin Tarantino
5056:Bernadette Lafont
4997:Jean-Pierre LĂ©aud
4784:Danielle Darrieux
4733:Georges Dancigers
4601:
4600:
4564:Ryusuke Hamaguchi
4550:Thomas Vinterberg
4503:A Fantastic Woman
4466:PaweĆ Pawlikowski
4405:In a Better World
4368:Stefan Ruzowitzky
4293:Nowhere in Africa
4226:Life Is Beautiful
3870:François Truffaut
3800:Sergei Bondarchuk
3767:A Man and a Woman
3712:Serge Bourguignon
3679:The Virgin Spring
3637:Nights of Cabiria
3442:
3441:
3221:Tati Bibliography
3041:Los Angeles Times
2904:. 21 August 2010.
2902:Irish Independent
2514:money-watch.co.uk
2329:Mr Bean's Holiday
2200:, 3, "Le dragon".
1994:
1993:
1918:Circus performer
1573:Retour Ă la terre
1548:Keep Your Left Up
1539:Soigne ton gauche
1226:French Resistance
998:The Dutch-funded
965:in his 2004 film
882:François Truffaut
719:, as well as the
662:Cahiers du cinéma
395:Soigne ton gauche
139:[tatiÊÉf]
115:
114:
5338:
5291:French satirists
5074:Micheline Presle
4991:Georges Cravenne
4937:Charles Aznavour
4919:Steven Spielberg
4772:Edwige FeuillĂšre
4744:Jean NĂ©ny (1982)
4628:
4621:
4614:
4605:
4594:
4580:
4566:
4552:
4538:
4524:
4510:
4496:
4482:
4468:
4454:
4452:Paolo Sorrentino
4447:The Great Beauty
4440:
4426:
4412:
4398:
4384:
4370:
4356:
4342:
4328:
4314:
4300:
4286:
4261:
4247:
4233:
4219:
4205:
4191:
4177:
4175:Nikita Mikhalkov
4170:Burnt by the Sun
4163:
4149:
4135:
4121:
4107:
4093:
4079:
4065:
4051:
4037:
4023:
4009:
3995:
3981:
3979:Vladimir Menshov
3967:
3953:
3939:
3925:
3900:
3886:
3884:Federico Fellini
3872:
3858:
3844:
3842:Vittorio De Sica
3830:
3816:
3802:
3788:
3774:
3760:
3742:
3740:Vittorio De Sica
3728:
3726:Federico Fellini
3714:
3700:
3686:
3672:
3658:
3644:
3642:Federico Fellini
3630:
3628:Federico Fellini
3605:
3591:
3577:
3572:
3558:
3544:
3530:
3528:Vittorio De Sica
3516:
3509:Monsieur Vincent
3502:
3500:Vittorio De Sica
3469:
3462:
3455:
3446:
3435:(1999 biography)
3284:
3277:
3270:
3261:
3200:
3162:
3161:
3159:
3157:
3148:. Archived from
3138:
3132:
3131:
3129:
3127:
3113:
3107:
3106:
3104:
3102:
3088:
3082:
3081:
3075:
3058:
3052:
3051:
3049:
3047:
3032:
3026:
3025:
3023:
3021:
3006:
3000:
2999:
2997:
2995:
2986:. Archived from
2976:
2970:
2969:
2967:
2965:
2951:
2945:
2937:
2931:
2930:
2928:
2926:
2912:
2906:
2905:
2894:
2888:
2879:David Bellos, "
2877:
2868:
2867:
2865:
2863:
2848:
2839:
2838:
2836:
2834:
2817:
2808:
2807:
2793:
2787:
2766:
2760:
2751:
2745:
2729:
2720:
2719:
2707:
2701:
2700:
2698:
2696:
2685:
2679:
2678:
2676:
2674:
2668:sonyclassics.com
2665:
2657:
2651:
2650:
2648:
2646:
2630:
2624:
2623:
2616:
2610:
2609:
2607:
2605:
2590:
2584:
2583:
2581:
2579:
2562:
2556:
2555:
2553:
2551:
2546:on 2 August 2012
2542:. Archived from
2532:
2526:
2525:
2523:
2521:
2506:
2500:
2499:
2497:
2495:
2480:
2469:
2468:
2466:
2464:
2459:on 17 March 2016
2455:. Archived from
2445:
2439:
2438:
2436:
2434:
2420:
2414:
2413:
2412:on 24 March 2012
2408:, archived from
2400:
2394:
2388:
2382:
2381:
2379:
2377:
2363:
2357:
2356:
2354:
2352:
2338:
2332:
2324:
2318:
2317:
2303:
2297:
2292:
2286:
2275:
2269:
2263:
2257:
2254:ABC_(music-hall)
2251:
2242:
2228:
2222:
2219:
2213:
2207:
2201:
2195:
2189:
2183:
2177:
2176:
2174:
2172:
2163:. Archived from
2151:
2145:
2139:
2133:
2132:
2130:
2128:
2113:
2107:
2102:
2096:
2095:
2093:
2091:
2077:
2071:
2070:
2068:
2066:
2059:Senses of Cinema
2050:
1430:
1394:Jacques Lagrange
1383:
1307:JĂ©rĂŽme Deschamps
959:Steven Spielberg
893:Georges Pompidou
889:Darryl F. Zanuck
829:(1967), shot in
794:Sunset Boulevard
789:Alfred Hitchcock
764:Hour of the Wolf
757:selected Tati's
624:Loire Atlantique
484:Tati as director
248:Toulouse-Lautrec
223:military attaché
141:
136:
128:
123:
79:
60:
58:
41:
38:
33:
19:
5346:
5345:
5341:
5340:
5339:
5337:
5336:
5335:
5226:
5225:
5222:
5217:
5176:Michael Douglas
5122:Roberto Benigni
5080:Jacques Dutronc
5008:
5003:Martin Scorsese
4985:Josiane Balasko
4967:Pedro AlmodĂłvar
4961:Jean-Luc Godard
4949:Michael Douglas
4943:Andie MacDowell
4835:Serge Silberman
4829:Jean-Luc Godard
4823:Claude Lanzmann
4778:Christian-Jaque
4673:Robert Dorfmann
4637:
4632:
4602:
4597:
4592:Jonathan Glazer
4583:
4569:
4555:
4541:
4527:
4513:
4508:SebastiĂĄn Lelio
4499:
4485:
4471:
4457:
4443:
4429:
4415:
4401:
4387:
4373:
4359:
4345:
4331:
4317:
4303:
4289:
4275:
4264:
4250:
4245:Pedro AlmodĂłvar
4236:
4231:Roberto Benigni
4222:
4208:
4194:
4180:
4166:
4161:Fernando Trueba
4152:
4138:
4124:
4114:Journey of Hope
4110:
4100:Cinema Paradiso
4096:
4082:
4072:Babette's Feast
4068:
4063:Fons Rademakers
4054:
4040:
4030:Dangerous Moves
4026:
4012:
4007:José Luis Garci
3998:
3984:
3970:
3956:
3942:
3928:
3914:
3903:
3889:
3875:
3861:
3847:
3833:
3819:
3805:
3791:
3777:
3763:
3745:
3731:
3717:
3703:
3689:
3675:
3661:
3647:
3633:
3619:
3608:
3603:Hiroshi Inagaki
3594:
3580:
3575:
3565:Forbidden Games
3561:
3547:
3533:
3523:Bicycle Thieves
3519:
3505:
3491:
3484:
3478:
3473:
3443:
3438:
3414:
3408:The Illusionist
3379:
3352:
3293:
3288:
3249:Wayback Machine
3223:via UC Berkeley
3208:
3197:
3174:
3171:
3166:
3165:
3155:
3153:
3140:
3139:
3135:
3125:
3123:
3115:
3114:
3110:
3100:
3098:
3090:
3089:
3085:
3073:
3069:
3066:Wayback Machine
3059:
3055:
3045:
3043:
3034:
3033:
3029:
3019:
3017:
3008:
3007:
3003:
2993:
2991:
2978:
2977:
2973:
2963:
2961:
2953:
2952:
2948:
2938:
2934:
2924:
2922:
2914:
2913:
2909:
2896:
2895:
2891:
2887:, 25 mars 2008.
2878:
2871:
2861:
2859:
2850:
2849:
2842:
2832:
2830:
2819:
2818:
2811:
2795:
2794:
2790:
2784:Wayback Machine
2771:The Illusionist
2767:
2763:
2756:Daily Telegraph
2752:
2748:
2743:Wayback Machine
2730:
2723:
2709:
2708:
2704:
2694:
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2574:. 21 April 2004
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1976:The Illusionist
1894:Episode: "1.5"
1868:Monsieur Hulot
1836:Monsieur Hulot
1823:Evening Classes
1820:
1805:Monsieur Hulot
1778:Monsieur Hulot
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1679:Officer at bar
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1544:Watch Your Left
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1376:Stephane Goudet
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1155:L'illusionniste
1139:The Illusionist
1121:The Illusionist
1108:
1104:The Illusionist
1100:Film Tati No. 4
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631:nomination for
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416:Battle of Sedan
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276:, captained by
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2851:Ebert, Roger.
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2820:Ebert, Roger.
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2712:"Cut the cute"
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2566:"The Terminal"
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2485:"Tati for now"
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153:Monsieur Hulot
126:[tati]
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4545:Another Round
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4382:YĆjirĆ Takita
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3865:Day for Night
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2990:on 9 May 2017
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1508:Gai dimanche!
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1419:Bill Plympton
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1191:Henri Marquet
1188:
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1170:Personal life
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1044:PSV Eindhoven
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921:Cours du soir
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907:Spin-offs of
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747:
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744:Buster Keaton
741:
737:
732:
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726:
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714:
713:Special Prize
710:
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666:
664:
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658:
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637:Henri Marquet
634:
630:
629:Academy Award
625:
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470:Odette Joyeux
467:
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443:LĂ©on Volterra
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258:
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252:Place VendĂŽme
249:
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119:
110:
106:
102:
98:
94:
92:Occupation(s)
90:
85:
75:
71:
66:
49:
45:
32:
27:
20:
5296:French mimes
5236:Jacques Tati
5223:
5152:Kate Winslet
5068:Meryl Streep
5044:Jeremy Irons
5013:2001âpresent
4913:Gregory Peck
4865:Sophia Loren
4760:René Clément
4715:Kirk Douglas
4685:Marcel Carné
4667:Jacques Tati
4666:
4585:
4571:
4559:Drive My Car
4557:
4543:
4536:Bong Joon-ho
4529:
4515:
4501:
4489:The Salesman
4487:
4480:LĂĄszlĂł Nemes
4473:
4459:
4445:
4431:
4419:A Separation
4417:
4410:Susanne Bier
4403:
4389:
4375:
4361:
4347:
4333:
4319:
4312:Denys Arcand
4305:
4291:
4277:
4269:2001âpresent
4252:
4238:
4224:
4210:
4196:
4182:
4168:
4156:Belle Ăpoque
4154:
4140:
4128:Mediterraneo
4126:
4112:
4098:
4091:Bille August
4084:
4077:Gabriel Axel
4070:
4056:
4042:
4028:
4014:
4000:
3993:IstvĂĄn SzabĂł
3986:
3972:
3960:The Tin Drum
3958:
3944:
3930:
3916:
3891:
3877:
3863:
3849:
3835:
3821:
3814:Costa-Gavras
3807:
3793:
3779:
3765:
3747:
3733:
3719:
3705:
3691:
3677:
3670:Marcel Camus
3663:
3656:Jacques Tati
3655:
3649:
3635:
3621:
3596:
3584:Gate of Hell
3582:
3570:René Clément
3563:
3549:
3542:René Clément
3535:
3521:
3507:
3493:
3430:
3406:
3398:
3392:Gai dimanche
3390:
3373:Forza Bastia
3371:
3363:
3344:
3336:
3328:
3320:
3312:
3306:Jour de fĂȘte
3304:
3291:Jacques Tati
3290:
3212:Jacques Tati
3182:
3176:
3154:. Retrieved
3150:the original
3145:
3136:
3124:. Retrieved
3120:
3111:
3099:. Retrieved
3095:
3086:
3077:
3062:Ghostarchive
3060:Archived at
3056:
3044:. Retrieved
3040:
3030:
3018:. Retrieved
3013:
3004:
2992:. Retrieved
2988:the original
2983:
2974:
2962:. Retrieved
2958:
2949:
2939:
2935:
2923:. Retrieved
2919:
2910:
2901:
2892:
2884:
2860:. Retrieved
2856:
2831:. Retrieved
2825:
2803:The Observer
2801:
2791:
2774:
2770:
2764:
2755:
2749:
2732:
2715:
2705:
2693:. Retrieved
2683:
2671:. Retrieved
2667:
2655:
2643:. Retrieved
2638:
2628:
2614:
2602:. Retrieved
2588:
2576:. Retrieved
2569:
2560:
2548:. Retrieved
2544:the original
2539:
2530:
2518:. Retrieved
2513:
2504:
2492:. Retrieved
2489:The Guardian
2488:
2461:. Retrieved
2457:the original
2452:
2443:
2431:. Retrieved
2427:
2418:
2410:the original
2404:
2398:
2386:
2374:. Retrieved
2370:
2361:
2349:. Retrieved
2345:
2336:
2328:
2322:
2313:The Guardian
2311:
2301:
2290:
2278:
2273:
2261:
2239:J. Taticheff
2238:
2234:
2226:
2217:
2205:
2193:
2181:
2169:. Retrieved
2165:the original
2158:
2149:
2137:
2125:. Retrieved
2111:
2100:
2088:. Retrieved
2075:
2063:. Retrieved
2057:
2048:
2031:An honorary
2023:
2013:
2003:
1974:
1953:
1930:Forza Bastia
1928:
1902:
1879:
1853:
1847:
1822:
1815:
1789:
1763:
1756:
1728:
1721:
1696:
1691:Jour de fĂȘte
1689:
1666:
1659:
1633:
1626:
1603:
1596:
1572:
1547:
1543:
1538:
1513:
1506:
1482:
1459:
1442:Screenwriter
1416:
1411:
1402:
1389:
1373:
1366:
1338:
1333:
1329:
1325:
1321:
1313:
1311:
1303:
1299:Jour de fĂȘte
1298:
1296:
1292:
1275:
1270:
1265:
1263:
1251:
1241:
1233:
1230:
1218:tuberculosis
1215:
1210:Jour de fĂȘte
1208:
1204:
1198:
1184:
1173:
1160:
1154:
1151:
1145:The Guardian
1142:
1138:
1136:
1129:
1128:, known for
1119:
1117:
1112:
1109:
1103:
1099:
1090:
1086:
1082:Russell Mael
1075:
1066:
1064:
1059:
1054:Unmade films
1036:Forza Bastia
1033:
1029:Forza Bastia
1028:
1019:
1017:
1012:
1005:
999:
997:
991:
987:
980:
976:
968:The Terminal
966:
962:
957:
952:
948:
942:
930:
925:
919:
915:
913:
908:
902:
896:
886:
877:
872:
871:
866:
865:metropolis.
863:
857:
853:
849:
848:
841:
839:
835:
824:
823:
810:
804:
799:Billy Wilder
792:
791:, 1954) and
782:
772:
762:
761:, alongside
758:
748:
740:Mack Sennett
733:
729:Pierre Ătaix
704:
700:
694:
692:
686:
682:
676:
670:
668:
660:
655:
648:
640:
615:Les Vacances
614:
610:
604:
602:
596:
592:
581:Jour de fĂȘte
580:
573:Jour de fĂȘte
572:
564:
560:Jour de fĂȘte
558:
556:
550:
547:Jour de fĂȘte
546:
533:
526:René Clément
524:
512:
506:
500:
494:
487:
468:, alongside
463:
457:
451:
446:
440:
409:
399:René Clément
394:
388:Gai dimanche
386:
380:
374:
369:
362:
358:
352:
326:
324:
301:
297:
290:
278:Alfred Sauvy
262:
232:
215:
205:
201:
197:
194:David Bellos
191:
184:
180:
174:
168:
162:
156:
150:
143:
130:
118:Jacques Tati
117:
116:
78:(1982-11-05)
23:Jacques Tati
5246:1982 deaths
5241:1907 births
5050:Claude Rich
5038:Anouk Aimée
5032:AgnĂšs Varda
4973:Johnny Depp
4901:Jean Carmet
4895:GĂ©rard Oury
4883:Jean Marais
4808:Bette Davis
4796:Alain Poiré
4697:Walt Disney
4475:Son of Saul
4058:The Assault
4049:Luis Puenzo
3932:Madame Rosa
3893:Dersu Uzala
3856:Luis Buñuel
3786:JiĆĂ Menzel
3384:Screenplays
3169:Works cited
3156:17 December
3101:10 February
3016:(in French)
2941:Paris Match
2885:non-fiction
2578:12 February
2391:Bellos 2002
2283:Bellos 2002
2268:, 6, 8, 10.
2266:Bellos 2002
2231:Bellos 2002
2210:Bellos 2002
2198:Bellos 2002
2186:Bellos 2002
2142:Bellos 2002
2127:12 February
1839:Short film
1697:The Big Day
1651:Short film
1588:Short film
1564:Short film
1530:Short film
1514:Fun Sunday!
1498:Short film
1474:Short film
1426:Filmography
1345:StudioCanal
1277:Paris Match
1163:Roger Ebert
1148:reporting:
1046:during the
973:Frank Capra
933:Lloyds Bank
784:Rear Window
755:David Lynch
753:Fest 2010,
736:Stan Laurel
657:André Bazin
565:The Big Day
551:The Big Day
367:in Berlin.
349:Marie Dubas
173:(1967) and
40: 1961
5230:Categories
5092:Hugh Grant
5086:Will Smith
5020:Darry Cowl
4655:Diana Ross
4377:Departures
4340:Gavin Hood
4203:Jan SvÄrĂĄk
3828:Elio Petri
3758:Elmar Klos
3485:(Honorary)
3126:27 October
3121:oscars.org
2984:in70mm.com
2540:bfi.org.uk
2424:"Playtime"
2279:Le Journal
2090:26 January
2040:References
1495:Roustabat
1187:Ădith Piaf
540:Max Linder
490:Cady-Films
341:Max Trebor
328:Le Journal
321:Early work
259:Early life
135:pronounced
57:1907-10-09
5170:Sean Penn
5062:Spike Lee
4642:1976â2000
4212:Character
4142:Indochine
3908:1976â2000
3754:JĂĄn KadĂĄr
3623:La Strada
3613:1956â1975
3495:Shoeshine
3483:1947â1955
3322:Mon Oncle
3046:31 August
3020:31 August
2718:. London.
2716:The Times
2639:The Times
2014:Mon Oncle
2004:Mon Oncle
1758:Mon Oncle
1585:UnÂknown
1390:Mon Oncle
1384:" at the
1330:Mon Oncle
1266:Confusion
1180:Anschluss
1113:Mon Oncle
1087:Confusion
1067:Confusion
1060:Confusion
1040:SC Bastia
981:Mon Oncle
939:Reception
897:Play Time
858:Play Time
842:Mon Oncle
781:, 1962),
771:, 1968),
759:Mon Oncle
705:Mon Oncle
696:Mon Oncle
683:Mon Oncle
622:, in the
502:Mon Oncle
474:Victorine
436:Armistice
430:, in the
164:Mon Oncle
5110:Jude Law
4531:Parasite
3988:Mephisto
3879:Amarcord
3651:My Uncle
3551:Rashomon
3330:Playtime
3245:Archived
3187:Le Seuil
3064:and the
2862:14 March
2833:14 March
2780:Archived
2777:Magazine
2775:Time Out
2739:Archived
2645:24 April
2641:. London
2025:Playtime
1791:PlayTime
1764:My Uncle
1648:Postman
1439:Director
1351:in both
1326:My Uncle
1322:Playtime
1314:Playtime
1256:(1972).
1092:Big Beat
1078:Ron Mael
963:Playtime
953:Playtime
949:Playtime
916:Playtime
909:Playtime
878:Playtime
873:Playtime
867:Playtime
854:Playtime
850:Playtime
826:Playtime
811:Playtime
701:My Uncle
687:My Uncle
508:Playtime
432:Dordogne
428:Mussidan
420:Ardennes
333:Normandy
244:van Gogh
202:Playtime
181:Playtime
179:(1971).
170:Playtime
167:(1958),
161:(1953),
108:Children
86:, France
67:, France
4259:Ang Lee
3419:Related
3078:YouTube
3074:(video)
2883:", sur
1854:Traffic
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129:; born
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65:Le Pecq
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2171:23 May
2065:23 May
1997:Awards
1904:Parade
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1471:Oscar
1451:Notes
1369:Aniche
1284:Legacy
1071:Sparks
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1001:Trafic
988:Trafic
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678:1956.
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