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Jean Rousset

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351: 87:, was an immense critical success. It was one of the first studies to use the term "baroque" – which had been, up to that point, used exclusively in art history – to refer to literary works. Under the signs of the sorceress 103:, Rousset explored movement, instability, ostentation, decoration and metamorphosis in the plays, novels and poetry of the period. He would return to the same period in his 130:, Rousset focussed on formal elements such as narrative structure in determining the meaning of a work. He would continue on this formal and 42: 341: 306: 346: 38: 336: 356: 292: 212: 139: 153:
His later works of theory and criticism were however less centered on a purely structural approach. His
202: 331: 326: 100: 80: 158: 127: 72: 26: 147: 30: 183: 64: 287: 165:, was a final assessment of theory and theoretical debates concerning the baroque period. 115: 277:
This article is based on the biography published on Rousset's editor's site (see below).
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Jean Rousset began his studies in law, before changing to literature. He studied under
198: 123: 122:. Distancing himself from the phenomenological approach of his friends and associates 68: 320: 310: 265: 260: 146:. In this way, his work of this period shares many characteristics with the work of 119: 52: 47: 83:. His thesis on French literature of the baroque period, published under the title 187: 105:
L’IntĂ©rieur et l’extĂ©rieur : essais sur la poĂ©sie et le théâtre au XVII siècle
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Members of the Académie royale de langue et de littérature françaises de Belgique
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L’Intérieur et l’extérieur: essais sur la poésie et le théâtre au XVIIe siècle
155:"Leurs yeux se rencontrèrent" : la scène de première vue dans le roman 296:. Trans. Alan Bass. Chicago: University of Chicago Press, 1978. 3–30. 92: 34: 136:
Narcisse romancier : essai sur la première personne dans le roman
227: 220:"Leurs yeux se rencontrèrent": la scène de première vue dans le roman 76: 88: 182:
Forme et signification, essais sur les structures littéraires de
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La LittĂ©rature de l’âge baroque en France : CircĂ© et le paon
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Narcisse romancier: essai sur la première personne dans le roman
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La Littérature de l’âge baroque en France: Circé et le paon
22:(20 February 1910 – 15 September 2002) was a 118:has called it one of the principal works of early 99:), and following the art historical analysis of 8: 71:and after working as a French lecturer in 236:Anthologie de la PoĂ©sie baroque française 114:explored new theoretical possibilities; 7: 243:Passages, Ă©changes et transpositions 45:. He is sometimes grouped with the 290:. "Force and Signification". In 14: 16:Swiss literary critic (1910–2002) 161:" in the novel. His last book, 157:explored the common place of " 1: 249:Dernier regard sur le baroque 163:Dernier regard sur le baroque 138:(which explored the role of 373: 79:, became professor at the 110:His 1963 work, his book 342:Swiss writers in French 37:literature of the late 33:, and in particular on 347:Swiss literary critics 293:Writing and Difference 226:Le Lecteur intime, de 213:first person narration 140:first person narration 112:Forme et signification 313:editions (in French) 81:University of Geneva 337:Writers from Geneva 159:love at first sight 128:Jean-Pierre Richard 91:and the ornamental 43:seventeenth century 357:Swiss male writers 203:Jean de La Ceppède 144:Le Lecteur intime 101:Heinrich Wölfflin 31:French literature 364: 288:Derrida, Jacques 134:approach in his 65:Albert Thibaudet 372: 371: 367: 366: 365: 363: 362: 361: 317: 316: 303: 284: 282:Further reading 274: 257: 171: 142:in novels) and 116:Jacques Derrida 61: 51:and with early 27:literary critic 17: 12: 11: 5: 370: 368: 360: 359: 354: 349: 344: 339: 334: 329: 319: 318: 315: 314: 302: 301:External links 299: 298: 297: 283: 280: 279: 278: 273: 270: 269: 268: 263: 256: 253: 252: 251: 245: 239: 232: 222: 216: 205: 199:Jean de Sponde 191: 178: 170: 167: 148:GĂ©rard Genette 132:narratological 124:Georges Poulet 69:Marcel Raymond 60: 57: 29:who worked on 15: 13: 10: 9: 6: 4: 3: 2: 369: 358: 355: 353: 350: 348: 345: 343: 340: 338: 335: 333: 330: 328: 325: 324: 322: 312: 308: 305: 304: 300: 295: 294: 289: 286: 285: 281: 276: 275: 271: 267: 266:New Criticism 264: 262: 261:Structuralism 259: 258: 254: 250: 246: 244: 240: 237: 233: 231: 229: 223: 221: 217: 214: 210: 206: 204: 200: 196: 192: 190: 189: 185: 179: 177: 173: 172: 168: 166: 164: 160: 156: 151: 149: 145: 141: 137: 133: 129: 125: 121: 120:structuralism 117: 113: 108: 106: 102: 98: 94: 90: 86: 82: 78: 74: 70: 66: 58: 56: 54: 53:Structuralism 50: 49: 48:Geneva School 44: 40: 36: 32: 28: 25: 21: 307:Jean Rousset 291: 248: 242: 235: 225: 219: 208: 194: 181: 175: 162: 154: 152: 143: 135: 111: 109: 104: 96: 84: 62: 46: 20:Jean Rousset 19: 18: 332:2002 deaths 327:1910 births 238:- anthology 39:Renaissance 321:Categories 311:JosĂ© Corti 272:References 230:au journal 41:and early 215:in novels 184:Corneille 59:Biography 309:site on 255:See also 247:1998 - 241:1990 - 234:1988 - 224:1986 - 218:1981 - 207:1972 - 193:1968 - 188:Claudel 180:1963 - 174:1953 - 93:peacock 35:Baroque 228:Balzac 77:Munich 211:- on 197:- on 169:Works 89:Circe 73:Halle 24:Swiss 201:and 150:. 126:and 97:paon 75:and 67:and 323:: 186:Ă  107:. 55:. 95:(

Index

Swiss
literary critic
French literature
Baroque
Renaissance
seventeenth century
Geneva School
Structuralism
Albert Thibaudet
Marcel Raymond
Halle
Munich
University of Geneva
Circe
peacock
Heinrich Wölfflin
Jacques Derrida
structuralism
Georges Poulet
Jean-Pierre Richard
narratological
first person narration
GĂ©rard Genette
love at first sight
Corneille
Claudel
Jean de Sponde
Jean de La Ceppède
first person narration
Balzac

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