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491:, who would prove to be a great admirer and public champion of Chardin's work. Beginning in 1761, his responsibilities on behalf of the Salon, simultaneously arranging the exhibitions and acting as treasurer, resulted in a diminution of productivity in painting, and the showing of 'replicas' of previous works. In 1763 his services to the Académie were acknowledged with an extra 200 livres in pension. In 1765 he was unanimously elected associate member of the Académie des Sciences, Belles-Lettres et Arts of Rouen, but there is no evidence that he left Paris to accept the honor. By 1770 Chardin was the 'Premier peintre du roi', and his pension of 1,400 livres was the highest in the academy. In the 1770s his eyesight weakened and he took to painting in
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that dominated French art in the 18th century. At a time when history painting was considered the supreme classification for public art, Chardin's subjects of choice were viewed as minor categories. He favored simple yet beautifully textured still lifes, and sensitively handled domestic interiors and
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in 1728, he was admitted to the Académie Royale de
Peinture et de Sculpture. The following year he ceded his position in the Académie de Saint-Luc. He made a modest living by "produc paintings in the various genres at whatever price his customers chose to pay him", and by such work as the restoration
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is the most elaborate. Scenes such as these derived from 17th-century
Netherlandish vanitas works, which bore messages about the transitory nature of human life and the worthlessness of material ambitions, but Chardin's also display a delight in the ephemeral phases of childhood for their own sake.
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and P.-L. Sugurue), which brought
Chardin income in the form of "what would now be called royalties". In 1744 he entered his second marriage, this time to Françoise-Marguerite Pouget. The union brought a substantial improvement in Chardin's financial circumstances. In 1745 a daughter,
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According to one nineteenth-century writer, at a time when it was hard for unknown painters to come to the attention of the Royal
Academy, he first found notice by displaying a painting at the "small Corpus Christi" (held eight days after the regular one) on the
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80:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG).
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454:. He would prove to be a "dedicated academician", regularly attending meetings for fifty years, and functioning successively as counsellor, treasurer, and secretary, overseeing in 1761 the installation of Salon exhibitions.
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Chardin frequently painted replicas of his compositions—especially his genre paintings, nearly all of which exist in multiple versions which in many cases are virtually indistinguishable. Beginning with
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In
November 1731 his son Jean-Pierre was baptized, and a daughter, Marguerite-Agnès, was baptized in 1733. In 1735 his wife Marguerite died, and within two years Marguerite-Agnès had died as well.
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by Louis XV. In 1756 Chardin returned to the subject of the still life. At the Salon of 1759 he exhibited nine paintings; it was the first Salon to be commented upon by
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Chardin entered into a marriage contract with
Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters
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A child playing was a favourite subject of
Chardin. He depicted an adolescent building a house of cards on at least four occasions. The version at
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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paintings which depict kitchen maids, children, and domestic activities. Carefully balanced composition, soft diffusion of light, and granular
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592:(ca. 1733), which may have been his first attempt, was followed by half-length compositions of children saying grace, as in
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Content in this edit is translated from the existing French
Knowledge (XXG) article at ]; see its history for attribution.
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Artcylopedia: Jean-Baptiste Siméon
Chardin – identifies where Chardin's work is in galleries and museums around the world
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The name "Baptiste" was erroneously added to his name through a notarial mistake. See the documentation in
Rosenberg,
1582:(exposition catalogue). Paris; Cleveland, OH: Édition de la Réunion des musées nationales; Cleveland Museum of Arts.
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Largely self-taught, Chardin was greatly influenced by the realism and subject matter of the 17th-century
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Chardin worked very slowly and painted only slightly more than 200 pictures (about four a year) in total.
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Chardin's influence on the art of the modern era was wide-ranging and has been well-documented.
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1008:(1756), oil on canvas, 38 × 46 cm., Musée des Beaux-Arts de Carcassonne
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The Unknown Matisse: A Life of Henri Matisse, the Early Years, 1869–1908
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Chardin's work gained popularity through reproductive engravings of his
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359:, the son of a cabinetmaker, and rarely left the city. He lived on the
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to the source of your translation. A model attribution edit summary is
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1511:, New Criterion. Requires subscription. Retrieved 15 October 2008.
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Enameled box and other objects painted after the style of Chardin
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1023:(ca, 1760), oil on canvas, 38 x 46 cm., private collection
328:; November 2, 1699 – December 6, 1779) was an 18th-century
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masters. Despite his unconventional portrayal of the ascendant
464:(1707–1791), 2nd wife of Chardin (1775), pastel, 46 x 38 cm.,
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at top right). His works in pastels are now highly valued.
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are equally indebted to their predecessor. He was one of
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Basket of Peaches, with Walnuts, Knife and Glass of Wine
1215:"The Metropolitan Museum of Art – Special Exhibitions"
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Angélique-Françoise, was born, but she died in 1746.
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Beginning in 1737 Chardin exhibited regularly at the
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a machine-translated version of the French article.
1829:The Attributes of Music, the Arts and the Sciences
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502:In 1772 Chardin's son, also a painter, drowned in
1619:Rosenberg, Pierre, and Florence Bruyant (2000),
990:(ca. 1753), oil on canvas, 43 x 47.3 cm.,
573:, early support came from patrons in the French
371:granted him a studio and living quarters in the
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880:(ca. 1738), oil on canvas, 46.2 x 37 cm.,
768:(ca. 1728), oil on canvas, 55.7 x 46 cm.,
700:, in the chapter "How to open your eyes?" from
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730:(ca. 1727), oil on canvas., 81 x 65 cm.,
98:accompanying your translation by providing an
60:Click for important translation instructions.
47:expand this article with text translated from
1837:The Attributes of Civilian and Military Music
1726:
1288:
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1126:The Attributes of Civilian and Military Music
1110:(1769), oil on canvas, 68.6 x 58.4 cm.,
1074:(1766), oil on canvas, 112 x 140.5 cm.,
1056:(1765), oil on canvas, 32.4 x 41.9 cm.,
934:(1741), oil on canvas, 64.5 x 76.5 cm.,
842:(ca. 1734), oil on canvas, 41 × 47 cm.,
750:(1727), oil on canvas, 114.5 x 146 cm.,
545:Chardin's work had little in common with the
483:In 1752 Chardin was granted a pension of 500
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1380:Morris, Roderick Conway (22 December 2010).
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898:(1738–39), oil on canvas, 47 x 38 cm.,
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804:(1733), oil on canvas, 146 x 147 cm.,
786:(1731), oil on canvas, 141 x 219 cm.,
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1453:, Weidenfeld & Nicolson, 2003, p. 414.
1382:"Chardin's Enchanting and Ageless Moments"
1363:"WebMuseum: Chardin, Jean-Baptiste-Siméon"
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1092:(1768), oil on canvas, 32 x 39 cm.,
1038:(1763), oil on canvas, 47 x 56 cm.,
954:(1744), oil on canvas, 50 x 38 cm.,
916:(1739), oil on canvas, 47 x 38 cm.,
860:(1737), oil on canvas, 80 x 65 cm.,
686:painted and etched several copies after
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1669:WebMuseum: Jean-Baptiste-Siméon Chardin
1496:Rosenberg and Bruyant, pp. 187 and 242.
1431:Chardin at the Museo Thyssen-Bornemisza
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1072:Still Life with Attributes of the Arts
1695:Dictionary of pastellists before 1800
1548:, illustrated. Alfred A. Knopf, 2005.
416:(ca. 1779), pastel, 40.5 x 32.5 cm.,
386:, and in 1724 became a master in the
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110:{{Translated|fr|Jean Siméon Chardin}}
7:
932:Portrait of Auguste Gabriel Godefroy
535:(1760), oil on canvas, 57 x 52 cm.,
521:(1758), oil on canvas, 57 x 51 cm.,
1108:Still Life with Fish and Vegetables
475:paintings (made by artists such as
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1677:124 works by Jean Siméon Chardin.
1623:. London: Royal Academy of Arts.
1600:– via the Internet Archive.
1487:Rosenberg and Bruyant, pp. 68–70.
1895:18th-century French male artists
1675:Jean-Baptiste-Simeon-Chardin.org
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335:. He is considered a master of
1421:Rosenberg and Bruyant, p. 190.
1190:"Jean Baptiste Simeon Chardin"
556:Still Life with a Smoker's Box
108:You may also add the template
1:
1704:Boy Building a House of Cards
1319:Rosenberg and Bruyant, p. 32.
1310:Rosenberg and Bruyant, p. 23.
1301:Rosenberg and Bruyant, p. 20.
1292:Rosenberg and Bruyant, p. 56.
1021:A Basket of Wild Strawberries
784:The Attributes of Exploration
708:À la recherche du temps perdu
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440:at the Galerie François I at
1870:18th-century French painters
1565:Jean-Baptiste Siméon Chardin
992:Museum of Fine Arts, Houston
728:Dead Rabbit and Hunting Gear
602:colors, but one paints with
339:, and is also noted for his
1687:Web Gallery of Art: Chardin
1468:collection.waddesdon.org.uk
1006:The Preparations of a Lunch
462:Françoise-Marguerite Pouget
121:Knowledge (XXG):Translation
1911:
1885:French still life painters
1658:Metropolitan Museum of Art
1604:Rosenberg, Pierre (2000),
1244:Fournier, Edouard (1862).
918:National Gallery of Canada
896:The Return from the Market
624:National Gallery of Canada
72:Machine translation, like
27:French painter (1699–1779)
414:Self Portrait at an Easel
325:[ʒɑ̃simeɔ̃ʃaʁdɛ̃]
310:
294:
241:Painting: still life and
206:Saint-Germain l'Auxerrois
145:
49:the corresponding article
1789:The Young Schoolmistress
1535:, Hilary Spurling, p. 86
692:National Gallery, London
688:The Young Schoolmistress
477:François-Bernard Lépicié
1805:Boy with a Spinning-Top
1440:Retrieved 15 July 2007.
1269:National Gallery of Art
1246:"Histoire du Pont-Neuf"
1164:Encyclopædia Britannica
1133:Soap Bubbles (painting)
974:National Gallery of Art
936:São Paulo Museum of Art
826:National Gallery of Art
658:and the still lifes of
347:characterize his work.
119:For more guidance, see
1546:Lucian Freud 1996–2005
1058:Chrysler Museum of Art
877:Woman Cleaning Turnips
806:Schloss Charlottenburg
788:Musée Jacquemart-André
703:In Search of Lost Time
647:
590:Woman Sealing a Letter
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525:
523:Art Gallery of Ontario
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155:, 1771, pastel, Louvre
1663:Getty Museum: Chardin
1649:at Wikimedia Commons
1264:"Jean Siméon Chardin"
844:Tokyo Fuji Art Museum
766:Glass Flask and Fruit
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423:Upon presentation of
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388:Académie de Saint-Luc
232:Académie de Saint-Luc
92:copyright attribution
1875:French male painters
1508:The Splendid Chardin
1112:J. Paul Getty Museum
380:Pierre-Jacques Cazes
355:Chardin was born in
224:Pierre-Jacques Cazes
1797:Girl with a Racquet
1742:Jean Siméon Chardin
1647:Jean Siméon Chardin
1608:. Munich: Prestel.
1159:Jean Siméon Chardin
970:The Attentive Nurse
656:Boy Blowing Bubbles
384:Noël-Nicolas Coypel
317:Jean Siméon Chardin
228:Noël-Nicolas Coypel
140:Jean Siméon Chardin
18:Jean Simeon Chardin
1706:at Waddesdon Manor
1654:Chardin exhibition
1578:Chardin, 1699–1779
1451:Art: A New History
1436:2007-09-27 at the
1386:The New York Times
1352:Rosenberg, p. 184.
1340:Rosenberg, p. 183.
1328:Rosenberg, p. 182.
1177:Chardin, 1699–1779
1140:The House of Cards
988:The Good Education
840:The Drawing Lesson
802:Sealing the Letter
648:
579:The Copper Cistern
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100:interlanguage link
1847:
1846:
1645:Media related to
1572:Rosenberg, Pierre
1544:Smee, Sebastian,
1412:Rosenberg, p. 71.
1394:on 1 January 2022
1234:Rosenberg p. 179.
1221:on 12 March 2001.
367:until 1757, when
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16:(Redirected from
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1396:. Retrieved
1391:the original
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250:Notable work
188:(1779-12-06)
175:Rue de Seine
152:
133:
96:edit summary
87:
56:(April 2015)
54:
46:
1865:1779 deaths
1860:1699 births
1784:(1733–1740)
1398:24 December
1367:ibiblio.org
586: 1735
575:aristocracy
571:bourgeoisie
567:Low Country
212:Nationality
1854:Categories
1757:The Buffet
1598:1148189380
1555:References
1250:google.com
1036:La Brioche
682:. In 1999
432:The Buffet
337:still life
167:1699-11-02
1792:(c. 1736)
1776:(1733–34)
1749:Paintings
1702:Chardin,
638:Influence
444:in 1731.
400:Pont Neuf
361:Left Bank
300:Patron(s)
220:Education
114:talk page
51:in French
1800:(c.1737)
1574:(1979).
1473:12 April
1434:Archived
1119:See also
438:frescoes
398:(by the
369:Louis XV
305:Louis XV
281:Movement
90:provide
1765:The Ray
1656:at the
1621:Chardin
1606:Chardin
1523:Wilkin.
1161:at the
747:The Ray
714:Gallery
604:feeling
600:employs
493:pastels
436:of the
426:The Ray
404:Van Loo
345:impasto
333:painter
321:French:
285:Baroque
259:The Ray
112:to the
94:in the
53:.
1840:(1766)
1832:(1764)
1824:(1740)
1816:(1738}
1808:(1738)
1768:(1728)
1760:(1728)
1627:
1612:
1596:
1586:
1275:25 May
1094:Louvre
1040:Louvre
900:Louvre
862:Louvre
752:Louvre
732:Louvre
668:Louvre
632:Louvre
628:Ottawa
537:Louvre
504:Venice
485:livres
466:Louvre
418:Louvre
373:Louvre
330:French
289:Rococo
215:French
194:Louvre
1147:Notes
473:genre
452:Salon
363:near
357:Paris
341:genre
243:genre
74:DeepL
1625:ISBN
1610:ISBN
1594:OCLC
1584:ISBN
1475:2017
1400:2010
1277:2020
510:Work
429:and
382:and
351:Life
183:Died
161:Born
88:must
86:You
67:View
694:).
606:."
402:).
76:or
1856::
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1563::
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626:,
583:c.
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20:)
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