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Jane Thomson (actress)

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101:(1819–1874) in June 1845; she thereby became the sister-in-law of Emma Young, who was a very popular comedy actor and dancer in Australia between 1842 and 1857. She divorced her spouse in November 1862, for adultery and spousal abuse. Shortly after her return to England, Jane met and acted alongside the noted Shakespearian actor 85:, where she impressed when she "showed off" her "versatility of talent to advantage" by successfully playing five different characters. Her personal popularity and talent were confirmed by the fact that the critics gave her acknowledgments for her performance even when they regarded the play itself bad. 88:
Between 1857 and 1862, she performed in London, initially under the stage name 'Eliza Young' and later as 'Eliza Vezin', enjoying great success as "one of the notable actresses on the London stage of the middle and late Victorian age." Her career soon eclipsed that of her spouse and she earned more
38:(1838–40). She was given ballet instruction from the dance master, Monsieur Charriere, in Sydney. She debuted in Sydney in 1842. Her sisters, Christina Mary and Elizabeth Marion Thomson also took turns on the stage. 62:, but returned to Clarke after only a couple of months. In 1846–47, she performed in the theater founded and managed by her spouse and mother. In 1849, her spouse became stage manager at the 34:(nÊe Cooke) and her spouse, George Thomson, and arrived in Hobart in Tasmania with her parents in 1837. Her mother was a trained actress active in London, Hobart, Tasmania, (1837–38) and 105:, whom she married three months after her divorce from Charles Young. a divorce, which attracted great attention in Australia, where she was still a celebrity at that point. 69:
Between the late 1840s and through the 1850s, Jane Thomson was described as a star and admired for her skill as a dancer and her versatility as an actor, and according to the
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on 21 March 1849, "the Victoria has not been so thronged for a considerable time." She gained recognition for her performance as Madeline in
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1844–46. She was highly praised as a dancer, but at this stage, she was regarded as a moderate actor. In 1845, the couple were engaged by
245: 35: 59: 47: 63: 66:, and she became ballet mistress. From 1849 until 1857 she was engaged in Melbourne, where she became famous. 250: 51: 255: 221: 183: 168: 153: 138: 116: 74: 70: 31: 208: 196: 234: 102: 55: 58:
with a number of other members of Clarke's troupe and followed him to the
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Australian Dictionary of Biography, Volume 6, (MUP), 1976
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Australian Dictionary of Biography, Volume 6, (MUP), 1976
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Jane Thomson and her spouse performed at the theater of
22:(1827–1901), was an Australian stage actor and dancer. 81:, and was admired for her performance in the farce 30:She was born 24 February 1829 to the actress 8: 129: 99:Charles Frederick Horace Frisby Young 7: 222:A Selected and Crowned Band of women 184:A Selected and Crowned Band of women 169:A Selected and Crowned Band of women 154:A Selected and Crowned Band of women 139:A Selected and Crowned Band of women 117:A Selected and Crowned Band of women 14: 241:19th-century Australian actresses 16:Australian stage actor and dancer 266:19th-century Australian dancers 36:Sydney's Royal Victoria Theatre 64:Royal Victoria Theatre, Hobart 20:Jane Elizabeth "Eliza" Thomson 1: 261:19th-century ballet dancers 282: 246:Australian stage actresses 60:Queen's Theatre, Melbourne 52:Theatre Royal, Hobart 75:Edward Bulwer-Lytton 83:Continental Frolics 32:Martha Mary Thomson 97:She married actor 273: 226: 217: 211: 206: 200: 194: 188: 179: 173: 164: 158: 149: 143: 134: 89:money than him. 281: 280: 276: 275: 274: 272: 271: 270: 231: 230: 229: 218: 214: 207: 203: 195: 191: 180: 176: 165: 161: 150: 146: 135: 131: 111: 95: 44: 28: 17: 12: 11: 5: 279: 277: 269: 268: 263: 258: 253: 248: 243: 233: 232: 228: 227: 219:Anae, Nicole: 212: 201: 189: 181:Anae, Nicole: 174: 166:Anae, Nicole: 159: 151:Anae, Nicole: 144: 136:Anae, Nicole: 128: 127: 126: 122: 121: 114:Anae, Nicole: 110: 107: 94: 91: 71:Hobart Courier 43: 40: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 278: 267: 264: 262: 259: 257: 254: 252: 249: 247: 244: 242: 239: 238: 236: 224: 223: 216: 213: 210: 205: 202: 198: 193: 190: 186: 185: 178: 175: 171: 170: 163: 160: 156: 155: 148: 145: 141: 140: 133: 130: 124: 123: 119: 118: 113: 112: 108: 106: 104: 103:Hermann Vezin 100: 92: 90: 86: 84: 80: 76: 72: 67: 65: 61: 57: 56:George Coppin 53: 49: 41: 39: 37: 33: 25: 23: 21: 251:1820s births 220: 215: 204: 192: 182: 177: 167: 162: 152: 147: 137: 132: 115: 96: 87: 82: 78: 68: 45: 29: 19: 18: 256:1901 deaths 79:Eugene Aram 50:in Hobart, 48:Anne Clarke 26:Early years 235:Categories 109:References 125:Specific 225:, 2005 187:, 2005 172:, 2005 157:, 2005 142:, 2005 120:, 2005 93:Family 42:Career 77:'s 237:: 199:.

Index

Martha Mary Thomson
Sydney's Royal Victoria Theatre
Anne Clarke
Theatre Royal, Hobart
George Coppin
Queen's Theatre, Melbourne
Royal Victoria Theatre, Hobart
Hobart Courier
Edward Bulwer-Lytton
Charles Frederick Horace Frisby Young
Hermann Vezin
A Selected and Crowned Band of women
A Selected and Crowned Band of women
A Selected and Crowned Band of women
A Selected and Crowned Band of women
A Selected and Crowned Band of women
Australian Dictionary of Biography, Volume 6, (MUP), 1976
Australian Dictionary of Biography, Volume 6, (MUP), 1976
A Selected and Crowned Band of women
Categories
19th-century Australian actresses
Australian stage actresses
1820s births
1901 deaths
19th-century ballet dancers
19th-century Australian dancers

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