31:
235:; the retrospective exhibit also was shown at the Gimple and Wildenstein Galleries in New York, and toured the United States under the auspices of the American Federation of Art. In 1926, he was made a Commandeur of the
253:
In 1927, he acquired a site on the Avenue-René-Coty, and designed, with the assistance of Jean Launay, the Hôtel
Lemordant to be erected there. His living quarters contained a huge, naturally lit studio, which, being
202:
Embraced as a victim of German "Kultur", Lemordant became an inspirational speaker, talking about the effects of his blindness, and the role of the artist in society. He believed that France was victorious over
195:, and further wounds in the same battle left him blind. He was left for four days, thought dead, then was taken as prisoner to Germany. He was eventually exchanged and returned to France through
151:
figured prominently in his early paintings, including his paintings for the Hôtel de l'Épée dining rooms at
Quimper, and for the ceiling of the Theatre of Rennes. He was associated with
465:
247:
141:
136:
and was orphaned in his teens. At first he studied architecture but made his career as a painter, initially in Rennes and later in Paris, studying under
455:
490:
450:
291:
485:
398:
475:
460:
208:
220:
350:
470:
480:
228:
192:
236:
445:
440:
286:
274:
101:
394:
411:
216:
164:
30:
232:
365:
312:
227:) had kept the spirit of art and sacrifice alive in France. In 1919 he was awarded the
152:
137:
434:
224:
212:
113:
410:
Adhémar, Jean; Lethève, Jacques; Gardey, Françoise; Bibliothèque nationale (1965).
240:
156:
196:
180:
255:
188:
266:
Fifty years after his injuries, a series of operations restored his sight.
270:
191:
and promoted to lieutenant. In
October 1915 he was again wounded, at the
148:
133:
129:
58:
204:
160:
184:
117:
168:
351:"Blinded French Artist to Exhibit Paintings at Yale Art School"
187:
and was sent to the front as a private. He was wounded at
393:, Edition Axel Menges, Stuttgart, 2004, pp. 219-220.
243:
on the shoulders of the greatest artist of the day.
97:
89:
81:
65:
40:
21:
246:Lemordant was made Professor of Esthetics at the
323:Anna Seaton Schmidt, "Jean Julien Lemordant",
8:
416:. Paris: Bibliothèque nationale. p. 494
340:, Yale University School of Fine Arts, 1919.
466:Academic staff of the École des Beaux-Arts
112:(28 June 1882 – 17 June 1968) was a
18:
336:Gustave Geffroy & Charles Le Goffic,
338:Jean-Julien Lemordant, peintre et soldat
327:, vol. X, #10, August 1919, pp. 363-369.
413:Inventaire du Fonds Français après 1800
305:
183:, in August 1914, he volunteered for
35:[1917, after he had lost his eyesight
7:
171:, it was to broad critical acclaim.
275:May 1968 student uprisings in Paris
207:because a series of great artists (
379:The New York Times, 23 March 1919.
14:
292:photograph of the HĂ´tel Lemordant
167:. When his work was exhibited in
456:20th-century French male artists
231:and his works were exhibited at
29:
239:, and was carried through the
155:, and his influences included
1:
491:Blind scholars and academics
451:20th-century French painters
325:The American Magazine of Art
269:Lemordant died unmarried of
507:
391:The Architecture of Paris
28:
486:Deaths from asphyxiation
357:. 1918-12-15. p. 43
355:The Brooklyn Daily Eagle
476:People from Saint-Malo
229:Howland Memorial Prize
128:Lemordant was born in
313:LEMORDANT Jean-Julien
273:poisoning during the
120:soldier and patriot.
110:Jean-Julien Lemordant
45:Jean-Julien Lemordant
23:Jean-Julien Lemordant
461:French male painters
248:École des Beaux-Arts
165:School of Pont-Aven
221:Puvis de Chavannes
102:Post-Impressionism
287:some of his works
258:, he never used.
179:At the outset of
107:
106:
498:
425:
424:
422:
421:
407:
401:
387:
381:
376:
370:
369:
363:
362:
347:
341:
334:
328:
321:
315:
310:
237:LĂ©gion d'Honneur
193:battle of Artois
132:. He grew up in
72:
54:
52:
33:
19:
506:
505:
501:
500:
499:
497:
496:
495:
431:
430:
429:
428:
419:
417:
409:
408:
404:
388:
384:
377:
373:
360:
358:
349:
348:
344:
335:
331:
322:
318:
311:
307:
302:
283:
264:
233:Yale University
177:
126:
77:
74:
70:
61:
56:
50:
48:
47:
46:
36:
24:
17:
12:
11:
5:
504:
502:
494:
493:
488:
483:
478:
473:
471:Breton artists
468:
463:
458:
453:
448:
443:
433:
432:
427:
426:
402:
389:Andrew Ayers,
382:
371:
366:Newspapers.com
342:
329:
316:
304:
303:
301:
298:
295:
294:
289:
282:
281:External links
279:
263:
260:
176:
173:
153:Charles Cottet
125:
122:
105:
104:
99:
95:
94:
91:
90:Known for
87:
86:
83:
79:
78:
75:
73:(aged 85)
67:
63:
62:
57:
44:
42:
38:
37:
34:
26:
25:
22:
16:French painter
15:
13:
10:
9:
6:
4:
3:
2:
503:
492:
489:
487:
484:
482:
481:Blind artists
479:
477:
474:
472:
469:
467:
464:
462:
459:
457:
454:
452:
449:
447:
444:
442:
439:
438:
436:
415:
414:
406:
403:
400:
399:3-930698-96-X
396:
392:
386:
383:
380:
375:
372:
367:
356:
352:
346:
343:
339:
333:
330:
326:
320:
317:
314:
309:
306:
299:
297:
293:
290:
288:
285:
284:
280:
278:
276:
272:
267:
261:
259:
257:
251:
249:
244:
242:
238:
234:
230:
226:
222:
218:
214:
210:
206:
200:
198:
194:
190:
186:
182:
174:
172:
170:
166:
162:
158:
154:
150:
145:
143:
139:
135:
131:
123:
121:
119:
115:
111:
103:
100:
96:
92:
88:
84:
80:
68:
64:
60:
43:
39:
32:
27:
20:
418:. Retrieved
412:
405:
390:
385:
378:
374:
364:– via
359:. Retrieved
354:
345:
337:
332:
324:
319:
308:
296:
268:
265:
252:
250:, for life.
245:
241:Grand Palais
201:
178:
147:The life of
146:
127:
109:
108:
71:(1968-06-17)
69:17 June 1968
55:28 June 1882
446:1968 deaths
441:1882 births
262:Later years
197:Switzerland
181:World War I
138:LĂ©on Bonnat
116:artist and
82:Nationality
435:Categories
420:2015-02-05
361:2021-01-02
300:References
163:, and the
142:Beaux-Arts
51:1882-06-28
189:Charleroi
175:Blindness
271:tear-gas
217:Pissarro
209:Carrière
149:Brittany
134:Brittany
130:St. Malo
98:Movement
93:Painting
59:St. Malo
205:Germany
157:Gauguin
140:at the
397:
213:Sisley
185:France
161:Fauves
159:, the
118:French
114:Breton
85:French
256:blind
225:Rodin
169:Paris
76:Paris
395:ISBN
223:and
124:Life
66:Died
41:Born
437::
353:.
277:.
219:,
215:,
211:,
199:.
144:.
423:.
368:.
53:)
49:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
