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In a 2011 exhibition at Vivien
Anderson Gallery, "Journey", Fieldhouse combines white raku, red raku and Cool Ice porcelain with feathers, string, acrylic paint, synthetic polymer paint, demonstrating her innovative approach to ceramics. She also incorporates terracotta clay from the Mekong River in
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Culture for Torres Strait Islander Peoples. Fieldhouse's work "is an expression of her Torres Strait Islander heritage: the material culture, rituals of social and religious life, and artefacts which are created to fulfil the functional and spiritual needs of the peoples of the Torres Strait,"
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It is the ceremonial scarification and body adornment of Torres Strait
Islander women that is most documented by Fieldhouse's practice. Using Keraflex flexible porcelain, Fieldhouse translates oral histories from Erub and Badu Elders into intricately carved translucent discs, illuminated by
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Laos, where she travelled in 2010 and worked with local potters. In the same year, Fieldhouse was a featured artist in the Vivien
Anderson Gallery group exhibition, "The Women's Show," which showcased the diversity and innovation of Australian First Nations women artists.
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Fieldhouse has been the recipient of several awards and prizes for her contributions to both contemporary
Australian ceramics and Australian First Nations art. in 2018, Fieldhouse was a featured artist in The National in Sydney, exhibiting her
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Janet
Fieldhouse was born in Cairns, Queensland, and maintains strong connections with her matrilineal connections to Badu (Mulgrave), Mua (Moa), Kirriri (Hammond) and Erub (Darnley) islands and South Sea Islander communities.
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is a porcelain piece featuring symbols and imagery from women's scarification traditions which are no longer practiced in the Torres Strait. This work was awarded the
Indigenous Ceramic Art Award in 2012.
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Combining varieties of earthenware, stoneware and porcelain clays with natural fibres, found materials and multimedia, Fieldhouse evokes the foremost importance of a continuing
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43:. Since then, Fieldhouse has developed her practice through artist residencies in Japan and the United States and a Master of Philosophy (Visual Arts) at the
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through an innovative approach to ceramics. Fieldhouse has been awarded several prizes for her work, including the
Indigenous Ceramic Art Prize at
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community, particularly the significant roles and contributions of women. Fieldhouse was introduced to ceramics by artist and
Thainakuith elder,
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413:"Janet Fieldhouse - Journey" Vivien Anderson Gallery exhibition room sheet, 23 February- 19 March 2011.
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in 2007 and 2012, and has work held in public collections throughout
Australia and the United States.
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http://www.vivienandersongallery.com/media-files/artist_cvs/Janet%20Fieldhouse%20CV%20Nov%202019.pdf
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is featured in the Shepparton Art Museum online exhibition, "Paradise Again".
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Clisby, Meredith (7 February 2012). "Indigenous artist's inspiring win".
422:"The Women's Show" Vivien Anderson Gallery, exhibition postcard, 2011.
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the cultural practices, symbols and artistic traditions of her
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and focusses specifically on the contributions of women to
19:(born 1971) is a Meriam Mir ceramic artist based in
145:Queensland Art Gallery | Gallery of Modern Art
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526:21st-century Australian women artists
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531:21st-century Australian artists
211:"2018 Indigenous Ceramic Award"
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139:National Gallery of Australia
541:Australian women ceramicists
142:National Gallery of Victoria
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128:Museum of Contemporary Art
315:"Vivien Anderson Gallery"
290:"Artists | The National"
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394:Shepparton Art Museum
369:Shepparton Art Museum
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77:connection to Country
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340:"Keraflex Porcelain"
279:Retrieved: 8/3/2020
271:Fieldhouse, Janet.
71:Career and practice
536:People from Cairns
485:"Janet Fieldhouse"
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124:Pendant
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