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Considered for years as one of the best French engravers, he last exhibited at the 1865 Paris Salon after a major output, principally in aquatint. Art criticism early in the 20th century held that he raised that medium to such a level of perfection that it ended up losing its natural expression. His
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and etching. Jean-Pierre-Marie Jazet mainly produced his compositions at night. He mainly worked on genres favoured by his uncle and sold them to print dealers to help his mother financially. Later, still faithful to his master, he accompanied him until his death - Debucourt, who could no longer
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Jean-Pierre-Marie Jazet married Félicité Moreau. Their two sons
Alexandre-Jean-Louis (born 10 May 1814) and Eugène-Pontus (born 1 May 1816) were both engravers, whilst their daughter Louise-Georgina (born 29 September 1822) married Théodore Vibert, with whom she had
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To sell prints drawn from matrices which formed his oeuvre and to keep up and expand his presence in the art market, Jazet was mainly his own editor, working from 71 fauborg Saint-Martin then 7
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After his father's death, Jean-Pierre-Marie was raised by his mother's brother
Debucourt, becoming one of his best pupils. For his art, Jazet learned and used
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His father was Jean-Marie Jazet, verifier of the crown's buildings, who was mortally wounded in 1793 by an exploding cannon whilst serving in the Paris
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Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs & graveurs de tous les temps et de tous les pays
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Jazet began exhibiting in 1817. He began his peak period two years later with engravings after
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work, had spent considerable sums and his nephew helped him to end his life peacefully.
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686:, Paris, Editions du Comité des travaux historiques et scientifiques, 2017.
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636:« Les Marques de Collections de Dessins & d'Estampes: L.4741
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34:(31 July 1788 – 16 August 1871) was a French engraver known for his
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last works were sometimes qualified by a "regrettable weakness".
619:"Les Marques de Collections de Dessins & d'Estampes: L.4741"
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La forme des réseaux : France et Europe (xe – xxe siècle)
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La maison Goupil, galerie d'art internationale au XIXe siècle
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A young woman watching from a beach while a rowing boat carr.
698:État-civil de la ville de Paris, 9e and 17e arrondissements.
654:, Paris, Librairie de L. Hachette et Cie, p. 1068 et 1071.
358:The Studio of Horace Vernet (Interior of a Studio)
145:, Jazet himself published almost exclusively via
670:, Le Kremlin-BicĂŞtre, Mare & Martin, 2016.
133:. Next he published via Aumont & Cie and
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652:Dictionnaire du commerce et des marchandises
377:Battle between Papal Dragoons and Brigands
712:"Salons 1673-1914, salons.musee-orsay.fr"
214:Marshal Monsey at the barrière de Clichy
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126:gained him a major reputation.
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286:Don Quixote with the Shepherds
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782:19th-century French engravers
379:, after Horace Vernet. (1840)
104:The Bivouac of Colonel Moncey
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362:Metropolitan Museum of Art
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84:The Coronation of Napoleon
324:Returning from the Church
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536:Study of a Russian horse
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751:Jean-Pierre Marie Jazet
341:, after Horace Vernet,
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216:, after Horace Vernet,
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32:Jean-Pierre-Marie Jazet
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621:. Fondation Custodia.
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233:The Death of Napoleon
183:2nd class medal, 1819
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753:at Wikimedia Commons
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418:Joseph-Denis Odevear
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650:Edmond de Granges,
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339:Arabs in their Camp
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120:First French Empire
79:Jacques-Louis-David
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178:Recognition
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544:References
519:, (1832),
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116:Napoleon I
44:mezzotints
40:aquatints
23:Jazet by
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239:. (1860)
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36:etchings
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195:Gallery
71:stipple
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151:Yerres
67:burin
106:and
50:Life
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
