170:. He did not share in current superstitions, he had no respect for established institutions, and he scorned the conventions of feudalism and romance. His poem shows in the highest degree, in spite of the looseness of its plan, the faculty of keen observation, of lucid reasoning and exposition, and it entitles him to be considered the greatest of French medieval poets. He handled the French language with an ease and precision unknown to his predecessors, and the length of his poem was no bar to its popularity in the 13th and 14th centuries.
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Part of its vogue was no doubt because the author, who had mastered practically all the scientific and literary knowledge of his contemporaries in France, had found room in his poem for a great amount of useful information and for numerous citations from classical authors. The book was attacked by
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Jean de Meun doubtless edited the work of his predecessor, Guillaume de Lorris, before using it as the starting-point of his own vast poem, running to 19,000 lines. The continuation of Jean de Meun is a satire on the monastic orders, on celibacy, on the nobility, the
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Most of his life seems to have been spent in Paris, where he possessed, in the Rue Saint-Jacques, a house with a tower, court and garden, which was described in 1305 as the house of the late Jean de Meun, and was then bestowed by a certain Adam d'Andely on the
166:"; Jean de Meun added an "art of love," describing with brutality the supposed vices of women and the means by which men may outwit them. Jean de Meun embodied the mocking, sceptical spirit of the
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in a fanciful miniature from the 15th-century manuscript Jena, Bibliothek der
Friedrich-Schiller-Universität, Ms. fol. 85
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Othmer MS 9 Le petit rosaire; Extract on
Alchemy from the Roman de la Rose at OPenn
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432:. Vol. 23 (11th ed.). Cambridge University Press. p. 510.
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Language and the
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in which he enumerates his earlier works, two of which are lost:
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Part of Jean's poem was translated into Middle
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Jean de Meun presents his French translation of
Boethius'
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112:. He was buried in the now-demolished church of Paris's
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300:(Gerald de Barri). His last poems are doubtless his
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446:Comprehensive bibliography on
396:. Princeton University Press.
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496:"Jean Clopinel de Meun"
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259:De consolatione philosophiae
180:Pèlerinage de la vie humaine
550:13th-century French writers
266:is preceded by a letter to
100:and a bitter critic of the
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565:13th-century French poets
390:Charles Dahlberg (1995).
256:. His translation of the
176:Guillaume de Deguileville
25:Consolation of Philosophy
16:French author (1240–1305)
423:"Roman de la Rose"
294:De Mirabilibus Hiberniae
98:Guillaume de Saint-Amour
429:Encyclopædia Britannica
393:The Romance of the Rose
373:Encyclopædia Britannica
211:The Romaunt of the Rose
545:French fantasy writers
476:Works by Jean de Meung
276:De spirituali amicitia
250:Bibliothèque Nationale
199:Épître au dieu d'amour
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560:French male novelists
502:Catholic Encyclopedia
467:Works by Jean de Meun
289:Topographia Hibernica
272:De spirituelle amitié
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298:Giraldus Cambrensis
282:(d. 1166), and the
252:has annotations by
132:Guillaume de Lorris
114:Dominican monastery
90:University of Paris
540:People from Loiret
280:Aelred of Rievaulx
195:Christine de Pisan
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555:French male poets
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471:Project Gutenberg
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222:Other works
216:F. S. Ellis
191:Jean Gerson
187: 1330
60: 1305
56: 1240
524:Categories
441:References
164:courtoisie
110:Dominicans
58: – c.
318:monorhyme
314:quatrains
310:Testament
306:Codicille
302:Testament
286:from the
274:from the
268:Philip IV
193:, and by
160:papal see
264:Boethius
254:Petrarch
234:Vegetius
168:fabliaux
140:Conradin
94:Rutebeuf
40:de Meung
505:. 1913.
487:at the
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246:Héloïse
242:Abélard
206:Chaucer
197:in her
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304:and
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