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69:, Duchess of Bar, and later to the King. As reward for their services, Jean and Bourgot were given a house in Paris in 1358 by the King's son, the future
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122:"Probably Jean Le Noir, his daughter Bourgot, and his workshop: Psalter and Hours of Bonne de Luxembourg, Duchess of Normandy (69.86)"
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100:"Bonne de Luxembourg's Three Living and Three Dead: Abnormal Decomposition"
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128:. The Metropolitan Museum of Art: The Metropolitan Museum of Art. 2010
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active in Paris between 1335 and 1380. He was a pupil of
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28:(c. 1348–49, New York, The Cloisters, Inv. 69. 86.)
182:L'enluminure à la cour de France au XIVe siècle
289:Petites Heures of Jean de France, Duc de Berry
346:Belles Heures of Jean de France, Duc de Berry
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215:Manuscript Painting at the Court of France
195:La peinture médiévale à Paris, 1300–1500
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316:Les Très Belles Heures du duc de Berry
81:, who also held them in high esteem.
197:, Paris, Bibliothèque des arts, 1990.
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299:Les Très Belles Heures de Notre-Dame
67:Yolande of Flanders, Countess of Bar
153:The Oxford Companion to Western Art
62:) assisted with much of his work.
22:The Three Living and the Three Dead
352:Très Riches Heures du Duc de Berry
329:Les Grandes Heures du duc de Berry
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126:Heilbrunn Timeline of Art History
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45:Psalter of Bonne de Luxembourg
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65:In 1331 he was in service to
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98:Reilly, Candace A. (2011).
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47:(c. 1348–1349, New York,
283:Hours of Jeanne d'Evreux
54:Jean le Noir's daughter
228:The Cloisters, New York
43:. His main work is the
407:Master of the Parement
208:Les primitifs flamands
37:manuscript illuminator
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210:, Paris, Hazan, 1992.
184:, Paris, ChĂŞne, 1978.
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392:Jacquemart de Hesdin
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397:Pseudo-Jacquemart
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157:. Retrieved
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33:Jean Le Noir
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285:(1324–1328)
270:(1340–1416)
201:(in French)
188:(in French)
178:(in French)
147:Tolley, T.
427:Categories
358:1411–1416)
342:1407–1409)
312:1389–1409)
295:1375–1390)
159:6 February
132:6 February
85:References
71:Charles V
77:for the
75:Bourges
56:Bourgot
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161:2013
134:2013
110:(7).
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