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Jawbone (instrument)

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458: 199:. It is believed that it was first introduced in Peru, making it an Afro-Peruvian instrument. It is a mix of African and indigenous cultures that created an instrument that gained value from the people of Latin America. It is one of the main instruments used by Afro-Peruvian musical ensembles and is used in many other Latin American cultures, like the 38: 166:
To play it, a musician holds one end in one hand and strikes the other with either a stick or their hand; this causes the teeth to rattle against the bone creating a loud, untuned sound, specific to this instrument. The stick can also be pulled along the teeth which act as a rasp. These ingredients
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made of donkey jaw) is most often used at carnivals and religious festivals. In popular culture the use of a quijada was shown in a conga dance scene in a 1939 film ("Midnight" starring Claudette Colbert and Don Ameche) beginning at 54:35.
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While it is used in most of Latin America, the quijada originated from the Africans that were brought to the Americas during the
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of a donkey, horse, mule, or cattle, producing a powerful buzzing sound. The jawbone is cleaned of
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and dried to make the teeth loose and act as a rattle. It is used in
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provide the basis for a wide variety of combinations and rhythms.
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Musical instrument made from the jawbone of an equine or cow
292:. Virginia Tech Multimedia Music Dictionary. Archived from 19:"Quijada" redirects here. For people named "Quijada", see 473: 187:
Peruvian musician playing Afro-Peruvian music with the
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Central American and Caribbean percussion instruments
84: 72: 62: 54: 47: 314: 312: 310: 23:. It is not to be confused with the type of sweet 447:Video en Youtube - Jawbone in Cuban music (1933) 229:, and "Costa Chica" ensembles. An example is a 42:Quijada: a jawbone used as a musical instrument 371:"A Guide To Afro-Peruvian Musical Instruments" 162:Veracruzan jaranera women playing the jawbone. 493: 8: 30: 500: 486: 281: 29: 524:South American percussion instruments 7: 454: 452: 58:quijada de burro, charrasca, jawbone 14: 456: 36: 171:Historical and cultural content 74:Hornbostel–Sachs classification 137:music in most of Latin America 1: 472:. You can help Knowledge by 550: 534:Idiophone instrument stubs 451: 418:Encyclopedia of Percussion 346:"Sue Barber Bones History" 18: 464:This article relating to 327:. Oxford University Press 91: 35: 219:, as well as Belizean 192: 163: 186: 161: 125:percussion instrument 49:Percussion instrument 373:. Sounds and Colours 319:Scruggs, TM (2007). 260:Latin American music 241:keeps the beat. The 416:Beck, John (1994). 350:www.rhythmbones.com 225:, Mexican music by 120:(in English) is an 86:Related instruments 32: 529:Scraped idiophones 392:"Quijada de Burro" 325:Grove Music Online 270:Bones (instrument) 213:Dominican Republic 193: 164: 481: 480: 466:rattle percussion 427:978-0-8240-4788-7 207:it is not used), 203:of Argentina (in 184: 159: 106: 105: 21:Quijada (surname) 541: 502: 495: 488: 460: 453: 431: 403: 402: 400: 398: 388: 382: 381: 379: 378: 366: 360: 359: 357: 356: 342: 336: 335: 333: 332: 316: 305: 304: 302: 301: 286: 243:quijada de burro 189:quijada de burro 185: 160: 40: 33: 549: 548: 544: 543: 542: 540: 539: 538: 509: 508: 507: 506: 438: 428: 415: 412: 410:Further reading 407: 406: 396: 394: 390: 389: 385: 376: 374: 368: 367: 363: 354: 352: 344: 343: 339: 330: 328: 318: 317: 308: 299: 297: 288: 287: 283: 278: 256: 175: 173: 151: 149: 79: 43: 28: 17: 12: 11: 5: 547: 545: 537: 536: 531: 526: 521: 511: 510: 505: 504: 497: 490: 482: 479: 478: 461: 450: 449: 444: 437: 436:External links 434: 433: 432: 426: 411: 408: 405: 404: 383: 361: 337: 306: 280: 279: 277: 274: 273: 272: 267: 262: 255: 252: 235:Oaxaca, Mexico 172: 169: 148: 145: 127:made from the 104: 103: 89: 88: 82: 81: 76: 70: 69: 66: 64:Classification 60: 59: 56: 52: 51: 45: 44: 41: 15: 13: 10: 9: 6: 4: 3: 2: 546: 535: 532: 530: 527: 525: 522: 520: 517: 516: 514: 503: 498: 496: 491: 489: 484: 483: 477: 475: 471: 467: 462: 459: 455: 448: 445: 443: 440: 439: 435: 429: 423: 419: 414: 413: 409: 393: 387: 384: 372: 365: 362: 351: 347: 341: 338: 326: 322: 321:"El Salvador" 315: 313: 311: 307: 296:on 2014-10-22 295: 291: 285: 282: 275: 271: 268: 266: 263: 261: 258: 257: 253: 251: 248: 244: 240: 237:in which the 236: 232: 228: 224: 223: 218: 214: 210: 206: 202: 198: 190: 170: 168: 146: 144: 142: 141:minstrel show 138: 134: 130: 126: 123: 119: 115: 111: 102: 98: 94: 90: 87: 83: 77: 75: 71: 67: 65: 61: 57: 53: 50: 46: 39: 34: 26: 22: 474:expanding it 463: 417: 397:23 September 395:. Retrieved 386: 375:. Retrieved 364: 353:. Retrieved 349: 340: 329:. Retrieved 324: 298:. Retrieved 294:the original 284: 246: 242: 238: 220: 197:colonial era 194: 188: 165: 117: 113: 109: 107: 420:. Garland. 231:song played 227:son jarocho 55:Other names 513:Categories 377:2013-09-16 355:2019-04-28 331:2013-09-15 300:2013-09-15 276:References 209:Costa Rica 442:A quijada 369:Ma, Eve. 290:"Jawbone" 265:Vibraslap 147:Technique 122:idiophone 114:charrasca 101:reco-reco 68:idiophone 254:See also 222:brukdown 201:candombe 25:Queijada 247:quijada 239:quijada 205:Uruguay 129:jawbone 118:jawbone 110:quijada 78:112.211 31:Quijada 424:  211:, the 133:tissue 468:is a 217:Haiti 116:, or 97:gĂĽira 93:GĂĽiro 470:stub 422:ISBN 399:2013 108:The 233:in 515:: 348:. 323:. 309:^ 215:, 143:. 112:, 99:, 95:, 501:e 494:t 487:v 476:. 430:. 401:. 380:. 358:. 334:. 303:. 245:( 191:. 27:.

Index

Quijada (surname)
Queijada

Percussion instrument
Classification
Hornbostel–Sachs classification
Related instruments
GĂĽiro
gĂĽira
reco-reco
idiophone
percussion instrument
jawbone
tissue
music in most of Latin America
minstrel show
colonial era
candombe
Uruguay
Costa Rica
Dominican Republic
Haiti
brukdown
son jarocho
song played
Oaxaca, Mexico
Latin American music
Vibraslap
Bones (instrument)
"Jawbone"

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