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493:"New Orleans Today," by Eugene Williams & Julius "Skippy" Adelman (born around 1924) (photographer) (note: Adelman, who later gave up photography, is still considered among the finest jazz photographers) Philadelphia jazz journalist Nels Nelson wrote in 1985 that Adelman was among the greatest jazz photographers in the world. In 1990, Nelson wrote that renowned jazz photographer " 2381: 2101: 2045: 1772: 2340:– jazz forum site that was active for 16 years, through January 2019, registered to and maintained by Jesse Miner, a San Francisco area chef and jazz history enthusiast. The forum boards were closed in January 2019, but much of its content, as of May 2022, is accessible. The 23 links to transcripts of 64:
went from a newsletter to a little magazine format, hip pocket in size with modest typesetting. George Hoefer, Jr. (1909–1967), began the "Safety Valve" column on collecting, collectors, and how collectors annoyed musicians. The publication ran sporadically until November 1941.
1417:(trumpet); 2 of the three mentioned on trumpet, John Williams, Thad Seabrook, Joseph Williams (trumpets); Leroy Hardison, Eugene Earl (trombones); Booker Starks, Lew Williams, Addison White, Aaron Harvey (saxes); 2514: 190: 2489: 2264: 2080: 1935: 1739: 1858: 2076: 2365: 2504: 218:), by George Hoefer, Jr. (1909–1967), Vol. 2, November 8, 1940, pps. 7–13 (extensive article plus discography; Hoefer later was associate editor of 2494: 2200: 2011: 2003: 1952: 1468: 1708: 1903: 2165: 380:(Greenberg, Publisher, founded in 1924 by Jacob Walter Greenberg; 1894–1974; & David Benjamin Greenberg; 1892–1968; sold to 1293: 1277: 1261: 1242: 1226: 1210: 1194: 1178: 1162: 1146: 1130: 1114: 1098: 1082: 1066: 1050: 1034: 1018: 1002: 986: 970: 954: 938: 922: 228: 1460: 438: 2509: 2361: 2300: 2110: 124: 25: 2234: 633: 614: 2499: 1909: 1714: 773: 737: 441:(photographer) (note: Adelman, who later gave up photography, is still considered among the finest jazz photographers) 2171: 2032: 2094: 1502: 1377: 119:. In 1942, Russell helped get Johnson a new set of teeth and a new trumpet. And, with Eugene Williams, editor if 2373: 2225: 1369: 208: 2445: 2411: 1342: 1336: 179: 175: 161: 104: 57: 2050: 693: 136: 1404:(arranger); Merle Turner (vocals); Israel Wicks (vocals); unknown vocal trio on "I Like You Best of All." 780:– Hoefer went on to become a prolific jazz historian. From 1959 to 1961, he was the New York editor for 2468: 2434: 2258: 2130: 1878: 1838: 1785: 589: 116: 24:
was an American non-commercial weekly jazz publication founded as a record collector's sheet in 1939 by
1971: 1381: 501: 467: 445: 417: 381: 2090: 494: 189:), by William C. Love, Vol. 2, September 6, 1940, pps. 9–14 (discography) (Love was founder of the 178:), by Ed Nylund, Vol. 2, No. 2, August 9, 1940, pps. 15–16 (earliest known published biography of 2345: 2277: 2246: 2070: 1929: 1733: 1385: 687: 563: 75: 2273: 2285: 2269: 2204: 2196: 2188: 2161: 2148: 2015: 2007: 1999: 1991: 1956: 1948: 1940: 1815: 1807: 1744: 1472: 1464: 1456: 1439: 1426: 858: 849: 833: 824: 815: 806: 756: 697: 610: 583: 573: 553: 359: 338: 313: 96: 49: 33: 2238: 2062: 1986: 1866: 1804: 1451:
Eugene Williams (1918–1948) – see a short biographical note on Gene Williams (1918-1948) in
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ranks second only to the elusive Skippy Adelman in his capacity for capturing the moment."
402: 2463: 2429: 703: 606: 297: 293: 239: 2393:– via www.americanradionhistory.com → maintained by David Frackelton Gleason of 2036: 2483: 749: 744: 625: 618: 334: 262: 220: 215: 157: 29: 1301: 1285: 1269: 1250: 1234: 1218: 1202: 1186: 1170: 1154: 1138: 1122: 1106: 1090: 1074: 1058: 1042: 1026: 1010: 994: 978: 962: 946: 930: 171:), by Herman Rosenberg & Eugene Williams, Vol. 2, No. 1, July 26, 1940, pps. 8–9 2208: 2183: 2122: 2023: 1960: 1921: 1748: 1725: 1418: 1414: 1373: 719: 673: 639: 599: 579: 559: 197: 144: 112: 100: 45: 2366:"A Real New Orleans Sound: The Story of Preservation Hall and Its Ancient Jazzmen" 2019: 1819: 36:, and Jean Rayburn (maiden name; 1918–2009), who married Ralph Gleason in 1940. 2472: 2438: 2380: 2152: 2100: 2044: 1771: 881: 2349: 1422: 1401: 1393: 1389: 484:"Swing," by Frank Stacy (Stacy was, in the early 1940s, the New York editor for 255: 168: 140: 2304: 1380:, Frank Jacquet (trombones); Gus Patterson, Harold "Dink" Taylor (alto saxes); 1397: 649: 458: 408: 309: 289: 231:), by Wesley Miles Neff (1913–1996), Vol. 2, No. 16, November 1941, pps. 31–32 44:
The first issue, dated September 8, 1939, was a four-page newsletter that was
2450: 2416: 2394: 1307:(transcript incorrectly identifies this as January 12, 1939, Vol. I, No. 21) 897: 866: 782: 519: 486: 423: 186: 53: 2293: 2289: 1476: 837: 258:), by Herman Rosenberg & Eugene Williams, Vol. 2, No. 2, August 9, 1940 80:, leaned towards what then was progressive jazz. Eugene Williams, through 2220:"Jazz Magazines of the 1930s: An Overview of Their Provocative Journalism" 1480: 862: 853: 828: 810: 375: 371: 363: 350: 329: 325: 321: 819: 367: 346: 317: 342: 2281: 2250: 2219: 1455:
compiled and edited by Mike Hazeldine, Jazzology Press (1993), p. 170;
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on a former website of the late Joseph Elbert Shepherd (1926–2021) of
1944: 1811: 1660: 1356: 355: 2242: 2192: 1995: 1575: 1573: 1571: 896:– via Blog of Benedict Eastaugh and Chris Sternal-Johnson at 526:
in February 1943, which ran for 60 issues that ended November 1947)
1591: 1675: 2451:"Snap Judgements – Bill Gottlieb's Photos Are a History of Jazz" 288:
Frank Zaharija; 1914–2015) (eds.) (© 21 January 1946; Jazzways,
269:
Mary Frances Mellon; 1908–1993), Vol. 2, No. 8, December 6, 1940
1757: 1606: 1359:-based Bunk Johnson Appreciation Society between 1954 and 1963. 1334:
Nels Robert Nelson; 1923–1996) was a jazz columnist for the
776:
with a bachelor of science degree in civil engineering from
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Vol. 1, Nos. 2–10. September 19, 1939, to November 14, 1939
796:"The weekly magazine," September 19, 1939, to June 14, 1940 1645: 284:
George Sigmund Rosenthal (1922–1967) & Frank Zachary
242:), by Eugene Williams, Vol. 2, November 1941, pps. 93–101 111:
in 1938, discovered long forgotten New Orleans trumpeter
1710:
Come In and Hear the Truth: Jazz and Race on 52nd Street
211:), by Donald Haynes, Vol. 2, October 25, 1940, pps. 8–10 736:
1939–1941: Eugene Williams, publisher, graduated from
1256:(transcript incorrectly identifies this as Vol. 21) 191:
International Association of Jazz Record Collectors
2449: 2415: 2218: 1970: 1690: 1579: 1392:(piano); Ferdinand Dejan (guitar); James Johnson ( 1633: 529:"Three Brass, Four Rhythm," by Dale Curran, p. 24 84:, leaned towards a New Orleans revivalists bent. 1526: 768:Elmer George Hoefer, Jr.; 1909–1967) – born in 131:David Ashford Stuart; 1910–1984), owner of the 437:"New Orleans Today," by Eugene Williams & 2350:https://www.swingdjs.com/viewtopic.php?t=1488 2217:Welburn, Ronald Garfield, PhD (Autumn 1987). 8: 2263:: CS1 maint: multiple names: authors list ( 1934:: CS1 maint: multiple names: authors list ( 1738:: CS1 maint: multiple names: authors list ( 1421:(piano); W.J. Edwards (guitar); Lew Turman ( 1413:Carolina Cotton Pickers probable personnel: 261:"New Orleans Clarinets: 7 – Sidney Bechet" ( 2079:) CS1 maint: multiple names: authors list ( 1346:in 1995 and passed away the following year. 874:Online transcriptions, current and archived 2515:Defunct record labels of the United States 2170:(limited preview) (3rd revised ed.). 2075:: CS1 maint: location missing publisher ( 1905:Blowin' Hot and Cool: Jazz and Its Critics 413:"Three Horns, Four Rhythm," by Dale Curran 254:"New Orleans Clarinets: 2 – Edmond Hall" ( 1621: 786:for which he had a column, "The Hot Box." 2490:1939 establishments in the United States 2420:. Vol. 61, no. 162. p. 70 1857:CS1 maint: numeric names: authors list ( 1829:Finkelstein, Sidney (1909–1974) (1949). 1562: 1550: 1396:); Albert Martin (drums); Merle Turner, 1340:for over 40 years. He retired from the 2454:. Vol. 66, no. 70. p. 50 2053:: Walter C. Allen. pp. 35, 140–141 1493: 1323: 200:), by Wesley Miles Neff (1913–1996) of 156:"Zue Robertson: King of the Trombone" ( 48:late one night in the back room of the 2417:"Some People Sweat Better Than Others" 2256: 2139: 2128: 2068: 1927: 1887: 1876: 1847: 1836: 1794: 1783: 1731: 1700:Books, journals, magazines, and papers 1538: 1442:label that issued rare jazz broadcasts 204:, Vol 2, October 4, 1940, pps. 6–9, 45 1707:Burke, Patrick Lawrence, PhD (2008). 1501:Armstrong, Don (September 14, 2020). 1453:Bill Russell's American Music (BRAM), 542:Artists re-issued by Jazz Information 7: 2414:; Nelson, Nels (November 22, 1985). 1355:Purist Records were produced by the 945:. September 26, 1939. Archived from 929:. September 19, 1939. Archived from 713:Artists produced by Jazz Information 300:, and Sargent John Marsh; 1916–2003) 1871:"An Attack on Critical Jabberwalky" 1268:. February 23, 1940. Archived from 1249:. February 16, 1940. Archived from 1153:. December 29, 1939. Archived from 1137:. December 22, 1939. Archived from 1121:. December 15, 1939. Archived from 1073:. November 24, 1939. Archived from 1057:. November 14, 1939. Archived from 1233:. February 9, 1940. Archived from 1217:. February 2, 1940. Archived from 1201:. January 26, 1940. Archived from 1185:. January 12, 1940. Archived from 1105:. December 8, 1939. Archived from 1089:. December 1, 1939. Archived from 1041:. November 7, 1939. Archived from 1025:. October 31, 1939. Archived from 1009:. October 24, 1939. Archived from 993:. October 17, 1939. Archived from 977:. October 10, 1939. Archived from 478:"Benny Goodman," by Alexander King 428:"Benny Goodman," by Alexander King 95:was a record label distributed by 14: 2505:Record labels based in New Jersey 1368:Boots and His Buddies personnel: 1169:. January 5, 1940. Archived from 961:. October 3, 1939. Archived from 481:"Lionel Hampton, by Peter Fischer 434:"Lionel Hampton, by Peter Fischer 143:and made the first recordings of 2448:; Nelson, Nels (June 22, 1990). 2379: 2099: 2043: 1973:Bunk Johnson: His Life and Times 1902:Gennari, John Remo, PhD (2006). 1826: 1825: 1770: 1384:(clarinet, alto sax, bari sax); 919: 878: 358:: Musicians Press Ltd. (1947); 1300:. March 8, 1940. Archived from 1284:. March 1, 1940. Archived from 747:, associate editor, co-founded 466:"Going Down State Street," by 107:, while gathering material for 73:Stephen W Smith, editor of the 431:"Swing," by Frank Stacy, p. 49 416:"Going Down State Street," by 1: 2495:Classical music record labels 2330:Retrieved May 18, 2019 – via 2111:Ziff-Davis Publishing Company 1969:Hillman, Christopher (1988). 1803:Retrieved May 18, 2019 – via 2235:University of Illinois Press 2209:461364170 (all editions) 2038:Jazz: New Orleans, 1885–1957 2033:Charters, Samuel Barclay, IV 2024:652332358 (all editions) 1977:. Universe Books. p. 80 1961:984430439 (all editions) 1749:845157228 (all editions) 1503:"An Early Fanzine Signs Off" 1438:Ingo Records was an Italian 1425:); Otis Walker (drums) (see 1376:, Hiram Harding (trumpets); 518:"Portrait of a Jazzman," by 99:that produced recordings of 2020:17300604 (all editions) 1910:University of Chicago Press 1820:01774075 (all editions) 1715:University of Chicago Press 292:) (more than 100 photos by 248:New Orleans Clarinet series 2531: 2172:Pelican Publishing Company 2153:5517354 (all editions) 337:: Greenberg (1946, 1947); 265:), by Mary Evelyn Karoley 185:"Ma Rainey Discography," ( 2475:(US Newsstream database). 2441:(US Newsstream database). 2352:), have been archived by 1595:, Finkelstein, March 1949 666:Carolina Cotton Pickers ( 422:"Portrait of a Jazzman," 401:"Report From Abroad," by 275:Possible related articles 1507:Music Journalism History 209:Charles Edward Davenport 2446:Philadelphia Daily News 2412:Philadelphia Daily News 1693:, pp. 35, 140–141. 1691:Charters, February 1958 1677:Philadelphia Daily News 1662:Philadelphia Daily News 1580:Williams, November 1941 1388:(clarinet, tenor sax); 1337:Philadelphia Daily News 659:Boots and His Buddies ( 439:Julius "Skippy" Adelman 2138:Cite journal requires 2051:Belleville, New Jersey 1886:Cite journal requires 1846:Cite journal requires 1793:Cite journal requires 1634:Wilson, September 1963 1610:, Delaunay, March 1949 1304:on February 16, 2005. 590:Red Onion Jazz Babies 207:"Cow Cow Davenport" ( 117:New Iberia, Louisiana 2510:Mail-order retailers 1831:"Peace in the Ranks" 1527:Welburn, Autumn 1987 536:Selected discography 515:"Concerto for Woody" 502:Frederic Ramsey, Jr. 500:"Discollecting," by 468:Frederic Ramsey, Jr. 446:Frederic Ramsey, Jr. 444:"Discollecting," by 418:Frederic Ramsey, Jr. 382:Chilton Book Company 133:Jazz Man Record Shop 50:Commodore Music Shop 2091:Popular Photography 1908:(limited preview). 1713:(limited preview). 1664:, November 22, 1985 1647:Popular Photography 1372:(trumpet, vocals); 509:"One for the Money" 506:"Collector's Items" 312:: Jazzways (1946); 174:"William Russell" ( 2500:Jazz record labels 2364:(September 1963). 2346:Sterling, Virginia 2162:Toledano, Ralph de 1529:, p. 255–270. 1272:on March 10, 2005. 1253:on March 10, 2005. 1221:on March 10, 2005. 1141:on March 10, 2005. 1045:on March 12, 2005. 512:"Two for the Show" 457:"Jazz begins," by 407:"Jazz begins," by 76:Hot Record Society 2385:: 59–63 & 133 2303:(November 1941). 2167:Frontiers of Jazz 2035:(February 1958). 1867:Delaunay, Charles 1651:, pp. 54–55. 1612:, pp. 13–14. 1597:, pp. 11–12. 1427:Jenkins Orphanage 1288:on March 7, 2005. 1237:on March 7, 2005. 1205:on March 7, 2005. 1189:on March 7, 2005. 1173:on March 7, 2005. 1157:on March 7, 2005. 1125:on March 7, 2005. 1109:on March 9, 2005. 1093:on March 7, 2005. 1077:on March 7, 2005. 1061:on March 7, 2005. 1029:on March 7, 2005. 1013:on March 7, 2005. 997:on March 7, 2005. 981:on March 7, 2005. 965:on March 7, 2005. 949:on March 7, 2005. 933:on March 7, 2005. 791:Magazine tag line 757:Ralph de Toledano 463:"Old Photographs" 236:Jazz Information" 214:"Barney Bigard" ( 151:Selected articles 123:in New York; and 97:Commodore Records 62:Jazz Information, 34:Ralph de Toledano 2522: 2467: 2461: 2459: 2453: 2433: 2427: 2425: 2419: 2398: 2392: 2390: 2384: 2383: 2370: 2342:Jazz Information 2339: 2336: 2334: 2328: 2326: 2324: 2313:Jazz Information 2307:Jazz Information 2268: 2262: 2254: 2222: 2187: 2181: 2179: 2147: 2141: 2136: 2134: 2126: 2120: 2118: 2104: 2103: 2084: 2074: 2066: 2063:Internet Archive 2060: 2058: 2048: 2047: 1990: 1987:Internet Archive 1984: 1982: 1976: 1939: 1933: 1925: 1919: 1917: 1895: 1889: 1884: 1882: 1874: 1862: 1855: 1849: 1844: 1842: 1834: 1805:Internet Archive 1802: 1796: 1791: 1789: 1781: 1780:(3). March 1949. 1775: 1774: 1743: 1737: 1729: 1723: 1721: 1694: 1688: 1682: 1673: 1667: 1658: 1652: 1643: 1637: 1631: 1625: 1619: 1613: 1604: 1598: 1589: 1583: 1577: 1566: 1560: 1554: 1548: 1542: 1536: 1530: 1524: 1518: 1517: 1515: 1513: 1498: 1483: 1449: 1443: 1436: 1430: 1411: 1405: 1366: 1360: 1353: 1347: 1328: 1305: 1289: 1273: 1254: 1238: 1222: 1206: 1190: 1174: 1158: 1142: 1126: 1110: 1094: 1078: 1062: 1046: 1030: 1014: 998: 982: 966: 950: 934: 901: 895: 893: 761:Herman Rosenberg 738:Columbia College 522:(Hodes launched 227:"Little Mitch" ( 196:"Jimmie Noone" ( 121:Jazz Information 93:Jazz Information 82:Jazz Information 60:. In July 1940, 21:Jazz Information 16:Jazz publication 2530: 2529: 2525: 2524: 2523: 2521: 2520: 2519: 2480: 2479: 2478: 2457: 2455: 2444: 2423: 2421: 2410: 2406: 2401: 2388: 2386: 2378: 2368: 2362:Wilson, John S. 2360: 2357: 2354:Wayback Machine 2331: 2322: 2320: 2301:William, Eugene 2299: 2276:(publication); 2255: 2243:10.2307/3051735 2216: 2177: 2175: 2160: 2137: 2127: 2116: 2114: 2098: 2089: 2067: 2056: 2054: 2042: 2031: 1980: 1978: 1968: 1926: 1915: 1913: 1901: 1885: 1875: 1865: 1856: 1845: 1835: 1828: 1792: 1782: 1769: 1756: 1730: 1719: 1717: 1706: 1702: 1697: 1689: 1685: 1679:, June 22, 1990 1674: 1670: 1659: 1655: 1644: 1640: 1632: 1628: 1620: 1616: 1605: 1601: 1590: 1586: 1578: 1569: 1561: 1557: 1549: 1545: 1537: 1533: 1525: 1521: 1511: 1509: 1500: 1499: 1495: 1491: 1486: 1450: 1446: 1437: 1433: 1412: 1408: 1367: 1363: 1354: 1350: 1329: 1325: 1321: 1316: 1311: 1308: 1292: 1276: 1260: 1257: 1241: 1225: 1209: 1193: 1177: 1161: 1145: 1129: 1113: 1097: 1081: 1065: 1049: 1033: 1017: 1001: 985: 969: 953: 937: 921: 914:Wayback Machine 904: 891: 889: 880: 876: 844:Re-publications 803: 793: 778:UNC Chapel Hill 733: 728: 709: 684:Louis Armstrong 622: 570:Leola B. Wilson 550:Freddie Keppard 538: 524:The Jazz Record 403:Albert McCarthy 229:George Mitchell 180:William Russell 167:"Omer Simeon" ( 162:William Russell 153: 90: 71: 42: 26:Eugene Williams 17: 12: 11: 5: 2528: 2526: 2518: 2517: 2512: 2507: 2502: 2497: 2492: 2482: 2481: 2477: 2476: 2464:Newspapers.com 2442: 2430:Newspapers.com 2407: 2405: 2402: 2400: 2399: 2358: 2329: 2315:(transcript). 2305:"A History of 2297: 2226:American Music 2213: 2212: 2157: 2156: 2140:|journal= 2109:(6). Chicago: 2086: 2085: 2028: 2027: 1965: 1964: 1898: 1897: 1896: 1888:|journal= 1863: 1848:|journal= 1824: 1823: 1795:|journal= 1760:Record Changer 1753: 1752: 1703: 1701: 1698: 1696: 1695: 1683: 1668: 1653: 1638: 1626: 1622:Toledano, 1994 1614: 1608:Record Changer 1599: 1593:Record Changer 1584: 1582:, p. 100. 1567: 1555: 1543: 1541:, p. 130. 1531: 1519: 1492: 1490: 1487: 1485: 1484: 1444: 1431: 1406: 1386:Louis Cottrell 1378:James Robinson 1361: 1348: 1322: 1320: 1317: 1315: 1312: 1310: 1309: 1306: 1296:Vol. 1, No. 25 1290: 1280:Vol. 1, No. 24 1274: 1264:Vol. 1, No. 23 1258: 1255: 1245:Vol. 1, No. 22 1239: 1229:Vol. 1, No. 21 1223: 1213:Vol. 1, No. 20 1207: 1197:Vol. 1, No. 19 1191: 1181:Vol. 1, No. 18 1175: 1165:Vol. 1, No. 17 1159: 1149:Vol. 1, No. 16 1143: 1133:Vol. 1, No. 15 1127: 1117:Vol. 1, No. 14 1111: 1101:Vol. 1, No. 13 1095: 1085:Vol. 1, No. 12 1079: 1069:Vol. 1, No. 11 1063: 1053:Vol. 1, No. 10 1047: 1031: 1015: 999: 983: 967: 951: 935: 918: 917: 905: 903: 902: 877: 875: 872: 871: 870: 856: 841: 840: 831: 822: 813: 802: 801:Library access 799: 798: 797: 792: 789: 788: 787: 764:George Hoefer 762: 759: 754: 741: 732: 731:Magazine staff 729: 727: 724: 723: 722: 716: 715: 708: 707: 704:Gerry Mulligan 701: 691: 681: 671: 664: 657: 647: 637: 623: 607:Duke Ellington 605: 603: 597: 587: 577: 567: 557: 546: 545: 544: 537: 534: 533: 532: 531: 530: 527: 516: 513: 510: 507: 504: 498: 491: 482: 479: 476: 473: 470: 464: 461: 450: 449: 448: 442: 435: 432: 429: 426: 420: 414: 411: 405: 394: 389: 388: 387: 386: 385: 378: 353: 332: 302: 301: 298:Bernice Abbott 294:Skippy Adelman 278: 277: 271: 270: 259: 251: 250: 244: 243: 234:"A History of 232: 225: 221:Jazz & Pop 212: 205: 194: 183: 172: 165: 152: 149: 139:, traveled to 89: 86: 70: 69:Editorial bent 67: 41: 38: 15: 13: 10: 9: 6: 4: 3: 2: 2527: 2516: 2513: 2511: 2508: 2506: 2503: 2501: 2498: 2496: 2493: 2491: 2488: 2487: 2485: 2474: 2470: 2465: 2452: 2447: 2443: 2440: 2436: 2431: 2418: 2413: 2409: 2408: 2403: 2396: 2382: 2376: 2375: 2374:High Fidelity 2367: 2363: 2359: 2355: 2351: 2347: 2343: 2338: 2318: 2314: 2310: 2308: 2302: 2298: 2295: 2291: 2287: 2283: 2279: 2275: 2271: 2266: 2260: 2252: 2248: 2244: 2240: 2236: 2232: 2228: 2227: 2221: 2215: 2214: 2210: 2206: 2202: 2201:1-5655-4043-3 2198: 2194: 2190: 2185: 2173: 2169: 2168: 2163: 2159: 2158: 2154: 2150: 2145: 2132: 2124: 2112: 2108: 2102: 2096: 2093:(June 1946). 2092: 2088: 2087: 2082: 2078: 2072: 2064: 2052: 2046: 2040: 2039: 2034: 2030: 2029: 2025: 2021: 2017: 2014:(paperback); 2013: 2012:0-8766-3745-4 2009: 2005: 2004:0-8766-3685-7 2001: 1997: 1993: 1988: 1975: 1974: 1967: 1966: 1962: 1958: 1954: 1953:0-2262-8922-2 1950: 1946: 1942: 1937: 1931: 1923: 1911: 1907: 1906: 1900: 1899: 1893: 1880: 1872: 1868: 1864: 1860: 1853: 1840: 1832: 1827: 1821: 1817: 1813: 1809: 1806: 1800: 1787: 1779: 1773: 1767: 1765: 1761: 1755: 1754: 1750: 1746: 1741: 1735: 1727: 1716: 1712: 1711: 1705: 1704: 1699: 1692: 1687: 1684: 1681:, p. 50. 1680: 1678: 1672: 1669: 1666:, p. 70. 1665: 1663: 1657: 1654: 1650: 1648: 1642: 1639: 1635: 1630: 1627: 1624:, p. 89. 1623: 1618: 1615: 1611: 1609: 1603: 1600: 1596: 1594: 1588: 1585: 1581: 1576: 1574: 1572: 1568: 1565:, p. 80. 1564: 1563:Hillman, 1988 1559: 1556: 1553:, p. 80. 1552: 1551:Gennari, 2006 1547: 1544: 1540: 1535: 1532: 1528: 1523: 1520: 1508: 1504: 1497: 1494: 1488: 1482: 1478: 1474: 1470: 1469:9780963889003 1466: 1462: 1458: 1454: 1448: 1445: 1441: 1435: 1432: 1428: 1424: 1420: 1416: 1410: 1407: 1403: 1400:(directors); 1399: 1395: 1391: 1387: 1383: 1379: 1375: 1371: 1370:Billy Douglas 1365: 1362: 1358: 1352: 1349: 1345: 1344: 1339: 1338: 1333: 1327: 1324: 1318: 1313: 1303: 1299: 1298: 1295: 1291: 1287: 1283: 1282: 1279: 1275: 1271: 1267: 1266: 1263: 1259: 1252: 1248: 1247: 1244: 1240: 1236: 1232: 1231: 1228: 1224: 1220: 1216: 1215: 1212: 1208: 1204: 1200: 1199: 1196: 1192: 1188: 1184: 1183: 1180: 1176: 1172: 1168: 1167: 1164: 1160: 1156: 1152: 1151: 1148: 1144: 1140: 1136: 1135: 1132: 1128: 1124: 1120: 1119: 1116: 1112: 1108: 1104: 1103: 1100: 1096: 1092: 1088: 1087: 1084: 1080: 1076: 1072: 1071: 1068: 1064: 1060: 1056: 1055: 1052: 1048: 1044: 1040: 1039: 1037:Vol. 1, No. 9 1036: 1032: 1028: 1024: 1023: 1021:Vol. 1, No. 8 1020: 1016: 1012: 1008: 1007: 1005:Vol. 1, No. 7 1004: 1000: 996: 992: 991: 989:Vol. 1, No. 6 988: 984: 980: 976: 975: 973:Vol. 1, No. 5 972: 968: 964: 960: 959: 957:Vol. 1, No. 4 956: 952: 948: 944: 943: 941:Vol. 1, No. 3 940: 936: 932: 928: 927: 925:Vol. 1, No. 2 924: 920: 916: 915: 912: 907: 906: 899: 888:. 26 May 2012 887: 886: 883: 879: 873: 868: 864: 860: 857: 855: 851: 848: 847: 846: 845: 839: 835: 832: 830: 826: 823: 821: 817: 814: 812: 808: 805: 804: 800: 795: 794: 790: 785: 784: 779: 775: 771: 767: 763: 760: 758: 755: 752: 751: 750:Rolling Stone 746: 745:Ralph Gleason 742: 739: 735: 734: 730: 725: 721: 718: 717: 714: 711: 710: 705: 702: 699: 695: 692: 689: 685: 682: 679: 675: 672: 669: 665: 662: 658: 655: 651: 648: 645: 641: 638: 635: 631: 627: 626:Bunny Berigan 624: 620: 619:Lucky (Tokyo) 616: 612: 608: 604: 601: 598: 595: 591: 588: 585: 581: 578: 575: 571: 568: 565: 561: 558: 555: 551: 548: 547: 543: 540: 539: 535: 528: 525: 521: 517: 514: 511: 508: 505: 503: 499: 496: 492: 489: 488: 483: 480: 477: 475:"Hot Royalty" 474: 471: 469: 465: 462: 460: 456: 455: 454: 451: 447: 443: 440: 436: 433: 430: 427: 425: 421: 419: 415: 412: 410: 406: 404: 400: 399: 398: 395: 393: 390: 383: 379: 377: 373: 369: 365: 361: 357: 354: 352: 348: 344: 340: 336: 333: 331: 327: 323: 319: 315: 311: 308: 307: 306: 305: 304: 303: 299: 295: 291: 287: 283: 280: 279: 276: 273: 272: 268: 264: 263:Sidney Bechet 260: 257: 253: 252: 249: 246: 245: 241: 237: 233: 230: 226: 224: 222: 217: 216:Barney Bigard 213: 210: 206: 203: 199: 195: 192: 188: 184: 181: 177: 173: 170: 166: 163: 159: 158:Zue Robertson 155: 154: 150: 148: 146: 142: 138: 134: 130: 126: 122: 118: 115:on a farm in 114: 110: 106: 102: 98: 94: 87: 85: 83: 79: 77: 68: 66: 63: 59: 55: 51: 47: 39: 37: 35: 31: 30:Ralph Gleason 28:(1918–1948), 27: 23: 22: 2462:– via 2456:. 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Retrieved 885: 882: 843: 842: 781: 772:, raised in 765: 748: 720:Bunk Johnson 712: 674:Ernie Fields 640:Frank Froeba 600:Bunk Johnson 580:Trixie Smith 560:Ollie Powers 541: 523: 485: 472:"Condon Mob" 452: 396: 392:Contributors 391: 285: 281: 274: 266: 247: 235: 219: 198:Jimmie Noone 176:Bill Russell 145:Bunk Johnson 128: 120: 113:Bunk Johnson 108: 105:Bill Russell 101:Bunk Johnson 92: 91: 88:Record label 81: 74: 72: 61: 46:mimeographed 43: 20: 19: 18: 2284:(article); 2237:: 255–270. 1812:2003-223732 1649:, June 1946 1539:Burke, 2008 1423:double bass 1402:Lloyd Glenn 1394:double bass 1390:Lloyd Glenn 1319:Annotations 774:Chapel Hill 743:1939–1940: 642:(unissued, 628:(unissued, 609:(unissued, 256:Edmond Hall 169:Omer Simeon 164:1 (1940): 3 141:New Orleans 125:Dave Stuart 58:52nd Street 56:at 46 West 2484:Categories 2473:1834816535 2439:1827395706 2404:News media 2296:(article). 2294:7376919917 2290:6733330569 2095:"Jazz Pix" 1945:2005-30539 1477:1050495610 1461:0963889001 1398:Don Albert 1343:Daily News 838:1012096868 694:Joe Newman 688:Storyville 650:Don Albert 564:Claxtonola 459:Rudi Blesh 409:Rudi Blesh 310:Cincinnati 290:Cincinnati 240:transcript 2395:Cleveland 2335:.swingdjs 2274:0734-4392 2164:(1994) . 2071:cite book 1930:cite book 1734:cite book 1512:28 August 1481:939852788 1382:Herb Hall 909:Archived 898:WordPress 867:microfilm 863:858501144 854:499210838 829:474299592 811:755192229 783:Down Beat 726:Personnel 698:Metronome 611:Brunswick 584:Paramount 574:Paramount 554:Paramount 520:Art Hodes 487:Down Beat 424:Art Hodes 376:774482619 372:795465371 364:654341520 351:611017552 330:979896906 326:839356128 322:367353290 282:Jazzways, 187:Ma Rainey 137:Hollywood 103:in 1942. 54:Manhattan 2469:ProQuest 2435:ProQuest 2193:93-42542 1996:87-35765 1873:: 13–14. 1869:(1949). 1833:: 11–12. 820:12999167 678:Vocalion 668:Vocalion 661:Bluebird 654:Vocalion 644:Vocalion 634:Columbia 630:Vocalion 615:Columbia 602:(Purist) 495:Gottlieb 384:in 1958) 368:28753218 347:21397381 335:New York 318:10396118 2458:May 18, 2424:May 18, 2389:May 18, 2323:May 18, 2282:3051735 2251:3051735 2178:May 18, 2113:: 54–55 2057:May 18, 1981:May 18, 1916:May 18, 1720:May 18, 1440:bootleg 892:May 16, 770:Laramie 753:in 1967 740:in 1939 594:Gennett 343:3501413 202:Chicago 109:Jazzmen 40:History 2471:  2437:  2288:  2280:  2272:  2249:  2207:  2199:  2191:  2151:  2117:May 9, 2018:  2010:  2002:  1994:  1959:  1951:  1943:  1818:  1810:  1747:  1475:  1467:  1459:  1357:London 861:  852:  836:  827:  818:  809:  706:(Ingo) 453:Vol. 2 397:Vol. 1 362:  356:London 341:  316:  160:), by 2369:(PDF) 2278:JSTOR 2247:JSTOR 2233:(3). 1489:Notes 2460:2019 2426:2019 2391:2019 2337:.com 2325:2019 2286:OCLC 2270:ISSN 2265:link 2205:OCLC 2197:ISBN 2189:LCCN 2180:2019 2149:OCLC 2144:help 2119:2022 2081:link 2077:link 2059:2019 2016:OCLC 2008:ISBN 2000:ISBN 1992:LCCN 1983:2019 1957:OCLC 1949:ISBN 1941:LCCN 1936:link 1918:2019 1892:help 1859:link 1852:help 1816:OCLC 1808:LCCN 1799:help 1745:OCLC 1740:link 1722:2019 1514:2022 1473:OCLC 1465:ISBN 1457:ISBN 894:2022 859:OCLC 850:OCLC 834:OCLC 825:OCLC 816:OCLC 807:OCLC 360:OCLC 339:OCLC 314:OCLC 267:(nÊe 2333:www 2239:doi 1764:The 1332:(nÊ 911:via 766:(nÊ 286:(nÊ 135:in 78:Rag 52:in 2486:: 2377:. 2371:. 2311:. 2292:, 2261:}} 2257:{{ 2245:. 2229:. 2223:. 2203:; 2195:; 2135:: 2133:}} 2129:{{ 2107:18 2105:. 2097:. 2073:}} 2069:{{ 2049:. 2041:. 2022:, 2006:; 1998:; 1955:; 1947:; 1932:}} 1928:{{ 1883:: 1881:}} 1877:{{ 1843:: 1841:}} 1837:{{ 1814:; 1790:: 1788:}} 1784:{{ 1776:. 1768:. 1766:)" 1736:}} 1732:{{ 1570:^ 1505:. 1479:, 1471:; 1463:; 632:, 617:, 613:, 374:, 370:, 366:, 349:, 345:, 328:, 324:, 320:, 296:, 147:. 129:nÊ 32:, 2466:. 2432:. 2397:. 2356:. 2348:( 2327:. 2317:2 2309:" 2267:) 2253:. 2241:: 2231:5 2211:. 2186:. 2155:. 2146:) 2142:( 2125:. 2083:) 2065:. 2026:. 1989:. 1963:. 1938:) 1924:. 1894:) 1890:( 1861:) 1854:) 1850:( 1822:. 1801:) 1797:( 1778:8 1762:( 1758:" 1751:. 1742:) 1728:. 1636:. 1516:. 1429:) 900:. 869:) 865:( 700:) 696:( 690:) 686:( 680:) 676:( 670:) 663:) 656:) 652:( 646:) 636:) 621:) 596:) 592:( 586:) 582:( 576:) 572:( 566:) 562:( 556:) 552:( 490:) 238:( 223:) 193:) 182:) 127:(

Index

Eugene Williams
Ralph Gleason
Ralph de Toledano
mimeographed
Commodore Music Shop
Manhattan
52nd Street
Hot Record Society
Commodore Records
Bunk Johnson
Bill Russell
Bunk Johnson
New Iberia, Louisiana
Dave Stuart
Jazz Man Record Shop
Hollywood
New Orleans
Bunk Johnson
Zue Robertson
William Russell
Omer Simeon
Bill Russell
William Russell
Ma Rainey
International Association of Jazz Record Collectors
Jimmie Noone
Chicago
Charles Edward Davenport
Barney Bigard
Jazz & Pop

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