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James Orrock

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1903: James Orrock R.I., Painter, Connoisseur, Collector. Rather than being a forger as some modern scholars like to believe Orrock was a dedicated enthusiast of contemporary British art and emulated some of those artists in his own work. He illustrated three books in the style of Turner: Mary Queen-of-Scots, 1906; Old England : her story mirrored in her scenes, 1908; and, In the Border country, 1906.
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restoring c1844). This sea piece was one of the earliest, if not the first of Turner's monumental sea piece series, c1801-02. He was only 26 at the time and this series made his fame early on. "Shipwreck, the Rescue' passed from Sir J.C. Robinson, surveyor of Queen Victoria's pictures, then to James Orrock Esq.
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collector of art and oriental ceramics, illustrator and landscape watercolourist. The scale of his involvement with the art trade and with top collectors such as John Ruskin is highlighted in the large two volume set of books published about him by Byron Webber: published in London, Chatto and Windus
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and British art in general (owning several of J.M.W Turner's most important works), he was also an impassioned collector of Adam-style furniture decorated by Angelica Kauffman. A landscape painter and watercolourist, he is now believed to have restored, altered and improved works by other painters
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in January 2014. Thomas Griffith, Turner's friend and agent/dealer was one of the executors of his estate. The artist gifted a very large early sea peace "Shipwreck, the Rescue" 161 x 222 cm. to Griffith (presumably the documented "Stormy Picture" they had discussed, in need of cleaning and
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bought most of his art collection, and some one thousand of his own paintings. Part of that collection was used to create the
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Having on two previous occasions bought furniture and paintings from Orrock's personal collection, on Orrock's death
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James was the son of James Orrock, an Edinburgh surgeon, dentist and druggist, living at 17 Elm Row at the top of
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within his collection. Orrock created art-period rooms in his house, which he opened to the general public.
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Today, Orrock is also notable as having commissioned many of the copies associated with the works of
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He settled in London by 1866, becoming an associate of the
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He was educated in medicine, surgery, and dentistry at
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Orrock studied painting under 767:20th-century Scottish painters 757:19th-century Scottish painters 678:Works by or about James Orrock 1: 645:www.scottisharchitects.org.uk 576:National Library of Scotland 417:National Library of Scotland 230:in 1871, exhibiting at the 217:Nottingham School of Design 113:Nottingham School of Design 798: 455:Victoria and Albert Museum 244:Victoria and Albert Museum 477:"James Orrock, 1829–1913" 215:, later enrolling at the 30: 737:Scottish watercolourists 603:. 15 May 1913. p. 7 391:University of Manchester 330:"Lever and James Orrock" 188:. The family moved to 2 722:Scottish art collectors 219:where he was taught by 762:Scottish male painters 707:Artists from Edinburgh 641:"Hector Heatly Orrock" 334:Lady Lever Art Gallery 263:Lady Lever Art Gallery 232:Royal Scottish Academy 162: 144:Royal Scottish Academy 772:19th-century dentists 732:Scottish illustrators 727:Scottish orientalists 669:Works by James Orrock 481:University of Glasgow 249:A strong advocate of 158: 449:A Hayfield in Surrey 301:Hector Heatly Orrock 278:A Sea Beach Brighton 197:Edinburgh University 221:Thomas Stuart Smith 192:when he was young. 160:"Storm Approaching" 117:Thomas Stuart Smith 163: 717:Scottish dentists 673:Project Gutenberg 393:. 26 October 2011 209:William L. Leitch 153: 152: 99:William L. Leitch 789: 682:Internet Archive 656: 655: 653: 651: 636: 630: 619: 613: 612: 610: 608: 593: 587: 586: 584: 582: 568: 562: 561: 559: 557: 550:"Connosseurship" 546: 540: 539: 537: 535: 524: 518: 517: 515: 513: 508:on 5 August 2010 502:"Art Collection" 498: 492: 491: 489: 487: 473: 467: 466: 464: 462: 451:by James Orrock" 443: 437: 434: 428: 427: 425: 423: 409: 403: 402: 400: 398: 383: 374: 373: 371: 369: 354: 345: 344: 342: 340: 326: 287:Fake or Fortune? 64: 35: 18: 797: 796: 792: 791: 790: 788: 787: 786: 697: 696: 665: 660: 659: 649: 647: 638: 637: 633: 626:Fake or Fortune 620: 616: 606: 604: 595: 594: 590: 580: 578: 570: 569: 565: 555: 553: 548: 547: 543: 533: 531: 526: 525: 521: 511: 509: 500: 499: 495: 485: 483: 475: 474: 470: 460: 458: 445: 444: 440: 435: 431: 421: 419: 411: 410: 406: 396: 394: 385: 384: 377: 367: 365: 356: 355: 348: 338: 336: 328: 327: 318: 313: 297: 259:Lord Leverhulme 251:J. M. W. Turner 182: 161: 146: 142: 109:Alma mater 101: 97: 76: 66: 62: 53: 47: 38: 26: 12: 11: 5: 795: 793: 785: 784: 779: 774: 769: 764: 759: 754: 749: 744: 739: 734: 729: 724: 719: 714: 709: 699: 698: 695: 694: 684: 675: 664: 663:External links 661: 658: 657: 639:Goold, David. 631: 614: 588: 563: 552:. 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Index

RI

Edinburgh
Shepperton
Middlesex
Scottish
James Ferguson
William L. Leitch
John Burgess
Nottingham School of Design
Thomas Stuart Smith
Watercolour
Landscape
Royal Institute of Painters in Watercolours
Royal Scottish Academy
Royal Academy

R.I., R.O.I.
Scottish
Leith Walk
York Place
Edinburgh University
Nottingham
James Ferguson
William L. Leitch
John Burgess
Nottingham School of Design
Thomas Stuart Smith
Royal Institute of Painters in Water Colours
Royal Scottish Academy

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