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label, making some of the most original music in Europe. "Bugatti Step" (1930; Ultraphone A10166) is an up-tempo number for piano and jazz orchestra, enjoying enduring popularity as a hot jazz piano solo. "Teď ještě ne" (1931; Ultraphon A10217) is rousing dance music in the
128:. He worked as a piano teacher and choirmaster there, and continued to work with Voskovec and Werich. In 1942, the long-ill Ježek died of chronic kidney disease in New York. On December 29, 1941, three days before his death, Ježek married Frances Bečáková.
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A seven-volume album retrospective of
Voskovec and Werich's work for the Liberated Theater (1929–1938) containing the items mentioned above and dozens of others was issued by the Czech Supraphon label in 1994 (and reissued in 2007).
189:. Between 1929 and 1936, possibly earlier, he organized and conducted an orchestra featuring his original jazz compositions and arrangements. Billed variously as "Ježek's Jazz" and "Ježkův swingband" they recorded for the Czech
96:, and took up the post of main composer and conductor for the theatre. During the next decade (from 1928 to 1939), he composed incidental music, songs, dances, and ballets for the comic and satirical plays of
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His musical output is commonly divided into two parts. The first part of his work consists of chamber, piano and concertant compositions, created first under the influence of
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to the family of a tailor. He was almost blind from a young age. He studied composition at the
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style. "Rubbish Heap Blues" (1937; Ultraphon A11421) shows that Ježek not only listened to
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composer, pianist and conductor, author of jazz, classical, incidental and film music.
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clothed in modern instrumentation, harmony and textures. It is as if
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had collaborated, the Polish dance rhythms mingling easily with hot
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Czechoslovak composer, pianist, conductor, and teacher (1906–1942)
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430:(first ed.). Vizovice: Lipa--A.J. Rychlík. p. 238.
70:(1924–1927), at the master school of composition with
78:(1927–1928). Ježek met the playwrights/comedians
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