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away Night and clearing the way for the Sun-God Apollo, who approaches in his chariot in a blaze of light. Hovering overhead, Mercury heralds the arrival of the life-giving god and Saturn ushers in the Golden Age with his scythe. He also included images of the Four
Continents as well as the Four Seasons, which are familiar allusions to political power and thus affirm the greatness of Frederick I.
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Of the works from his Berlin period, the ceiling frescos he painted for the porcelain room in the
Charlottenburg Palace are his best known. The frescos can be regarded as propaganda for the glorious rule of Frederick I. They represent Aurora, the Goddess of Dawn, in her seven-horsed chariot chasing
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After the death of his patron, Coxie left Berlin for Mainz in 1713. Here he worked for the court. He did not stay in Mainz for long but moved around 1713 to Milan. He was known in Italy as 'MonsĂą Coixe'. He would remain active in
Lombardia until his death, probably in Milan, in 1720.
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Although successful as testified by the praises sung of his work by local poets
Sybrand Feitama and François Halma, he left Amsterdam and is recorded in Berlin from 1705 to 1708. He became the court painter of
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395:, in: 'Neues allgemeines Künstler-Lexicon: oder Nachrichten von dem Leben und den Werken der Maler, Bildhauer, Baumeister, Kupferstecher etc', Volume 3, E. A. Fleischmann, 1836, pp. 166–167
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Other name variations: Anthonie Coxcie, Anthony Coxie, Antonie Coxie, Jan
Anthony Coxie, Jan Antonie Coxie, MonsĂą Coxie, MonsĂą Coixe, Jean Antoine de Coxie, Johan Anhonij Coxie
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painters who was known as the 'Flemish
Raphael'. His father Jan married Jeanne Biset in 1650 or in 1667 according to different sources. Jan Anthonie had a brother,
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Willem Joseph Laquy, 'Triptych with an
Allegory of Art Education, central panel, The Lying-in Room (A Mother Nursing her Child), a Dentist in the background'
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paintings. After starting his career in
Flanders he moved abroad and worked in Amsterdam, Berlin, Mainz and Milan where he worked for an elite clientele.
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Jan
Anthonie commenced his career in Mechelen around the year 1691. That year he was commissioned by the city of Mechelen to make a portrait of
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some time between 1650 and 1670 in an artistic family with a long tradition going back to the 16th century. His father was the landscape painter
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212:. Whilst in Italy he produced copies after the work of these two leading Flemish Baroque artists. He was regarded as a capable draughtsman.
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of
Amsterdam. Wybrand de Geest (II) was his pupil. De Geest published in 1702 a book with engravings of Antique sculptures under the title
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219:(in a private collection) of 1693. From his Amsterdam period, mainly portraits of prominent personalities such as the
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He painted portraits as well as historical and allegorical paintings. His style is regarded as following that of
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exists. The grisaille paintings by Coxie made clear that the three paintings by Gerard Dou, which depicted
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Shop Talk: Studies in Honor of Seymour Slive : Presented on His Seventy-Fifth Birthday
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One of his masterpieces produced during his early career in Flanders is the large
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Seymour Slive, Cynthia P. Schneider, William W. Robinson, Alice Ingraham Davies,
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Frederick the Great‟s Porcelain Diversion: The Chinese Tea House at Sanssouci
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42:(c. 1660 - 1720) was a Flemish painter and draughtsman mainly known for his
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Jan Anthonie studied with his father as well as with the prominent painter
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Group Portrait of the Fayd'Herbe Family in an Architectural Setting
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in: La Biographie Nationale de Belgique, Volume 4, pp. 466–469
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scenes, were in fact allegories of the liberal arts.
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Het Kabinet der Statuen ons van d’Aloudheid Nagelaten
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157:. This triptych was in the collection of
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408:Jan Anthonie de Coxie, Crocifissione
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129:From 1699 onwards he is recorded in
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294:Herbermann, Charles, ed. (1913).
221:Portrait of Nicolaas van der Meer
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198:Portrait of Catharina de Dryver
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225:Portrait of Antoni de Mestral
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66:who was a great grandson of
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484:Flemish landscape painters
469:Flemish portrait painters
464:Flemish Baroque painters
373:Adriaan van der Willigen
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494:Artists from Mechelen
423:Tania Solweig Shamy,
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371:Roeland van Eijnden,
301:Catholic Encyclopedia
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179:Charlottenburg Palace
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450:at Wikimedia Commons
133:. In 1703 he became
112:Southern Netherlands
377:Johan Anhonij Coxie
163:Willem Joseph Laquy
100:Charles II of Spain
72:Flemish Renaissance
448:Jan Anthonie Coxie
320:Edm. De Busscher,
270:Jan Anthonie Coxie
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235:References
155:Gerard Dou
147:grisaille
131:Amsterdam
106:ruler of
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