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Jan van Nuenen

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233:(2007), an 11-minute long animated video showing figures moving around in a black and white city, one of these figures carries a box. This box opens up and reveals a colourful world in which organisms seem to struggle for survival. Van Nuenen received support from Ruveanne Gerrissen for the animations. The sound for this video is created by Aux Raus, Sanne Groeneveld, Studio Gnocci and 25: 120:
Van Nuenen has said to be fascinated by “trivial” imagery, which are images that were not made with an artistic purpose in mind. These images are often what jumpstarts his artworks; there is no scenario or narrative prior. Van Nuenen usually does not work with his own imagery but salvages the images
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Even though Van Nuenen does not work with a preexisting narrative, the narration often unfolds itself in the same direction, though, which often focuses on society's rigid and mechanic components that keep the gears of this machinal society turning. The perfect way to resist this rigid system is to
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video made with pre-existing images and sounds that are composed to show a feminine machine that runs on money. Inside her is a factory that endlessly repeats its tasks. When one task within this system malfunctions, a chain-reaction which rapidly destroys the system follows. This is Van Nuenen's
283:. The ecosystem is made up by hordes of creatures who battle each other for food and habitat. These creatures are becoming better at adapting to their surroundings and reproduce quickly. The public can stop creatures from taking over the ecosystem by producing loud noise. 257:(2010), an 8-minute video installation shown in Amsterdam, the Netherlands. The video shows the rise and fall of the tides. The fall of the tides causes the creatures in the sea to disappear. New creatures are created when the tide rises again. 227:(2007), an 8-minute long video installation shown in Rotterdam, the Netherlands. A system of skeletons and plants slowly take over the building they are projected upon. 336: 263:(2011), a hand-made, cheap and patchable sound synthesizer. The building instructions for this synthesizer are available for free on the artist's website. 176:. Each channel shows a 2D computer animation of symmetric landscapes that become more and more chaotic until an almost abstract world is all that remains. 1365: 1360: 269:(2013), a free video game created by Van Nuenen, musician Bastiaan Bosma and the Dutch band Bullerslug. The game is no longer available online. 247:
of falling and colliding objects projected on a building. The audience could control the direction of these objects through a wireless
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Due to his skilful salvaging of images, he has been named the “master of recycling” by Dutch art journalist Sandra Smallenburg.
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that fascinate him and builds his computer animations with these. These animations are built and shown on Van Nuenen's own
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in Breda where he graduated in 2002. He graduated in 2002 with the 12-minute long animation film 
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industrialized world in which neither a landscape nor a machine can be recognized anymore.
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Smallenburg, Sandra (2 December 2008). "Ook een zendmast kan best idyllish zijn".
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was nominated for the René Coulhoprijs in the same year but did not win.
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2009, Transmediale Art Festival at C-Base, PLANETART, Berlin (Germany).
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2006, National Museum of Contemporary Art, Bucharest (Romania).
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2003, Shorts!, Amsterdam (Netherlands), award ‘digital’ for
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2008, Alexandria Contemporary Art Forum, Alexandria (Egypt).
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2002, Teek, Breda (Netherlands), award ‘public price’ for
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Van Nuenen studied audio-visual design at the art academy
275:(2017), a real-time computer simulation of a fictional 49: 39: 332:, Laboratory Museum of Contemporary Art, Rome (Italy). 473:
2010, Hara Museum of Contemporary Art, Tokyo (Japan).
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de Ruiter, Marinus (Autumn 2003). "Jan van Nuenen".
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2003, Museo de Arte ContemporĂĄneo, Santiago (Chile).
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2008, Gallery Henze & Ketterer, Bern (Germany).
433:, Design Museum Den Bosch, Den Bosch (Netherlands). 985:"ITGWO17 Jan van Nuenen - The Origins of Creepers" 389:, Gallery Majke HĂŒsstege, Den Bosch (Netherlands). 213:(2007), a 3-minute long music video for the Dutch 1115:"This is America: Visies op de Amerikaanse droom" 406:2007, Municipal Gallery Arsenal, PoznaƄ (Poland). 376:This is America: Viisies op de Amerikaanse Droom 325:, Centre of Contemporary Art, Tel Aviv (Israel). 1240:"The Kids are All Right: 15 jaar Showroom Mama" 511:2013, Route du Nord, Rotterdam (Netherlands). 8: 518:, TETEM Kunstruimte, Enschede (Netherlands). 346:, Artoteek Den Haag, Den Haag (Netherlands). 396:, Site Gallery, Sheffield (United Kingdom). 308:2002, KunstXpress, Rotterdam (Netherlands). 483:2010, OneDotZero, London (United Kingdom). 1266:"Game City brengt kunst met een joystick" 470:2009, Kunstenlab, Deventer (Netherlands). 318:, Showroom Mama, Rotterdam (Netherlands). 305:, Showroom Mama, Rotterdam (Netherlands). 1169:Transmediale / Art & Digital Culture 1264:Windhorst, Peter Pim (7 October 2011). 567: 403:, Gem Den Haag, Den Haag (Netherlands). 1090:"Next Level. Art, Games & Reality" 453:, MK Gallery, Rotterdam (Netherlands). 1009: 1007: 1005: 460:, Museum Gouda, Gouda, (Netherlands). 7: 670: 668: 623: 621: 531:2007, W139, Amsterdam (Netherlands). 412:2007, TENT, Rotterdam (Netherlands). 365:Next Level. Art, Games & Reality 144:Some of Van Nuenen's works include: 133:make art, according to Van Nuenen. 1215:"Attraction of the Opposites 2011" 490:, Cucosa, Rotterdam (Netherlands). 426:, Club11, Amsterdam (Netherlands). 14: 576:"Jan van Nuenen, LIMA collection" 337:Galerie fĂŒr Zeitgenössische Kunst 817:"Aux Raus - Rasthof Deutschland" 419:, TENT, Rotterdam (Netherlands). 23: 1366:21st-century Dutch male artists 1361:20th-century Dutch male artists 508:, CBK, Den Bosch (Netherlands). 446:, MK Gallery, Berlin (Germany). 172:(2003), a 2-minute two-channel 1140:"His Life is Full of Miracles" 1: 792:"Warning, Petroleum Pipeline" 357:, Liverpool (United Kingdom). 160:Seeing Bush Through the Trees 960:"Hit Others - Gameplay (HD)" 480:, Galeria NT, Lodz (Poland). 394:His Life is Full of Miracles 80:, including video collages, 1219:Attraction of the Opposites 488:Attraction of the Opposites 467:, New York (United States). 409:2007, MiArt, Milan (Italy). 198:Warning, Petroleum Pipeline 1382: 1094:Stedelijk Museum Amsterdam 501:, Rotterdam (Netherlands). 371:, Amsterdam (Netherlands). 279:projected on a forest on 151:(2002), a 12-minute long 382:, Utrecht (Netherlands). 351:assume vivid astro focus 1119:Centraal Museum Utrecht 652:Rotterdamse kunstenaars 38:, as no other articles 1190:"Galeria NT 2010-2011" 835:"Battle of the Plants" 692:"Optimizer Customizer" 601:"Optimizer Customizer" 495:The Kids are All right 288:Exhibitions and awards 273:The Origin of Creepers 156:first video animation. 1040:"Rotterdam geremixed" 1356:AKV St. Joost alumni 1291:"Route du Nord 2013" 556:Optimizer Customizer 549:Optimizer Customizer 339:, Leipzig (Germany). 243:(2009), a real-time 225:Battle of the Plants 149:Optimizer Customizer 110:Optimizer Customizer 102:Optimizer Customizer 910:"Deep Sea Paradiso" 885:"Physics Distorter" 387:Maverick Convention 245:computer simulation 211:Rasthof Deutschland 86:video installations 82:computer animations 16:Dutch visual artist 1065:"Close Encounters" 717:"Seeing Bush Info" 235:Roderick Hietbrink 192:springboard diving 174:video installation 57:for suggestions. 47:to this page from 690:Van Nuenen, Jan. 293:Group exhibitions 255:Deep Sea Paradiso 241:Physics Distorter 71: 70: 1373: 1331: 1330: 1328: 1326: 1312: 1306: 1305: 1303: 1301: 1287: 1281: 1280: 1278: 1276: 1261: 1255: 1254: 1252: 1250: 1236: 1230: 1229: 1227: 1225: 1211: 1205: 1204: 1202: 1200: 1186: 1180: 1179: 1177: 1175: 1161: 1155: 1154: 1152: 1150: 1136: 1130: 1129: 1127: 1125: 1111: 1105: 1104: 1102: 1100: 1086: 1080: 1079: 1077: 1075: 1061: 1055: 1054: 1052: 1050: 1036: 1030: 1029: 1027: 1025: 1011: 1000: 999: 997: 995: 981: 975: 974: 972: 970: 956: 950: 949: 947: 945: 931: 925: 924: 922: 920: 906: 900: 899: 897: 895: 881: 875: 874: 872: 870: 856: 850: 849: 847: 845: 831: 825: 824: 813: 807: 806: 804: 802: 788: 782: 781: 779: 777: 763: 757: 756: 754: 752: 742:"Lame Yard Info" 738: 732: 731: 729: 727: 713: 707: 706: 704: 702: 687: 681: 680: 672: 663: 662: 660: 658: 648:"Jan van Nuenen" 644: 638: 637: 625: 616: 615: 613: 611: 597: 591: 590: 588: 586: 572: 523:Solo exhibitions 465:Gaga Arts Centre 424:Filtered Gallery 369:Stedelijk Museum 344:Close Encounters 66: 63: 52: 50:related articles 27: 19: 1381: 1380: 1376: 1375: 1374: 1372: 1371: 1370: 1336: 1335: 1334: 1324: 1322: 1314: 1313: 1309: 1299: 1297: 1289: 1288: 1284: 1274: 1272: 1263: 1262: 1258: 1248: 1246: 1238: 1237: 1233: 1223: 1221: 1213: 1212: 1208: 1198: 1196: 1188: 1187: 1183: 1173: 1171: 1163: 1162: 1158: 1148: 1146: 1138: 1137: 1133: 1123: 1121: 1113: 1112: 1108: 1098: 1096: 1088: 1087: 1083: 1073: 1071: 1063: 1062: 1058: 1048: 1046: 1038: 1037: 1033: 1023: 1021: 1013: 1012: 1003: 993: 991: 983: 982: 978: 968: 966: 958: 957: 953: 943: 941: 933: 932: 928: 918: 916: 908: 907: 903: 893: 891: 883: 882: 878: 868: 866: 860:"Evolizer Info" 858: 857: 853: 843: 841: 833: 832: 828: 815: 814: 810: 800: 798: 790: 789: 785: 775: 773: 765: 764: 760: 750: 748: 740: 739: 735: 725: 723: 715: 714: 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Bush 157: 141: 138: 117: 114: 93: 90: 74:Jan van Nuenen 69: 68: 55:Find link tool 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1378: 1367: 1364: 1362: 1359: 1357: 1354: 1352: 1351:Living people 1349: 1347: 1344: 1343: 1341: 1321: 1317: 1311: 1308: 1296: 1295:Route du Nord 1292: 1286: 1283: 1271: 1267: 1260: 1257: 1245: 1241: 1235: 1232: 1220: 1216: 1210: 1207: 1195: 1191: 1185: 1182: 1170: 1166: 1165:"PLANETART I" 1160: 1157: 1145: 1141: 1135: 1132: 1120: 1116: 1110: 1107: 1095: 1091: 1085: 1082: 1070: 1066: 1060: 1057: 1045: 1041: 1035: 1032: 1020: 1016: 1010: 1008: 1006: 1002: 990: 986: 980: 977: 965: 961: 955: 952: 940: 936: 930: 927: 915: 911: 905: 902: 890: 886: 880: 877: 865: 861: 855: 852: 840: 836: 830: 827: 822: 818: 812: 809: 797: 793: 787: 784: 772: 768: 762: 759: 747: 743: 737: 734: 722: 718: 712: 709: 697: 693: 686: 683: 678: 671: 669: 665: 653: 649: 643: 640: 635: 631: 624: 622: 618: 606: 602: 596: 593: 581: 577: 571: 568: 562: 557: 553: 550: 546: 545: 544: 538: 533: 530: 529: 528: 522: 517: 513: 510: 507: 503: 500: 496: 492: 489: 485: 482: 479: 478:The Mediagate 475: 472: 469: 466: 462: 459: 455: 452: 448: 445: 441: 438: 435: 432: 428: 425: 421: 418: 414: 411: 408: 405: 402: 398: 395: 391: 388: 384: 381: 377: 373: 370: 366: 362: 359: 356: 352: 348: 345: 341: 338: 334: 331: 327: 324: 320: 317: 313: 310: 307: 304: 300: 299: 298: 292: 287: 282: 278: 274: 271: 268: 265: 262: 259: 256: 253: 250: 246: 242: 239: 236: 232: 229: 226: 223: 220: 216: 212: 209: 206: 203: 199: 196: 193: 189: 185: 181: 178: 175: 171: 168: 165: 161: 158: 154: 150: 147: 146: 145: 139: 137: 134: 130: 128: 124: 115: 113: 111: 107: 103: 99: 91: 89: 87: 83: 79: 75: 65: 56: 51: 46: 42: 41: 37: 32:This article 30: 26: 21: 20: 1323:. 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Index


orphan
link to it
introduce links
related articles
Find link tool
media art
computer animations
video installations
St. Joost
consumerism
hardware
software
2D animation
George W. Bush
video installation
table tennis
volleyball
springboard diving
futuristic
gabber-punk
Aux Raus
Roderick Hietbrink
computer simulation
globe
ecosystem
Vlieland
Galerie fĂŒr Zeitgenössische Kunst
Tate Liverpool
Stedelijk Museum

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