249:, was named receiver and trustee for the bankrupt firm and it retained Rosenberg, Goldmark & Colin as its attorneys. Over the course of the next 13 years, Rosenberg and his colleagues unraveled the complex affairs of the conglomerate while overseeing the management of the business that it operated. They discovered that the majority of assets listed in company books were fictitious and that Kreuger himself had stolen or squandered the most valuable assets prior to the collapse. Creditors made claims for more than one billion dollars of which about one-tenth was eventually allowed. One investigator provided this summary of Rosenberg's actions in the case: "The trustee's representatives, notably the law firm of Rosenberg, Goldmark & Colin, found themselves operating for several years a match business that extended from Norway to Turkey and from Spain to Syria and reached all the way out to the Philippines. The theory held and gradually put into practice by James N. Rosenberg, the senior counsel, however, was that there was no sound basis for Kreuger's match concessions once the depression started and the economic apple cart was everywhere upset. Rosenberg insisted on liquidating the foreign companies as quickly as possible and also disposing of foreign government bonds, and his approach was vindicated in the light of wartime disruption and post-war political developments." The bankruptcy case was closed in November 1945 after $ 98,000,000 had been paid out to creditors.
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avalanches of abstract paintings" and said abstract artists had "nothing new to communicate." He made pastels and oils throughout his career. Beginning in the 1920s he made lithographs and late in his career he made at least one montage. He made landscapes, particularly of scenes from the
Adirondack Mountains, where he owned extensive property, but also of scenes from places where he traveled on vacation or business. These paintings were said to show a strong feeling for the natural environment and were seen as refined rather than exuberant. He made cityscapes. One example of the latter is an oil called "New York in Snow," shown at right. And he chose current events as his subjects. These include celebrations, such as an early pastel, "Victory Parade—Return of the 27th Division, AEF, 1919" and a late pastel, "March Parade of Colonel John B. Glenn (New York City, March 1, 1962)," but they also include the prints he made showing tragic events, both real (such as the 1929 stock market crash) and imaginary such as the devastation that would be caused by atomic warfare). He preferred to paint in a studio using sketches made outdoors. "I see too much when I try to paint from the subject itself," he once said.
503:, summarized both Rosenberg's charitable intentions and the contrasting visions reflected in his art: "Although hundreds of paintings he has given to hospitals and to the State Department for display abroad reflect 'peace, joy and beauty,' Mr. Rosenberg has not turned his back on tragedy. In colleges and universities, in the homes of friends and art collectors, and in art centers on three continents, his paintings and lithographs dramatically recall the Wall Street crash of 1929, the triumph of 'Ironism' in his native Pittsburgh, and the potential terror of 'atomism' in the nuclear age." "Pastel Trees," shown at left, is an example of his pastel technique at this time. In 1964, on his 90th birthday, when Rosenberg prepared an exhibition benefiting the Westchester Art Society, he was again accorded an extensive interview. In it, he said he had never sold a painting for more than $ 1,000 but had given away thousands until he had denuded his home. A year later, presented
478:, who had briefly criticized Rosenberg's 1943 exhibition as "earnest" but "not very impressive," gave this show a long and quite favorable review. He noted that some of the paintings had been loaned by private collectors and others by prominent museums, including the Boston Museum of Fine Arts, and that W. G. Constable of the Boston Museum had written the foreword to the accompanying catalog. Devree said "Mr. Rosenberg's painting is never pretentious or sensational. The play of light, the fleeting mood of a landscape, always such challenges to the artist, he strives to capture simply—not by literal transcription but with a warmly understanding interpretation." On passing the age of 80 in 1954 he continued to paint and exhibit, including a show of work made during the trip he made to Israel to meet with Ben Gurion and others. Regarding one of these shows, a
300:. By means of this organization and a subsidiary called the American Society for Jewish Farm Settlements in Russia, Rosenberg worked within the Soviet political system to help direct $ 8,000,000 of donated aid in order to resettle some 300,000 displaced Jews from Russian ghettos into farms, mainly in the Crimea. During a decade and a half the operation was a qualified success. Many many urban dwellers were able to transition to factory farming but others were at best reluctant to adopt the new way of life; the Soviet government gave both funds and cooperation, but was unwilling to cede necessary authority to the project. Agro-Joint ended tragically after the Soviets withdrew support in 1939 and the subsequent Nazi invasion resulted in the eastward displacement of most settlers and the extermination of the rest.
100:. In art, he is remembered for two types of pictures, on the one hand, realist landscapes of the Adirondack Mountains in which critics saw a strong feeling for nature and a refined rather than exuberant sensibility, and on the other, dramatic scenes that, as one critic said, "recall the Wall Street crash of 1929, the triumph of 'Ironism' in his native Pittsburgh and the potential terror of 'atomism' in the nuclear age." As a humanist, he worked to protect freedom of speech, end the persecution of minority communities, aid refugees, and mitigate conflict among nations. In this work, he is remembered for leading a group of civic, religious, labor, racial, and business leaders whose single goal was the passage and subsequent ratification of the United Nations
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he became alarmed at the rise of Nazism. He participated in the JDC's German Relief
Campaign and, calling the treatment of Jews an "unspeakable catastrophe," urged influential German Jews to take antisemitic outrages seriously. On reading horrible antisemitic slanders in German newspapers he approached Jewish leaders in Berlin asking them to do everything they could to stop "the spreading of such poison." Writing in 1935, he said, "A few of them assured me that such efforts were being attempted. But for the most part, the thing was looked on as a passing phase which would fall of its own weight." In 1939 he helped found an umbrella organization via the merger of the Joint Distribution Committee with two other philanthropic groups. Called,
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the mysterious and exquisite effects with which New York clothes her medley of architecture." In 1913, Rosenberg received a second solo exhibition of pastels, this time at the
Arlington Art Galleries in Brooklyn, and, once again, the works displayed received favorable critical notice. One critic praised a "refinement and practiced hand" and another said the pictures had "refined color and much feeling for nature." A third critic was almost effusive, writing, "Many men aim at poetry through the medium of pictorial art, but it is not often they achieve the lyric bays so truly as this painter has done in this little group of pastels." In 1916, he contributed a painting to the annual exhibition of the
461:, the critic, A.Z. Kruse said, "Mr. Rosenberg holds his own admirably, even in this hectic week filled with proficient exhibitions." He wrote that the paintings showed "creative realism" and a "basic charm" and praised the show's watercolors as among the best then being produced. "Spring Valley," shown at right, illustrates his watercolor technique at this time. Rosenberg showed at Ferargil again the following year. The show featured paintings that differed greatly from his usual serene landscapes. Some depicted what a critic called the "smoke and flame" of Pittsburgh's steel mills and others the horrors of war and oppression. At that time a feature writer for the
414:. Crediting Rosenberg with a "poetic sense," the paper's critic said the 40 pastels in the show were "sensitive and quietly impressive rather than bold and big in style, color," and added, "the subtle handling of themes are important points in the work." This critic went on to give favorable appraisals of many works by name, writing, for example, that "'Jamaica Bay, Emerald and Mauve,' shows a remarkable scenic effect, with its green-shot water and mauve areas. There are some evening effects with lights of big hotels along the shore, piercing the remembrance of sunset in the sky." A critic for the
196:, had graduated from Columbia Law School in 1888. In 1903 James, Schell & Elkus was named permanent counsel for a merchants' association that pooled its resources in order to take legal action against bankrupts who attempted to defraud their creditors. In that year Rosenberg was attorney for the creditors in the bankruptcy of a company that manufactured boilers and other steam appliances. His investigation showed that before the bankruptcy had been declared the president had taken a large sum of money out of the business for his personal use.
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instructor. He later said he preferred being
Rosenberg to being a parrot. In 1911, he told an interviewer that he made sketches when he traveled, both on his daily commute from Far Rockaway to Manhattan and back and on his trips for vacations or business meetings. In 1921, he told another interviewer that although he was a professional artist, he did not exhibit in commercial galleries for the money he could earn from sales but rather "for the fun of it," and in 1928 he added, "I certainly want people to buy ."
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summer home is located among them." His painting, "Adirondack
Cloudburst," of 1946 (shown at right) is one of many mountain landscapes he made in the course of his career. In 1928, he contributed two paintings to a group exhibition of the Salons of America at the Anderson Galleries. In 1929, Rosenberg departed from the style of painting and subject matter of his earlier work when he produced what turned out to be his best-known piece, a lithograph called "Dies Irae" (Day of Wrath), showing the
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of leaders from more than 45 civic, religious, labor, racial, business, and legal groups, the committee helped to achieve support for ratifying the convention from
President Truman and key members of his administration. However, the elections of 1950 brought about a change in the composition of the U.S. Senate that made ratification impossible. At the time, Rosenberg ascribed the change to a resurgence of isolationism in the United States.
292:, of which Warburg was a principal leader, and, as its European director, took charge of efforts to help the hundreds of thousands of Jews who had become destitute during the Russian Revolution and its aftermath. Rosenberg agreed to devote a year of full-time work on the project and to contribute as much time as he could after returning to his normal life. At first, Rosenberg coordinated with the American Relief Administration, headed by
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Rosenberg joined his brothers-in-law, Max and
William Naumburg, in a wholesale clothing business called M & W Naumburg. Rosenberg's mother was Henrietta Naumburg Rosenberg (born in 1850 in Maryland, died in 1944 in Manhattan). He had two sisters, Minnie, born in 1876, who did not marry and who lived with her parents and then with her brother, and Florence (1889-1918), who married a physician, Morton E. Hart, and lived in California.
316:, and the program, called the Sosua Settlement, was a direct descendant of the Crimean settlement effort. The Nazi regime was at first amenable to Jewish emigration, but war conditions quickly made mass action impossible as travel through Europe and across the Atlantic became increasingly perilous. In the end, relatively few settlers made the journey and, as in the Crimea, some of them were reluctant to take up farming.
245:, the so-called "Swedish Match King." Exercising what one reporter called a "mysterious fascination" over bankers in the United States and Europe, Kreuger was able to build a small Swedish sign-painting business into a global conglomerate of 150 manufacturing plants with more than 60,000 employees that was said to produce 75% of the world's matches. When this empire crashed in 1932, a New York bank, the
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few years later, Ball and Marvin having left the firm, Rosenberg partnered with
Godfrey Goldmark (1881–1968) and Ralph F. Colin (1901–1985) to form a firm that continued to operate from 1930 until Rosenberg's retirement in 1947. Goldmark had previously been corporation counsel for the New York Transit Commission and Colin was hired into the firm after graduating from Columbia Law in 1921.
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the shares were sold). After the company's president, Allan A. Ryan, used his control over the remaining (non-shorted) shares to drive the price up, the short-sellers were expected to pay a great deal more than they had hoped. Ryan's control over the remaining shares and consequent ability to manipulate their price was called a corner and thus this incident came to be known as the
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No. 7, November 1920), pp. 733-740), "Reorganization—The Next Step" (Columbia Law Review, Vol. 22, No. 1, January 1922, pp. 14-27), "Phipps v. Chicago, Rock Island & Pacific Ry. Co." (Columbia Law Review, Vol. 24, No. 3, March 1924, pp. 266-272), and "Reorganization
Yesterday Today Tomorrow" (Virginia Law Review, Vol. 25, No. 2, December 1938, pp. 129-164).
762:(1907-1970) who served as a Major in the British Army during World War II and who subsequently became a well-known psychiatrist and early advocate for the use of psychiatric drugs in combination with psychotherapy rather than psychotherapy alone. The younger daughter, Anne (1909–2011) was an editor and author. She is best known for being the supportive wife of
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Proskauer became well known in New York as an urban planning specialist, advocate for fair treatment of tenants, and proponent of affordable housing. She was a director of the New York Urban League and of the New York City
Housing Corporation. She headed the Housing Section of New York's Welfare Council and played a major role in the construction of the
614:, it portrayed the downfall of fast-rising and double-dealing stockbrokers and the inevitable losses suffered by their customers. Critics gave it mixed reviews, one summarizing the plot as, "a group of soulless, money mad, soul withered human animals deliberately try to beat the oldest and most obvious of natural laws and suffer the prescribed penalty."
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gallery through its membership fees and it raised funds and publicized exhibitions by means of entertainments, teas, and receptions. Many club members were amateur artists whose work the gallery showed in special exhibitions. In 1924, Rosenberg showed three paintings in a group exhibition at the gallery. Four years later, he held a solo exhibition of
308:, its immediate objective was support of Jews who escaped Germany and Nazi-held territories. In 1940, after the United States and other industrialized democracies refused to admit more than small numbers of Jewish refugees, Rosenberg led a program to resettle Jews in the one country that declared it would welcome large numbers of them. This was the
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168:, an attorney who had received his Bachelor of Arts degree from Columbia College in 1896 and his law degree from Columbia Law in 1899. In the new practice Rosenberg specialized in bankruptcy law. During the years Rosenberg was studying law at Columbia, the United States Congress debated and finally, in 1898, passed a new law, the
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564:(New York, W.B. Harison). The other editor was his fellow student and later law partner, Joseph M. Proskauer. Rosenberg contributed poems called "Ah, She Lurks," "Let Us Love and Laugh To-day," "Man," "God," "Darkness," "Fragment," and "The Nineteenth Psalm." In 1900 he contributed poems to an alumni-authors issue of the
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predictable plot, but interesting situation and characters. Another dismissed its publication as a waste of paper. A Manhattan repertoire company, the Henderson Players, considered the play to be one of its most popular productions during the spring season of 1918. In 1919, Rosenberg joined the advisory group of the
281:. In 1909 he was elected to the Hebrew Charities board of directors and continued in that role for the next decade. By 1921 he had been elected vice president of the Hebrew Charities' Desertion Bureau, an organization founded in 1905 that helped Jewish immigrant women whose husbands had deserted them.
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Under the Bankruptcy Act of 1898 courts were empowered, when requested by creditors, to appoint receivers "to take charge of the property of bankrupts after the filing of the petition and until it is dismissed or the trustee is qualified." (Under certain circumstances, a trustee could be appointed by
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by C. Lewis Hind (New York, John Lane & Co. 1921). In the issue for August of that year he wrote an ironic comparison of engraved stock certificates versus artists' etchings from a collector's point of view. Like all artists, Rosenberg was given credit as author of art exhibition catalogs for the
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critic, Stuart Preston, praised the emotional power of his mountain landscapes and his landscapes showing the devastation that he imagined would result from atomic war, but he was less enthusiastic about their artistic value. He wrote, "The very humanity of Rosenberg's feelings goes far to excuse the
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in founding an organization that was devoted to the cause of world peace through law, he did not share Clark's passion for giving the United Nations power to enforce judicial decisions through force of arms. Deeming that impractical and undesirable, he said that while the policy he proposed would not
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During the 1920s, 1930s, and 1940s, Rosenberg was an energetic fundraiser for charitable causes. He was elected vice-chairman of the Joint Distribution Committee, headed fundraising drives in New York City, and took the lead in the city's fundraising for the Allied Jewish Campaign. In the early 1930s
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In 1925, the partnership, now known as Rosenberg, Ball & Marvin, was said to be "the firm which did the largest corporation reorganization work in the United States." The new partner was William Glenn Marvin (1892–1932) who had previously headed the legal department at National City Bank. A
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The event was later called "one of the most sensational operations in market history." Rosenberg helped to engineer a settlement between Ryan and the group of investors through mediation by a committee of bankers (all of whom were to be "men of prominence and standing in the community, who would have
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This book, which contains reproductions of fifty-eight of the one hundred and twenty-two pictures sold from November 1922 to May 1923, at The New Gallery, is published, partly for the members of The New Gallery Art Club, partly to indicate the aims and characteristics of art of the present time. The
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By contributing gallery space and preparing a catalog for the exhibition free of charge, the galleries' director, Frederic Newlin Price, joined with Rosenberg in contributing to the cause. Price (1883-1963) founded the Ferargil Galleries in 1915 and directed them into the 1950s. He preferred realist
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Formed in 1899, the group was called the Merchants' Protective Association. It employed accountants and lawyers to investigate bankrupts and assure fraudulent transactions had not been made. One member called its targets "rascally failures." When incorporated in 1903 its members were the largest dry
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Rosenberg's Naumburg relatives were notable for their civic engagement, for their patronage of art and music, and for the extent of their philanthropy. Rosenberg's uncle Max had a daughter, Alice (1881–1959), who, in 1903, married his classmate and law partner, Joseph Proskauer. Alice Naumburg
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on November 20, 1874. His father was Henry Rosenberg (born in Bavaria in 1846, died in New York in 1927). During Rosenberg's early childhood his father was an officer with a Pittsburgh insurance company, the Modern Life and Improvement Trust Company. In 1879 the family moved to Manhattan where Henry
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Rosenberg also supported resettlement of refugees in Palestine. In 1929, he was one of the non-Zionist founders of the Jewish Agency for Palestine and was a director and co-founder of the Palestine Economic Development Corporation. During 1950, he traveled in Israel, meeting with Israeli leaders and
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Stutz, that is to say they placed bets that the share price would fall by borrowing large blocks of stock for which they promised to pay at a future date. Their gain on the short sale would be the difference between the price of shares when borrowed and the price when the borrowing period ended (and
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At this time, Rosenberg was named counsel for the receivers in a bankruptcy that was, as he later said, the biggest and best of his young career. The United States Motor Company was a large conglomerate of automobile manufacturers. It was deeply in debt and at the end of 1912 became insolvent. Early
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They include "A New Scheme of Reorganization" (Columbia Law Review, Vol. 17, No. 6, June 1917, pp. 523-537), "The Sherman Act and the War" (Columbia Law Review, Vol. 18, No. 2, February 1918, pp. 137-146), "The Ætna Explosives Case—A Milestone in Reorganization" (Columbia Law Review, Vol. 20,
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as his model and explicitly rejected the New York art world's shift toward abstraction in the late 1940s. In a 1959 interview he acknowledged that his style was no longer fashionable and said he was content to serve the needs of his art in his own way. More than that, he disdained the "contemporary
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Later that year, he was given a solo exhibition of Adirondack Landscapes at the 56th Street Galleries in Manhattan. In 1943, 15 years after a Red Cross benefit in the First World War, Rosenberg showed watercolors and pastels at the Ferargil Gallery with proceeds from sales once again to benefit the
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at the Anderson Galleries. The following year Rosenberg helped found a gallery called The New Gallery (and was called one of the gallery's "leading spirits and godfather"). The gallery was financed in part by an innovative scheme, the New Gallery Club, begun in February 1923. The club supported the
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was also impressed by the show, saying the pastels were "refined in color and show a vision sensitive to beauty." Of two of them, this critic wrote, "'Wet Street,' is a poetic transcription of a scene many times noted by the artists of the city, and 'Steam and Mist' is another successful version of
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being debated by the newly-formed United Nations. In 1948, he was elected chair of the newly-formed United States Committee for a United Nations Genocide Convention, a group formed to urge U.N. passage of the convention and, in 1950, he led the group in urging the U.S. Senate to ratify it. Composed
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The following year Rosenberg and Levis accepted Wilbur L. Ball as a partner. Wilbur Laing Ball (1874–1941), then a bankruptcy lawyer and later an insurance specialist, had been a classmate of Rosenberg's in Columbia Law School (LL.B. 1898). Rosenberg remained with Ball after Levis departed in
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Hamilton Easter Field wholly endorsed the "no prizes, no juries" policy of the Society of Independent Artists but, believing the society favored some of its artists over others, started the Salons of America to assure that every member would have equal opportunity to be seen by the public. To this
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In 1874 the heads of New York's Jewish relief organizations formed United Hebrew Charities to centralize the coordination of their activities. P.W. Frank was its first president. In 1926 the group changed its name to the Jewish Social Service Association and it is now known as the Jewish Board of
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and a few years later published another play, "Punchinello, a Ballet," which received positive reviews from book critics but which does not appear in databases of plays that were produced at that time. One critic called it "swift, bright, and clever," and another said "reading it is an unqualified
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landscapes at the Erich Galleries. At that time he told an interviewer that he painted simply for the joy of it. He said, "I have no suppressed longing to live in the South Seas and do nothing but paint. And I have no 'message' to give the world. I happen to be very fond of the Adirondacks, and my
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in which he advocated compulsory jurisdiction enforceable by moral suasion and public opinion but not force of arms. By this rule, states would agree to accept the court's jurisdiction but could not be forcibly compelled to abide by its judgments. The League of Nations did not adopt this rule. In
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New Gallery has been frankly an experiment to ascertain whether there is a public ready to take an interest in contemporary pictures which are something more than slick and servile patterns of the past... The New Gallery opened its doors at 600 Madison Avenue, New York City, on November 14, 1922.
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paintings that his wife left to Harvard at his death along with funds for the construction of a new wing on the university museum and the placement within the wing of the "Naumburg Rooms," a Jacobean hall that Aaron Naumburg and his wife had installed within the large apartment where they lived.
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aiding refugees, mitigating conflict among nations, and preventing the recurrence of genocide. In 1918, he wrote a treatise on President Wilson's proposals for a world court and in 1925 wrote two articles on strengthening the world court that had been set up by the League of Nations, one in the
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Publications containing interviews, lectures, and newspaper articles flowed from Rosenberg's extensive work to achieve humanitarian goals. Throughout his adult life he wrote articles, books, and opinion pieces aimed at protecting freedom of speech, ending the persecution of minority communities,
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Having already established himself as lawyer, philanthropist, and artist, Rosenberg made a name for himself as dramatist with the publication, in 1917, of a play, "The Return to Mutton," and its performance in Manhattan the following year. One critic said the play was witty and clever, having a
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In 1912 Rosenberg and another lawyer left James, Schell & Elkus to form a partnership called Rosenberg and Levis. In announcing the new firm the two men said they would be taking over the Elkus bankruptcy department and would continue as attorneys for the merchants' association. Rosenberg's
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where the performances are held. His sons, George (1876–1970) and Walter (1867–1959), liquidated their successful banking business to devote themselves to charitable causes. They supported the Central Park orchestra concerts begun by their father. In addition, George Naumburg was a
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In 1937, Rosenberg had become a director of a newly formed group called the Better Understanding Foundation, a national organization of Christians and Jews that worked to promote understanding among people of different races and creeds. At the end of World War II, he resumed this aspect of his
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Rosenberg started to draw when still a child and began painting as a hobby when he was in his thirties. In 1910, he signed up for a summer session of art study in Woodstock, New York, but left after two or three weeks when it became obvious to him that the students were all trying to copy the
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2418:"Art: Exhibitions of Paintings; Sully at the Brooklyn Museum. James N. Rosenberg and Marsden Hartley. Independent Choice. Vortexture Fabrics. Sculpture by Malvina Hoffman. American Wood-Block Prints of Today. A New Series of Art Books. Paintings by Wells M. Sawyer and Helen Alton Sawyer".
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He maintained his connection with the Joint Distribution Committee throughout the 1920s and 1930s. During that time he was named Chairman of the National Council, Chairman of the Executive Committee, and Chairman of the Board of Directors. In 1946 he was named its Honorary Chairman.
349:. The United Nations charter allowed for member states to accept that court's compulsory jurisdiction and many of them have done so. Rosenberg argued that the United States Senate should abandon its long-standing refusal to join this group of nations. Although Rosenberg had joined
2099:"Letters to the Times: Dominican Republic Haven Aid in Solving Problem of Refugee Resettlement Described Blunders of the War In Taxing City Real Estate Restricting Rate Increase to Land Values Is Suggested. Indirect Ways of Saving Water Our Dying Trees City Zoning Restrictions".
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in which the interviewer said Rosenberg's age was deceptive. Rosenberg, he said, was "timeless." A few years later, when he turned 87, he was again interviewed, this time during a benefit exhibition of oils and pastels given in honor of a spiritual mentor and friend, the Rabbi,
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A few years later both Rosenberg and Proskauer joined the firm of James, Schell & Elkus. Although the firm continued to use the old name, both James (Edward C. James, 1841-1901) and Schell (Edward Paul Schell, 1836-1901) had by that time died. The firm's remaining partner,
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Earl Snyder (1927-02-07). "Reviewed Work: The Hammarskjöld Forums (4 vols.): I, The Issues in the Berlin-German Crisis; II, The Role of the United Nations in the Congo; III, The Inter-American Security System and the Cuban Crisis; IV, Disarmament by Lyman M. Tondel, Jr".
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In 1905, Rosenberg married Bessie Herman (1875–1979). She was born in Baltimore to Joseph M. Herman (1851-1920), a successful Boston shoe manufacturer, and Hennie (Adler) Herman (1862–1950). The Rosenbergs had two daughters and a son. The elder daughter was
869:. A tribute from the officers and directors of the Joint Distribution Committee described him as a "noted attorney and distinguished artist, above all a great humanitarian, one who devoted more than half his life to the service of needy Jews overseas and at home."
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At Rosenberg's retirement in 1947, the firm, then called Rosenberg, Goldmark, Colin, & Kaye, was succeeded by Rosenman, Goldmark, Colin & Kaye. (Sydney M. Kaye (1900–1979) was an authority on copyright law and specialist in broadcast communications.
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interviewed him for a lengthy profile in which he admitted that while he painted for the pleasure of it, the impetus for these paintings came from a necessity to express his feelings about the state of the world in the midst of the Second World War.
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partner, Robert P. Levis (1878–1943) was a lawyer in the Elkus firm who had graduated from Columbia Law School in 1903. He was, like Rosenberg, a bankruptcy specialist who received court appointments to act as receiver of bankrupts' assets.
332:. As chair of the conference's Committee on Human Rights, he pushed for adoption of an international bill of rights as essential to establishing a just and lasting peace at the close of World War II. In 1946 he became a vocal advocate of for the
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Mr. Rosenberg's career is divided into two distinctly unrelated parts one that of an astute lawyer, authority on political economy and expert on international relationships, the other as a painter, etcher lithographer, playwright, producer and
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The prep school that Rosenberg attended prided itself on the strength of its English Language and Literature courses and, after graduating from it, he considered whether he might become a man of letters. During his years as an undergraduate at
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When Rosenberg retired from his law practice in 1947, he began a practice of donating works from his collection and proceeds from exhibition sales to charitable causes. In that year, he was given a solo exhibition at the Wildenstein Galleries.
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Rosenberg began working to benefit humanity while he was still an undergraduate. During those years he participated in amateur theatricals and in 1895 was a member of a group called the Don Quixote Club which gave a benefit show for New York's
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goods businesses in the city. A news account said the members "pledged to seek no advantage over the other," and added, "Dishonest debtors are to be rigorously prosecuted and honest men aided to a reasonable settlement and a fresh start."
766:(1909–1979). He was a left-leaning literary historian and book critic who became famous for his attack on the literary establishment for its adulation of the works of Henry James. He was also editor of Rosenberg's last publication,
216:, move to Detroit, and manage the company. Rosenberg later said he rejected this "tempting proposal to become an industrial leader" from his conviction "that to accept would have meant farewell to the kind of life I wanted to lead."
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was a gallery owner as well as editor and publisher. President of Anderson Galleries, from 1916 to 1929, he had shown Rosenberg's works along with Marsden Hartley's in a 1921 exhibition. The name, Punchinello, was a variant of
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The Anderson Galleries were founded in 1903 by John Anderson. In 1929 it merged with the galleries of the American Art Association. In addition to art sales, the galleries sold fine editions and operated as an auction house.
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Located in Brooklyn, the Arlington Art Galleries, like the Katz Galleries, specialized in works by realists (in this case European as well as American artists) and men of an earlier generation as well as contemporary ones.
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of that season, deploring widespread imitation of outmoded European styles on the one hand and praising instances of American originality on the other. In the issue of May 1921, he gave a glowing review to a book called
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Rosenberg wrote legal treatises and articles in law journals on bankruptcy and resulting corporate reorganizations. He also wrote on the legal aspects of his humanitarian concerns. The articles appeared mainly in the
851:. His Naumburg cousins also studied there and one of them, Eleanor Naumburg Sanger was one of its teachers. Rosenberg's uncles Max, William, and Edward Naumburg and their wives were enthusiastic supporters.
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Founded in 1929, Fifty-Sixth Street Galleries showed a mix of paintings by old and modern masters along with European and American sculpture. Riccardo Bertelli and Edward Cournand were the directors.
1204:, as Naumburg, Kraus, Lauer & Co. At the time of its dissolution in 1921 it was said to be the second oldest clothing manufacturing company in New York and one of the largest in the country.
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and supporter a variety of child welfare organizations. He also supported and helped to direct organizations devoted to resettling refugees who fled Nazi oppression. Walter Naumburg founded the
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1917. Not long after this realignment, Rosenberg was named receiver in a stock market scandal. In 1920 a group of influential investors hired Rosenberg to counter an attempt by the head of the
96:(1874–1970) was an American lawyer, artist, humanitarian, and writer. In law, he is remembered for his handling of the collapsed business empire of the so-called "Swedish Match King,"
722:, during the time he spent there as head of the American Jewish Joint Distribution Commission for Europe and as president of the American Society for Jewish farm settlements in Russia.
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The desire to see decent, just treatment meted out among men is the highest attitude of civilized man. It is a greater thing than the love for beauty or the love between men and women.
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in which he said Degas was an aristocrat who saw the world clearly enough to depict it without sentimentality or prejudice. In April 1921, he reviewed the large exhibitions of the
490:(New York, Crown Publishers, 1958). The conjunction of the show, the publication, and his birthday was the impetus for a lengthy profile of his career in art that appeared in the
1646:"Stutz Mediation by Bankers Near: Formation of Board Awaits Decision by C.H. Sabin and Other Financiers. Ryan and Shores Confer; Meeting Follows Action by Protective Committee".
568:. In 1926 he wrote a long poem about antisemitism in Europe called "Roman Holiday: Conversation Piece," which was not published until 1947 (New York, T. Yoseloff). His play,
284:
At the age of 46, he had achieved much success in the legal profession and some recognition as professional artist and playwright. Nonetheless, at the request of the banker,
1255:
Harry H. Clarke (1932-05-15). "Fantasy and Reality in Kreuger Case Are One to Quiz-Counsel; James N. Rosenberg Equally at Home in High Realms of Art as in Law Chambers".
726:(New York : Crown Publishers, 1958) has a great number of reproductions of his work but gives his life story and is a more balanced account than the title suggests.
435:
praised one of the former, "Scattering Clouds," as a "strong piece of work" revealing "deep blue mountains" against an "exquisite turquoise sky." In 1921, he showed with
278:
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businesses and their creditors. The law gave federal courts jurisdiction to oversee bankruptcy proceedings and it established a new court-appointed law officer, the
3538:
1187:
Among the book's many anecdotes is an account of a donation of $ 5,000,000 to the project for resettlement of Jewish refugees in the Crimea. Rosenberg writes that
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In 1911, he achieved a feat that was out of reach for most beginning artists when Louis Katz gave him a solo exhibition at his eponymous commercial art gallery on
1631:"Topics in Wall Street: News, Comment and Incident, On the Stock Exchange and In the Financial Markets. Amusements Shares Under Pressure. Stutz Corner Recalled".
329:
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719:
668:
From 1920 to 1922, Rosenberg spent a brief time as an art critic, writing articles for the profusely illustrated American edition of the British periodical,
289:
161:
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Louis R. Erich opened the Erich Galleries in 1910. Over the next few decades he specialized in showing paintings by American and European masters including
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solo shows in which he participated as well as those in which he was a major participant. Some of Rosenberg's prints were also reproduced in a book called
1111:
525:
My landscapes have been and are magic carpets on which I have flown from a world embittered by fear, hate and greed to regions of peace, joy and beauty.
770:(Marasia Press, 1967). Rosenberg's son, Robert Rosenberg (1922-2014), was a stockbroker who served as a U.S. Army Air Force pilot during World War II.
188:
in a claim made by a brewing company against a sign painting firm. In June 1901, he was appointed referee in a claim against a life assurance society.
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1191:
promised the funds and then, on saying goodbye, took the subway train to his next meeting although he had been offered a ride in Felix Warburg's car.
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for his "inviolability of self" in being sensitive to the work of others, but nonetheless completely himself. March 1921 he wrote an appreciation of
341:
548:, he wrote poetry and performed in a theater group called the Don Quixote Club. He later reported that one of his professors, the critic and poet,
3948:
3968:
2781:
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M & W Naumburg was known as a supplier of high-quality men's wear. The firm had been founded in 1876 by Max and William Naumburg's uncle,
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which was the first synagogue established in Pittsburgh. Louis Naumburg's daughter, Carrie (1849-1947) was a philanthropist and wife of Judge
1797:
1526:"In the Business World; to Curb Dishonesty, Merchants' Mutual Protective Association Organized to Secure United Action in Case of Failures".
1283:
Philip Slomovitz (1959-02-13). "Purely Commentary; Major Events of the Century Evaluated in James N. Rosenberg's "Painter's Self-Portrait"".
885:
As Columbia undergraduates, Rosenberg and Proskauer had become friends. In 1897 they collected and published a book of student poetry called
798:, which sponsors debuts for young classical musicians that are said to be among oldest and most prestigious music competitions in the world.
653:
3715:"George W. Naumburg Is Dead; Banker and Philanthropist, 94; He Specialized in Children's Welfare in Several Areas—Assisted Refugees".
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end, its exhibitions were hung in alphabetical order by artist surname. The group held annual exhibitions at New York's Anderson Galleries.
3958:
3978:
2327:
552:, helped to foster this ambition. As a senior in 1895, he helped found and edit a Columbia literary magazine called "The Morningside."
3953:
3963:
1989:"$ 14,000,000 Received in Jewish Campaign: Joint Distribution and United Delegates Hear Reports on Progress of $ 25,000,000 Drive".
899:
creditors to assume the responsibilities of the receiver.) Referees were lawyers empowered to adjudicate cases in place of judges.
156:
Rosenberg partnered with other Columbia Law graduates in a career that spanned nearly half a century. His specialty was the law of
2354:
James N. Rosenberg (1965-09-03). "New Life for the World Court; Lawyer Recommends Compulsory Jurisdiction Unenforceable by Arms".
848:
486:
When Rosenberg was 85, in 1959, he showed 40 of his paintings in Baltimore. The show coincided with the publication of a memoir,
125:
1024:
937:
Established in 1894, the Louis Katz galleries specialized in realist work by American artists, including such prominent men as
840:(1840-1930), president of Rodef Shalom Congregation and, after Oliver Wendell Holmes, the second oldest jurist in the country.
689:
424:
346:
257:
was a prominent New Deal Democrat and Columbia-trained lawyer. In 2002, following a number of other transitions, the firm of
431:
with all proceeds from sales to be donated to the Red Cross. The show included landscapes and still lifes. A critic for the
801:
Rosenberg's uncle, Aaron Naumburg (1859–1928), was a wealthy New York hat manufacturer who assembled a collection of
1008:
928:
These include the 27 member states of the Council of Europe as well as Australia, Canada, Japan, Mexico, and New Zealand.
818:
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1423:
1065:
1405:
673:
545:
420:
133:
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685:
212:). At this time, the head of the reorganization committee asked Rosenberg to replace Maxwell's retiring president,
132:
in rural Connecticut. Both were known for liberal educational policies. He received his undergraduate education at
3812:
954:
833:
744:
I was born with the gift of an enormous capacity for life and I have been willing to accept all of life's terms.
508:
446:
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to act as the court's agent. One of Rosenberg's earliest court appointments occurred in September 1900, when the
3201:
1878:"Hebrew Charities Now Flourishing; Annual Report Shows Organization Has Weathered Hardest Year in Its History".
1908:
785:, created a fund for an annual series of summer orchestra concerts in New York's Central Park and donated the
3031:
2956:
1964:
865:
Rosenberg died on July 21, 1970, in White Plains, New York. He had been living for many years in neighboring
511:. Labeled "Birth of the Great Society," it contained clippings from newspapers and magazines and photos that
453:
put a reproduction of the lithograph on the front page of its Sunday magazine. "Dies Irae" is shown at left.
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1107:
750:
549:
113:
58:
1770:
296:, and later directed a separate organization, the American Jewish Joint Agricultural Corporation, known as
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be able to ensure compliance in all circumstances, it would probably do so in the great majority of them.
258:
181:
169:
76:
1004:
669:
2546:
410:
in Manhattan. An equally unlikely outcome was a long and appreciative review of this exhibition in the
2328:"Compulsory jurisdiction of the International Court of Justice (Article 36 of the Statute of the ICJ)"
3943:
3938:
859:
814:
710:
Rosenberg wrote two memoirs and his son-in-law, Maxwell Geismar, edited a compilation of his papers.
441:
305:
230:
1385:"James N. Rosenberg, a Lawyer-Painter, Is Dead: Philanthropist Aided Hoover in Relief Work in '21".
1012:
866:
333:
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the U.S. ambassador as part of an effort to increase Americans' private investment in the country.
221:
165:
145:
137:
101:
828:
Rosenberg's maternal grandfather was Louis Naumburg (1813–1902). Coming from a long line of
730:(Mamaroneck, Vincent Marasia Press, 1967) is a selection from Rosenberg's personal archives. Like
3754:
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3218:
2379:
2306:
791:
587:
428:
309:
205:
3796:
2271:
Ben Gallob (1954-05-07). "Isolationist Revival May Be Cause of Genocide Convention's Failure".
1933:"Rosenberg Protests Dragging Jewish Reconstruction and Relief Problems in Russia into Politics"
1793:
1787:
810:
786:
775:
631:, written with Robert T Swaine and Roberts Walker (New York, Baker, Voorhis & Co., 1924).
512:
504:
193:
2856:"About Art and Artists: Museum Show on Coney Island Theme and Print Display Open This Week".
3259:
2298:
1188:
844:
832:
dating back to 1612, he was himself a cantor as well as rabbi. From 1865 to 1870 he led the
759:
560:
In 1897, Rosenberg co-edited a compilation of poetry by Columbia University students called
407:
285:
213:
141:
2646:"Steady Development of the Art of Velasquez as Shown in Canvasses by Him in This Country".
2226:"James N. Rosenberg's 'Unfinished Business'; Historical Records Feature an Autobiography".
1172:
An Exhibition of Paintings by James N. Roseberg at Brandeis University April 25-May 9, 1963
30:
2676:"Salons of America, Inc., Next; Offshoot of Independents Prepares for Spring Exhibition".
1754:"Final Report Is Filed in Kreuger Case; 31 Millions Have Been Paid to Debenture Holders".
1016:
938:
855:
763:
436:
370:
350:
313:
254:
225:
117:
3772:
531:
3730:"Peabody Pianist Wins Prestigious Competition Pratt Is First Black Naumburg Recipient".
2926:
Merrill Folsom (1964-12-06). "James Rosenberg, 90, Limits His Horizons to Two Careers".
3334:
1201:
950:
782:
715:
607:
596:
293:
241:
Late in his career, Rosenberg said his favorite case was the collapse of the empire of
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3015:
858:
in Manhattan and owned summer homes in what was then the fashionable summer colony of
3932:
1057:
1056:
work for most of his career and received notice for being among the first to exhibit
1020:
981:
958:
677:
582:
471:
144:
degree in 1898. During the summer of 1912, he attended a session of an art school in
3918:"The Poor Are Not Forgotten; an Entertainment for the Benefit of a Fresh Air Fund".
3592:"Joseph M. Herman of Boston Dead; Shoe Manufacturer Passes Away at Atlantic City".
1164:
Painter's Harvest : an Exhibit of paintings and Drawings by James N. Rosenberg
1082:
946:
889:. Proskauer (1877–1971) married Rosenberg's cousin, Alice Naumburg, in 1903.
837:
246:
242:
185:
177:
97:
2147:"American Rosenberg Returns from Israel; Says Sound Opportunities Await Investors"
1332:
3506:
3124:
2611:
2289:
James N. Rosenberg (1927-02-07). "Brutum Fulmen: A Precedent for a World Court".
1424:"An Act To establish a uniform system of bankruptcy throughout the United States"
821:
in 1915. She was a connoisseur of contemporary art and enthusiastic proponent of
398:
James N. Rosenberg, New York in Snow, 1946, oil on canvas, 29 3/4 x 30 1/8 inches
1176:
Retrospective: Rosenberg.: Paintings, Drawings, and Prints by James N. Rosenberg
1085:
and who specialized in social realist paintings. He wrote art criticism for the
847:
in New York. Rosenberg's parents joined the society and he was a student at the
822:
681:
611:
394:
129:
3841:
2052:
2019:
1932:
1148:
Seventy-five Pictures by James N. Rosenburg and 117 Pictures by Marsden Hartley
672:. In the issue for December 1920, he reviewed a large exhibition put on by the
382:
James N. Rosenberg, Spring Valley 1943, watercolor on paper, 14 1/2 x 21 inches
378:
3444:
2501:"Pastels of Jamaica Bay, Etc., by J.N. Rosenberg at Arlington Art Galleries".
2146:
2114:
1102:
Stuart Preston (1915-2005) was an art reporter and critic on the staff of the
1078:
1061:
942:
802:
592:
496:
386:
366:
James N. Rosenberg, Adirondack Cloudburst, 1946, oil on canvas, 25 x 31 inches
297:
173:
157:
3250:
James N. Rosenberg (January 1938). "Freedom of Speech and Group Defamation".
530:
Rosenberg's art is representational. Called a "romantic realist," he adopted
362:
224:
to manipulate the price of the company's shares. The investors had all been
121:
2241:"Group Fights Genocide; New Committee to Conduct an Educational Campaign".
1077:
A.Z. (Alexander) Kruse (1888-1972) was an American artist who studied with
390:
James N. Rosenberg, Pastel Trees, 1967, pastel on paper, 29 x 32 1/2 inches
3155:
Allen Tate (1924-03-30). "Symbolic Story Is Woven Around Immortal Punch".
2886:"Rosenberg's 'Paintings of Two Worlds' Expresses Anxiety for the Future".
2020:"James N. Rosenberg Makes Plea for German Jews in Radio Relief Drive Talk"
208:
survived the breakup of the conglomerate (and would later evolve into the
1123:
In 1906 "The Morningside" was merged into the Columbia Literary Monthly.
862:
in Queens. Rosenberg was active in local organizations in that vicinity.
209:
2383:
813:(1890-1983), was a child education specialist who established the first
676:. He thought much of the work was complacent and imitative, but praised
3903:"William Naumburg, a Manufacturer, 90; Retired Head of Clothing Firm".
3758:
3421:
3419:
3271:
2310:
3820:
2115:"James N. Rosenberg Urges Inclusion of Non-zionists in Jewish Agency"
1786:
Ari Mermelstein; Victoria Saker Woeste; Ethan Zadoff (10 June 2014).
829:
734:
it includes many reproductions artworks and recounts his life story.
116:
on November 20, 1874. In 1879, his family moved to a building on the
2871:"Stuart Preston, 89, Former Critic And Art Reporter for The Times".
2751:"Frederic N Price, Art Dealer, Dead; Founder of Feragil Galleries".
2302:
1229:
John W. Stevens (1962-05-14). "Artist, 87, Looks to Bright Future".
3287:
Declaration of interdependence; human rights and the United Nations
3263:
2349:
2347:
854:
Rosenberg's family and some of his Naumburg relatives lived on the
423:. In 1917, he exhibited in the first group exhibition held by the
393:
385:
377:
369:
361:
160:. After receiving his L.L.B. degree in 1898, Rosenberg joined the
3539:"Elkan Naumburg: Treuchtlinger Mäzen und Mahnung - Treuchtlingen"
3298:
3296:
714:(New York, London, A.A. Knopf, 1927) recorded his experiences in
374:
James N. Rosenberg depicting Black Tuesday 13 3/4 x 10 1/2 inches
2496:
2494:
2395:
2393:
1813:"Sydney M. Kaye, 79; Attorney Was Expert on Laws of Copyright".
572:(New York, Mitchell Kennerley, 1923) was written in free verse.
3842:"Judge Josiah Cohen, 2nd Oldest Jurist in the U.S., Dies at 89"
3650:
3648:
2284:
2282:
2221:
2219:
1965:"Before Crimea Was Russian, It Was a Potential Jewish Homeland"
1828:"Samuel I. Rosenman, 77, Dies; Coined New Deal for Roosevelt".
1250:
1248:
1246:
1244:
1242:
1240:
148:, but, as explained below, left after only two or three weeks.
1706:"Godfrey Goldmark Dead at 86; Public Service Board's Lawyer".
1278:
1276:
1274:
1272:
1270:
3798:
Naumburg Family Archive [published archival material]
2590:
2588:
1909:"AJDC Archive - American Jewish Joint Distribution Committee"
449:
as a horrific scene of destruction. On January 12, 1930, the
340:
In 1925, Rosenberg had published a law review article on the
2921:
2919:
2917:
2821:
2819:
2803:
2801:
1843:
1841:
1839:
1749:
1747:
345:
1965, Rosenberg made the same argument with respect to the
261:
became successor to Rosenman, Goldmark, Colin & Kaye.)
2901:
2899:
2897:
2413:
2411:
1361:
Naomi Jolles (1944-06-24). "An Old Gent and Young Rebel".
3622:
Jean Dietz (1965-04-04). "Drugs, Psychotherapy Debated".
2906:
Robert G. Breen (1959-02-18). "A Man Who Wouldn't Wait".
2826:
Howard Devree (1947-02-16). "Beauty and the Atomic Age".
2433:
2431:
2429:
2322:
2320:
1380:
1378:
1376:
1374:
1372:
1296:
1294:
1224:
1222:
1220:
1089:
and wrote self-instruction articles and books, including
3058:
3056:
2941:"Presidential Elector, at 90, Creates Art for Johnson".
1721:"Ralph F. Colin, a Leader of Art Dealers Organization".
1356:
1354:
1352:
1350:
1348:
1346:
1344:
3637:"Elizabeth Zetzel Dies; Harvard Psychiatry Professor".
3289:. New York, National Conference of Christians and Jews.
1541:"Petitions in Bankruptcy; Judson A. Goodrich Company".
843:
Both the Rosenberg and Naumburg families supported the
652:. In 1947, he wrote a short work on the United Nations
1418:
1416:
1106:
from 1949 to 1965. He had also been a curator for the
648:. In 1938 he wrote an article on freedom of speech in
3685:"Start Campaign to Show Rights of Landlord, Tenant".
3670:"$ 2,000,000 Homes Built in Winter by This Concern".
2372:
Section of International and Comparative Law Bulletin
1466:"Referees Appointed—New York: Supreme Court".
1758:. Pittsfield, Massachusetts. 1945-11-08. p. 8.
1616:"Wilbur Laing Ball Dies; Attorney, Insurance Man".
83:
65:
40:
21:
3480:. Pittsburgh, Pennsylvania. 1877-01-09. p. 1.
2808:Henry Devree (1944-07-02). "Among the New Shows".
2766:A.Z. Kruse (1943-05-02). "At the Art Galleries".
1571:"Robert P. Levis, Magistrate in New York, Dies".
1158:(Beverly Hills, Francis Taylor Galleries, 1947),
507:with a large montage to celebrate passage of the
3611:. Boston, Massachusetts. 1950-08-27. p. 56.
3476:"Office of M.L. and Improvement Trust Company".
3439:
3437:
3014:James N. Rosenberg; Joseph M. Proskauer (1897).
1665:. Springfield, Missouri. 1925-01-11. p. 15.
3596:. Boston, Massachusetts. 1920-12-10. p. 9.
3445:"James N. Rosenberg's Father Dies at Age of 81"
2650:. New York, New York. 1912-03-31. p. SM15.
2472:. New York, New York. 1911-11-05. p. SM15.
1398:
1396:
742:
523:
269:
3581:. New York, New York. 1979-06-11. p. D15.
3430:. Milwaukee, Wisconsin. 1958-12-19. p. 8.
3174:. New York, New York. 1927-04-22. p. 119.
3112:. New York, New York. 1918-05-18. p. 709.
2710:. New York, New York. 1930-02-23. p. 121.
2599:. New York, New York. 1924-04-27. p. X10.
1817:. New York, New York. 1979-08-29. p. D19.
1575:. Rochester, New York. 1943-12-21. p. 20.
1334:Columbia University Alumni Register, 1754-1931
768:Unfinished Business: James N. Rosenberg Papers
629:Corporate Reorganization and the Federal Court
457:American Red Cross. Reviewing the show in the
427:. The following year he showed pastels at the
3907:. New York, New York. 1944-06-29. p. 23.
3892:. New York, New York. 1931-01-13. p. 20.
3877:. New York, New York. 2000-11-13. p. B7.
3734:. Baltimore, Maryland. 1992-05-13. p. 1.
3719:. New York, New York. 1979-06-24. p. 47.
3704:. New York, New York. 1989-03-19. p. 19.
3689:. Brooklyn, New York. 1931-05-24. p. 49.
3674:. New York, New York. 1926-04-03. p. 54.
3641:. New York, New York. 1970-11-24. p. 44.
3566:. New York, New York. 1918-12-29. p. 18.
3495:. New York, New York. 1919-06-01. p. 90.
3144:. Detroit, Michigan. 1925-05-03. p. 122.
3097:. New York, New York. 1917-04-14. p. 10.
3067:. Brooklyn, New York. 1919-06-09. p. 11.
2945:. New York, New York. 1965-03-28. p. 62.
2890:. New York, New York. 1955-12-10. p. 19.
2875:. New York, New York. 2005-02-20. p. 42.
2860:. New York, New York. 1954-04-26. p. 21.
2845:. New York, New York. 1952-02-22. p. 19.
2755:. New York, New York. 1963-05-28. p. 28.
2740:. New York, New York. 1943-04-24. p. 17.
2725:. New York, New York. 1929-11-04. p. 52.
2695:. New York, New York. 1930-01-12. p. 63.
2665:. New York, New York. 1928-05-09. p. 20.
2635:. Brooklyn, New York. 1911-11-15. p. 22.
2581:. New York, New York. 1918-04-15. p. 11.
2566:. New York, New York. 1938-08-06. p. 14.
2487:. Brooklyn, New York. 1910-11-26. p. 34.
2457:. New York, New York. 1916-04-11. p. 20.
2422:. New York, New York. 1921-05-15. p. 78.
2404:. Brooklyn, New York. 1911-11-04. p. 12.
2245:. New York, New York. 1948-06-21. p. 23.
2212:. New York, New York. 1946-11-22. p. 20.
2208:"U. N. Is Urged to Sift Trial of Stepinatz".
2182:. New York, New York. 1937-07-16. p. 17.
2103:. New York, New York. 1950-02-23. p. 26.
2088:. New York, New York. 1939-01-13. p. 12.
2008:. New York, New York. 1930-04-17. p. 21.
1993:. New York, New York. 1929-05-12. p. 16.
1852:. New York, New York. 1894-03-23. p. 11.
1725:. New York, New York. 1985-03-21. p. B8.
1710:. New York, New York. 1968-03-14. p. 43.
1695:. New York, New York. 1929-09-08. p. 14.
1676:"W. G. Marvin, Hastings Man, Dies On Coast".
1650:. New York, New York. 1920-04-21. p. 17.
1635:. New York, New York. 1930-08-19. p. 33.
1605:. New York, New York. 1914-05-24. p. 76.
1590:. New York, New York. 1907-03-16. p. 13.
1560:. New York, New York. 1912-03-19. p. 19.
1545:. New York, New York. 1903-05-13. p. 11.
1530:. New York, New York. 1903-11-08. p. 23.
1515:. New York, New York. 1899-03-11. p. 12.
1455:. New York, New York. 1900-09-06. p. 10.
1389:. New York, New York. 1970-07-22. p. 40.
8:
3922:. New York, New York. 1896-08-05. p. 5.
3189:. Brooklyn, New York. 1927-04-24. p. 9.
3082:. Brooklyn, New York. 1917-04-21. p. 4.
2706:"Display Ad: Fifty-Sixth Street Galleries".
2535:. New York, New York. 1913-12-14. p. 8.
2520:. New York, New York. 1913-12-15. p. 9.
2505:. Brooklyn, New York. 1913-12-13. p. 6.
2442:. New York, New York. 1928-01-26. p. 7.
2438:"This Artist Looks the Lawyer—He Is".
2400:"Two New Exhibitions in the Picture Realm".
2256:"U.S. Committee for a UN Genocide Meeting".
2230:. Detroit, Michigan. 1967-12-08. p. 48.
1882:. New York, New York. 1909-11-24. p. 4.
1867:. New York, New York. 1874-11-21. p. 4.
1680:. Hastings, New York. 1932-01-08. p. 4.
1620:. Brooklyn, New York. 1941-11-15. p. 1.
1500:. Brooklyn, New York. 1901-06-25. p. 5.
1485:. Brooklyn, New York. 1901-03-25. p. 5.
1470:. New York, New York. 1901-06-18. p. 9.
1320:. New York, New York. 1904-04-01. p. 2.
1305:. New York, New York. 1895-09-17. p. 9.
1174:(New York, Kaufmann Art Gallery, 1963), and
1170:(Beverly Hills, Paul Kantor Gallery, 1959),
1142:Rosenberg's art exhibition catalogs include
817:school in the United States in 1914 and the
3659:. Cincinnati, Ohio. 1959-03-26. p. 10.
3305:"Ghosts; the Exhibition of the New Society"
1740:. Montreal, Quebec. 1932-08-12. p. 10.
1601:"Display Ad: Rosenberg, Levis & Ball".
1451:"Business Troubles; Rockefeller Brothers".
1178:(Plattsburg, Plattsburg University, 1964).
164:. In 1900 he formed a law partnership with
3185:"With the Plays and Players on Broadway".
1897:. Cincinnati, Ohio. 1921-09-29. p. 2.
1409:. New York: Oxford University Press. 1999.
984:that were figuratively bestowed on poets.
499:. The interviewer, John W. Stevens of the
330:National Conference of Christians and Jews
29:
18:
3817:Rodef Shalom Congregation, Pittsburgh, PA
3801:. Leo Baeck Institute. 1960. p. 241.
3170:""Wall Street" Is a Heartless Exposure".
2721:"Open New Galleries for Sculpture Show".
2616:. privately printed for the New Gallery.
2260:. Mobile, Alabama. 1950-02-21. p. 2.
1691:"Trail 'Higher Ups' in Bankruptcy Ring".
483:esthetic shortcomings of the paintings."
3395:"In the Suit of Etchings vs. Engravings"
2453:"Display Ad: Louis Katz Art Galleries".
1661:"Lawyer With Offices in Twelve Cities".
1431:55th Congress, Second Session, Chap. 541
1110:and, during World War II, served on the
2680:. New York, N.Y. 1924-03-14. p. 9.
2562:"Art Auction House Sold to Syndicate".
2197:. Dayton, Ohio. 1945-05-06. p. 10.
2178:"New Group Formed to Fight Race Bias".
1216:
1093:( New York, Barnes & Noble, 1953).
878:
128:and later became a boarding student at
2613:New Pictures and the New Gallery, 1923
2084:"3 Jewish Groups Unite for Refugees".
1556:"J. N. Rosenberg in New Partnership".
1150:(New York, Anderson Galleries, 1921),
1146:(New York, Mitchell Kennerley, 1919),
980:The phrase "lyric bays" refers to the
328:philanthropic work as a member of the
2841:"Midwinter Season for Art in Swing".
2661:"235 Artists Make Independent Show".
654:Universal Declaration of Human Rights
519:Artistic style and critical reception
7:
3626:. Boston, Massachusetts. p. 16.
3303:James N. Rosenberg (December 1920).
2332:Council of Europe CAHDI (2017) rev 1
1162:(Cambridge, Fogg Art Museum, 1950),
312:, then ruled by a vicious dictator,
136:and upon graduating in 1895 entered
3159:. Nashville, Tennessee. p. 43.
2275:. Indianapolis, Indiana. p. 5.
447:October 29, 1929, Wall Street Crash
3984:Columbia College (New York) alumni
3393:James N. Rosenberg (August 1921).
2930:. New York, New York. p. 154.
2910:. Baltimore, Maryland. p. 12.
2551:. New York Water Color Club. 1916.
2358:. St. Louis, Missouri. p. 28.
1913:YIVO Institute for Jewish Research
1259:. Brooklyn, New York. p. C8.
700:50 lithographs James N. Rosenberg
124:. As a child, he attended nearby
14:
3577:"Obituary; Bessie H. Rosenberg".
3333:James N. Rosenberg (March 1921).
3217:James N. Rosenberg (1938-12-02).
3123:James Naumburg Rosenberg (1923).
2830:. New York, New York. p. X7.
2812:. New York, New York. p. X7.
2051:James N. Rosenberg (1951-12-20).
1481:"Colonel James Dies in Florida".
1365:. New York, New York. p. PP.
1233:. New York, New York. p. 18.
1166:(New York, Jewish Museum, 1958),
604:Wall Street; A Romantic Melodrama
234:the confidence of all parties").
35:James N. Rosenberg as a young man
3974:The Frederick Gunn School alumni
2770:. Brooklyn, New York. p. 8.
2691:"What Prosperity Really Means".
1152:New Pictures and the New Gallery
961:. The galleries closed in 1916.
919:Family and Children's Services.
627:. His book on reorganization is
586:delight." The play's publisher,
3562:"Obirtuaries: Hart, Florence".
3365:"Beauty Touched by Strangeness"
3363:James N. Rosenberg (May 1921).
2595:"Art Exhibitions of the Week".
1775:. Alfred A. Knopf. p. 241.
1586:"Appellate Division Calendar".
1331:Frank Diehl Fackenthal (1932).
1287:. Detroit, Michigan. p. 2.
1156:Paintings by James N. Rosenberg
1154:(New York, New Gallery, 1923),
778:housing development in Queens.
702:(New York, H.N. Abrams, 1964).
660:(New York, Court Press, 1928).
658:Censorship in the United States
3949:20th-century American painters
2610:New Gallery, New York (1923).
1792:. Quid Pro Books. p. 34.
1316:"New Ethical Culture School".
790:founder and vice president of
690:Society of Independent Artists
425:Society of Independent Artists
172:, to regulate the dealings of
1:
3969:20th-century American lawyers
1511:"Dry Goods Houses Organize".
1112:Arts and Monuments Commission
1009:Jean-Auguste-Dominique Ingres
342:League of Nations World Court
3873:"Eleanor Naumburg Sanger ".
3491:"Classified Ad: Young Man".
3426:"A Leader's Self-Portrait".
3108:"Henderson Players Active".
3093:"Plays Recently Published".
1772:Kreuger, Genius and Swindler
1337:. Columbia University Press.
1301:"Educational Institutions".
1025:Jean-Baptiste-Siméon Chardin
751:Allegheny City, Pennsylvania
290:Joint Distribution Committee
288:, he became a member of the
114:Allegheny City, Pennsylvania
59:Allegheny City, Pennsylvania
3959:American landscape painters
3888:"Mrs. Dick Left $ 50,000".
3747:Bulletin of the Fogg Museum
3507:"The Manufacturing Centers"
3285:James N. Rosenberg (1947).
3200:James N. Rosenberg (1918).
3140:"A Shelf of Recent Books".
2483:"Arlington Art Galleries".
2004:"Rosenberg to Lead Drive".
1863:"United Hebrew Charities".
1848:"To Aid Hebrew Charities".
1406:American National Biography
1403:"Proskauer, Joseph Meyer".
845:Society for Ethical Culture
674:Society of American Artists
4000:
3979:Columbia Law School alumni
3607:"Mrs. Joseph M. Herman ".
2782:"Alexander Kruse - Artist"
2468:"Art at Home and Abroad".
760:Elizabeth Rosenberg Zetzel
686:National Academy of Design
602:In 1927 Rosenberg's play,
347:United Nations World Court
140:from which he obtained an
130:Gunnery Preparatory School
3954:American realist painters
3655:"Mrs. Joseph Proskauer".
3206:. New York, M. Kennerley.
3129:. M. Kennerley, New York.
3063:"The Henderson Players".
2736:"News and Notes of Art".
2531:"A Poet of Jamaica Bay".
2193:"Fundamental Freedoms ".
1832:. 1973-06-25. p. 74.
955:Charles Webster Hawthorne
887:Columbia Verse, 1892-1897
834:Rodef Shalom Congregation
781:Rosenberg's great-uncle,
724:A Painter's Self-Portrait
650:Public Opinion Quarterley
566:Columbia Literary Monthly
509:Voting Rights Act of 1965
488:A Painter's Self-Portrait
421:New York Water Color Club
28:
3964:Painters from Pittsburgh
3813:"History — Rodef Shalom"
3252:Public Opinion Quarterly
3110:New York Dramatic Mirror
3078:"Brief Notes of Books".
2986:"First Issue of Monthly"
2631:"Erich Galleries Open".
2516:"Art in the Galleries".
738:Personal life and family
45:James Naumburg Rosenberg
2356:St. Louis Post-Dispatch
1769:Robert Shaplen (1960).
1663:Springfield News-Leader
1108:National Gallery of Art
732:Painter's Self-Portrait
606:, was performed in the
550:George Edward Woodberry
108:Early life and training
3777:Jewish Women's Archive
3520:(4): 90. November 1921
3514:Clothier and Furnisher
3335:"Degas—Pur Sang"
1573:Democrat and Chronicle
849:Ethical Culture School
749:Rosenberg was born in
746:
610:on Broadway. Starring
527:
399:
391:
383:
375:
367:
273:
259:Katten Muchin Rosenman
182:New York Supreme Court
170:Bankruptcy Act of 1898
126:Ethical Culture School
112:Rosenberg was born in
77:White Plains, New York
3855:(1685): 4. 1930-06-12
3849:Jewish Daily Bulletin
3753:(1): 18. 1927-02-07.
3745:"The Naumburg Wing".
3478:Pittsburgh Commercial
3452:Jewish Daily Bulletin
3126:Punchinello: A Ballet
2154:Jewish Daily Bulletin
2122:Jewish Daily Bulletin
2060:Jewish Daily Bulletin
2033:(2580): 3. 1933-06-06
2027:Jewish Daily Bulletin
1946:(1601): 1. 1930-06-12
1940:Jewish Daily Bulletin
1091:How to Draw and Paint
1005:John Singleton Copley
397:
389:
381:
373:
365:
206:Maxwell Motor Company
178:referee in bankruptcy
3687:Brooklyn Daily Eagle
3458:(688): 2. 1927-02-07
3399:International Studio
3369:International Studio
3339:International Studio
3309:International Studio
3080:Brooklyn Daily Eagle
3032:"New Columbia Paper"
2768:Brooklyn Daily Eagle
2633:Brooklyn Daily Eagle
2503:Brooklyn Daily Eagle
2402:Brooklyn Daily Eagle
2273:National Jewish Post
2160:(232): 6. 1930-06-12
2128:(245): 3. 1930-06-12
1618:Brooklyn Daily Eagle
1496:"Edward P. Schell".
1483:Brooklyn Daily Eagle
1257:Brooklyn Daily Eagle
1087:Brooklyn Daily Eagle
718:and, in particular,
670:International Studio
656:. In 1928, he wrote
459:Brooklyn Daily Eagle
412:Brooklyn Daily Eagle
306:United Jewish Appeal
247:Irving Trust Company
210:Chrysler Corporation
3773:"Margaret Naumburg"
3700:"Park Bandshell ".
3672:New York Daily News
3428:Detroit Jewish News
3172:New York Daily News
3042:(5): 74. 1895-12-05
2996:(46): 1. 1906-11-19
2967:(59): 4. 1900-05-30
2291:Columbia Law Review
2228:Detroit Jewish News
1285:Detroit Jewish News
1013:Jacques-Louis David
796:Naumburg Foundation
728:Unfinished Business
642:Columbia Law Review
625:Columbia Law Review
474:, a critic for the
442:Adirondack Mountain
334:Genocide Convention
222:Stutz Motor Company
146:Woodstock, New York
138:Columbia Law School
102:Genocide Convention
3657:American Israelite
3142:Detroit Free Press
3036:Columbia Spectator
2990:Columbia Spectator
2961:Columbia Spectator
2957:"The Alumni "Lit""
1895:American Israelite
1893:"New York Notes".
1168:James N. Rosenberg
1160:James N. Rosenberg
1144:Pastel Expressions
1066:Thomas Hart Benton
588:Mitchell Kennerley
429:Anderson Galleries
400:
392:
384:
376:
368:
310:Dominican Republic
94:James N. Rosenberg
23:James N. Rosenberg
2548:Annual Exhibition
2195:Dayton Daily News
2053:"Jewry in Battle"
1799:978-1-61027-228-5
811:Margaret Naumburg
792:Parents' Magazine
776:Sunnyside Gardens
644:and the other in
513:Lady Bird Johnson
505:President Johnson
194:Abram Isaac Elkus
91:
90:
55:November 20, 1874
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3819:. Archived from
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1738:Montreal Gazette
1736:"Ivar Kreuger".
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1189:Julius Rosenwald
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546:Columbia College
433:New York Tribune
408:West 74th Street
286:Felix M. Warburg
279:Hebrew Charities
214:Benjamin Briscoe
166:Joseph Proskauer
134:Columbia College
72:
54:
52:
33:
19:
16:American painter
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3203:New Magna Carta
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3020:. W.B. Harison.
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1199:
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1017:Charles Le Brun
1002:
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979:
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939:John F. Carlson
936:
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927:
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907:
903:
897:
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856:Upper West Side
764:Maxwell Geismar
747:
740:
708:
666:
637:
635:Humanitarianism
620:
578:
558:
541:
528:
521:
437:Marsden Hartley
360:
351:Grenville Clark
314:Rafael Trujillo
274:
267:
255:Samuel Rosenman
231:"Stutz Corner."
184:appointed him
154:
118:Upper West Side
110:
79:
74:
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61:
56:
50:
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36:
24:
17:
12:
11:
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3187:Standard Union
3177:
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3017:Columbia Verse
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2297:(6): 783–799.
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1981:
1971:. 4 March 2014
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1924:
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741:
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712:On the Steppes
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706:Other writings
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665:
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608:Hudson Theatre
599:puppet shows.
597:Punch and Judy
577:
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562:Columbia Verse
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515:had sent him.
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294:Herbert Hoover
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472:Howard Devree
467:
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204:in 1913, the
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69:July 21, 1970
68:
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32:
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3857:. Retrieved
3852:
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3825:. Retrieved
3821:the original
3816:
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3780:. Retrieved
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3609:Boston Globe
3608:
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3593:
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3546:. Retrieved
3542:
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3460:. Retrieved
3455:
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3407:. Retrieved
3405:(293): 54–55
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3377:. Retrieved
3372:
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3347:. Retrieved
3345:(288): 22–26
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3317:. Retrieved
3315:(285): 59–61
3312:
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3258:(1): 67–71.
3255:
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3234:. Retrieved
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3219:"Article 13"
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2789:. Retrieved
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2035:. Retrieved
2030:
2026:
2014:
2005:
1999:
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1984:
1973:. Retrieved
1968:
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1948:. Retrieved
1943:
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