Knowledge (XXG)

Jane Evelyn Atwood

Source đź“ť

33: 681: 107:
is a ten-year photographic documentary study about women's experiences in prison and provides the readers with an exclusive insight on the treatment of inmates in a collection of 150 black and white photographs she took while meeting with prisoners who had agreed to be published in her book. Written
92:
In 1989, Atwood photographed women in prison for a ten-year-long photography study. She became inspired to accomplish this project after French prisons first refused her access to the men's quarters because she was a woman. She obtained access to more than 40 prisons, including the toughest prisons
60:, Atwood typically follows groups of people or individuals, focusing mostly on people who are on the fringes of society. Atwood has had ten books of her work published, and received the W. Eugene Smith Grant in Humanistic Photography, the Grand Prix Paris Match for Photojournalism, the 602: 610: 731: 721: 726: 716: 506: 378: 711: 576: 696: 32: 287:
Milan: Silvana Editoriale, 2008. A story of the immigration phenomenon of Ukrainian women who care for the Italian elderly.
407: 304: 81: 434: 514: 57: 701: 56:(born 1947) is an American photographer, who has been living in Paris since 1971. Working primarily with 327: 65: 171: 163:
In addition, Atwood participated in neo-media projects organized by the French photography institution
76:
Atwood acquired her first camera in 1975, with which she began to photograph a group of prostitutes in
84:
for a project she had started about blind children. Until then, she had never published a photograph.
706: 109: 340: 61: 550: 475: 643: 606: 467: 314: 459: 450:
Leach, Tony (December 1, 2001). "Book Review: Community Penalties: Change and Challenges".
399: 680: 632:
Jane Evelyn Atwood: Photographies 1976-2010, Maison européenne de la photographie, Paris
631: 690: 479: 232: 94: 360: 344: 336:
1996: Grand Prix du Portfolio de la Societe Civile des Auteurs Multimedia (SCAM).
535: 266: 221:
France: Éditions Actes Sud, Photo Poche Société, Centre National de Photo, 1998.
153: 463: 254: 149: 471: 98: 136:. Atwood also did a four-year study of destruction caused by landmines in 250: 249:Éditions du Seuil, 2004. Photographs and texts about landmine victims in 137: 164: 557:. Médiathèque des Rencontres de la photographie, Arles. March 17, 2014 353:
2000: France Info Radio Award for "Trop de Peines, Femmes en Prison".
262: 258: 175: 145: 141: 129: 674: 275:Éditions Xavier Barral, 2006. In collaboration with Annette Lucas. 133: 121: 77: 313:
1987: 3rd prize, Daily Life stories, World Press Photo Awards,
108:
between the pictures are the women's stories, presented in
603:"1987, Jane Evelyn Atwood, 3rd prize, Daily Life stories" 350:
1998: Alfred Eisenstadt Award for Magazine Photography.
303:
1980: W. Eugene Smith Grant in Humanistic Photography,
359:
2005: Charles Flint Kellog Award in Arts and Letters,
120:
Other themes of Atwood's works include prostitutes in
39: 23: 195:Re-edited version. Editions Xavier Barral, 2011. 320:1988: Fiacre Grant of Culture Ministry, France. 310:1983: Grant Fiacre of Culture Ministry, France. 732:Officiers of the Ordre des Arts et des Lettres 333:1996: Marc Flament of Ministry Defence Award. 8: 323:1990: Paris-Match of Journalism Photo Award. 203:Éditions Jean-Jacques Pauvert/Ramsay, 1981. 679: 170:In 2008, Atwood presented her work at the 31: 20: 722:20th-century American women photographers 93:in Eastern and Western Europe and in the 80:. In 1980, she obtained a grant from the 577:"Le Pigalle trans de Jane Evelyn Atwood" 293:Actes Sud, 2010. PhotoPoche series #125. 391: 64:, the Alfred Eisenstadt Award and the 507:"Jane Evelyn Atwood Exhibition Paris" 431:Galerie in camera: Jane Evelyn Atwood 158:The Tncreasing Anonymity of the Enemy 7: 545: 543: 445: 443: 426: 424: 379:Maison europĂ©enne de la photographie 727:20th-century American photographers 513:. The WILD Magazine. Archived from 555:MĂ©diathèque des Rencontres d'Arles 356:2003: Hasselblad Foundation Grant. 116:"Rue des Lombards" and Other Works 14: 239:Trop de Peines, Femmes en Prison. 88:"Too Much Time: Women in Prison" 717:American women photojournalists 281:France: Actes Sud, Arles, 2008. 230:Too Much Time: Women in Prison. 225:Too Much Time: Women in Prison. 494:Too much time: Women in prison 241:France: Editions Albin Michel. 105:Too Much Time: Women in Prison 1: 408:W. Eugene Smith Memorial Fund 404:W. Eugene Smith Memorial Fund 305:W. Eugene Smith Memorial Fund 82:W. Eugene Smith Memorial Fund 712:American emigrants to France 112:'s lengthy interview style. 748: 536:24h.com Jane Evelyn Atwood 464:10.1177/026455050104800416 400:"1980: Jane Evelyn Atwood" 209:Mahnert-Lueg Verlag, 1981. 697:American photojournalists 381:, Paris. A retrospective. 215:France: Hologramme, 1986. 30: 247:Sentinelles de l'ombre. 128:1976), blind children, 58:documentary photography 46:New York City, New York 435:Éditions Xavier Barral 551:"Atwood, Jane Evelyn" 492:Atwood, Jane Evelyn. 375:Photographs 1976-2010 328:Hasselblad Foundation 66:Hasselblad Foundation 16:American photographer 644:"Jane Evelyn Atwood" 341:Oskar Barnack Award 291:Jane Evelyn Atwood. 207:Nachtlicher Alltag. 62:Oskar Barnack Award 201:Dialogues de Nuit. 172:Rencontres d'Arles 54:Jane Evelyn Atwood 25:Jane Evelyn Atwood 613:on April 22, 2015 607:World Press Photo 517:on April 14, 2015 452:Probation Journal 315:World Press Photo 188:Rue des Lombards. 126:Rue des Lombards, 51: 50: 43:December 15, 1947 739: 683: 678: 677: 675:Official website 660: 659: 657: 655: 640: 634: 629: 623: 622: 620: 618: 609:. Archived from 599: 593: 592: 590: 588: 573: 567: 566: 564: 562: 547: 538: 533: 527: 526: 524: 522: 503: 497: 496:. Phaidon, 2000. 490: 484: 483: 447: 438: 428: 419: 418: 416: 414: 396: 35: 21: 747: 746: 742: 741: 740: 738: 737: 736: 687: 686: 673: 672: 669: 664: 663: 653: 651: 642: 641: 637: 630: 626: 616: 614: 601: 600: 596: 586: 584: 575: 574: 570: 560: 558: 549: 548: 541: 534: 530: 520: 518: 505: 504: 500: 491: 487: 449: 448: 441: 429: 422: 412: 410: 398: 397: 393: 388: 370: 300: 273:A Contre Coups. 219:Exterieur Nuit. 184: 118: 90: 74: 47: 44: 26: 17: 12: 11: 5: 745: 743: 735: 734: 729: 724: 719: 714: 709: 704: 699: 689: 688: 685: 684: 668: 667:External links 665: 662: 661: 635: 624: 594: 568: 539: 528: 498: 485: 458:(4): 301–302. 439: 420: 390: 389: 387: 384: 383: 382: 369: 366: 365: 364: 357: 354: 351: 348: 337: 334: 331: 324: 321: 318: 311: 308: 299: 296: 295: 294: 288: 282: 276: 270: 244: 243: 242: 236: 222: 216: 210: 204: 198: 197: 196: 193: 183: 180: 117: 114: 89: 86: 73: 70: 49: 48: 45: 41: 37: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 744: 733: 730: 728: 725: 723: 720: 718: 715: 713: 710: 708: 705: 703: 702:Living people 700: 698: 695: 694: 692: 682: 676: 671: 670: 666: 649: 645: 639: 636: 633: 628: 625: 612: 608: 604: 598: 595: 582: 578: 572: 569: 556: 552: 546: 544: 540: 537: 532: 529: 516: 512: 508: 502: 499: 495: 489: 486: 481: 477: 473: 469: 465: 461: 457: 453: 446: 444: 440: 436: 432: 427: 425: 421: 409: 405: 401: 395: 392: 385: 380: 376: 372: 371: 367: 362: 358: 355: 352: 349: 346: 342: 338: 335: 332: 329: 325: 322: 319: 316: 312: 309: 306: 302: 301: 297: 292: 289: 286: 283: 280: 277: 274: 271: 268: 264: 260: 256: 252: 248: 245: 240: 237: 234: 231: 228: 227: 226: 223: 220: 217: 214: 213:Legionnaires. 211: 208: 205: 202: 199: 194: 191: 190: 189: 186: 185: 181: 179: 177: 173: 168: 166: 161: 159: 155: 151: 147: 143: 139: 135: 131: 127: 123: 115: 113: 111: 106: 102: 100: 97:, as well as 96: 95:United States 87: 85: 83: 79: 71: 69: 68:Grant twice. 67: 63: 59: 55: 42: 38: 34: 29: 22: 19: 652:. Retrieved 650:. Agence VU' 647: 638: 627: 615:. Retrieved 611:the original 597: 585:. Retrieved 580: 571: 559:. Retrieved 554: 531: 519:. Retrieved 515:the original 510: 501: 493: 488: 455: 451: 430: 411:. Retrieved 403: 394: 374: 361:Bard College 345:Leica Camera 317:, Amsterdam. 290: 284: 278: 272: 246: 238: 229: 224: 218: 212: 206: 200: 187: 182:Publications 174:festival in 169: 162: 157: 125: 119: 104: 103: 91: 75: 53: 52: 18: 707:1947 births 583:(in French) 581:Le Monde.fr 368:Exhibitions 267:Afghanistan 154:Afghanistan 110:Tony Parker 691:Categories 648:Agence VU' 386:References 255:Mozambique 150:Mozambique 654:April 14, 617:April 21, 587:August 8, 561:April 14, 521:April 14, 480:145437860 472:0264-5505 413:April 14, 99:death row 511:The WILD 251:Cambodia 138:Cambodia 437:, 2011. 285:Badate. 235:, 2000. 233:Phaidon 165:24h.com 478:  470:  373:2011: 339:1997: 330:Grant. 326:1994: 298:Awards 279:Haiti. 265:, and 263:Kosovo 259:Angola 176:France 152:, and 146:Kosovo 142:Angola 132:, and 130:Darfur 72:Career 476:S2CID 192:1976. 134:Haiti 122:Paris 78:Paris 656:2015 619:2015 589:2018 563:2015 523:2015 468:ISSN 415:2015 40:Born 460:doi 160:). 693:: 646:. 605:. 579:. 553:. 542:^ 509:. 474:. 466:. 456:48 454:. 442:^ 433:. 423:^ 406:. 402:. 377:, 343:, 261:, 257:, 253:, 178:. 167:. 148:, 144:, 140:, 101:. 658:. 621:. 591:. 565:. 525:. 482:. 462:: 417:. 363:. 347:. 307:. 269:. 156:( 124:(

Index


documentary photography
Oskar Barnack Award
Hasselblad Foundation
Paris
W. Eugene Smith Memorial Fund
United States
death row
Tony Parker
Paris
Darfur
Haiti
Cambodia
Angola
Kosovo
Mozambique
Afghanistan
24h.com
Rencontres d'Arles
France
Phaidon
Cambodia
Mozambique
Angola
Kosovo
Afghanistan
W. Eugene Smith Memorial Fund
World Press Photo
Hasselblad Foundation
Oskar Barnack Award

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑