25:
93:
879:
893:
1008:
46:
2252:
308:
68:
372:
raga, in the ascending or descending scale or in both, fall into this category. Different notes may be omitted from the ascending
1695:
1001:
855:
ragas. These are based on relationships with other ragas (they give a feel of a different but similar raga), presence of
39:
33:
861:(oscillations and graces around the note), stresses on notes or lack of them, the time of day when a raga is sung,
282:
277:
50:
1913:
994:
407:
Since these terms are applicable both to the ascending and the descending scale, ragas can be classified as
2131:
1258:
839:
301:
2116:
799:
730:
2247:
1274:
176:
2226:
2221:
2157:
1781:
1688:
1662:
1652:
906:
498:
135:
92:
2167:
1508:
1158:
587:
1918:
1561:
1411:
863:
819:
ragas are those ragas that have their origins in other music, majority of them originating in
475:
294:
2030:
1064:
820:
625:
2188:
2183:
2091:
2045:
1943:
1898:
1877:
1741:
1596:
1514:
1417:
1296:
1152:
692:
200:
2206:
2136:
2126:
1938:
1822:
1786:
1746:
1736:
1681:
1637:
1608:
1567:
1502:
1205:
1187:
1146:
1105:
940:
by Prof. P. Sambamurthy, 15th edition published 1998, The Indian Music publishing house
857:
809:
797:
ragas are those that are considered to have originated in
Carnatic music. Examples are
581:
329:
110:
84:
362:
Ragas that omit (varjyam, to omit in
Sanskrit) one or more of the notes of the scale (
2241:
2193:
2121:
2111:
2086:
2070:
2050:
2015:
1984:
1979:
1933:
1817:
1602:
1549:
1373:
1302:
1211:
825:
670:
593:
481:
465:, a "zig-zag" scale instead of sequential ascent and descent). Such ragas are termed
166:
2106:
2025:
2010:
1969:
1872:
1847:
1842:
1837:
1827:
1473:
1455:
1449:
1290:
1252:
1193:
898:
884:
487:
215:
125:
2020:
1923:
1908:
1852:
1620:
1573:
1479:
1461:
1361:
1264:
1234:
1217:
1170:
1164:
1140:
1117:
1111:
673:) of a performance is set. The classifications in this category are as follows.
981:
575:
raga and do not use any note not found in the parent raga's scale. Examples of
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1964:
1862:
1857:
1590:
1520:
1496:
1423:
1405:
1399:
1379:
1367:
1355:
1099:
911:
874:
266:
210:
2216:
2065:
1543:
1526:
1467:
1429:
1314:
1284:
1246:
1240:
1199:
1058:
1046:
1017:
976:
380:
343:
231:
156:
130:
776:
768:
744:
736:
706:
698:
607:
540:
532:
518:
510:
441:
433:
421:
413:
2096:
2035:
1974:
1903:
1893:
1867:
1832:
1796:
1791:
1776:
1771:
1751:
1123:
1093:
1076:
1070:
1052:
661:
ragas are sung in only one octave. Moreover, the highest note is not the
631:
619:
449:
351:
ragas are classified into various types based on a variety of features.
2141:
2055:
2040:
1994:
1989:
1928:
1761:
1614:
1555:
1349:
1308:
1036:
645:
493:
374:
261:
246:
241:
181:
2178:
2173:
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2101:
1959:
1756:
1726:
1721:
1439:
251:
236:
221:
171:
161:
151:
2211:
1801:
1766:
1731:
1642:
1339:
986:
551:
364:
115:
1707:
1647:
1389:
336:
205:
120:
1677:
990:
1673:
18:
384:
scale. Such scales are given the names listed below. vrja a
605:(external note; note not found in parent scale) in their
16:
Indian melodic mode derived from a raga in the
Melakarta
461:
because they may use notes not in the parent scale or
963:
by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
2150:
2079:
2003:
1952:
1886:
1810:
1714:
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1338:
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1273:
1226:
1179:
1132:
1085:
1035:
1024:
1689:
1002:
571:ragas are strictly derived from their parent
302:
8:
851:There are various other classifications of
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309:
295:
80:
69:Learn how and when to remove this message
933:
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347:ragas (fundamental melodic structures).
32:This article includes a list of general
956:
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948:
946:
923:
189:
143:
102:
83:
557:for an explanation of above notation)
7:
938:A practical course in Carnatic music
341:is one derived from one of the 72
38:it lacks sufficient corresponding
14:
891:
877:
91:
23:
328:is a term meaning "derive". In
867:or mood that they evoke, etc.
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2253:Carnatic music terminology
457:ragas are not necessarily
2222:Asampurna Melakarta ragas
2202:
1653:Asampurna Melakarta Ragas
1633:
1914:Karnataka Shuddha Saveri
665:(sa), at which the base
982:A Karnatic Music Primer
961:Ragas in Carnatic music
332:(South Indian) music a
53:more precise citations.
774:P D2 N3 S R2 G3 M1 P,
756:– highest note is the
750:D2 P M1 G3 R2 S N3 S )
742:S N3 S R2 G3 M1 P D2,
718:– highest note is the
712:N3 D1 P M1 G3 R1 S N3)
680:– highest note is the
538:S R2 M1 D2 N3 G3 P S,
97:Tanjavur-style tambura
847:Other classifications
613:or both. Examples of
704:S R1 G3 M1 P D1 N3,
546:S N3 D2 P M1 G3 R2 S
469:ragas. Examples are
2227:List of Janya ragas
2158:Thyagaraja Mangalam
1663:List of Janya ragas
907:List of Janya Ragas
782:M1 G1 R3 S N2 D2 P)
516:S G3 R2 M1 P N3 S,
501:for more examples.
499:List of Janya Ragas
453:raga and so forth.
177:Rāgaṃ Tānaṃ Pallavi
136:Asaṃpūrṇa Mēḷakarta
2170:(Shuddha Dhanyasi)
2168:Udayaravichandrika
1509:Simhendramadhyamam
609:ārohaṇa, avarohaṇa
588:Udayaravichandrika
368:) of their parent
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1919:Kathanakuthuhalam
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1629:
1628:
1412:Shubhapantuvarali
1323:
1322:
555:of Carnatic music
528:Kathanakuthuhalam
524:S N3 P M1 G3 R2 S
476:Kathanakuthuhalam
455:Sampurna-Sampurna
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2031:Navarasa kannada
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823:. Examples are
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378:and descending
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2011:Nada Kalyani
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1828:Devagandhari
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2248:Janya ragas
2117:Shree ragam
2061:Reethigowla
1924:Kedaragaula
1853:Hamsadhvani
1658:Janya ragas
1621:Rasikapriya
1574:Chitrambari
1489:Disi chakra
1480:Vishwambari
1462:Kamavardani
1362:Jhalavarali
1265:Naganandini
1235:Mararanjani
1227:Bana chakra
1218:Varunapriya
1180:Veda chakra
1171:Hatakambari
1165:Suryakantam
1159:Chakravakam
1141:Gayakapriya
1133:Agni chakra
1118:Kokilapriya
1112:Natakapriya
678:Nishadantya
601:ragas have
506:Nalinakanti
497:. See full
471:Nalinakanti
216:Goṭṭuvādyaṃ
190:Instruments
51:introducing
2242:Categories
1965:Madhuvanti
1863:Hamsanandi
1858:Hamsanadam
1591:Sucharitra
1562:Vachaspati
1521:Dharmavati
1497:Shamalangi
1424:Suvarnangi
1406:Bhavapriya
1400:Gavambhodi
1380:Raghupriya
1368:Navaneetam
1356:Jalarnavam
1100:Hanumatodi
912:Melakartha
720:dhaivatham
617:ragas are
579:ragas are
267:Shruti box
228:Percussion
211:Nādasvaraṃ
34:references
2066:Revagupti
1544:Kantamani
1527:Neetimati
1468:Ramapriya
1430:Divyamani
1315:Chalanata
1285:Yagapriya
1247:Sarasangi
1241:Charukesi
1200:Keeravani
1065:Vanaspati
1059:Ganamurti
1047:Kanakangi
795:Karnataka
778:avarohaṇa
758:panchamam
746:avarohaṇa
708:avarohaṇa
615:Bhashanga
599:Bhashanga
573:melakarta
542:avarohaṇa
520:avarohaṇa
459:Melakarta
443:avarohaṇa
423:avarohaṇa
403:– 5 notes
397:– 6 notes
381:avarohana
370:melakarta
344:melakarta
278:Composers
232:Mr̥daṅgaṃ
157:Svarajati
131:Mēḷakarta
59:July 2020
2184:Vasantha
2097:Saramati
2036:Niroshta
1975:Malahari
1904:Kambhoji
1894:Kalavati
1878:Jaunpuri
1868:Hindolam
1833:Dhanyasi
1797:Bilahari
1792:Bhupalam
1782:Bhairavi
1777:Bahudari
1772:Bageshri
1752:Andolika
1515:Hemavati
1330:Madhyama
1124:Rupavati
1094:Senavati
1077:Tanarupi
1071:Manavati
1053:Ratnangi
1027:Madhyama
871:See also
762:example
724:example
686:example
682:nishadam
632:Bilahari
626:Bhairavi
620:Kambhoji
450:Kambhoji
447:, as in
389:Sampurna
330:Carnatic
283:Glossary
103:Concepts
2142:Surutti
2056:Ranjani
2041:Pharaju
1995:Mukhari
1990:Mohanam
1944:Lavangi
1939:Lalitha
1929:Kedaram
1787:Bhimsen
1762:Asaveri
1615:Kosalam
1556:Latangi
1350:Salagam
1309:Shulini
1106:Dhenuka
1025:Shuddha
858:gamakas
805:Lalitha
770:ārohaṇa
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738:ārohaṇa
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637:Saranga
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395:Shadava
375:arohana
262:Tambura
247:Kanjira
242:Morsing
182:Tillana
172:Kīrtana
47:improve
2212:Swaras
2179:Varali
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2163:Tilang
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1934:Khamas
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1442:chakra
1440:Brahma
1392:chakra
1374:Pavani
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667:sruthi
577:upanga
569:Upanga
553:swaras
401:Audava
365:swaras
335:janya
252:Thavil
237:Ghaṭaṃ
222:Violin
197:Melody
162:Varṇaṃ
36:, but
1848:Gaula
1802:Bowli
1767:Atana
1732:Ahiri
1708:ragas
1705:Janya
1648:Ragas
1340:Rishi
1332:Ragas
1328:Prati
1029:Ragas
918:Notes
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835:Behag
817:Desya
790:ragas
722:(dha)
671:drone
659:janya
657:Some
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564:ragas
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467:vakra
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258:Drone
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116:Svara
111:Śruti
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807:and
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684:(ni)
646:Kāpi
643:and
591:and
491:and
337:raga
206:Veṇu
126:Tāḷa
121:Rāga
2151:T-V
2004:N-R
1887:K-L
1811:D-J
1715:A-B
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