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Jane Collier

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75:(then 15), were left without anyone to provide for them. In 1748, the sisters moved in with their brother Arthur who was living in the Doctors' Commons. During this time, Arthur "quarrelled" with Henry, and it is possible that a split formed between the siblings. A year after, in 1749, her mother died. Soon after, the living arrangements dissolved, and Margaret became the governess to 239: 67:
to pay debts. It was here that her brother Arthur, named after their father, studied law and educated his sisters, along with her childhood friend Sarah Fielding, in Greek and Latin language and literature; his manner of education was to prepare the girls to become governesses.
90:, or possibly because, like Sarah Fielding, she hoped to establish an independent living through her writing. In 1748, Richardson was using Collier as a go between with Sarah Fielding in order to help the two write. In 1753, she wrote 83:. Richardson was impressed by Collier's education, and wrote to Lady Bradshaigh that Jane was proof "that women may be trusted with Latin and even Greek, and yet not think themselves above their domestic duties." 94:
with the help of Sarah Fielding and possibly James Harris or Samuel Richardson. Afterwards, it was Richardson who printed the work. Her final book, written with Sarah Fielding, was
219:(1754), by Collier and Sarah Fielding. A complex work describing the struggle of its heroines against the 'spiteful and malicious tongues' of an unprincipled society. 105:. After her death, Richardson wrote to Sarah Fielding: "Don't you miss our dear Miss Jenny Collier more and more?-I do." Before she died, she planned a sequel to 203: 33: 133:
has been described as the "best-known generic satire written in the 18th century by a woman." She is one of the many female 18th-century authors (including
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As a sign of his favor for Collier's style, satiric humor, and classical learning, Henry Fielding wrote in the beginning of an edition of
145:) who experimented with "alternative models for relationships, for different ways of regarding others and even for ameliorating society." 63:, and Margaret Johnson. She had two brothers and one sister. In 1716, their family were forced to move into a less expensive residence in 248: 501: 506: 211:
that was originally published anonymously and sold well, with ten editions being published between 1753 and 1811.
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Sabor, Peter (2004), "Richardson, Henry Fielding, and Sarah Fielding", in Keymer, Thomas; Mee, Jon (eds.),
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edited by Paula Backscheider, 58–103. Baltimore: Johns Hopkins University Press, 2002. 273 pp.
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This was one of the last works that Fielding would write because he left that evening on a trip to
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She died in London before the end of March 1755, just a year after the publication of
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Companions Without Vows: Relationships Among Eighteenth-Century British Women
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In 1732, her father died and Jane Collier (then 17), along with her sister
31:(1714 – March 1755) was an English novelist best known for her book 233: 86:
Collier never married, possibly because she could not offer a sufficient
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Revising Women: Eighteenth-Century Women's Fiction and Social Engagement
439:. Ed. Katherine Craik. Oxford: Oxford World's Classics, 2006. 111 pp. 208: 190: 149: 229: 87: 466:
The Cambridge companion to English literature from 1740 to 1830
453:. Athens, Georgia: University of Georgia Press, 1994. 439 pp. 446:. (6 Vols) ed. Anne Barbauld, London: Richard Philips, 1804. 468:, Cambridge: Cambridge University Press, pp. 139–156, 280: 278: 276: 274: 341:Letter from Collier to Richardson 4 October 1748 310: 308: 306: 19:For the New Zealand teacher of the blind, see 437:An Essay on the Art of Ingeniously Tormenting 358: 356: 296: 294: 292: 290: 204:An Essay on the Art of Ingeniously Tormenting 34:An Essay on the Art of Ingeniously Tormenting 8: 59:, the daughter of philosopher and clergyman 55:Collier was baptized on 16 January 1715 in 79:'s daughters and Jane with the novelist 259: 117:". Richardson urged Fielding to revise 428:Battesin, Martin and Battesin, Ruthe. 7: 456:----. "Renegotiating the Gothic" in 444:Correspondence of Samuel Richardson 37:(1753). She also collaborated with 512:18th-century English women writers 109:, describing it as "A book called 14: 245:Presumed portrait of Jane Collier 180:and dedicates her Sincere Friend 177:more than human, gives, offers up 174:Female, mixed with virtues almost 131:The Art of Ingeniously Tormenting 92:The Art of Ingeniously Tormenting 41:on her only other surviving work 237: 193:where he died two months later. 522:18th-century English novelists 1: 267:Orlando Project: Jane Collier 216:The Cry: A New Dramatic Fable 517:18th-century English writers 165:as a Memorial (however poor) 389:Rizzo "Renegotiating" p. 59 236:(public domain audiobooks) 538: 432:. London: Routledge, 1989. 171:an Understanding more than 18: 249:National Portrait Gallery 168:of the highest Esteem for 371:Richardson Vol. 2 p. 104 159:This Edition of the best 502:English women novelists 323:Richardson Vol. 6 p. 79 162:of all the Roman Poets, 430:Henry Fielding: A Life 121:just two years later. 507:People from Salisbury 230:Works by Jane Collier 156:To Miss Jane Collyer, 98:, published in 1754. 442:Richardson, Samuel. 407:Battesin pp. 392-393 113:on the same plan as 207:(1753). A social 137:, Sarah Fielding, 21:Jane Annie Collier 475:978-0-521-80974-0 81:Samuel Richardson 529: 478: 417: 414: 408: 405: 399: 396: 390: 387: 381: 378: 372: 369: 363: 360: 351: 348: 342: 339: 333: 330: 324: 321: 315: 312: 301: 298: 285: 282: 269: 264: 241: 240: 73:Margaret Collier 16:English novelist 537: 536: 532: 531: 530: 528: 527: 526: 482: 481: 476: 463: 435:Collier, Jane. 420: 416:Battesin p. 392 415: 411: 406: 402: 397: 393: 388: 384: 379: 375: 370: 366: 361: 354: 349: 345: 340: 336: 331: 327: 322: 318: 313: 304: 299: 288: 284:Collier p. xiii 283: 272: 265: 261: 257: 238: 226: 199: 143:Charlotte Smith 127: 53: 24: 17: 12: 11: 5: 535: 533: 525: 524: 519: 514: 509: 504: 499: 494: 484: 483: 480: 479: 474: 461: 454: 449:Rizzo, Betty. 447: 440: 433: 419: 418: 409: 400: 391: 382: 373: 364: 352: 343: 334: 332:Collier p. xiv 325: 316: 302: 286: 270: 258: 256: 253: 252: 251: 242: 225: 224:External links 222: 221: 220: 212: 198: 195: 187: 186: 185: 184: 183:Henry Fielding 178: 175: 172: 169: 166: 163: 160: 157: 135:Frances Burney 126: 123: 77:Henry Fielding 61:Arthur Collier 52: 49: 39:Sarah Fielding 15: 13: 10: 9: 6: 4: 3: 2: 534: 523: 520: 518: 515: 513: 510: 508: 505: 503: 500: 498: 495: 493: 490: 489: 487: 477: 471: 467: 462: 459: 455: 452: 448: 445: 441: 438: 434: 431: 427: 426: 425: 424: 413: 410: 404: 401: 395: 392: 386: 383: 380:Collier p. xv 377: 374: 368: 365: 359: 357: 353: 347: 344: 338: 335: 329: 326: 320: 317: 311: 309: 307: 303: 297: 295: 293: 291: 287: 281: 279: 277: 275: 271: 268: 263: 260: 254: 250: 246: 243: 235: 231: 228: 227: 223: 218: 217: 213: 210: 206: 205: 201: 200: 197:List of works 196: 194: 192: 182: 181: 179: 176: 173: 170: 167: 164: 161: 158: 155: 154: 153: 151: 146: 144: 140: 136: 132: 124: 122: 120: 116: 112: 108: 104: 99: 97: 93: 89: 84: 82: 78: 74: 69: 66: 62: 58: 51:Personal life 50: 48: 46: 45: 40: 36: 35: 30: 26: 22: 465: 457: 450: 443: 436: 429: 422: 421: 412: 403: 394: 385: 376: 367: 350:Sabor p. 150 346: 337: 328: 319: 314:Sabor p. 151 262: 214: 202: 188: 147: 130: 128: 118: 114: 110: 106: 102: 100: 95: 91: 85: 70: 54: 42: 32: 29:Jane Collier 28: 27: 25: 497:1755 deaths 492:1714 births 398:Rizzo p. 24 362:Rizzo p. 46 300:Rizzo p. 45 139:Sarah Scott 486:Categories 255:References 129:Collier's 111:The Laugh 65:Salisbury 57:Wiltshire 234:LibriVox 47:(1754). 423:General 247:at the 119:The Cry 115:The Cry 107:The Cry 103:The Cry 96:The Cry 44:The Cry 472:  209:satire 191:Lisbon 150:Horace 141:, and 125:Style 88:dowry 470:ISBN 232:at 488:: 355:^ 305:^ 289:^ 273:^ 152:: 23:.

Index

Jane Annie Collier
An Essay on the Art of Ingeniously Tormenting
Sarah Fielding
The Cry
Wiltshire
Arthur Collier
Salisbury
Margaret Collier
Henry Fielding
Samuel Richardson
dowry
Frances Burney
Sarah Scott
Charlotte Smith
Horace
Lisbon
An Essay on the Art of Ingeniously Tormenting
satire
The Cry: A New Dramatic Fable
Works by Jane Collier
LibriVox
Presumed portrait of Jane Collier
National Portrait Gallery
Orlando Project: Jane Collier





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