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follows Elliot Hill, a bass player and ex-junkie trudging the pub-rock circuit, who is invited to join a new band: fusing DJ artistry, voice and rhythm section, the group's hypnotic groove creation is augmented by a startling new recording technology. The band seems bound for success - until one of
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The Engine begins with Noon using an existing text and then applying different 'filter gates' that edit the text into something new. Examples of these gates include 'enhance' which creates elements of beauty in the text, and 'ghost edit'; this kills the text and calls up a ghost to haunt the text.
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sits apart from Noon's other published works. It is part anthology of poems and part instructional textbook for Noon's style of poetry. In it, he details his regimented methods for the creation of poetic text by a style of word play which lends its name to the title. Also included are various
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is a road novel set in a near-future world where information-based civilization is falling apart. It follows the journey of
Marlene, Henderson, and Peacock as they drive around England on a mission to gather fragments of a mirror that may be at the heart of the world's affliction.
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is the record
Marlene keeps - or tries to keep - of her quest to flee from her past. Despite her daily dose of Lucidity, Marlene is gradually succumbing to the malady, and it gets harder and harder to distinguish dream from reality, hallucinations from events.
441:
There are also references to popular musical figures, with two notable characters. Firstly, James
Marshall Hentrails, a sculpture made of rubbish, and who contains the insides (entrails) of a hen. This character is obviously a reference to
606:
and Noon. Only published online, this collection of short stories is set in a fictional
British apartment building and features stories about the lives of each inhabitant, to which each author contributed. No longer available online.
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primarily tells the story of a lottery in
Manchester involving dominos and a group attempting to crack the secrets of that lottery, but it also sets the background for much of the mythology found in the previous three books.
414:(a play-on-words of the job 'civil servant') are trying to control everything that happens in the future, and try to stop randomness. The 'Supreme Serpent' is the controller of the serpents, and hints at the fact that he is
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refers to a drug/shared alternate reality that is accessed by sucking on colour-coded feathers. Through some (never explained) mechanism, the dreams, mythology, and imaginings of humanity achieved objective reality in the
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Noon's first four novels, which share ongoing characters and settings, are commonly referred to as the 'Vurt series' (after the first novel). Although the fictional chronology leads from
311:. There is a Vurt film in the works, but as of the date of this writing, Jeff Noon has stated on his public website that "... all has gone silent at the moment. Don’t hold your breath."
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was expected to go into production in 2012. It may come to screens sometime in the future. The feature was based on the short story of the same name published in
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54:
407:), are hybrids of humans and other entities. They are mainly hybrids of animals and humans, but also of other random items such as kitchen sinks and pianos.
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them vanishes. Elliot's subsequent search draws him into a secret history of music that stretches back forty years and into his own past. Jeff Noon and
446:. The character also sings a song while playing the guitar. The song is titled 'Little Miss Bonkers', a reference to 'Little Miss Strange' by Hendrix.
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Secondly, the character of Long
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follows popstar Nola Blue on a journey of transformation as she begins to pick up signals on her skin. It was published as a
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tells the story of
Scribble and his "gang" the Stash Riders as they search for his missing sister Desdemona.
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On 28 August 2011, Noon began a
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1034:- An update on Jeff's current projects as of November 2011 from the author himself.
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Jeff also publishes "microfictions" set in
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as a "trequel" - it is a companion piece of sorts to Lewis
Carroll's books
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Needle in the Groove: if music were a drug, where would it take you
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and concerns the ongoing struggle between the real world and the
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world. When concerning the "vurtual" world, some references to
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himself. The writing style of Noon is very similar to that of
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1070:- Cobralingus Engine - Metamorphiction Process by Jeff Noon
888:, originally only available online, now no longer available
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Guardian Books Podcast: Science Fiction Now and Tomorrow
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Sam Leith's Top 10 Alternative Realities: The Guardian.
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Interview with Jeff surrounding Channel SK1N release,
1040:- Noon in The Guardian's Top 10 Alternative Realities.
1080:
Radio interview of Jeff Noon on Bookworm, April, 1996
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Novelist, playwright, screenwriter, musician, painter
1064:–A writing game devised by Steve Beard and Jeff Noon
1028:- Jeff Noon on The Guardian Books podcast, Jan 2012.
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Pixel Juice is a collection of fifty short stories.
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594:was a collaborative project between four authors,
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46:but its sources remain unclear because it lacks
363:(portrayed by the character John Barleycorn).
260:connects the series to the fictional world of
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8:
1051:Spike Magazine link collection for Jeff Noon
1032:What The Hell Ever Happened To... Jeff Noon?
1058:–An introduction to Jeff Noon and his works
403:(pronounced the same as the real condition
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941:(BBC Radio 3, 2005) - incidental music by
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307:and became "real". The book won the 1994
234:, the books were originally published as
77:Learn how and when to remove this message
1022:- Jeff Noon's Remixing Narrative Manual.
916:(May 2000- the show ran for three weeks)
548:edition of the book was illustrated by
522:, on Sulphur Records in the same year.
180:and playwright whose works make use of
1089:Internet Speculative Fiction Database
939:Dead Code - Ghosts of the Digital Age
200:. Prior to his relocation in 2000 to
7:
1016:- Official Microspores project site.
264:), serving as a 'trequel' [
176:, England) is a British novelist,
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387:Alice's Adventures in Wonderland
272:Alice's Adventures in Wonderland
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1286:English science fiction writers
959:(based on the play), known as
1:
1311:British weird fiction writers
867:, currently only available
552:and has an introduction by
399:The people who suffer from
113:1957 (age 66–67)
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970:Reported works in progress
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343:are noticeable, including
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1214:Short fiction collections
876:(2008) - co-written with
863:(2002) - co-written with
829:Short fiction collections
537:exemplars of this style.
393:Through the Looking-Glass
276:Through the Looking-Glass
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914:Vurt - The Theatre Remix
809:(2012), ASIN: B008RZD9ZI
32:This article includes a
1020:The Ghost On The B-Side
61:more precise citations.
1281:English male novelists
309:Arthur C. Clarke Award
1301:People from Droylsden
974:A film adaptation of
1173:Needle in the Groove
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920:Somewhere The Shadow
776:Needle in the Groove
565:Falling out of Cars
518:also released a CD,
511:Needle in the Groove
506:Needle in the Groove
498:Needle in the Groove
1180:Falling out of Cars
1068:Language is a Virus
791:Falling Out of Cars
634:Novels and novellas
577:Falling out of Cars
572:Falling out of Cars
270:] to Carroll's
190:speculative fiction
1204:Slow Motion Ghosts
943:The Durutti Column
814:Slow Motion Ghosts
558:Cobralingus Engine
473:is the prequel to
178:short story writer
34:list of references
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706:Nyquist Mysteries
556:, explaining the
554:Michael Bracewell
331:is the sequel to
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329:Pollen
318:(1995)
316:Pollen
285:(1993)
243:Pollen
232:Pollen
212:Novels
141:series
893:Plays
546:Codex
416:Satan
361:Hades
40:, or
1249:Film
1141:Vurt
949:Film
905:ISBN
884:and
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438:.
278:)
208:.
172:,
118:,
44:,
36:,
1117:e
1110:t
1103:v
1047:.
80:)
74:(
69:)
65:(
51:.
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