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James How

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110: 184:(which reported on How's legal action) and Bram Stoker framed How's marriage and assumption of male identity as a means of escaping unsatisfying relations with men, with How taking the male role simply to facilitate the couple's plan (and, indeed, being assigned it by a coin toss). Writing in 1910, Stoker argued further that the Hows' arrangement was a means of escaping the stiflingly narrow socio-economic opportunities available to Georgian-era women. Later commentators have called into question these interpretations of the Hows as transgressive, but ultimately heterosexual and cis-gendered, arguing that it was possible (or even likely) that the Hows were lovers and that How was a transgender man or otherwise of 150:
involved her hiring two men to impersonate police officers, "arrest" How for an imagined crime, and threaten to hang them unless paid one hundred pounds. Before the imposters dragged them away, How was able to confess to and seek help from a neighbour, Mr Williams. Williams advised How to take Bentley and her accomplices to court and brought a constable to arrest How's aggressors. How reassumed the name and female presentation of Mary East to expose Bentley's extortion before the
133:, where they became the landlords of the White Horse Public House in 1745. Their business partnership proved profitable and they were able to purchase several more properties over the course of their marriage. How was also engaged in Poplar's civic life, serving several times as jury foreman (something prohibited to women at the time) and, at one time or another, holding every parish office except 157:, evincing visible awkwardness in female garb. The case ended in the conviction of one of Bentley's accomplices (the other having escaped capture) who was sentenced to four years in prison. As a consequence of their public revelations, How (now "East") retreated from public life and lived the remainder of their days as a woman. 149:
In 1766, on her deathbed, Mrs How confided in a friend about the nature of their marriage; this friend swiftly went to How and demanded payment in exchange for silence. The extortion attempts did not stop after Mrs How's death, as Bentley returned to blackmail How the same year. This last attempt
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The couple successfully protected their secret for the duration of their marriage, but periodically experienced incidents of blackmail from confidants and old acquaintances threatening to expose How's past female identity. The first of these was a Mrs Bentley, who had known How as a child and
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Little is known about How's life before the age of sixteen, when they took on a male identity and the name "James How" in order to marry a seventeen-year-old female friend (first name unknown). The couple held a clandestine
101:" in 1732. Mr and Mrs How became respected members of their community for many years, though noted for their great commitment to privacy: they were never known to employ servants or host social functions in their home. 109: 383: 311: 42:(despite being born female) from 1732 until 1766, when legal action against an extortionist forced a permanent return to female presentation. 403: 137:
and constable, the former of which How was slated to hold until their reassumption of a public female identity disrupted their plans.
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and identities. How's gender identity and sexuality have been subject to varying interpretations over time. Early sources like the
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How died on 8 June 1780, bequeathing their estate to relatives, friends, and Poplar's poor. They were buried at
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How attracted attention during and after their lifetime as an exemplar of the phenomenon of the "
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remain ambiguous, with early sources presenting How as a cross-dressing but fundamentally
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demanded sums ranging from five to ten pounds for her silence during the Hows' marriage.
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How's story was the subject of contemporary newspaper articles, a section in
126: 77: 38:(approx. 1716 – 8 June 1780), was an English tavern owner best known for 113:
The former site of the White Horse Public House, Poplar, is marked by a
312:"Mary East (aka James How) and Mrs How of the White Horse, Poplar" 108: 191:
How is artistically commemorated in a song in R.M. Anderson's
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For the American organizer of the hobo community, see
8: 366:. Sturgis & Walton Company. p. 242. 346:. Sturgis & Walton Company. p. 246. 80:and later sources interpreting them as a 220: 169:in Poplar under the name of Mary East. 306: 304: 302: 300: 298: 258:"The White Horse, Poplar High Street" 252: 250: 248: 246: 244: 7: 296: 294: 292: 290: 288: 286: 284: 282: 280: 278: 242: 240: 238: 236: 234: 232: 230: 228: 226: 224: 14: 384:18th-century English LGBTQ people 88:, and/or sexually non-normative. 195:and a painting in Ria Brodell's 16:English tavern owner (1716–1780) 1: 121:The Hows operated taverns in 53:, a song in R.M. Anderson's 404:18th-century English people 420: 193:Songs From The Howling Sea 55:Songs From The Howling Sea 18: 141:Extortion and Court Case 389:English transgender men 316:East End Women's Museum 40:living as a married man 167:St Matthias Old Church 118: 92:Early and Married Life 357:Stoker, Bram (1910). 337:Stoker, Bram (1910). 155:Justices of the Peace 112: 86:gender-nonconforming 57:, and a painting in 176:" and early modern 119: 411: 368: 367: 365: 360:Famous Imposters 354: 348: 347: 345: 340:Famous Imposters 334: 328: 327: 325: 323: 308: 273: 272: 270: 268: 254: 186:nonbinary gender 182:London Chronicle 161:Death and legacy 51:Famous Imposters 419: 418: 414: 413: 412: 410: 409: 408: 374: 373: 372: 371: 363: 356: 355: 351: 343: 336: 335: 331: 321: 319: 310: 309: 276: 266: 264: 256: 255: 222: 217: 205: 163: 143: 115:Grade II listed 107: 94: 75:heteronormative 67:gender identity 24: 17: 12: 11: 5: 417: 415: 407: 406: 401: 396: 391: 386: 376: 375: 370: 369: 349: 329: 318:. 23 June 2017 274: 262:City of London 219: 218: 216: 213: 212: 211: 209:Female husband 204: 201: 178:LGBTQ+ history 174:Female Husband 162: 159: 142: 139: 129:, and then in 106: 103: 99:Fleet Marriage 93: 90: 65:series. Their 21:James Eads How 15: 13: 10: 9: 6: 4: 3: 2: 416: 405: 402: 400: 397: 395: 392: 390: 387: 385: 382: 381: 379: 362: 361: 353: 350: 342: 341: 333: 330: 317: 313: 307: 305: 303: 301: 299: 297: 295: 293: 291: 289: 287: 285: 283: 281: 279: 275: 263: 259: 253: 251: 249: 247: 245: 243: 241: 239: 237: 235: 233: 231: 229: 227: 225: 221: 214: 210: 207: 206: 202: 200: 198: 194: 189: 187: 183: 179: 175: 170: 168: 160: 158: 156: 153: 147: 140: 138: 136: 132: 128: 124: 116: 111: 104: 102: 100: 91: 89: 87: 83: 79: 76: 72: 68: 64: 60: 56: 52: 48: 43: 41: 37: 34: 30: 26: 22: 394:1730s births 359: 352: 339: 332: 320:. Retrieved 315: 265:. Retrieved 261: 197:Butch Heroes 196: 192: 190: 171: 164: 148: 144: 135:churchwarden 120: 95: 63:Butch Heroes 62: 54: 50: 44: 35: 32: 28: 27: 25: 399:1780 deaths 152:Whitechapel 105:Public Life 59:Ria Brodell 47:Bram Stoker 378:Categories 322:2 December 267:2 December 215:References 127:Limehouse 117:sculpture 78:cis-woman 71:sexuality 29:James How 203:See also 199:series. 31:, born 131:Poplar 123:Epping 364:(PDF) 344:(PDF) 84:man, 82:trans 324:2023 269:2023 69:and 36:East 33:Mary 61:'s 49:'s 380:: 314:. 277:^ 260:. 223:^ 188:. 125:, 326:. 271:. 97:" 23:.

Index

James Eads How
living as a married man
Bram Stoker
Ria Brodell
gender identity
sexuality
heteronormative
cis-woman
trans
gender-nonconforming
Fleet Marriage

Grade II listed
Epping
Limehouse
Poplar
churchwarden
Whitechapel
Justices of the Peace
St Matthias Old Church
Female Husband
LGBTQ+ history
London Chronicle
nonbinary gender
Female husband




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