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989:. Along with his old friend Jean Giraud, who had also been approached by Besson, he began work producing concepts of buildings and vehicles for the futuristic New York depicted in the script. Interested by the flying taxi cabs that appeared in some of the drawings, Besson asked Mézières to draw more taxis and also a flying police car. By the start of 1993, production had stalled and Besson moved to the United States to work on the film
1482:(1967–2019) – drawn by Mézières, written by Pierre Christin. The classic comic strip series depicting the adventures of spatio-temporal agent Valérian and his feisty redhead companion, Laureline, as they travel through space and time is Mézières' most widely known and best-selling work. With the exception of the short stories originally published in the digest-sized
1109:. The narrative comprises various documents related to the lost ship: comic strips, log books, even an investigative journalism account by a fictionalised Mézières and Christin. The action takes place against the backdrop of many of the great seaports of Europe. Mézières undertook considerable research in putting together this book, visiting the ports of
1044:
1023:, being green-lit for production. Mézières returned to the production and was amused to discover that the occupation of Korben Dallas, the film's main protagonist, had been changed from a worker in a rocket-ship factory to that of a taxi driver – obviously inspired by Mézières' drawings for the film and by
573:(issue 351, 14 July 1966). By this stage Mézières visa was almost expired and so he used the money from these strips to pay for his ticket home. In leaving America, Mézières also left behind a young woman, Linda, one of Christin's students: she followed him to France some months later and became his wife.
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agent from the 28th century employed by
Galaxity, the capital of the future Earth, to protect space and time from interference. Neither Mézières nor Christin had any interest in making Valérian into a clean-cut hero of the type that appeared in French comics of the time. Instead they sought to create
649:, where he was working on founding the school of journalism at the Institut Universitaire de Technologie (IUT). Meeting up with Mézières one day, Christin suggested that they work on creating a comic strip together. Both had their experiences in the American West to draw upon but felt, thanks to
425:
Introduced to Benoit
Gillain (son of the famous comics artist Jijé) by Giraud, Mézières entered into a partnership with Gillain and they opened a studio in 1963. Working mainly in advertising, Mézières acted as a photographer, model maker and graphic designer. He also assisted Gillain with the
872:
Mézières was always as interested in the cinema as he was in drawing. In 1957, he began work with Jean Giraud on creating an animated
Western. Dissatisfied with the results, the project was abandoned after 45 seconds of animation had been completed. The same year he shot a short, ten-minute,
661:, that the market for Westerns was already crowded. Instead, Christin suggested that they turn their hands to science fiction, a genre that, at that time, was not prevalent in French comics. Although Goscinny was not a science fiction fan, he wanted to promote innovation and originality in
529:
as well as selling some photographs he had taken while working on the ranch in
Montana. After a few months, he found work on a ranch in Utah: this time succeeding in his aspiration of living the life of a cowboy, an experience he described as "better than in my dreams".
1333:
meeting Valérian and
Laureline in a bar surrounded by a bestiary of alien creatures typical of that seen in both series. "Fancy meeting you here!" says Leia. "Oh, we've been hanging around here for a long time!" retorts Laureline. Mézières has since been informed that
961:, he produced several concept drawings and paintings over a three-month period before the project was suspended due to funding difficulties. At this point Mézières left the production and returned to France. Filming was eventually scheduled to begin in April 1986 in
1961:
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642:. This would be the first serialised strip that Mézières would work on. Due to the lack of artistic freedom he was given (because Fred's script came with all the strip panels already blocked out), Mézières found this a difficult assignment.
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occurred only 100 km from Kyiv and production was again halted. The film was eventually finished in 1989, but Mézières' concepts were barely used. Again, many of Mézières' designs were later published in
1967:
726:. Originally intended to appear in only one story, the popular reaction to the character meant that she was retained for subsequent stories and she has since become elevated to the main star of the series.
1152:, a series of four albums about a television news team investigating strange phenomena. Mézières did not draw these albums but supervised a team of artists including Philippe Aymond and Hugues Labiano.
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Outside of comics, Mézières' art has been especially influential on science fiction and fantasy film. In particular, several commentators, such as Kim
Thompson, Jean-Philippe Guerand and the newspaper
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and featured a character, S'Traks, who drove a flying taxi around a great metropolis on the planet
Rubanis. Mézières sent a copy of the album to Besson when it was finished. The commercial success of
354:. With Giraud in particular, he developed a life-long friendship due to their shared interest in Westerns and science fiction (both men later worked together as production illustrators on Besson's
358:). At this time he also rekindled his friendship with Pierre Christin, who was coincidentally attending the high school next door to the Arts Appliqués, the pair bonding over a mutual interest in
519:, and turned up on his doorstep asking him if he could sleep on his settee. To make ends meet, Mézières produced some illustrations for a small advertising agency in Salt Lake City and for a
1586:) (1995) – a miscellaneous collection of works Mézières produced in the 1980s and early 1990s. Includes examples of Mézières' advertising work as well as concept designs for film projects.
2830:
896:), a 1984 television series starring Pierre Mondy as a comic strip editor for which Mézières mocked up comic book covers and characters. Also in 1984 he produced designs for director
2820:
600:), a children's book written by Pierre Christin with photographs and illustrations by Mézières about a visit Christin's son Olivier paid to the ranch Mézières worked on in Utah and
1027:. Mézières produced further designs for the film including more taxis as well as spaceships and sets including the Fhloston Paradise liner seen in the latter part of the film.
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film series. Both series are noted for the "lived-in" look given to their various settings and for the diverse alien creatures they feature. Mézières' response upon seeing
1565:(1987) – an illustrated novel written by Pierre Christin, set against the backdrop of the great seaports of Europe, about the mysterious sinking of the cargo vessel, the
483:. In the end, however, he never took up the job in Houston. After staying in New York for a few months, the call of the West proved too strong and eventually he ended up
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in 1967, with the first installment of the story published on 9 November in issue 420, and ran for fifteen issues, concluding in issue 434 on 15 February 1968.
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who told him that his visa was good for working in the factory in
Houston and nowhere else. He quickly left San Francisco in search of an authentic "Wild West"
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225:, as well as continuing to work as an illustrator for newspapers, magazines and in advertising. He also taught courses on the production of comics at the
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and various film and television projects, Mézières also worked extensively producing illustrations and comic strips for magazines and newspapers such as
1387:
350:
for four years. His class there included two other aspiring artists who would go on to find success in the field of comics – Patrick (Pat) Mallet and
838:
stories of the 1970s and 1980s, with the first realistic renderings of Valérian and
Laureline, as opposed to the caricatures of the earlier stories.
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The success of Valérian led to Mézières becoming involved in several, mainly science fiction, film and television projects. The first of these was
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into a film. This was to be the first major German-Soviet co-production. Mézières travelled to Moscow to join the production team and also to
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464:. At the age of sixteen, he had attempted to travel to Mexico with Jean Giraud, whose mother lived there, but was prevented by his parents.
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608:), again written by Christin with photographs and illustrations by Mézières, a nostalgic look back at their time in the United States.
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1633:
1612:
1591:
1237:, the highly influential French comics magazine dedicated to science fiction. Mézières' influence has been noticed in such strips as
748:) in 1968 and 1969 respectively. These two stories show some evolution in Mézières' art but also retain the cartoonish influences of
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area in the suburbs of Paris, Jean-Claude Mézières met his friend and frequent collaborator Pierre
Christin at the age of two in an
860:
205:, the popular, long-running science fiction comics series for which he is best known and which influenced many science fiction and
261:. He was first inspired to draw by the influence of his elder brother who, aged fourteen, had a drawing published in the magazine
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When winter came and there was no work available on the ranches, he collaborated with Christin on a six-page strip called
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was skipped because of its short length – thirty pages – relative to the usual album length of around 46 pages. Every
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best sums up Mézières' style at this time in his 1970 review of the story where he describes Valérian as a "kind of
576:
Mézières' experiences in the United States have provided the inspiration for several magazine articles published in
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which he sent to Hergé in the hope of getting published. Hergé sent a reply encouraging him to keep up his efforts.
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and cinema. While at college, Mézières, like Giraud, published illustrations and strips for publications such as
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Drawing on influences from literary science fiction, Mézières and Christin devised the character of Valérian, a
1449:
418:), for which he brought in Giraud to help him out with the well-paid chore. Intended to run to twenty volumes,
287:
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Mézières was also involved at one point in giving hands-on courses on the production of comic strips at the
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was finally completed and released in 1997. Mézières published many of his concept drawings for the film in
719:
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30:
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215:. Mézières contributed as a conceptual designer on several motion picture projects, most notably the 1997
2167:
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1270:(by Mora and José Maria Cardona). His visual style also influenced some American comics artists, notably
1171:) along the Rue Faidherbe in the city, similar to those seen at the Port Abyss spaceport depicted in the
561:, who agreed to publish it (issue 335, 24 March 1966). This was followed by another collaboration titled
1894:
European Readings of American Popular Culture (Contributions to the Study of Popular Culture, Number 50)
1858:
European Readings of American Popular Culture (Contributions to the Study of Popular Culture, Number 50)
854:'s top five best-selling comics series. Various attempts were made from the late 1970s onwards to adapt
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of 2004, to produce something for the celebrations. He created a series of futuristic arches, called
1001:
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499:. His initial plan was to find work in an advertising agency in San Francisco but he ran foul of the
495:(where he worked on a ranch driving tractors, laying posts and cleaning stables) before ending up in
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1860:. trans. John Dean and John-Paul Gabillet. Westport, Connecticut: Greenwood Press. pp. 41–48.
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was that he was "dazzled, jealous... and furious!". As a riposte, he produced an illustration for
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shares an artistic style similar to that of Mézières and Christin's earlier collaborations for
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1278:. On occasion this went beyond mere influence – following a complaint by Mézières, the artist
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was contemporaneous with the debuts of other notable French science-fiction strips including
160:, he was introduced to drawing by his elder brother and influenced by comics artists such as
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2050:
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1005:, published in 1994. This album made use of some of the concepts Mézières had worked on for
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901:
846:
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is Mézières' best-known work, translated into at least thirteen languages: the last album,
232:
Mézières received international recognition through numerous awards, most notably the 1984
475:
In 1965, Mézières arranged a working visa through a friend of Jijé's who had a factory in
326:
196:
169:
146:
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with no money, he sought out Pierre Christin, who was living there while teaching at the
1773:; Groth, Gary (May–June 2004). "Recognition: A Conversation with Jean-Claude Mézières".
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in 1987, an illustrated novel about the mysterious disappearance of a cargo vessel, the
442:
since he was a little boy through exposure to Western genre films starring the likes of
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303:. He had his first drawings published in 1951, at the age of thirteen, in the magazine
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2277:
Les Extras de Mézières No. 2. Mon Cinquieme Element. Decors pour la film de Luc Besson
2799:
1711:
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1301:
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914:). Due to difficulties experienced by the film's Iranian producer as a result of the
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saw the final evolution of Mézières' art into the style that became prevalent in the
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and between some of the production sketches for the alien fighters in the 1996 film
981:
In December 1991, Mézières was approached by director Luc Besson, a lifelong fan of
918:
in Iran, the film was never made. Some of Mézières' production art was published in
828:
and Mézières' meticulously detailed depictions of alien worlds. The follow-up story
816:
series and for Mézières art. This story was the series' first full-blown attempt at
313:. A year later, "completely fascinated by Tintin", he created an eleven-page strip,
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for Best Short Comic Strip, at the Salón Internacional del Cómic del Principado de
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383:, which at the time lasted twenty-eight months, including a tour of duty based in
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1425:(International Comics Convention of the Principality of Asturia, Spain), for the
537:, a copy of which he sent to Jean Giraud who was by now writing and illustrating
406:
after his discharge from the army, Mézières was employed by the publishing house
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1603:) (1998) – a collection of the concept drawings Mézières produced for the film
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An English translation was published in black and white in 1996 as a part of
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Mézières also noticed similarities between some of the sets in the 1982 film
2789:
2384:"Décès de Jean-Claude Mézières, cocréateur de la BD "Valérian et Laureline""
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430:, a publication he would later work for again upon his return from America.
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1536:(1983) – compilation of early work, including the first publication of the
1130:
985:, who wanted Mézières to work on designs for a science fiction film called
188:
led him to travel to the United States in 1965 in search of adventure as a
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series. Mézières and Christin reminisce about their American adventures.
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2756:"Riad Sattouf et Jean-Claude Mézières lauréats des Max und Moritz 2018"
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722:. Also introduced in this story was Laureline, a peasant girl from the
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On his return from the United States, Mézières visited the offices of
567:
How to succeed in business by almost killing oneself through hard work
2594:
1138:
1071:, as well as covers for books and art for advertising campaigns. For
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and it set out for the first time the two main signature elements of
645:
By this time Pierre Christin was dividing his time between Paris and
549:
520:
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189:
2784:
1526:(1981) – a collection of Mézières' early work for magazines such as
1511:
an academic publication edited by John Dean and Jean-Paul Gabillet.
1410:, an encyclopaedia of the alien creatures that have appeared in the
2415:. Encino, California: Black Coat Press. pp. 213–224, 229–236.
672:
Valérian and Laureline, Jean-Claude Mézières' most famous creations
195:
Returning to France, Mézières teamed up with his childhood friend,
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where it was proposed to shoot the film. Travelling from there to
924:
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348:École nationale supérieure des arts appliqués et des métiers d'art
182:École nationale supérieure des arts appliqués et des métiers d'art
53:
321:-influenced Tintin. This was followed, at the age of sixteen, by
1500:) (1974) – an 8-page autobiographical strip, first published in
1233:. The success of these strips eventually led to the creation of
962:
512:
359:
192:, an experience that would prove influential on his later work.
2614:
Official Website of the Angoulême International Comics Festival
1439:
given to the comic that best reflects the ideals of the French
936:
In October 1985, Mézières was contacted by the German director
1047:
Art created by Mézières for a France-Rail advertising campaign
768:
were collected together in one volume in 1970 under the title
1991:
Les Correspondances de Pierre Christin: Adieu rêve américain
636:
The Extraordinary and Troubling Adventure of Mr August Faust
632:
L'extraordinaire et Troublante Aventure de Mr. August Faust
156:
artist and illustrator. Born in Paris and raised in nearby
1896:. Westport, Connecticut: Greenwood Press. pp. 23–43.
685:, "a banal character any extraordinary means of action".
2190:"Valerian eri kielillä - Valérian in different languages"
2051:"Le journal Pilote et les publications Dargaud par année"
1504:, recounting Mézières' time in America in the mid-1960s.
1402:
1992: Special mention by the jury, with Pierre Christin,
2644:
Official Website of the European Science Fiction Society
1097:
He collaborated with Pierre Christin on a number of non-
929:
Concept art created by Mézières for Peter Fleischmann's
858:
for film or television and an animated series, entitled
850:, was published in January 2010. It is one of publisher
346:
In 1953, the fifteen years old Mézières enrolled at the
2216:"Time Jam: Valerian & Laureline – Official website"
1406:, at the Angoulême International Comics Festival, for
2588:
Mézières, Jean-Claude; Tierney, D. (1 October 1983).
2467:. In Mézières, Jean-Claude; Christin, Pierre (eds.).
1847:
1845:
1843:
1841:
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Mézières died on 23 January 2022, at the age of 83.
563:
Comment réussir en affaires en se donnant un mal fou
150:; 23 September 1938 – 23 January 2022) was a French
16:
French comic book artist and illustrator (1938–2022)
2729:
Les Verts (Official site of the French Green Party)
1597:
Les Extras de Mézières No. 2: Mon Cinquieme Element
1033:
Les Extras de Mézières No. 2: Mon Cinquieme Element
395:, returning to France just fifteen days before the
126:
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86:
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40:
23:
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2016:"Pierre Christin and Enki Bilal, Called to Comics"
1205:Mézières' arrival on the French comics scene with
2413:Shadowmen 2. Heroes and Villains of French Comics
1386:, the most prestigious award given at the annual
812:in 1969 and marked a further development for the
2300:Mézières, Jean-Claude; Christin, Pierre (1987).
1989:Christin, Pierre; Mézières, Jean-Claude (2002).
1960:Mezieres, Jean-Claude; Christin, Pierre (1969).
1155:In 2001, Mézières was approached by the city of
1075:, in 1993, he was a regular illustrator for the
965:and Mézières re-joined the production, creating
2436:Gravett, Paul (2005). "Of Futures and Fables".
1490:, all albums have been translated into English.
1417:1995: Nominated, with Pierre Christin, for the
1404:Prix Jeunesse 9–12 ans (Youth Prize 9–12 years)
265:. Mézières' initial inspiration came from such
227:University of Paris VIII: Vincennes—Saint-Denis
1305:, have noted certain similarities between the
410:as an illustrator on a series of books titled
2821:French military personnel of the Algerian War
2150:
2148:
1509:European Readings of American Popular Culture
665:and so commissioned them to produce a strip.
8:
2563:Tout (ou presque) sur Jean-Claude Mézières..
1892:. In Dean, John; Gabillet Jean-Paul (eds.).
1856:. In Dean, John; Gabillet Jean Paul (eds.).
1820:Tout (ou presque) sur Jean-Claude Mézières..
824:: the use of science fiction as a political
714:, with influences from Franquin, Morris and
2438:Graphic Novels. Stories to change your life
2327:"Le chemin des étoiles à Lille 2004 !"
2245:
2243:
2241:
2239:
2237:
1966:(in French). Paris: Dargaud. Archived from
969:for some scenes. However, at this time the
317:, which features an unusually muscle-bound
2831:Grand Prix de la ville d'Angoulême winners
1282:admitted that several panels of his strip
29:
20:
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1465:Special Prize for outstanding life's work
1181:which was first published the same year.
285:by Erik. Later he was exposed to Hergé's
2529:"Sur les traces de Valerian et consorts"
2496:Geurand, Jean-Phillipe (November 1999).
2357:"Jean-Claude Mézières nous a quittés..."
2331:Le site officiel de Jean-Claude Mézières
1935:Le site officiel de Jean-Claude Mézières
1747:
1745:
1743:
1741:
1739:
1737:
1735:
1733:
1731:
1729:
1601:Mézières' Extras No. 2: My Fifth Element
1373:and Valérian and Laureline's astroship.
1148:Another collaboration with Christin was
379:Following art college, Mézières entered
2411:Lofficier, Jean-Marc and Randy (2004).
2082:
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2078:
2076:
2074:
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1708:Les Dossiers de la Bande Dessinée (DBD)
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1388:Angoulême International Comics Festival
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1051:At the same time as he was working on
792:in 1985 would debut in serial form in
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1665:
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1548:and the strips Mézières produced for
1201:Jean-Claude Mézières in February 2007
145:
7:
2725:"Bandes dessinées et Prix Tournesol"
2590:"Le retour du Jedi: c'est de la B.D"
1777:(260). Fantagraphics Books: 88–112.
1435:1997: Winner, with Pierre Christin,
1392:1987: Winner, with Pierre Christin,
796:before being published as an album.
438:Mézières had been fascinated by the
2754:Leblanc, Léopoldine (5 June 2018).
297:and, his favourite of all, Morris'
2826:French speculative fiction artists
2785:Jean-Claude Mézières official site
2699:Official Site of the Haxtur Awards
2610:"List of Grand Prix award winners"
1626:Correspondences de Pierre Christin
1384:Grand Prix de la ville d'Angoulême
1086:. Graduates of his course include
861:Time Jam: Valerian & Laureline
234:Grand Prix de la ville d'Angoulême
14:
1101:projects. The first of these was
592:magazines as well as two books –
2469:Valerian: The New Future Trilogy
1702:Maltret, Olivier (August 2001).
1394:European Science Fiction Society
2559:"Troisième période (1980–1984)"
2304:(in French). Paris: Autrement.
1816:"Première période (avant 1967)"
1321:magazine in 1983 depicting the
2275:Mézières, Jean-Claude (1998).
2250:Mézières, Jean-Claude (1995).
1852:Mézières, Jean-Claude (1996).
1084:University of Paris, Vincennes
630:. Goscinny put him to work on
569:) which was also published in
402:Answering an advertisement in
1:
2471:. New York: iBooks. pp.
2440:. London: Aurum. p. 88.
2279:(in French). Paris: Dargaud.
2254:(in French). Paris: Dargaud.
2123:"L'Empire des Mille Planètes"
2087:Perez, Pepo (February 2002).
1993:(in French). Paris: Dargaud.
1284:So Beautiful and So Dangerous
1178:At the Edge of the Great Void
553:. Giraud showed the strip to
487:across the country, first to
2695:"Haxtur Award Nominees 1995"
2392:(in French). 23 January 2022
2160:"La Cité des eaux mouvantes"
2022:(129): 62–67. Archived from
1888:Gabillet, Jean-Paul (1996).
1534:Mézières et Christin avec...
1159:, which had been designated
900:who was attempting to adapt
806:Empire of a Thousand Planets
606:Farewell, American dreams...
2671:(in French). Archived from
2333:(in French). Archived from
2014:Pomerleau, Luc (May 1989).
1937:(in French). Archived from
1161:European Capital of Culture
945:Arkady and Boris Strugatsky
868:Work in film and television
801:L'Empire des Mille Planètes
771:The City of Shifting Waters
762:The City of Shifting Waters
523:children's magazine called
130:
2862:
1710:(12): 1–40. Archived from
864:, made its debut in 2007.
786:story up to and including
734:La Cité des Eaux Mouvantes
420:Histoire des Civilizations
412:Histoire des Civilizations
2218:. Dargaud. Archived from
1963:Olivier chez les cow-boys
1293:Ambassador of the Shadows
885:), with Pierre Christin.
738:The City of Moving Waters
594:Olivier chez les cow-boys
434:Work in the United States
28:
2836:People from Val-de-Marne
2527:F.A. (13 October 1999).
1622:Farewell American Dreams
1486:spin-off publication of
1450:Hostages of the Ultralum
774:. This became the first
602:Adieu, rêve américain...
598:Olivier with the Cowboys
507:experience. Arriving in
422:folded after just five.
288:The Adventures of Tintin
2841:Science fiction artists
2792:on Lambiek Comiclopedia
2389:Radio Télévision Suisse
2325:Mézières, Jean-Claude.
1929:Mézières, Jean-Claude.
1544:in an album as well as
1361:and the planet seen in
995:. Mézières returned to
416:History of Civilization
291:, Franquin's period on
147:[ʒɑ̃klodmezjɛʁ]
2846:Valérian and Laureline
2461:Thompson, Kim (2004).
2252:Les Extras de Mézières
1580:Les Extras de Mézières
1479:Valérian and Laureline
1457:Max & Moritz Prize
1350:Les Extras de Mézières
1202:
1048:
976:Les Extras de Mézières
940:who proposed to adapt
933:
920:Les Extras de Mézières
673:
472:
368:Fripounet et Marisette
202:Valérian and Laureline
107:Valérian and Laureline
2816:French comics artists
2640:"ESFS Awards 1987-89"
2166:(204). Archived from
2156:Andrevon, Jean-Pierre
2129:(216). Archived from
2119:Andrevon, Jean-Pierre
1854:"My Very Own America"
1471:Selected publications
1408:Les Habitants du Ciel
1338:, design director on
1286:were copied from the
1200:
1046:
928:
671:
545:Franco-Belgian comics
470:
352:Jean "Moebius" Giraud
305:Le journal des jeunes
245:Early life and career
2095:(23). Archived from
2089:"Tierra de Gigantes"
1970:on 26 September 2007
1890:"A Comics Interlude"
1826:on 20 September 2005
1618:Adieu rêve américain
1461:Comic-Salon Erlangen
1431:The Circles of Power
1169:The Way of the Stars
1025:The Circles of Power
1002:The Circles of Power
754:Jean-Pierre Andrevon
628:Jean-Michel Charlier
315:Tintin in California
139:Jean-Claude Mézières
24:Jean-Claude Mézières
2620:on 16 November 2006
2337:on 15 December 2005
1910:on 10 February 2006
1524:Mezi avant Mézières
1498:My Very Own America
1484:Super Pocket Pilote
1364:Birds of the Master
1358:Conan the Barbarian
831:World Without Stars
501:Immigration Service
454:and comics such as
323:La Grande Poursuite
2790:Mézières biography
2665:"Le Palmarès 1992"
2222:on 1 November 2007
2196:on 27 October 2007
2020:The Comics Journal
1941:on 29 October 2005
1775:The Comics Journal
1714:on 28 October 2005
1704:"Dossier Mezieres"
1546:Mon Amérique à moi
1494:Mon Amérique à moi
1341:The Phantom Menace
1203:
1165:Chemin des Etoiles
1049:
971:Chernobyl disaster
934:
916:Islamic revolution
789:The Rage of Hypsis
674:
517:University of Utah
473:
294:Spirou et Fantasio
180:. Educated at the
2735:on 19 August 2006
2569:on 2 October 2005
2539:on 28 August 2007
2508:on 28 August 2007
2502:Le Nouveau Cinéma
2170:on 28 August 2007
2158:(December 1970).
2133:on 28 August 2007
2121:(December 1971).
1605:The Fifth Element
1231:Philippe Druillet
1029:The Fifth Element
1020:The Fifth Element
938:Peter Fleischmann
907:La Nuit des temps
760:of space-time".
740:) and its sequel
695:Les Mauvais Rêves
526:Children's Friend
440:American Old West
356:The Fifth Element
222:The Fifth Element
209:films, including
136:
135:
51:23 September 1938
2853:
2772:
2771:
2769:
2767:
2751:
2745:
2744:
2742:
2740:
2731:. Archived from
2721:
2715:
2714:
2712:
2710:
2701:. Archived from
2691:
2685:
2684:
2682:
2680:
2661:
2655:
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2627:
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2616:. Archived from
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2565:. Archived from
2555:
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2535:. Archived from
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2504:. Archived from
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2011:
2005:
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1979:
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1957:
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1926:
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1906:. Archived from
1885:
1879:
1878:
1876:
1874:
1849:
1836:
1835:
1833:
1831:
1822:. Archived from
1812:
1787:
1786:
1767:
1724:
1723:
1721:
1719:
1699:
1624:) – part of the
1584:Mézières' Extras
1370:Independence Day
1352:in his library.
1344:, kept a set of
1256:
1017:, now re-titled
950:Hard to Be a God
931:Hard to be a God
879:La vie d'un Rêve
742:Terre en Flammes
732:was followed by
622:magazine to see
535:Le Rhum du Punch
471:Mézières in 2017
381:military service
364:Coeurs Valliants
279:Kaza the Martian
255:air-raid shelter
153:bandes dessinées
149:
144:
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79:
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67:
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35:Mézières in 1973
33:
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2675:on 25 June 2007
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1437:Tournesol Award
1379:
1309:albums and the
1242:
1195:
1187:
1041:
883:Life is a Dream
870:
808:) premiered in
766:Earth in Flames
746:Earth in Flames
678:spatio-temporal
616:
436:
307:, published by
247:
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197:Pierre Christin
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2779:External links
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2705:on 10 May 2006
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2464:"Introduction"
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1463:(Germany) for
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1382:1984: Winner,
1378:
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1327:Luke Skywalker
1264:Carlos Giménez
1194:
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1186:
1183:
1088:André Juillard
1077:Heures Locales
1040:
1037:
1015:Zaltman Bléros
1007:Zaltman Bléros
999:for the album
987:Zaltman Bléros
947:'s 1964 novel
912:The Ice People
869:
866:
702:) appeared in
638:), written by
615:
610:
509:Salt Lake City
448:Burt Lancaster
435:
432:
428:Totale Journal
426:setting up of
397:Algiers putsch
329:influenced by
249:Raised in the
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166:Andre Franquin
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2764:. Retrieved
2759:
2749:
2739:17 September
2737:. Retrieved
2733:the original
2728:
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2709:29 September
2707:. Retrieved
2703:the original
2698:
2689:
2677:. Retrieved
2673:the original
2668:
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2649:17 September
2647:. Retrieved
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2624:17 September
2622:. Retrieved
2618:the original
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2543:1 September
2512:1 September
2364:(in French)
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2053:(in French)
1718:1 September
1441:Green Party
1348:albums and
1336:Doug Chiang
1331:Leia Organa
1325:characters
1280:Angus McKie
1260:Víctor Mora
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1240:Dani Futuro
1226:Lone Sloane
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818:space opera
724:Middle Ages
692:adventure,
485:hitchhiking
444:Gary Cooper
251:Saint-Mandé
158:Saint-Mandé
2800:Categories
2766:25 January
2533:Liberation
2396:23 January
2368:23 January
1640:References
1575:2862602035
1542:Bad Dreams
1443:, for the
1396:award for
1302:Libération
1221:Eddy Paape
1212:Luc Orient
1150:Canal Choc
1115:Copenhagen
955:Uzbekistan
780:Bad Dreams
758:Lucky Luke
750:Bad Dreams
730:Bad Dreams
720:Jack Davis
708:Bad Dreams
700:Bad Dreams
688:The first
651:Lucky Luke
557:s editor,
456:Lucky Luke
376:magazine.
340:Roy Rogers
335:Lucky Luke
300:Lucky Luke
269:strips as
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178:Jack Davis
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1931:"Western"
1783:0194-7869
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683:anti-hero
659:Blueberry
547:magazine
540:Blueberry
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319:Arys Buck
310:Le Figaro
271:Arys Buck
240:Biography
212:Star Wars
186:Wild West
131:Full list
2669:ToutEnBD
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1427:Valérian
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1412:Valérian
1398:Valérian
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1073:Le Monde
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1053:Valérian
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