1102:"It is remarkable that, so young, his armoury of technical skill is so narrowly focused and accurately directed to serve his needs. He does his own colour processing in his bedroom. He has referred to a 'certain morbidity' in his work. Well, that is an element of life too. The young ballerinas seem to be under a spell, in thrall. At one and the same time he is tender artist and tyrant. The delicacy and control of colour in these shades will excite wonderment and pleasure, where a hint of coral light imbues the lobe of an ear, or minuscule catchlight alights with barest touch on the tip of eyelashes or edges the profiled iris of her eye. At times he teases with only a suggestion of vaporous form, but the presence breathes within the frame. Do we not grieve for mortality when we perceive (for there is a tactile as well as a visual understanding here) the wisp of hair on the nape of her neck? There is something in the order of mystery. Enter the trance." Jennie Boddington (1975),
1211:"THE NATIONAL Y.W.CA. of Australia is mounting a. exhibition of photographs of 'Women in 1975'. The exhibition will open simultaneously in Canberra, Melbourne and Adelaide on Wednesday, 17 September. Canberra's exhibition will be opened by Katharine West, Senior Lecturer in Political Science at ANU, at 6pm on Wednesday and will be open to the public from Thursday, September, 18, until Wednesday, September 24. All expenses of the exhibition are being met from the International Women's Year Government grant. More than 150 photo graphs have been selected from 1,500 submitted by Jennie Boddington, curator of Photography at the National Gallery in Melbourne. The exhibition will travel round Australia to all YWCA centres."
182:(1981)). In 1947/8 the Commonwealth Film Unit, part of the Australian National Film Board, had moved from 66 King Street in Sydney's CBD to 5 Condor Street in Burwood, a suburb of Sydney, into an 1879 Department of Education building, where facilities consisted of cutting rooms, a theatre, a room housing recording equipment, a camera room and office space. The Unit provided tuition that the private companies did not. Boddington trained there with important Australian and Canadian documentary filmmakers including Australian National Film Board Producer-in-Chief,
653:. Zanthus Films, Melbourne, Vic. The story of three of the million migrants who reached Australia after the end of the war. An Italian boy in Melbourne, an Englishwoman on a South Australian farm, and a German scientist working on the Snowy Mountains scheme; all of them, in their different ways, contributing to the development of their adopted country. (Winner 1960
313:...he castigates the National Gallery of Victoria for demonstrating "a reluctance to show new contemporary work, acting rather as a photographic art museum" (which is precisely what we are!). In three out of the four exhibitions for 1982, this institution showed work by living Australians, 19 in all and 11 of whom are not from Melbourne.
1198:"Within the restrictions of what Mrs Boddington described as a meagre budget and with the assistance of grants from photographic companies she hopes to present exhibitions from the collection every two months, including exhibitions from overseas on loan." Jennie Boddington quoted by Edna Boling in A Curator of Photographs', in
376:'s use of colour photography as an aide-mémoire was posited in an exhibition she curated in 1987, and in her catalogue essay, which reveals in previously unknown photographic imagery this method of working and Drysdale's expressive stylisation in interpretation of colour, subject matter and specific locations.
277:
in 1972. She was selected from fifty-three applicants, becoming the first such curator in
Australia and perhaps only the third in the world. Her selections of works for exhibition and acquisition were inclusive, not restricted only to 'art' photography, but rather emphasising its value as a medium of
993:
Minutes of the NGV Photographic
Subcommittee. Melbourne, 16 May 1972 quoted in Tate, Suzanne. Photographic Collections in Victoria: Waverley City Gallery, Horsham Art Gallery and the National Gallery of Victoria: An Analysis of Past History and Future Directions. The University of Melbourne:
909:
which follows three immigrants to
Australia, from Greece, Great Britain and Germany, fitting into industries and everyday life. Blackwood, Jennie & Boddington, Adrian & BP Australia & Zanthus Films (1981). Three in a million. Zanthus Films, Melbourne,
1021:
Borcoman, J., Jack, R. I., Boddington, J., Turner, P., Gaskins, B., Howe, G., Brown, J. L., ... Maynard, M. (1977). Photography in
Australia: A conference on photography as communication medium and art form. Sydney: University of Sydney, Dept. of Adult
1179:
Heathcote, Christopher & Drysdale, Russell Sir, 1912–1981, (artist.) & TarraWarra Museum of Art (issuing body.) (2013). Russell
Drysdale : defining the modern Australian landscape. Kent Town, South Australia Wakefield
664:
Fenton, Peter & Pearl, Cyril. (Writer of accompanying material) & Marks, Herbie. (Arranger) & Powell, Moray. (Commentator) & Boddington, Adrian. (Producer) & Blackwood, Jennie (Director), et al. (1960).
705:
Prod Co: Australian
Commonwealth Film Unit; West, John. (Commentator); Martin-Jones, John. (Producer); Blackwood, Jennie. (Director); Allen, Alan; Australian Commonwealth Film Unit; Zanthus Films (1963),
232:, and met, then in 1958 married, cinematographer (Newcombe) Adrian Boddington (b. Kalgoorlie, 3 June 1911) and with whom she had three more sons, James (b.1959), Alastair (b.1961) and Nicholas (b.1963).
281:
Boddington devoted several exhibitions to contemporary
Australian photographers including the well known and the recently discovered, giving equal billing to male and female artists; among these were
1075:
Allan, Micky & Duncan, Jenepher & Monash
University. Department of Visual Arts. Exhibition Gallery (1987). Micky Allan : perspective, 1975–1987. Monash University Gallery, Clayton, Vic.
461:
Boddington, J. (1 January 1975). J. W. Lindt, photographer (1845–1926). Art
Bulletin of Victoria / Publ. by the Council of Trustees of the National Gallery of Victoria, Victorian Arts Centre, 23–27.
1012:
De
Lorenzo, Catherine (2014) 'Agency and Authorship in Australian Photo Histories'. In Sheehan, Tanya, 1976– (2015). Photography, history, difference. Hanover, New Hampshire Dartmouth College Press
1189:
Crombie, Isobel. "Creating a Collection: International Photography at the National Gallery of Victoria," in Re_View: 170 years of Photography. Melbourne: National Gallery of Victoria, 2009, p. 9.
395:, an experience that influenced her ideas about curatorship, and leading her to decide that the acquisition of important overseas material should become a priority. To this end, South African
46:
1161:
Wilson, Gavin & Cairns Regional Gallery & Wilson, Gavin, 1952– (1998). Escape artists : modernists in the tropics. Cairns Regional Gallery, Cairns, Queensland, pps.95,92,125.
278:
communication. Her appointment came at a time when the medium was becoming valuable as a collectible, and when art schools in Australia were adding diplomas and degrees in photography.
680:
Morgan, John. (Commentator); Fenton, Peter; Boddington, Adrian. (Producer); Clark, Bruce. (Arranger); Blackwood, Jennie. (Director); Melbourne Harbor Trust; Zanthus Films (1961),
273:
After Adrian Boddington's death at 59 in 1970, Jennie Boddington retired from active film production. She then took up the post of first full-time curator of photography for the
565:
In the lucky country: Panoramas by Jillian Gibb, Anthony Green and Merryle Johnson : Photography Gallery, National Gallery of Victoria, Melbourne, 1 June-18 September 1983
976:
Carol JERREMS Ivanhoe, Melbourne, Australia 1949 – 1980 "Curator of Photography, Jennie Boddington and photographer Melanie Le Guay at the National Gallery of Victoria) 1974"
623:, published first in hardcopy 2002, accessed online 10 June 2015. This article was first published in hardcopy in Australian Dictionary of Biography, Volume 16, (MUP), 2002
1170:
Boddington, Jennie & Drysdale, Russell Sir, 1912–1981 & National Gallery of Victoria (1987). Drysdale, photographer. National Gallery of Victoria , 1987, Melbourne
965:
Cox, Leonard B. The National Gallery of Victoria, 1861-1968: The Search for a Collection. Melbourne: The National Gallery of Victoria; Brown Prior Anderson Pty Ltd, 1971
496:
1066:
Boddington, Jennie & National Gallery of Victoria (1980). Micky Allan : Botany Bay today : Jillian Gibb : One year's work. The Gallery, Melbourne
500:
619:
Boddington, J. (2002). 'Wilson, Lawrence George (1920–1980)', Australian Dictionary of Biography, National Centre of Biography, Australian National University,
878:
BODDINGTON, JENNIE : INTERVIEWED BY KEN BERRYMAN AND QUENTIN TURNOUR : ORAL HISTORY. National Film and Sound Archive, Australia, Record No. – 458163
509:
Antarctic photographs, 1910–1916 : Herbert Ponting Scott expedition (1910–13), Frank Hurley Mawson expedition (1911–13), Shackleton expedition (1914–16)
637:. Australia: Postmaster General's Dept. An account of telephone services in country and city as seen through the eyes of a schoolboy doing a school project.
1093:
National Gallery of Victoria & Boddington, Jennie, 1922– & Wilson, Laurie, 1920–1980 (1982). Laurie Wilson. National Gallery of Victoria, Melbourne
305:
recognising his talent with his first major exhibition while he was still a student. She defended this emphasis in a response to a January 1983 article in
1130:
Lydon, Jane & Coranderrk Aboriginal Station (2005). Eye contact : photographing indigenous Australians. Duke University Press, Durham, N.C. p.153
407:
were given major exhibitions (which were amongst these photographers' first shows internationally) and their works purchased, during Boddington's tenure.
919:
Galbally, Ann & National Gallery of Victoria (1987). The collections of the National Gallery of Victoria. Oxford University Press, Melbourne. p.236
1139:
Hurley, Frank, 1885–1962 & Ponting, Herbert, 1870–1935 & Boddington, Jennie, 1922– (1979). Antarctic photographs, 1910–1916. London Macmillan
600:
Australian contemporary photographers : John Anthong Delacour, Peter Elliston, Jillian Gibb, Ruth Maddison, David Stephenson and Stephen Wickham
1294:
1289:
1084:
Boddington, Jennie (1978). Laurie Wilson's landscapes and Jon Rhodes' Australia : Photography Gallery, 7 June. National Gallery of Victoria,
415:
Returning to Sydney in 1994 at age 72, Boddington went on to work as a free-lance researcher, cataloguing the files and photographic archives of
1314:
45:
951:
658:
329:
1 and 2 included work from the 1840s to the present day, both international and Australian, with modern examples by Ted Cranstone, Sydney;
235:
Establishing together the Zanthus Films partnership, for which she reverted to her family name Blackwood, they operated from their home in
1309:
1284:
1279:
427:
1264:
422:
616:, La Trobe Collection, State Library of Victoria : Fox Talbot and the invention of photography. State Library of Victoria,
1269:
225:
593:
ustralian landscape photographed : an exhibition of photographs from the collection of the National Gallery of Victoria
1304:
791:
Joan Long, 'Part Two of a Historical Survey of Women in Australian Film Production', Cinema Papers, September 1976, p. 139
372:
Boddington's experience as a documentary film researcher and scriptwriter enabled some original insights in publications;
128:
in 1922. She married in the early 1940s, bearing a son, Tim in 1943. Beginning her career amongst Australia's New Wave of
801:
Moran, Albert (1987) 'Documentary Consensus: The Commonwealth Film Unit: 1954–1964' in O'Regan, T and Shoesmith, B (eds)
672:
Blackwood, J., Boddington, A., Armstrong, B., Badger, H., Anti-Cancer Council of Victoria., & Zanthus Films. (1961).
1259:
994:
Postgraduate Diploma Thesis, 1998, Chapter 2: The Photography Department of the National Gallery of Victoria. pp. 17–18.
274:
105:
978:
342:
104:) (1922 – 15 November 2015) was an Australian film director and producer, who was first curator of photography at the
471:
Borcoman, J., Jack, R. I., Boddington, J., Turner, P., Gaskins, B., Howe, G., Brown, J. L., ... Maynard, M. (1977).
361:
whose prints and glass plates were brought to the curator by his descendants, and also the Antarctic photographers
733:
698:
676:. Anti-Cancer council of Victoria. A woman reports a suspected cancer early and undergoes a successful operation.
654:
254:
1148:
Boddington, J. (1980) Introduction. In Ponting, Herbert & Hurley, Frank, 1885–1962, (joint author.) (1980).
229:
145:
753:
French, Lisa (2003) 'On Their Own Merits: Women and the Moving Image in Australia'. In Lisa French (Ed.)
620:
191:
137:
1299:
1274:
605:
Boddington, Jennie & Drysdale, Russell Sir, 1912–1981 & National Gallery of Victoria (1987).
556:
National Gallery of Victoria & Boddington, Jennie, 1922– & Wilson, Laurie, 1920–1980 (1982).
417:
217:
and for six years scripted, edited and directed training films for the Victorian General Post Office
178:
166:
in 1948 as cutting room assistant and was there for two and a half years making a lifelong friend in
125:
109:
591:
National Gallery of Victoria & Boddington, Jennie, 1922– & Art Gallery of Ballarat (1985). A
572:
International photography : 100 images from the collection of the National Gallery of Victoria
535:
Hurley, Frank, 1885–1962 & Ponting, Herbert, 1870–1935 & Boddington, Jennie, 1922– (1979).
380:
1230:
649:
579:
International photography : selected from the collection of the National Gallery of Victoria
322:
253:(1961) on the then tabu subject of breast cancer and mastectomy. These titles were amongst early
241:
236:
900:'Ballet Film Has Woman Editor' Boddington interview in The Age, Wednesday, 3 February 1965 p.16
815:'Ballet Film Has Woman Editor' Boddington interview in The Age, Wednesday, 3 February 1965 p.16
1037:
947:
490:
440:
National Gallery of Victoria & Boddington, Jennie, 1922– & Sun News Pictorial (1972).
454:
Beaton, Cecil Sir & Boddington, Jennie, 1922– & National Gallery of Victoria (1975).
800:
373:
317:
included work by four living Australians (Mark Johnson, Sydney; Tom Psomotragos, Melbourne;
133:
1003:
British journal of photography. Annual. Henry Greenwood, London, Volume 125, Issue 1, p.213
647:
Blackwood, Jennie & Boddington, Adrian & BP Australia & Zanthus Films (1959).
473:
Photography in Australia: A conference on photography as communication medium and art form.
345:, Melbourne. Five of these photographers are young and might be described as contemporary.
982:
400:
388:
366:
333:, Sydney; Michael Gallagher, Perth: Anthony Green, Melbourne; Julie Millowick, Melbourne;
318:
723:
542:
Ponting, Herbert & Hurley, Frank, 1885–1962 & Boddington, Jennie, 1922– (1979).
379:
In her role Boddington toured Europe, London and America in 1975, meeting photographers
974:
Australian Photographer Carol Jerrems photographed Boddington at the NGV in 1974. See:
640:
Martin-Jones, J., Blackwood, J., & Australian News and Information Bureau. (1952).
523:
Laurie Wilson's landscapes and Jon Rhodes' Australia : Photography Gallery, June 7
163:
141:
1253:
338:
294:
290:
183:
172:
1106:
Published Photography Gallery room brochure, National Gallery of Victoria. Melbourne
362:
767:
1150:
1910–1916 Antarctic photographs : Scott, Mawson, and Shackleton expeditions
384:
358:
349:
included an extended work by Wesley Stacey of New South Wales, with examples by
302:
282:
262:
17:
544:
1910–1916 Antarctic photographs : Scott, Mawson and Shackleton expeditions
1225:
838:
701:
Award for Public Relations film) (27 min.) : sd., col. ; 16 mm.
551:
Micky Allan : Botany Bay today : Jillian Gibb : One year's work
404:
330:
286:
195:
187:
129:
1041:
669:. Zanthus Films , Australia. (27 min.) : sd., b&w ; 16 mm.
586:
Architecture and photography 1848–1982 : photographs from the collection
396:
350:
265:, which pioneered the use of historical stills with rostrum camera effects.
214:
167:
975:
944:
2nd sight : Australian photography in the National Gallery of Victoria
357:
Important early Australian photography was given space, including that of
843:
480:
301:
landscape photographer Laurie Wilson, and promoted the work of the young
113:
681:
194:, and her first editing and directorial experience came in working with
150:(1946), then on eight hundred costumes for Watt's unfinished follow-up,
1234:. Australian Capital Territory, Australia. 17 November 1979. p. 14
728:
Blackwood, Jennie & Boddington, Adrian & Zanthus Films (1963).
707:
334:
298:
210:
1116:
Boddington, Jannie (17 January 1983). "Letters : Photographers".
942:
National Gallery of Victoria; Crombie, Isobel; Van Wyk, Susan (2002),
887:
Mark Hindraker & Mark Johnson, 'Interview: Jennie Boddington', in
621:
http://adb.anu.edu.au/biography/wilson-lawrence-george-12048/text20421
614:
The new art : photographs by William Henry Fox Talbot (1800–1877)
598:
Boddington, Jennie, 1922– & National Gallery of Victoria (1987).
584:
National Gallery of Victoria & Boddington, Jennie, 1922– (1984).
577:
National Gallery of Victoria & Boddington, Jennie, 1922– (1984).
570:
Boddington, Jennie, 1922– & National Gallery of Victoria (1983).
528:
National Gallery of Victoria & Boddington, Jennie, 1922– (1979).
514:
Boddington, Jennie, 1922– & National Gallery of Victoria (1978).
464:
Boddington, Jennie, 1922– & National Gallery of Victoria (1976).
479:
National Gallery of Victoria; Boddington, Jennie, 1922–2015 (1985),
867:
Heritage Assessment: Screen Australia, No. 101 Eton Road, Lindfield
50:
Jennie Boddington in 1952 photographed by Erwin Rado (1914–1988).
392:
218:
1036:, Fairfax Media Publications Pty Limited: 22, 20 October 2011,
1053:
Times a-changin' caught on camera.(News) Gabriella Coslovich.
549:
Boddington, Jennie & National Gallery of Victoria (1980).
688:, Zanthus Films : Melbourne Harbor Trust Commissioners
563:
Boddington, J., & National Gallery of Victoria. (1983).
755:
Womenvision : women and the moving image in Australia.
612:
Boddington, Jennie & State Library of Victoria (1989).
341:, London; John Radvansky, Hobart; Margaret Rich, Ballarat;
732:, Zanthus Films, Melbourne, Vic. (Honourable Mention 1963
714:, Zanthus Films : Australian Commonwealth Film Unit
482:
Milestones in the art : famous photographs in gravure
466:
Modern Australian photographs : 28 April-27 June 1976
239:, producing documentaries including the BP-commissioned
170:(scriptwriter and film producer later known for writing
475:
Sydney: University of Sydney, Dept. of Adult Education.
847:. New South Wales, Australia. 1 March 1985. p. 1
805:, Perth, History & Film Association of Australia
87:
79:
71:
55:
36:
447:YWCA (Australia) & Boddington, Jennie (1975).
353:, Max Dupain, Anthony Green and John Wilkins aiso.
824:Boddington, J. (2000) Obituary for Joan Long, In
657:Award for Documentary film. Included in the 1959
132:in Sydney, she worked as wardrobe assistant with
609:. National Gallery of Victoria, 1987, Melbourne
518:. National Gallery of Victoria, [Melbourne, Vic
869:. Perumal Murphy Alessi, Heritage Consultants.
485:, National Gallery of Victoria, pp. 33–39
431:. She died on 15 November 2015, in Melbourne.
839:"Joan Long remembers how women got into film"
8:
1032:"Times a-changin' caught on camera.(News)",
495:: CS1 maint: multiple names: authors list (
442:Fifty years of press photography, 1922–1972
530:Australian photographs from the collection
499:) CS1 maint: numeric names: authors list (
33:
1057:(Melbourne, Australia), 20 Oct 2011, p.22
725:(29 min.) : sd., b&w ; 16mm
602:. National Gallery of Victoria, Melbourne
588:. National Gallery of Victoria, Melbourne
560:. National Gallery of Victoria, Melbourne
532:. National Gallery of Victoria, Melbourne
468:. National Gallery of Victoria, Melbourne
458:. National Gallery of Victoria, Melbourne
644:Australia: News and Information Bureau .
633:Blackwood, J., & Australia. (1952).
297:, and David Stephenson. She debuted the
746:
488:
27:Australian film director and producer
7:
403:and the equally controversial Czech
228:, where she edited reportage of the
932:, 1 June 1999, Vol.23(2), p.118-122
757:Damned Publishing, Melbourne, p.6.
507:Boddington, Jennie, 1922– (1978).
428:Australian Dictionary of Biography
25:
736:Award for Public Relations film).
546:. Macmillan, South Melbourne, Vic
511:. Sun Books, South Melbourne, Vic
83:Filmmaker, curator and researcher
1215:Thursday 11 September 1975, p.15
946:, National Gallery of Victoria,
595:. National Gallery of Victoria,
537:Antarctic photographs, 1910–1916
525:. National Gallery of Victoria,
309:by critic Geoff Strong, writing;
44:
1295:Australian women film producers
1290:Australian women film directors
1202:Thursday 28 November 1974, p.18
337:, Sydney (resident in Brunei);
257:Award winners, as was the film
1226:"A MAGNIFICENT VISUAL RECORDS"
1152:. St. Martin's Press, New York
1034:The Age (Melbourne, Australia)
1:
1315:Film directors from Melbourne
224:In 1956, she was employed by
275:National Gallery of Victoria
106:National Gallery of Victoria
98:Jennifer "Jennie" Boddington
521:Boddington, Jennie (1978).
213:in 1950, she moved back to
1331:
425:, and contributing to the
1310:Historians of photography
1285:Australian film directors
1280:Australian women curators
828:, July–August no. 8 2000;
567:. Melbourne: The Gallery.
421:and other collections in
255:Australian Film Institute
43:
1265:Australian photographers
581:. The Gallery, Melbourne
553:. The Gallery, Melbourne
697:. (Second, Bronze 1962
230:Melbourne Olympic Games
162:Boddington entered the
124:Boddington was born in
930:History of Photography
803:History on/and/in Film
607:Drysdale, photographer
355:
269:Curator of photography
164:Commonwealth Film Unit
1270:Photography academics
865:Luisa Alessi (2013).
456:Cecil Beaton's camera
311:
176:(1976) and producing
1305:Photography curators
981:10 June 2015 at the
730:Sweet Are The Fruits
423:The Mitchell Library
393:Museum of Modern Art
315:Landscape, Australia
261:(1959), scripted by
126:Melbourne, Australia
66:Melbourne, Australia
1260:Australian curators
768:"Jennie Boddington"
539:. London Macmillan
327:Portraits by Camera
192:Ron Maslyn Williams
1242:– via Trove.
1231:The Canberra Times
1213:The Canberra Times
1200:The Canberra Times
855:– via Trove.
772:www.austlit.edu.au
650:Three in a million
635:Jonathan's project
391:, director of the
323:Richard Woldendorp
242:Three in a Million
200:The Valley Is Ours
60:Jennifer Blackwood
953:978-0-7241-0211-2
684:Port of Melbourne
674:You are not alone
661:, Programme 22 ).
642:Apples for export
251:You Are Not Alone
247:Port of Melbourne
136:Dahl Collings on
112:(1972–1994), and
95:
94:
88:Years active
38:Jennie Boddington
16:(Redirected from
1322:
1244:
1243:
1241:
1239:
1222:
1216:
1209:
1203:
1196:
1190:
1187:
1181:
1177:
1171:
1168:
1162:
1159:
1153:
1146:
1140:
1137:
1131:
1128:
1122:
1121:
1113:
1107:
1100:
1094:
1091:
1085:
1082:
1076:
1073:
1067:
1064:
1058:
1051:
1045:
1044:
1029:
1023:
1019:
1013:
1010:
1004:
1001:
995:
991:
985:
972:
966:
963:
957:
956:
939:
933:
926:
920:
917:
911:
907:
901:
898:
892:
885:
879:
876:
870:
863:
857:
856:
854:
852:
835:
829:
826:Senses of Cinema
822:
816:
813:
807:
798:
792:
789:
783:
782:
780:
778:
764:
758:
751:
722:
721:
719:
696:
695:
693:
628:Films (selected)
504:
494:
486:
451:. East Melbourne
374:Russell Drysdale
293:, Jillian Gibb,
134:costume designer
75:15 November 2015
48:
34:
21:
18:Jennie Blackwood
1330:
1329:
1325:
1324:
1323:
1321:
1320:
1319:
1250:
1249:
1248:
1247:
1237:
1235:
1224:
1223:
1219:
1210:
1206:
1197:
1193:
1188:
1184:
1178:
1174:
1169:
1165:
1160:
1156:
1147:
1143:
1138:
1134:
1129:
1125:
1115:
1114:
1110:
1104:Of Tender Years
1101:
1097:
1092:
1088:
1083:
1079:
1074:
1070:
1065:
1061:
1052:
1048:
1031:
1030:
1026:
1020:
1016:
1011:
1007:
1002:
998:
992:
988:
983:Wayback Machine
973:
969:
964:
960:
954:
941:
940:
936:
927:
923:
918:
914:
908:
904:
899:
895:
886:
882:
877:
873:
864:
860:
850:
848:
837:
836:
832:
823:
819:
814:
810:
799:
795:
790:
786:
776:
774:
766:
765:
761:
752:
748:
743:
717:
715:
710:Sir John Monash
704:
691:
689:
679:
630:
574:. The Gallery,
487:
478:
437:
413:
401:David Goldblatt
389:John Szarkowski
367:Herbert Ponting
319:Stephen Wickham
271:
208:
160:
152:Eureka Stockade
147:The Overlanders
122:
67:
64:
62:
61:
51:
39:
28:
23:
22:
15:
12:
11:
5:
1328:
1326:
1318:
1317:
1312:
1307:
1302:
1297:
1292:
1287:
1282:
1277:
1272:
1267:
1262:
1252:
1251:
1246:
1245:
1217:
1204:
1191:
1182:
1172:
1163:
1154:
1141:
1132:
1123:
1108:
1095:
1086:
1077:
1068:
1059:
1046:
1024:
1014:
1005:
996:
986:
967:
958:
952:
934:
921:
912:
902:
893:
880:
871:
858:
830:
817:
808:
793:
784:
759:
745:
744:
742:
739:
738:
737:
726:
702:
677:
670:
662:
645:
638:
629:
626:
625:
624:
617:
610:
603:
596:
589:
582:
575:
568:
561:
554:
547:
540:
533:
526:
519:
512:
505:
476:
469:
462:
459:
452:
445:
436:
433:
412:
409:
347:Honoring Trees
270:
267:
207:
204:
159:
156:
121:
118:
93:
92:
89:
85:
84:
81:
77:
76:
73:
69:
68:
65:
59:
57:
53:
52:
49:
41:
40:
37:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1327:
1316:
1313:
1311:
1308:
1306:
1303:
1301:
1298:
1296:
1293:
1291:
1288:
1286:
1283:
1281:
1278:
1276:
1273:
1271:
1268:
1266:
1263:
1261:
1258:
1257:
1255:
1233:
1232:
1227:
1221:
1218:
1214:
1208:
1205:
1201:
1195:
1192:
1186:
1183:
1176:
1173:
1167:
1164:
1158:
1155:
1151:
1145:
1142:
1136:
1133:
1127:
1124:
1120:. p. 10.
1119:
1112:
1109:
1105:
1099:
1096:
1090:
1087:
1081:
1078:
1072:
1069:
1063:
1060:
1056:
1050:
1047:
1043:
1039:
1035:
1028:
1025:
1018:
1015:
1009:
1006:
1000:
997:
990:
987:
984:
980:
977:
971:
968:
962:
959:
955:
949:
945:
938:
935:
931:
928:Ely, Deborah
925:
922:
916:
913:
906:
903:
897:
894:
891:, August 1983
890:
884:
881:
875:
872:
868:
862:
859:
846:
845:
840:
834:
831:
827:
821:
818:
812:
809:
806:
804:
797:
794:
788:
785:
773:
769:
763:
760:
756:
750:
747:
740:
735:
731:
727:
724:
713:
712:
709:
703:
700:
687:
686:
683:
678:
675:
671:
668:
663:
660:
656:
652:
651:
646:
643:
639:
636:
632:
631:
627:
622:
618:
615:
611:
608:
604:
601:
597:
594:
590:
587:
583:
580:
576:
573:
569:
566:
562:
559:
558:Laurie Wilson
555:
552:
548:
545:
541:
538:
534:
531:
527:
524:
520:
517:
513:
510:
506:
502:
498:
492:
484:
483:
477:
474:
470:
467:
463:
460:
457:
453:
450:
446:
443:
439:
438:
434:
432:
430:
429:
424:
420:
419:
410:
408:
406:
402:
399:photographer
398:
394:
390:
386:
382:
381:André Kertész
377:
375:
370:
368:
364:
360:
354:
352:
348:
344:
340:
339:Axel Poignant
336:
332:
328:
324:
321:, Melbourne;
320:
316:
310:
308:
304:
300:
296:
295:Ruth Maddison
292:
291:Carol Jerrems
288:
284:
279:
276:
268:
266:
264:
260:
256:
252:
248:
244:
243:
238:
233:
231:
227:
222:
220:
216:
212:
206:Zanthus Films
205:
203:
201:
197:
193:
189:
185:
184:Stanley Hawes
181:
180:
179:Puberty Blues
175:
174:
169:
165:
157:
155:
153:
149:
148:
144:feature film
143:
139:
135:
131:
127:
119:
117:
115:
111:
107:
103:
99:
90:
86:
82:
80:Occupation(s)
78:
74:
70:
58:
54:
47:
42:
35:
32:
30:
19:
1236:. Retrieved
1229:
1220:
1212:
1207:
1199:
1194:
1185:
1175:
1166:
1157:
1149:
1144:
1135:
1126:
1117:
1111:
1103:
1098:
1089:
1080:
1071:
1062:
1054:
1049:
1033:
1027:
1017:
1008:
999:
989:
970:
961:
943:
937:
929:
924:
915:
905:
896:
888:
883:
874:
866:
861:
849:. Retrieved
842:
833:
825:
820:
811:
802:
796:
787:
775:. Retrieved
771:
762:
754:
749:
729:
716:, retrieved
711:
708:
690:, retrieved
685:
682:
673:
666:
648:
641:
634:
613:
606:
599:
592:
585:
578:
571:
564:
557:
550:
543:
536:
529:
522:
515:
508:
481:
472:
465:
455:
448:
441:
435:Publications
426:
416:
414:
378:
371:
363:Frank Hurley
356:
346:
343:Henry Talbot
326:
314:
312:
306:
280:
272:
258:
250:
249:(1961), and
246:
240:
234:
223:
209:
199:
177:
171:
161:
151:
146:
123:
101:
97:
96:
31:
29:
1300:2015 deaths
1275:1922 births
387:as well as
385:Bill Brandt
359:Fred Kruger
303:Bill Henson
283:Micky Allan
263:Cyril Pearl
91:1940s–1990s
1254:Categories
1238:19 January
1022:Education.
851:19 January
741:References
516:Six series
449:Woman 1975
411:Later life
405:Jan Saudek
331:Max Dupain
325:, Perth).
287:Jon Rhodes
196:John Heyer
188:Colin Dean
138:Harry Watt
130:filmmakers
120:Early life
114:researcher
1042:0312-6307
889:Photofile
418:Walkabout
397:apartheid
351:John Cato
245:(1959),
215:Melbourne
168:Joan Long
110:Melbourne
102:Blackwood
979:Archived
844:Filmnews
491:citation
237:Hawthorn
211:Divorced
202:(1948).
158:Training
154:(1948).
1118:The Age
1055:The Age
718:10 June
692:10 June
335:Max Pam
307:The Age
299:Geelong
1040:
950:
777:2 June
226:ABC TV
221:unit.
173:Caddie
142:Ealing
1180:Press
667:Anzac
259:Anzac
100:(née
1240:2020
1038:ISSN
948:ISBN
853:2020
779:2015
720:2015
694:2015
659:MIFF
501:link
497:link
444:. ,
383:and
365:and
219:film
190:and
72:Died
63:1922
56:Born
910:Vic
734:AFI
699:AFI
655:AFI
198:on
140:'s
108:in
1256::
1228:.
841:.
770:.
493:}}
489:{{
369:.
289:,
285:,
186:,
116:.
781:.
503:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
