Knowledge (XXG)

Jemma Field

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51: 50: 81:. Like many modern writers she prefers the use of the forename "Anna" instead of "Anne". Her ideas about Anne of Denmark's personal piety and religious views, and the role of her Danish chaplain 306: 266: 110:'Anna of Denmark: Daughter, Wife, Sister, and Mother of Kings', Aidan Norrie, Carolyn Harris, J. L. Laynesmith, Danna R. Messer, Elena Woodacre, 301: 296: 96:, and also the costume of her servants and household, which reflected both the customs of Scotland and the royal court of Denmark and the 286: 220:
Jemma Field, 'Dressing a Queen: The Wardrobe of Anna of Denmark at the Scottish Court of King James VI, 1590–1603', in Sara Ayres ed.,
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Jemma Field, 'Anna of Denmark and the Politics of Religious Identity in Jacobean Scotland and England, c. 1592-1619',
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The Court Historian: The Northern Line: Representing Danish Consorts in Scotland, England and Great Britain
291: 28: 145:'Anna of Denmark and the Politics of Religious Identity in Jacobean Scotland and England, c. 1592-1619', 135: 154:'Dressing a Queen: The Wardrobe of Anna of Denmark at the Scottish Court of King James VI, 1590–1603', 247: 153: 24: 163:'The Wardrobe Goods of Anna of Denmark, Queen Consort of Scotland and England (1574–1619)', 51:1 109: 97: 162: 36: 144: 62: 271: 82: 66: 267:'Anna of Denmark: The material and visual culture of the Stuart courts, 1589–1619' SCRIBD 127: 78: 280: 70: 55: 89: 272:
Jemma Field, Marie Skłodowska-Curie Postdoctoral Fellow, profile, The Conversation
136:'Anna of Denmark’s Jewellery and the Politics of Dynastic Display', Erin Griffey, 20: 88:
Field examines the ways in which Anne of Denmark expressed her identity and
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Anna of Denmark: The Material and Visual Culture of the Stuart Courts
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Anna of Denmark: The Material and Visual Culture of the Stuart Courts
40: 49: 43:. She is currently Associate Director of Research at the 92:
through her own dress and bodily ornament, including
8: 33:Marie Skłodowska-Curie postdoctoral fellow 138:Sartorial Politics in Early Modern Europe 178: 114:(Palgrave Macmillan, 2022), pp. 211-229 19:is a historian and art historian from 85:, contribute to contemporary debate. 7: 61:Field's published work concerns the 307:Alumni of Brunel University London 14: 140:(Amsterdam UP, 2019), pp. 139-160 23:. She studied for her PhD with 123:(Routledge, 2022), pp. 390-405 119:'Female dress', Erin Griffey, 1: 302:University of Auckland alumni 297:New Zealand women academics 54:Anna of Denmark, studio of 45:Yale Center for British Art 328: 287:New Zealand art historians 211:(Routledge, 2022), p. xxv. 209:Early Modern Court Culture 121:Early Modern Court Culture 224:, 24:2 (2019), pp. 166-7. 189:(Manchester, 2020), p. x. 112:Tudor and Stuart Consorts 31:. She was subsequently a 237:, 50 (2019), pp. 87-113. 149:, 50 (2019), pp. 87-113 58: 29:University of Auckland 252:, 24:2 (2019), p. 114 104:Selected publications 53: 312:Women art historians 222:The Court Historian 198:See external links. 156:The Court Historian 131:(Manchester, 2020) 98:House of Oldenburg 59: 37:Brunel University 319: 254: 248:'Introduction', 244: 238: 235:Northern Studies 231: 225: 218: 212: 205: 199: 196: 190: 183: 147:Northern Studies 63:material culture 327: 326: 322: 321: 320: 318: 317: 316: 277: 276: 263: 258: 257: 245: 241: 232: 228: 219: 215: 206: 202: 197: 193: 184: 180: 175: 106: 83:Johannes Sering 67:Anne of Denmark 12: 11: 5: 325: 323: 315: 314: 309: 304: 299: 294: 289: 279: 278: 275: 274: 269: 262: 261:External links 259: 256: 255: 239: 226: 213: 207:Erin Griffey, 200: 191: 177: 176: 174: 171: 170: 169: 160: 151: 142: 133: 125: 116: 105: 102: 79:James VI and I 77:, and wife of 13: 10: 9: 6: 4: 3: 2: 324: 313: 310: 308: 305: 303: 300: 298: 295: 293: 292:Living people 290: 288: 285: 284: 282: 273: 270: 268: 265: 264: 260: 253: 251: 243: 240: 236: 230: 227: 223: 217: 214: 210: 204: 201: 195: 192: 188: 185:Jemma Field, 182: 179: 172: 168: 166: 161: 159: 158:, 24:2 (2019) 157: 152: 150: 148: 143: 141: 139: 134: 132: 130: 126: 124: 122: 117: 115: 113: 108: 107: 103: 101: 99: 95: 94:her jewellery 91: 86: 84: 80: 76: 72: 71:queen consort 68: 64: 57: 56:Adrian Vanson 52: 48: 46: 42: 38: 34: 30: 26: 22: 18: 249: 246:Sara Ayres, 242: 234: 229: 221: 216: 208: 203: 194: 186: 181: 167:(March 2017) 164: 155: 146: 137: 128: 120: 111: 87: 60: 25:Erin Griffey 16: 15: 21:New Zealand 17:Jemma Field 281:Categories 173:References 75:Scotland 165:Costume 27:at the 90:agency 41:London 73:of 65:of 35:at 283:: 100:. 69:, 47:. 39:,

Index

New Zealand
Erin Griffey
University of Auckland
Marie Skłodowska-Curie postdoctoral fellow
Brunel University
London
Yale Center for British Art

Adrian Vanson
material culture
Anne of Denmark
queen consort
Scotland
James VI and I
Johannes Sering
agency
her jewellery
House of Oldenburg
'Anna of Denmark: Daughter, Wife, Sister, and Mother of Kings', Aidan Norrie, Carolyn Harris, J. L. Laynesmith, Danna R. Messer, Elena Woodacre, Tudor and Stuart Consorts (Palgrave Macmillan, 2022), pp. 211-229
'Female dress', Erin Griffey, Early Modern Court Culture (Routledge, 2022), pp. 390-405
Anna of Denmark: The Material and Visual Culture of the Stuart Courts (Manchester, 2020)
'Anna of Denmark’s Jewellery and the Politics of Dynastic Display', Erin Griffey, Sartorial Politics in Early Modern Europe (Amsterdam UP, 2019), pp. 139-160
'Anna of Denmark and the Politics of Religious Identity in Jacobean Scotland and England, c. 1592-1619', Northern Studies, 50 (2019), pp. 87-113
'Dressing a Queen: The Wardrobe of Anna of Denmark at the Scottish Court of King James VI, 1590–1603', The Court Historian, 24:2 (2019)
'The Wardrobe Goods of Anna of Denmark, Queen Consort of Scotland and England (1574–1619)', 51:1 Costume (March 2017)
'Introduction', The Court Historian: The Northern Line: Representing Danish Consorts in Scotland, England and Great Britain, 24:2 (2019), p. 114
'Anna of Denmark: The material and visual culture of the Stuart courts, 1589–1619' SCRIBD
Jemma Field, Marie Skłodowska-Curie Postdoctoral Fellow, profile, The Conversation
Categories
New Zealand art historians

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