456:, Colombia where 300 women whose family members were murdered or had gone missing gathered in the public square to draw attention to the problem. During this performance, 40 women in red dresses performed a choreographed dance while shouting the names of their missing family members. Black was struck by the public nature of the performance and wanted to bring the same energy to make Missing and Murdered Indigenous Women in Canada visible both inside and outside gallery walls.
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362:, Canada where she continues to live today. In an interview recorded in 2019, Black describes how “there are very high rates of violence and racism in those communities.” According to Black, she was unaware of the problems due to a lack of discussion about these topics in her early education. As an adult, Black studied English literature at the
409:(MMIW). Hanging red dresses conveys the violence experienced by women of Indigenous communities. The Canadian Government's National Inquiry into Missing and Murdered Indigenous Women and Girls states that despite Indigenous women only making up 4% of the population of Canada, they make up 16% of all homicides. Black's
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in
Winnipeg, Canada, Black molds the shapes of bodies lying on their sides into the snow. An extension of her focus on Missing and Murdered Indigenous Women, Black reminds viewers of the violence Indigenous women experience, but also their continued presence in the memories of those who knew them.
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In recent projects, Black places her art within the context of land and water. Black explains this new focus as both a personal desire to reconnect with nature and a larger environmental commentary on the ongoing struggles of
Indigenous peoples to resist corporate and governmental pollution of the
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on
Indigenous peoples in North America. She highlights the themes of death and absence as a result of ongoing colonization as well as its consequences on Indigenous understandings of identity, spirituality, and sovereignty. Additionally, Black's art has a strong political focus making Indigenous
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Conversations with the Land/We Are the Land is a series of photographs exploring themes of identity, memory, land, and strength. Black depicts scenes of
Indigenous women and nature to express the connection between Indigenous people and the land. This collection has been featured multiple times
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on
Indigenous peoples in North America. Black's art has brought attention to the continued violence against Indigenous women. Her artwork has been featured in many museums across North America and has received recognition from the Canadian government, with a holiday celebrating her work on The
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Home/Body Home/Land is a visual art installation in which Black smears clay imprints of her naked body onto the walls of art galleries. Through clay, Black connects her body to ancient generations of MĂ©tis women who have a rich cultural tradition of pottery.
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In 2020, Black produced a series of photographs showing
Indigenous women submerged in water. This series conveys the healing power of water to Indigenous peoples as well as the continued relevance of water to Indigenous sovereignty and security.
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found that more than 1,000 Indigenous women were murdered over the span of 30 years from 1980 to 2012. However, some
Indigenous advocacy groups dispute these reports arguing that the number is much greater than the government has acknowledged.
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Casting is a single photograph depicting a white dress underwater. Black is unsure of the piece's deeper meaning but has said that a part of her artistic practice is the process of creation prior to intuiting exact meaning.
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created a live performance involving
Indigenous music and the use of clay to paint each other's bodies and their surroundings. Clay was used to visually demonstrate the close connection to the land Black values
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in Canada, where citizens are encouraged to hold grieving ceremonies, display red dresses in public spaces, and wear the color red in solidarity with the
Missing and Murdered Indigenous Women (MMIW) movement.
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acts as a direct response to these extreme rates of violence. To create a REDress showing, Black collects donated red dresses from local communities which she then later displays in public spaces.
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In addition to the political contributions of her work, Black's art and activism have inspired an array of subsequent works by
Indigenous artists, bringing further attention to their experiences.
433:, Black commented that when people view Indigenous women in red dresses, she wants them to understand that “we are wearing these dresses, and our power is still real. We are going to reclaim it.”
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Two high school students, Trinity Harry and Joseph Ginter spent over 300 hours in 2018 welding a red dress sculpture- crediting Jamie Black as their inspiration.
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Indigenous Fashion Week, a group of Indigenous designers honored Missing and Murdered Indigenous Women (MMIW) by featuring the color red in their collections.
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As an educator, Black developed art curricula for schools while involving herself in local writing groups near her home. Black is also associated with the
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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819:"National Museum of the American Indian Presents "The REDress Project" To Raise Awareness for Missing and Murdered Indigenous Women"
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Black hopes to recreate this project at a larger scale in the future, inviting others in the community to sculpt the snow with her.
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For the Shards project, Black collaborated with the University of Winnipeg in Manitoba where Black and fellow Indigenous artists
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photographed red dresses and shirts at locations where dead bodies of aboriginal men and women were found in her community of
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group as a mentor. She continues to work in various capacities for groups that focus on education and Indigenous rights.
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at a conference in Germany as an early influence on her focus on missing and murdered Indigenous women in Canada.
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Black's artwork and motivation have been influenced by other Indigenous women. Black cites a presentation by
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581:. Doucette uses social media to share her visualization of violence towards Indigenous community members.
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In 2019, during a talk at the Safety for Our Sisters: Ending Violence Against Native Women Symposium in
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950:"Seeking Justice for Our Sisters: A Conversation with Jaime Black, Creator of the REDress Project"
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657:"A Place for the Taken: The REDress Project Gives a Voice to Missing, Murdered Indigenous Women"
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may contain an excessive amount of intricate detail that may interest only a particular audience
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In the U.S. House of Representatives hearing on MMIW in 2021, then New Mexico Representative
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676:"Minister's Comment Highlights Confusion over Missing and Murdered Indigenous Women Numbers"
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1068:"Resonant Rivers: Water, Indigenous Relationality, and Other Futures | Open Rivers Journal"
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peoples not only seen as victims but as presently thriving Indigenous communities.
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973:"How one woman is using art to shed light on the violence facing indigenous women"
695:"7 of 10 Female Aboriginal Homicides Committed by Aboriginal Offenders, RCMP Says"
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1088:"Red River Snow Sculptures Honour Murdered, Missing Indigenous Women and Girls"
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Black centers her creative practice on Indigenous womanhood and the effects of
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919:"These Haunting Red Dresses Memorialize Murdered and Missing Indigenous Women"
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866:"Safety for Our Sisters: Ending Violence Against Native Women – 4 Jaime Black"
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744:"Indigenous groups in Canada mark Red Dress Day, raising awareness of MMIWG"
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artist and activist of Anishinaabe and Finnish descent. Her work focuses on
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any relevant information, and removing excessive detail that may be against
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1149:"How Red Dresses Became a Symbol for Missing and Murdered Indigenous Women"
998:"Q&A: Jaime Black, the artist hanging red dresses around U of T campus"
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321:(MMIW) crisis in Canada as well as the United States. A 2014 report by the
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and Indigenous representation and identity. Black is best known for the
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independently and also shown in connection with The REDress project.
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Please help to demonstrate the notability of the topic by citing
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Missing and Murdered Indigenous Women and Girls activists
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wore red to honor Missing and Murdered Indigenous Women.
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1106:"Eskasoni woman pays tribute to dead in her community"
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2016-2017: Conversations with the Land/We Are the Land
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to it so that it can be listed with similar articles.
843:"100 Red Dresses on Display at Confederation College"
1131:"Students Use Metal as Their Medium to Honour MMIWG"
382:, Manitoba, and developed an art curriculum for the
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in 2008. Following her studies, Black taught at the
1047:"untitled (Shards performance), September 14, 2017"
799:"Jaime Black Black Talks About The REDress Project"
401:Black is widely known for her 2010 creation of the
1023:"We Are The Land - Jaime Black Artist Residency"
1175:"Deb Haaland Makes History, and Dresses for It"
1066:Doenmez, Caroline Fidan Tyler (23 April 2019).
386:, an aboriginal artist-run center in Winnipeg.
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50:Learn how and when to remove these messages
557:Starting in 2010, May 5 was recognized as
452:In 2009, Black witnessed a performance in
368:Ontario Institute for Studies in Education
437:lands and resources they use to survive.
421:Black's art grapples with the effects of
287:Learn how and when to remove this message
218:Learn how and when to remove this message
159:Learn how and when to remove this message
895:"Artist Talk - REDress with Jaime Black"
463:, Black also credited the book cover of
674:Tasker, John Paul (February 16, 2016).
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627:indigenousfoundations.arts.ubc.ca
396:Mentoring Artists for Women's Art
31:This article has multiple issues.
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72:may not meet Knowledge (XXG)'s
39:or discuss these issues on the
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693:Paris, Max (April 10, 2015).
514:On the frozen surface of the
323:Royal Canadian Mounted Police
1310:University of Toronto alumni
475:List of Other Artistic Works
74:general notability guideline
772:"About the REDress project"
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243:This biographical article
81:reliable secondary sources
70:The topic of this article
459:In a 2017 interview with
661:American Indian Magazine
346:Jaime Black was born in
823:Smithsonian Institution
807:– via Soundcloud.
575:Eskasoni Mi'kmaw Nation
334:REDress project called
1270:Activists from Ontario
717:"Final Report | MMIWG"
715:Z, Lara (2019-05-29).
376:Opaskwayak Cree Nation
364:University of Manitoba
423:European colonization
372:University of Toronto
354:, and later moved to
256:by revising it to be
1285:Canadian MĂ©tis women
1275:Artists from Ontario
1055:– via YouTube.
958:– via YouTube.
923:Smithsonian Magazine
903:– via YouTube.
874:– via YouTube.
655:Bolen, Anne (2019).
489:2017: Shards Project
356:Regina, Saskatchewan
623:"About Jaime Black"
541:Home/Body Home/Land
510:2019: Works in Snow
469:The Book of Jessica
1280:Canadian activists
1179:The New York Times
1094:. January 5, 2019.
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1004:. 2017-03-24
1002:Toronto Life
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596:Deb Haaland
579:Nova Scotia
503:Niki Little
348:Thunder Bay
303:Jaime Black
245:is written
85:independent
1254:Categories
1220:categories
1192:2021-12-10
1159:2021-12-10
1115:2021-12-10
1110:The Signal
1073:2021-12-10
1052:2021-12-10
1032:2021-12-10
1027:blogto.com
1008:2021-12-10
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602:References
441:Influences
342:Early life
196:relocating
119:newspapers
93:redirected
36:improve it
1187:0362-4331
589:Vancouver
565:In 2016,
516:Red River
83:that are
42:talk page
1227:help out
1135:CBC News
1092:CBC News
847:CBC News
699:CBC News
680:CBC News
495:KC Adams
360:Winnipeg
1225:Please
748:CTVNews
569:artist
567:Mi’kmaq
380:The Pas
370:at the
352:Ontario
258:neutral
252:Please
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417:Themes
390:Career
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1153:Vogue
307:MĂ©tis
140:JSTOR
126:books
95:, or
1183:ISSN
260:and
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