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166:. He was a Catholic and his name occurs often as a witness in the records of the church in the Molstraat, such as for the marriage of his daughter Agnes in 1641 with Willem van Culemborgh. His portrait was painted by Sir Anthony van Dyck and he produced
158:(though his earliest dated works are from 1611). In 1608 he bought a house on the Molstraat and in 1628 he moved in the Molstraat. In 1640 his wife was buried and in the same year his daughter Marie married one of his pupils, the painter
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Van
Ravesteyn was in turn, the teacher of Dirck Abrahamsz., Leendert Barthouts, Johannes Harmensz. Borsman, Aelbert Dircksz. Coeppier, Pieter Craen, Jacob Dirksz. van den Enden, Fransise de Goltz,
162:. In 1654 he moved to the Nobelstraat next to the house of his daughter. In 1656 he left the guild with a group of dissatisfied painter friends and was one of the founders of the
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150:. Van Ravesteyn is mentioned there in the city archives 1597. From 1598 until his death he lived in the Hague, where in 1598 he became a member of the
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of the Hague. In 1604 he married Anna
Arentsz van Berendrecht and in the same year he was mentioned as a good painter by
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Ravesteyn was born in The Hague. It is unknown who taught him how to paint, but he was a follower of the
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works. His workshop produced many portraits for the royal house of
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and he competed with
Miereveld for several commissions.
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Works and literature on Jan
Antonisz. van Ravesteyn
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365:Painters from The Hague
300:in the Dutch Who's Who
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234:Portrait of a Woman
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138:Biography
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130:court in
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112:Movement
106:Painting
116:Baroque
59:c. 1572
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185:Works
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128:Dutch
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