361:, Melbourne in 1985. She underwent a cataract operation in 1991 and created a large mural-size painting after her sight was corrected. A retrospective of her work was held at the Campbelltown City Bicentennial Art Gallery five years later. In 1998 the writers Christine France and Caroline Simpson produced an essay on Appleton called
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performing due to her great-aunt Agnes
Blackwood. She was educated at the small Haberfield Private School, and was disciplined for drawing in her study books; she wanted to become an artist during her childhood. After she earned an intermediate certificate with an A in arts in 1928, Appleton enrolled at the
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exhibition to attempt to arouse her interest, with no success. The arrival of the
English painter Douglas Dundas in 1930 greatly influenced her. Appleton graduated with a diploma in drawing and illustration in 1933 and earned a college scholarship. After she observed impressionist prints lying in an
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Appleton preferred to work with oils and watercolour; she also exhibited works in charcoal, pastel, pencil and India ink. Describing painting as "a very personal thing" with "a poetry in painting" and "a love affair", one of her favourite subjects concerned bottles. In 1942, Appleton went away from
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to which her father objected. Appleton shared and worked in a studio in Quay with fellow painter
Dorothy Thornhill, and earned capital by creating textile patterns. She made multiple unsuccessful attempts to obtain the New South Wales Government Travelling Scholarship. After her father died in 1935
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She was described as an individual who was admired professionally; according to the painter
Elizabeth Cummings, Appleton was not didactic and had an interest in exploration to enough of an extent that her "thinking was always moving." The interviewer Willi Carney calls her "self-reliant" and an
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on 13 September 1911. She was the second of three children and the only daughter of
Charles Appleton and Elizabeth Appleton (née Macredie). Her father encouraged her to read books, and her elder brother Frederick instilled a sense of adventure into her. Appleton had a lifelong interest in the
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broke out, Appleton returned to
Australia in 1940, to teach art at three public schools to allow for the continuation of her work and assisted in the war effort by studying vocational therapy. Her work received a large amount of recognition from the art industry, and she earned four prizes.
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in 1965. Her family spent time back in
England during the 1960 before residing in Australia due to alienation of the decade's art styles. Appleton was represented on the Print Council of Australia Exhibition in 1968 after she had become interested in
238:(now the National Art School) to commence a five-year diploma course in art. Appleton's parents supported her career choice; she believed her father had not taken her ambitions in art seriously for fear she would be married and find art as a hobby.
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to assume Wilson's former teaching position in 1946 before switching to the East Sydney
Technical College the following year. The money Appleton accumulated allowed her to construct and purchase a house in
197:. She worked with oils, watercolour, charcoal, pastel, pencil and India ink. The second of three children and an only daughter, Appleton did a five-year diploma course in drawing and illustration at the
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caused
Appleton's mother to become anxious and wanted her daughter to return to Australia. She went to the Centenary Cézanne Exhibition, galleries in Luxembourg, and art in Italy before doing so.-
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Appleton's work received much recognition from the art industry; she won the
Rockdale Art Prize in 1958, the D'Arcy Morris Memorial Prize two years later, the Bathurst Art Prize in 1961 and the
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and did a course in vocational therapy because its director wanted volunteers to assist her. Appleton was granted a full-time position until 1945. She moved to teaching at the
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rounded geometric forms that she learnt during her time in London to an increasingly decorative and schematic cubist style and experienced with a lighter colour scheme.
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after they had met on her trip to Europe in 1951. They have one daughter, Elisabeth Green von Krusenstiena, who would become a Buddhist nun in
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her mother was persuaded by Appleton's aunt to allow her daughter to travel to England by cargo ship with a minor income allowance.
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393:"assured yet modest lady who deserves to be recognised as one of our most significant living artists."
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Jean Appleton interviewed by Hazel de Berg for the Hazel de Berg collection [sound recording]
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In that era, teaching was a venture that allowed artists to continue working; Appleton taught at the
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262:'s morning and evening classes over the next three years from 1936. She was educated by the painters
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365:. After an exhibition of her work to the conclusion of the Second World War at the Sturt Gallery in
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Appleton was married two times. In 1943, she married the painter Eric Wilson. He died from
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She remembered her first teachers and the atmosphere as uninspiring, and ventured to the
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the following year and befriended several Tibetan refugees. Appleton exhibited with the
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department store, she became preoccupied about venturing to Europe and studying
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in 2000, Appleton died in hospital in Bowral on 11 June 2003.
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at Glasgow's British Empire Exhibition in 1938. The impending
189:(13 September 1911 – 11 June 2003) was an Australian painter,
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Dictionary of Women Worldwide: 25,000 Women Through the Ages
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Appleton found affordable accommodation and enrolled at the
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in 1946. Six years later, Appleton married the painter
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to renew interest in the formal structure of her work.
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in Sydney that same year. She became interested in the
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282:She was part of a team of Australian artists (
270:. Appleton completed Australia's two earliest
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208:where she produced Australia's two earliest
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753:. Design and Art Australia Online. 1999.
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466:Fortescue, Elizabeth (7 September 2001).
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583:"Quiet, but dedicated to life as artist"
506:"Jean Appleton: Painting for a Lifetime"
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168: 1952; died 1981)
143: 1943; died 1946)
931:21st-century Australian women artists
926:20th-century Australian women artists
781:Harding, Lesley; Cramer, Sue (2009).
757:from the original on 16 November 2019
724:from the original on 16 November 2019
651:from the original on 16 November 2019
595:from the original on 16 November 2019
442:from the original on 16 November 2019
346:before ceasing the activity in 1980.
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712:Smee, Sebastian (11 February 2000).
673:de Berg, Hazel (10 September 1962).
581:France, Christine (9 August 2003).
787:. Melbourne, Victoria, Australia:
389:. Green died from cancer in 1981.
363:Jean Appleton: A Lifetime with Art
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946:Australian expatriates in England
113:Painter, Art teacher, Printmaking
951:20th-century Australian painters
921:21st-century Australian painters
936:Australian emigrants to England
523:– via Gale OneFile: News.
486:– via Gale OneFile: News.
201:(now the National Art School).
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751:"Jean Appleton b. 1911 Artist"
300:International Wool Secretariat
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941:Australian emigrants to India
643:Carney, Willi (18 May 1992).
373:Personal life and personality
311:Canberra Girls Grammar School
236:East Sydney Technical College
199:East Sydney Technical College
96:East Sydney Technical College
865:National Gallery of Victoria
430:"Appleton, Jean (1911–2003)"
349:She visited her daughter in
75:, New South Wales, Australia
966:21st-century women painters
961:20th-century women painters
870:Jean Appleton self-portrait
784:Cubism & Australian Art
732:– via Newspapers.com.
339:Portia Geach Memorial Award
982:
956:Australian modern painters
916:National Art School alumni
647:. Australian Art Gallery.
248:Anthony Hordern & Sons
906:Australian women painters
808:– via Google Books.
718:The Sydney Morning Herald
588:The Sydney Morning Herald
260:Westminster School of Art
225:Appleton was born in the
206:Westminster School of Art
101:Westminster School of Art
54:Ashfield, New South Wales
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714:"Art for the life of it"
682:. NLA Digital Collection
323:Julian Ashton Art School
901:Australian art teachers
821:Southern Highlands News
911:Australian printmakers
512:Southern Highland News
836:Sydney Morning Herald
359:Jim Alexander Gallery
791:. pp. 122–130.
896:Artists from Sydney
789:The Miegunyah Press
515:. 18 September 2001
475:The Daily Telegraph
438:. 3 November 2019.
315:Macquarie Galleries
16:Australian painter
834:"Death notices".
819:"Death notices".
798:978-0-522-85673-6
680:(Sound recording)
469:"The other women"
280:Painting IX 1937.
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50:13 September 1911
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802:. Retrieved
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759:. Retrieved
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690:– via
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332:Paul Cézanne
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292:Arthur Murch
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268:Mark Gertler
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212:. After the
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67:(2003-06-11)
65:11 June 2003
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891:2003 deaths
886:1911 births
804:16 November
761:16 November
728:16 November
686:16 November
655:16 November
599:16 November
519:16 November
482:16 November
446:16 November
355:North India
351:Dharamshala
344:printmaking
296:Eric Wilson
274:in London,
191:art teacher
129:Eric Wilson
81:Nationality
56:, Australia
880:Categories
406:References
319:war effort
252:modern art
229:suburb of
195:printmaker
84:Australian
46:1911-09-13
383:Tom Green
367:Mittagong
221:Biography
154:Tom Green
755:Archived
722:Archived
649:Archived
593:Archived
440:Archived
397:Analysis
387:Canberra
231:Ashfield
177:Children
170:
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118:Spouses
856:Artnet
795:
328:Pymble
227:Sydney
73:Bowral
863:from
854:from
692:Trove
164:(
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139:(
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806:2019
793:ISBN
763:2019
730:2019
688:2019
657:2019
601:2019
521:2019
484:2019
448:2019
294:and
278:and
266:and
193:and
62:Died
40:Born
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