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During the remainder of that season, which closed with May, he played Bevil in Steele's ‘Conscious Lovers,’ Lord Townly in the ‘Provoked
Husband,’ and also Romeo and the Stranger to the Juliet and Mrs. Haller of Miss O'Neill. Others of Warde's leading parts at Bath, where he was seen at his best,
646:
He played during
December Standard in a revival of Farquhar's ‘Constant Couple,’ Macduff, and Philaster. During January and February 1818 he appeared as Shylock, Hotspur, Alonzo in ‘Pizarro,’ Beverley, Belmour, and Durimel in Roberdeau's ‘Point of
297:. He fell ill, recuperated under the care of his wife, and taught elocution for a time. He moved to Birmingham and managed a theatre there, but ran up debts. He did not act in London, was seen again at Bath in 1823, but then not often.
222:: the other patron has been identified as Mrs. Vereker, though Piozzi also had time for Warde. There was a rivalry between groups of fans in 1818–9. Another supporter of Warde was Harriet Willoughby, illegitimate daughter of
387:
Warde's last years were overshadowed by debt: he was often escorted to and from the theatre by bailiffs. He died friendless and in penury, in a lodging in
Manchester Street, London on 9 July 1840, at the age of 48.
384:. But the decline of the older style of "legitimate drama" reduced his opportunities. Engaged at Covent Garden during Macready's brief lesseeship of 1837–8, Warde was only given parts well down the cast list.
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each had a dowager as patron in Bath. These ladies sat in opposite stage-boxes, and led the applause for their respective protégés. Conway was certainly backed by
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The plays produced at Covent Garden moved downmarket, and its finances were in confusion. Unable to obtain his salary in 1833, Warde left for the
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says he was "full of promise at the time of his first appearance in London", in 1818, but did not reach the top ranks of the profession.
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that year was of the opinion that "Mr. Warde, we think is not fitted to fill the first parts"; though he was adequate to substitute for
67:, then left the army in poor health in 1813, returning to England. He was later superseded for "absence without leave" on 1 April 1815.
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were George
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41:(1792–1840) was an English actor. He came up as a provincial tragic actor, in the Garrick mould. The
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Born James
Prescott in the west of England in 1792, he was the son of J. Prescott. A cadet at the
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At the end of 1820 Warde moved to Dublin, where he shared the tragic leading roles with
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Warde reappeared on the London stage in the autumn of 1825, when he was engaged at the
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Prescott went onto the stage, adopting the further name of Warde. He was first seen in
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Next season Warde opened as Leon (26 July), and was seen as
Faulkland, Don Felix in
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230:. She fell out with Hester Piozzi over the rivalry: they made up in 1820.
145:. On 1 April he was the original Fitz-James in the dramatic version of
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The Plays of David
Garrick: Garrick's alterations of others, 1751-1756
163:(1 January 1816) Warde was considered to have overdressed the part.
832: This article incorporates text from a publication now in the
237:
20:
204:, an operatic drama in three acts, of the Walter Scott novel.
82:. He spent time in touring companies in the north of England.
696:
Hester: The
Remarkable Life of Dr Johnson's 'dear Mistress'
625:
During the rest of 1816 he was on 18 January
Orlando in
94:, where he settled, was on 28 December 1813 as Achmet in
166:
The next year, 1817, Warde was seen as
Doricourt in the
133:
In 1815 Warde was on 3 January Laertes to the Hamlet of
172:(1 November), and was considered very good as Biron in
137:. Ten days later he took his benefit as Fitzharding in
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Mrs. Piozzi's Tall Young Beau, William Augustus Conway
356:, one of his noted roles. He played the title-part in
122:(17 April); and on 10 December had the title role in
750:. Southern Illinois University Press. p. 409.
725:. University of Delaware Press. p. 90 note 7.
323:(10 December). He was no longer a rising star: the
890:Graduates of the Royal Military Academy, Woolwich
250:Warde made his first appearance in London at the
809:. Baldwin, Cradock, and Joy. 1825. p. 407.
851:. Vol. 59. London: Smith, Elder & Co.
673:. Fairleigh Dickinson Univ Press. p. 76.
575:. Vol. 59. London: Smith, Elder & Co.
285:as his benefit on 28 August, and other parts.
593:Banerji, Nilanjana. "Warde, James Prescott".
106:. During 1814 he played at Bath Faulkland in
8:
777:(online ed.). Oxford University Press.
599:(online ed.). Oxford University Press.
336:In 1826 Warde was Honeywood in a revival of
59:in 1807, he became second lieutenant in the
63:in 1809. He served for three years in the
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155:. Generally popular, as Dorilas in
192:. On 15 April 1818 he was seen as
74:, in the role of Lord Towneley in
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875:19th-century English male actors
848:Dictionary of National Biography
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572:Dictionary of National Biography
242:James Prescott Warde as Leon in
57:Royal Military Academy, Woolwich
44:Dictionary of National Biography
631:, and on 8 February Jaffier in
112:(5 March) and Harry Dornton in
1:
722:The Piozzi Letters: 1817-1821
719:Piozzi, Hester Lynch (1989).
566:"Warde, James Prescott"
791:UK public library membership
613:UK public library membership
282:The Foundling of the Forest
261:Rule a Wife and have a Wife
254:on 17 July 1818 as Leon in
244:Rule a Wife and Have a Wife
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698:. Constable. p. 391.
885:Royal Artillery officers
376:under the management of
746:Garrick, David (1980).
372:, and then went to the
216:William Augustus Conway
694:McIntyre, Ian (2008).
605:10.1093/ref:odnb/28717
483:James Sheridan Knowles
457:James Sheridan Knowles
374:Royal Victoria Theatre
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214:(1859) that Warde and
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843:Warde, James Prescott
783:10.1093/ref:odnb/5746
667:Tearle, John (1991).
470:George William Lovell
465:The Provost of Bruges
307:Covent Garden Theatre
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509:Edward Bulwer-Lytton
491:The Athenian Captive
431:Mary Russell Mitford
413:The French Libertine
346:, to the Croaker of
339:The Good-Natur'd Man
212:Life of Charles Kean
152:The Lady of the Lake
102:, a part created by
86:Bath stage from 1813
80:The Provoked Husband
39:James Prescott Warde
806:The London Magazine
400:The Three Strangers
320:The Three Strangers
309:as second lead to
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226:and the courtesan
189:The Fatal Marriage
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789:(Subscription or
757:978-0-8093-0994-8
732:978-0-87413-395-0
705:978-1-84529-449-6
680:978-0-8386-3402-8
611:(Subscription or
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418:John Howard Payne
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839:Lee, Sidney
823:Attribution
561:Lee, Sidney
501:Baradas in
462:Tancmar in
405:Harriet Lee
315:Harriet Lee
200:adaptation
98:'s tragedy
859:Categories
793:required.)
615:required.)
475:Norris in
410:Dubois in
364:Later life
273:The Wonder
271:'s comedy
157:Aaron Hill
143:The Curfew
139:John Tobin
109:The Rivals
100:Barbarossa
96:John Brown
51:Early life
504:Richelieu
488:Creon in
301:1825–1830
72:Liverpool
647:Honour.’
452:The Wife
179:Isabella
149:'s poem
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426:Foscari
194:Rob Roy
27:Cassius
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289:Hiatus
161:Merope
516:Notes
752:ISBN
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675:ISBN
380:and
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