27:
81:, Reeder said that white trash "describes a certain esthetic, but I think it's also a socioeconomic situation, and a way of perceiving the world around you and your own place in the world." Her more recent films explore the lives of adolescent girls and their use of music, slang, and fashion to express their identities and aspects of their emotional world.
72:
Reeder attracted notice early in her career for her performance and video work as "White Trash Girl," a fictional identity through which the artist explored lower-income white culture in the United States. Interviewed by writer and
Northwestern University professor
417:
119:
and holds the position of
Associate Professor Moving Image. She is the founder of the social justice group Tracers Book Club, which focuses on feminist issues. Reeder received an MFA from
869:
731:
65:. She won a 2018–19 SFFILM Rainin Grant for scriptwriting, and was the 2019 recipient of the Alpert Film Award residency at the MacDowell Colony. In 2021, she was awarded a
377:
407:
318:
874:
26:
524:
266:
261:
120:
854:
355:
859:
644:
291:
46:
879:
864:
700:
761:
449:
105:
723:
602:
580:
385:
116:
93:
555:
783:
296:
97:
20:
666:
199:
101:
513:
345:
31:
408:"Announcing the 2015 Creative Capital Artists: $ 4,370,000 Awarded to 46 Moving Image and Visual Arts Projects"
607:
89:
849:
50:
639:
350:
66:
844:
634:
519:
247:
546:
Kipnis, Laura (1997). "White Trash Girl: The
Interview". In Wray, Matt; Newitz, Annalee (eds.).
820:
551:
491:
471:
692:
753:
444:
412:
85:
58:
219:
109:
612:
239:
61:
grant in 2015 to support the production of her first experimental feature-length film,
54:
319:"International Film Festival Rotterdam: Tiger Awards Competition for Short Films 2014"
838:
41:(born 1971, Ohio) is an American artist, filmmaker, and screenwriter. Her short film
439:
74:
57:
in
Stockholm, Sweden. She received a Rockefeller Grant for New Media in 2002 and a
791:
572:
53:
in the U.S. Short
Narrative Films category. In 2003, she had a solo screening at
286:
123:
in 1996 and was represented by the Andrew Rafacz
Gallery in Chicago, Illinois.
88:; The New York Video Festival; Kunsthalle Exnergasse in Vienna, Austria; the
227:
816:
667:"Jennifer Reeder at the Gene Siskel Film Center (September 29, 2014)"
115:
Reeder currently teaches in the School of Art and Art
History at the
724:"Filmmaker Jennifer Reeder talks feminism, the Midwest, cat films"
25:
827:
45:(2014) was nominated for a Tiger Award for Short Films at the
573:"Feature-length dreams and artful, award-winning films"
108:; the Criterion Channel; and the 48th International
671:School of the Art Institute of Chicago Alumni News
512:
603:"Blood Below the Skin: Films by Jennifer Reeder"
346:"2015 Sundance Film Festival: Short films slate"
492:"United States Artists » Jennifer Reeder"
472:"United States Artists » Jennifer Reeder"
870:School of the Art Institute of Chicago alumni
577:University of Illinois at Chicago News Center
8:
267:List of LGBT-related films directed by women
262:List of female film and television directors
163:Tears Cannot Restore Her; Therefore I Weep
121:The School of the Art Institute of Chicago
550:. New York: Routledge. pp. 113–30.
169:And I Will Rise If Only to Hold You Down
278:
875:University of Illinois Chicago faculty
722:Altadonna, Ashley (29 February 2016).
548:White Trash: Race and Class in America
452:from the original on 29 September 2022
358:from the original on 14 September 2018
79:White Trash: Race and Class in America
764:from the original on 7 September 2022
699:. University of Illinois at Chicago.
647:from the original on 28 November 2022
511:Talbot, Margaret (30 November 1997).
323:International Film Festival Rotterdam
299:from the original on 11 February 2023
292:International Film Festival Rotterdam
151:Accidents at Home and How They Happen
47:International Film Festival Rotterdam
7:
703:from the original on 1 December 2022
527:from the original on 5 February 2022
734:from the original on 3 October 2022
420:from the original on 7 October 2022
758:Museum of Contemporary Art Chicago
583:from the original on 11 April 2022
344:Means, Sean P. (9 December 2014).
14:
106:Chicago Underground Film Festival
635:"Short Films by Jennifer Reeder"
571:Wisby, Gary (9 September 2014).
523:. pp. Section 6, Page 116.
514:"Getting Credit for Being White"
139:The Heart and Other Small Shapes
697:School of Art & Art History
117:University of Illinois, Chicago
94:Yerba Buena Center for the Arts
84:Her films have screened at the
1:
855:American women film directors
754:"MCA Talk: Tracers Book Club"
98:P.S.1 Contemporary Art Center
860:American women screenwriters
880:21st-century American women
865:Screenwriters from Illinois
21:Jennifer Reeder (historian)
896:
102:Wexner Center for the Arts
18:
157:Seven Songs About Thunder
49:and screened at the 2015
608:Wisconsin Film Festival
90:Gene Siskel Film Center
19:For the historian, see
611:. 2015. Archived from
51:Sundance Film Festival
35:
788:Andrew Rafacz Gallery
640:The Criterion Channel
378:"Kronologi 2000-2009"
351:The Salt Lake Tribune
67:United States Artists
29:
16:American screenwriter
193:Blood Below the Skin
181:A Million Miles Away
147:, 2007 (video short)
43:A Million Miles Away
693:"Jennifer K Reeder"
615:on 20 November 2016
520:The New York Times
416:. 7 January 2015.
388:on 7 February 2010
96:in San Francisco;
77:for the anthology
69:(USA) Fellowship.
36:
784:"Jennifer Reeder"
440:"Knives and Skin"
287:"Jennifer Reeder"
175:Girls Love Horses
30:Jennifer Reeder (
887:
831:
830:
828:Official website
804:
803:
801:
799:
794:on 28 March 2017
790:. Archived from
780:
774:
773:
771:
769:
750:
744:
743:
741:
739:
728:Milwaukee Record
719:
713:
712:
710:
708:
689:
683:
682:
680:
678:
663:
657:
656:
654:
652:
631:
625:
624:
622:
620:
599:
593:
592:
590:
588:
568:
562:
561:
543:
537:
536:
534:
532:
516:
508:
502:
501:
499:
498:
488:
482:
481:
479:
478:
468:
462:
461:
459:
457:
445:Creative Capital
436:
430:
429:
427:
425:
413:Creative Capital
404:
398:
397:
395:
393:
384:. Archived from
374:
368:
367:
365:
363:
341:
335:
334:
332:
330:
315:
309:
308:
306:
304:
283:
207:All Small Bodies
133:White Trash Girl
86:Whitney Biennial
59:Creative Capital
895:
894:
890:
889:
888:
886:
885:
884:
835:
834:
826:
825:
817:Jennifer Reeder
813:
808:
807:
797:
795:
782:
781:
777:
767:
765:
752:
751:
747:
737:
735:
721:
720:
716:
706:
704:
691:
690:
686:
676:
674:
665:
664:
660:
650:
648:
633:
632:
628:
618:
616:
601:
600:
596:
586:
584:
570:
569:
565:
558:
545:
544:
540:
530:
528:
510:
509:
505:
496:
494:
490:
489:
485:
476:
474:
470:
469:
465:
455:
453:
438:
437:
433:
423:
421:
406:
405:
401:
391:
389:
376:
375:
371:
361:
359:
343:
342:
338:
328:
326:
317:
316:
312:
302:
300:
285:
284:
280:
275:
258:
220:Knives and Skin
129:
110:Venice Biennial
63:Knives and Skin
39:Jennifer Reeder
24:
17:
12:
11:
5:
893:
891:
883:
882:
877:
872:
867:
862:
857:
852:
847:
837:
836:
833:
832:
823:
812:
811:External links
809:
806:
805:
775:
745:
714:
684:
658:
626:
594:
563:
556:
538:
503:
483:
463:
431:
399:
382:Moderna Museet
369:
336:
310:
277:
276:
274:
271:
270:
269:
264:
257:
254:
253:
252:
244:
236:
224:
216:
210:
204:
200:Signature Move
196:
190:
184:
178:
172:
166:
160:
154:
148:
142:
136:
128:
125:
55:Moderna Museet
15:
13:
10:
9:
6:
4:
3:
2:
892:
881:
878:
876:
873:
871:
868:
866:
863:
861:
858:
856:
853:
851:
850:Living people
848:
846:
843:
842:
840:
829:
824:
822:
818:
815:
814:
810:
793:
789:
785:
779:
776:
763:
759:
755:
749:
746:
733:
729:
725:
718:
715:
702:
698:
694:
688:
685:
672:
668:
662:
659:
646:
642:
641:
636:
630:
627:
614:
610:
609:
604:
598:
595:
582:
578:
574:
567:
564:
559:
553:
549:
542:
539:
526:
522:
521:
515:
507:
504:
493:
487:
484:
473:
467:
464:
451:
447:
446:
441:
435:
432:
419:
415:
414:
409:
403:
400:
387:
383:
379:
373:
370:
357:
353:
352:
347:
340:
337:
324:
320:
314:
311:
298:
294:
293:
288:
282:
279:
272:
268:
265:
263:
260:
259:
255:
250:
249:
245:
242:
241:
237:
234:
230:
229:
225:
222:
221:
217:
214:
211:
208:
205:
202:
201:
197:
194:
191:
188:
185:
182:
179:
176:
173:
170:
167:
164:
161:
158:
155:
152:
149:
146:
143:
140:
137:
134:
131:
130:
126:
124:
122:
118:
113:
111:
107:
103:
99:
95:
91:
87:
82:
80:
76:
70:
68:
64:
60:
56:
52:
48:
44:
40:
33:
28:
22:
796:. Retrieved
792:the original
787:
778:
766:. Retrieved
757:
748:
736:. Retrieved
727:
717:
705:. Retrieved
696:
687:
675:. Retrieved
670:
661:
649:. Retrieved
638:
629:
617:. Retrieved
613:the original
606:
597:
585:. Retrieved
576:
566:
547:
541:
529:. Retrieved
518:
506:
495:. Retrieved
486:
475:. Retrieved
466:
454:. Retrieved
443:
434:
422:. Retrieved
411:
402:
390:. Retrieved
386:the original
381:
372:
360:. Retrieved
349:
339:
327:. Retrieved
322:
313:
301:. Retrieved
290:
281:
246:
238:
232:
226:
218:
212:
206:
198:
192:
187:Crystal Lake
186:
180:
174:
168:
162:
156:
150:
144:
138:
132:
114:
83:
78:
75:Laura Kipnis
71:
62:
42:
38:
37:
845:1971 births
738:10 February
303:10 February
248:Perpetrator
240:Night's End
231:, (segment
839:Categories
557:0415916917
497:2023-02-25
477:2023-02-25
273:References
619:10 August
587:10 August
456:10 August
233:Holy Hell
768:9 August
762:Archived
760:. 2015.
732:Archived
701:Archived
677:9 August
645:Archived
581:Archived
531:9 August
525:Archived
450:Archived
448:. 2015.
424:9 August
418:Archived
392:9 August
356:Archived
329:9 August
297:Archived
256:See also
228:V/H/S/94
798:9 March
707:9 March
651:8 March
362:9 March
235:), 2021
673:. SAIC
554:
325:. IFFR
251:(2023)
243:, 2022
223:, 2019
215:, 2017
213:Shuvit
209:, 2017
203:, 2017
195:, 2015
189:, 2015
183:, 2014
177:, 2013
171:, 2011
165:, 2010
159:, 2010
153:, 2008
141:, 2006
135:, 1995
104:; the
100:; the
92:; the
145:Claim
34:2015)
821:IMDb
800:2015
770:2015
740:2023
709:2015
679:2015
653:2021
621:2015
589:2015
552:ISBN
533:2015
458:2015
426:2015
394:2015
364:2015
331:2015
305:2023
127:Film
819:at
32:VIS
841::
786:.
756:.
730:.
726:.
695:.
669:.
643:.
637:.
605:.
579:.
575:.
517:.
442:.
410:.
380:.
354:.
348:.
321:.
295:.
289:.
112:.
802:.
772:.
742:.
711:.
681:.
655:.
623:.
591:.
560:.
535:.
500:.
480:.
460:.
428:.
396:.
366:.
333:.
307:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
