Knowledge (XXG)

Jean-Marc Decrop

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205:(Auction Poulain-Le Fur, Paris, February 2001, to devote its resources exclusively to Chinese art. His Chinese collection, rich in key works from the period 1985-1995 amounts then to some 500 artworks, placing it among the major collections in that field ( 238:
He organizes loans, via Galerie Loft of good Chinese artworks to international museums (from 1999 to 2006 more than 100 works loaned to 26 museums); writes many articles and essays ; provides unremittingly information and photographs to
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Fung Ming Chip catalog Taipei Fine Arts Museum 1998 "The Specific Case of Fung Ming Chip calligraphy" * Rong Rong catalog Casa Garden, Macau in September 2001 "3 aspects of Rong Rong's works"
209:, David Tang, Uli Sigg). From an early stage, he tries to encourage French intellectuals and journalists to write about Chinese art by inviting them to tour workshops and artists studios in 84:
Partner and artistic advisor of Paris Galerie Loft from 1999 to 2007, he produces as a forerunner several pioneering monographic exhibitions of major Chinese contemporary artists:
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CNN broadcasting of a film on the exhibition «  Futuro Â», 2000 CACOM Macau Contemporary Art Centre, Macau, curator Jean-Marc Decrop guided tour and interview.
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of the gallery CAAW in Beijing), he is also at that time a partner with Johnson Chang for the gallery Hanart Taipei, of which he is a 25% shareholder during 1995-2000.
235:; collection Gillion-Crowet; collection of Flers; collection of Harold t'Kint Roodenbeke; collection Samir Sabet d'Acre and Florence Pucci; collection DSL Levy) 421: 23:. He is one among the art collectors who have contributed to the discovery, the recognition and the influence of Chinese contemporary art abroad. 275: 280: 376: 354: 285: 448: 66:, sets up as a resident in Hong Kong in 1993 and deepens his knowledge with Chinese avant-garde. In November 2001, he is appointed 193:
His actions progressively contribute to the recognition of Chinese art in Europe. Through his purchases as a collector and as a
387: 490: 293: 243:, magazines and media ; collaborates with publishing houses for illustration of books and novels with Chinese artworks 39:
PMD 1987), taking responsibility of the cultural committee of his school. He starts his career as cultural attaché at the
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Passionnate about art, but convinced that management is also important in culture, he studies management (
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China, Museum of the University of SĂŁo Paulo Brazil FAAP, 2002 with Britta Erickson et al. Video (4 min):
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China: The New Generation, Skira publishers 2014, Jean-Marc Decrop and JĂ©rĂ´me Sans,
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Chinese Modernities, Skira publishers in 2003 with Christine Buci-Glucksman
222: 194: 78: 173:, FAAP Museum of the University of SĂŁo Paulo, Video (4 min):, Brazil, 2002 74:. He becomes then the first European expert certified in that specialty. 48: 44: 167:, CACOM Contemporary Art Center of Macao Foundation Oriente, China, 2000 210: 147: 36: 77:
Influenced by his relationship with Hans van Dijck (co-founder with
67: 55:(1982 -1987) on his free time from business, he organizes several 52: 274:
Paris-Pekin Espace Cardin, Paris 2002 with Johnson Chang et al.
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and its artists . In 2001, he sells his personal collection of
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An Interview with Sylvain Levy, Director of the DSL Collection
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He discovers Chinese Contemporary Art in 1992, starts his
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for which he writes catalogue essays, among which :
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He helps to build many European collections (collection
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Meanwhile he also curates non-commercial shows at 11
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but quickly moves to Asia where, as an expatriate in
422:"Samir Sabet d'Acre and Florence Pucci 's collection" 70:
at the French National Chamber of Experts CNES for
59:(contemporary Japanese sculpture and photography). 284:Red Flag: Liu Xiaodong Mapbook Publishers, 2006, 289:Red Flag: Zheng Guogu Mapbook Publishers 2008, 8: 355:Des MaĂ®tres du Pop'Art au Palais des Congès 106:Liu Xiaodong (November 2001 and June 2005), 366:Ullens Center for Contemporary Art (UCCA) 124:Qiu Zhijie (June 2003 and December 2005), 19:(born 1955 in France) is a specialist of 377:"La moutarderie" ou une passion chinoise 115:Rong Rong (May 2002 and September 2003), 326: 118:Yan Lei (October 2002 and October 2003) 100:Liu Wei (June 2001 and February 2005), 189:, Culturgest Foundation, Lisbon 2003. 133:Guo Wei (June 2000 and October 2006), 94:Sui Jianguo and Zhan Wang (July 2000) 7: 14: 91:and Zhou Tiehai (November 1999), 139:(December 2006 and June 2007), 1: 225:), Henri-François Debailleux 219:Pierre Cornette de Saint Cyr 112:(March 2002 and April 2004), 103:Yang Shaobin (October 2001), 512: 253:Éditions Philippe Picquier 215:Christine Buci-Glucksmann 410:La Chine et la modernitĂ© 399:Les Parisiens ont l'oeil 142:Qiu Xiaofei (March 2007) 127:Zheng Guogu (April 2005) 72:Chinese contemporary art 21:Chinese contemporary art 247:, Chine en poche, les 159:Champs de la sculpture 491:French art collectors 249:Éditions de l'Olivier 187:Subvertion and Poetry 121:Zheng Hao (May 2003), 388:De Flers' collection 344:Figuration Narrative 221:, Michel Nuridsany ( 203:Figuration Narrative 241:european newspapers 197:, he supports this 496:French art dealers 451:2011-10-03 at the 130:Hong Yu (May 2006) 97:Bo Hai (May 2001) 503: 466: 461: 455: 443: 437: 436: 434: 433: 424:. Archived from 418: 412: 407: 401: 396: 390: 385: 379: 374: 368: 363: 357: 352: 346: 341: 335: 331: 17:Jean-Marc Decrop 511: 510: 506: 505: 504: 502: 501: 500: 471: 470: 469: 462: 458: 453:Wayback Machine 444: 440: 431: 429: 420: 419: 415: 408: 404: 397: 393: 386: 382: 375: 371: 364: 360: 353: 349: 342: 338: 332: 328: 324: 316: 306: 261: 230: 29: 12: 11: 5: 509: 507: 499: 498: 493: 488: 483: 473: 472: 468: 467: 456: 438: 413: 402: 391: 380: 369: 358: 347: 336: 325: 323: 320: 315: 312: 311: 310: 305: 302: 301: 300: 295: 287: 282: 277: 272: 260: 257: 191: 190: 184: 174: 168: 162: 144: 143: 140: 134: 131: 128: 125: 122: 119: 116: 113: 107: 104: 101: 98: 95: 92: 41:French Embassy 28: 25: 13: 10: 9: 6: 4: 3: 2: 508: 497: 494: 492: 489: 487: 486:Living people 484: 482: 479: 478: 476: 465: 460: 457: 454: 450: 447: 442: 439: 428:on 2015-06-21 427: 423: 417: 414: 411: 406: 403: 400: 395: 392: 389: 384: 381: 378: 373: 370: 367: 362: 359: 356: 351: 348: 345: 340: 337: 334: 330: 327: 321: 319: 313: 308: 307: 303: 299: 296: 294: 291: 288: 286: 283: 281: 278: 276: 273: 271: 267: 263: 262: 258: 256: 254: 250: 246: 245:Bleu de Chine 242: 236: 234: 228: 224: 220: 216: 212: 208: 204: 200: 196: 188: 185: 183:, Paris, 2002 182: 181:Espace Cardin 178: 177:Paris-Beijing 175: 172: 169: 166: 163: 161:, Paris, 1999 160: 157: 156: 155: 153: 149: 141: 138: 135: 132: 129: 126: 123: 120: 117: 114: 111: 110:Wang Qingsong 108: 105: 102: 99: 96: 93: 90: 87: 86: 85: 82: 80: 75: 73: 69: 65: 60: 58: 54: 50: 46: 42: 38: 34: 26: 24: 22: 18: 464:Galerie Loft 459: 441: 430:. Retrieved 426:the original 416: 405: 394: 383: 372: 361: 350: 339: 329: 317: 259:Bibliography 237: 192: 186: 176: 170: 164: 158: 145: 137:Lin Tianmiao 83: 76: 61: 30: 16: 15: 481:1955 births 314:Filmography 152:foundations 57:exhibitions 35:Promo 1978 475:Categories 432:2010-09-22 322:References 233:Guy Ullens 227:LibĂ©ration 207:Guy Ullens 89:Zhao Bandi 64:collection 223:Le Figaro 195:gallerist 79:Ai Weiwei 27:Biography 449:Archived 304:Articles 213: : 199:movement 49:Paraguay 45:Asuncion 270:YouTube 211:Beijing 148:museums 37:Harvard 165:Futuro 68:expert 266:Video 171:China 53:Japan 33:ESCP 268:on 255:). 229:). 150:or 47:in 43:of 477:: 292:, 251:, 217:, 179:, 435:.

Index

Chinese contemporary art
ESCP
Harvard
French Embassy
Asuncion
Paraguay
Japan
exhibitions
collection
expert
Chinese contemporary art
Ai Weiwei
Zhao Bandi
Wang Qingsong
Lin Tianmiao
museums
foundations
Espace Cardin
gallerist
movement
Figuration Narrative
Guy Ullens
Beijing
Christine Buci-Glucksmann
Pierre Cornette de Saint Cyr
Le Figaro
Libération
Guy Ullens
european newspapers
Bleu de Chine

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