511:, whose soft sounds and safe lyrics appealed to radio, while Kristofferson's music continued to mine the oil-stained streets for inspiration, producing ruminations on prostitution, dissipation, and getting high that proved too thorny for the broadcast airwaves.” This uncompromising artistic stance might be most apparent in the song “Sugar Man,” “a noirish study of a woman prowling the streets, selling her body, and injecting heroin.” Kristofferson, who fell out with his parents after rejecting a career at West Point to pursue a career as a songwriter, addresses his lost family in “Jesse Younger,” his anger evident in the performance, which contains much of the sarcastic aggressiveness found in “Blame It on the Stones” from his debut album.
424:". He said that he had never thought of needing help, but he was at a low point in his life. When the pastor asked the congregation, "Is anybody feeling lost?" "Up goes my hand," Kristofferson says. The Pastor then asked, "Are you ready to accept Christ? Kneel down there." "I'm kneeling there," Kristofferson continues, "and I carry a big load of guilt around...and I was just out of control, crying. It was a release. It really shook me up." Kristofferson later said, "It was just a personal thing I was going through at the time. I had some kind of experience that I can't even explain." Kristofferson met June Carter Cash and
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Rev. Jimmie Rogers Snow. Malone wrote, "'Why Me, Lord'" - as the song is sometimes known - "may seem greatly out of character for
Kristofferson, but it can be interpreted as his own personal religious rephrasing of 'Sunday Morning Coming Down.' In this case, he is 'coming down' not from drugs, but from the whole hedonistic euphoria of the (1960s)." Malone described Kristofferson's gruff vocal styling as "perfect" for the song, since "he sounds like a man who has lived a lot but is now humbling himself before God." Kristofferson said he went with friends to the church service where he was moved by Larry Gatlin's song "
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in the pop Top 20 after a slow climb in
November. That turned around the fortunes of "Jesus Was a Capricorn", which marched back up the charts and reached number one on the country charts a full year after it had been released. Both album and single went gold, giving Kristofferson his greatest success as a recording artist.
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took the song to the country Top 5 the same year. As on his previous album, girlfriend and soon-to-be wife Rita
Coolidge sings on the album, contributing vocals to “Give It Time to Be Tender” and “It Sure Was (Love),” and Kristofferson also duets with Larry Gatlin on the Gatlin's composition “Help
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Another song from the album with a religious theme would become the biggest hit of
Kristofferson's career: “Why Me.” According to country music historian Bill Malone, Kristofferson wrote the song during an emotionally low period of his life after having attended a religious service conducted by the
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The first two singles from the album, the title track and “Jesse
Younger,” both stiffed, and "Jesus Was a Capricorn'" faded down the charts, but the label released “Why Me” as the third single and it quickly entered the country and pop charts, hitting number one in country in July 1973, and peaking
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was that it was overproduced and moved
Kristofferson's songs too far away from the rough-hewn charm of his earlier work.” The title track, with its chorus containing the line “Cos everybody's got to have somebody to look down on” was interpreted by some as Kristofferson's reply to critics who
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Some critics felt
Kristofferson's burgeoning film career was a distraction and his songwriting was slipping. The singer later reflected, “It was as if I were spending so much creative energy on the wrong thing, performing and movies that my songwriting was suffering. I don't think it was.”
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in 2016, "I wrote 'Jesus Was A Capricorn (Owed To John Prine)' because I was so influenced by John. When I heard his songs I felt like his writing had kicked me into doing it. You take things from all over the place, though you don't always admit it! I was really influenced by
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Although “Why Me” revealed another side of
Kristofferson's songwriting, the subject matter in his songs remained rooted in the grim realities of life, exploring broken relationships, lost family, drug addiction, and prostitution. As Michael Striessguth put it in his book
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in a hotel room in 1972 to play them two songs he had written. Kristofferson had just attended a rough screening of a movie Johnny and June were heavily involved in, entitled
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to sing "one of his favorite songs." Sumner would sing the verses and Elvis would join on the chorus along with the back-up singers. The song would also be recorded by
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incorporated the song, retitled "Why Me Lord", into his live shows beginning in
January 1974 up until his last concert tour. It was first released on the live album,
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called the title track a "funky song with a sing along kind of chorus with timely and clever lyrics delivered with appropriate gusto by Kris."
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McClintock, Jack (March 1975). "Just a Good Ole Rhodes
Scholar: Making it through the Night with Kris Kristofferson".
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Kristofferson's albums were still being mined by other recording artists within and outside country music.
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696:- backing vocals on "It Sure Was (Love)", "Help Me", "Give It Time to Be Tender" and "Why Me"
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Brenton Banks, Byron Bach, Carl Gorodetzky, David Darling, George Binkley, Lillian Hunt,
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Malone, Bill, "Classic Country Music: A Smithsonian Collection" (booklet included with
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1247:"American album certifications – Kris Kristofferson – Jesus Was a Capricorn"
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in June 1974. The recording is from his March 20, 1974 concert in
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The song, and Kristofferson's phrasing, is very reminiscent of
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Please Don't Tell Me How the Story Ends: The Publishing Demos
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Outlaw: Waylon, Willie, Kris, and the Renegades of Nashville
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Outlaw: Waylon, Willie, Kris, and the Renegades of Nashville
416:. Everybody you admire influences you somehow in your art."
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Lovin' Her Was Easier (Than Anything I'll Ever Do Again)
1178:"Kris Kristofferson Chart History (Top Country Albums)"
455:“Why Me” became an immediate country gospel standard.
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The Complete Monument & Columbia Album Collection
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4-disc set). Smithsonian Institution, 1990, p. 66-67.
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305:. "Why Me" reached #1 on the Country singles charts.
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519:covered “Nobody Wins” for his 1973 comeback album
1038:Classic Country Music: A Smithsonian Collection
972:Shipments figures based on certification alone.
554:All songs by Kris Kristofferson except as noted
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1569:Broken Freedom Song: Live from San Francisco
600:"Out of Mind, Out of Sight" (Kristofferson,
593:"Give It Time to Be Tender" (Kristofferson,
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657:. Unsourced material may be challenged and
16:1972 studio album by Kris Kristofferson
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1197:"Top Billboard 200 Albums – Year-End 1973"
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1251:Recording Industry Association of America
677:Learn how and when to remove this message
359:Learn how and when to remove this message
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1668:Please Don't Tell Me How the Story Ends
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461:Elvis Recorded Live On Stage In Memphis
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1222:"Top Country Albums – Year-End 1973"
655:adding citations to reliable sources
503:, “By 1972, singer-songwriter meant
467:. He often introduced the song for
341:adding citations to reliable sources
1156:"Kris Kristofferson Chart History (
690:Kris Kristofferson - vocals, guitar
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386:, “A common criticism directed at
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1733:Willie Nelson Sings Kristofferson
1661:Help Me Make It Through the Night
1414:Who's to Bless and Who's to Blame
801:Bill Justis - string arrangements
1594:The Essential Kris Kristofferson
1278:Kristofferson: The Wild American
1186:. Retrieved September 19, 2021.
1168:. Retrieved September 19, 2021.
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559:"Jesus Was a Capricorn (Owed to
384:Kristofferson: The Wild American
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1146:. Retrieved December 18, 2022.
328:needs additional citations for
1770:Albums produced by Fred Foster
1765:Albums arranged by Bill Justis
1386:The Silver Tongued Devil and I
1116:. December 9, 1972. p. 10
776:- piano, electric piano, organ
724:, Jerry Shook, Jimmy Colvard,
391:disparaged his previous album
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1296:Streissguth, Michael (2013).
378:and, like his previous album
1134:"Top RPM Albums: Issue 4940"
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779:Alan Rush, Benny Whitehead,
440:, reiterated the story that
1144:Library and Archives Canada
573:"It Sure Was (Love)" – 2:51
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1633:Sunday Mornin' Comin' Down
1442:Shake Hands with the Devil
1760:Kris Kristofferson albums
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1562:Live at the Philharmonic
1512:The Cedar Creek Sessions
1275:Miller, Stephen (2009).
932:Certifications and sales
798:, Steven Smith - strings
434:. Johnny Cash's memoir
1775:Monument Records albums
993:Ruhlmann, William.
910:US Top Country Albums (
833:Canada Top Albums/CDs (
576:"Enough for You" – 3:05
1587:Songs of Kristofferson
1407:Spooky Lady's Sideshow
590:"Jesse Younger" – 2:40
297:, released in 1972 on
184:Jesus Was a Capricorn
71:, Nashville, Tennessee
65:, Nashville, Tennessee
1463:Music from Songwriter
1400:Jesus Was a Capricorn
995:Jesus Was a Capricorn
521:Ol’ Blue Eyes Is Back
388:Jesus Was a Capricorn
372:Jesus Was a Capricorn
286:Jesus Was a Capricorn
153:Jesus Was a Capricorn
22:Jesus Was a Capricorn
1010:Rolling Stone review
651:improve this section
337:improve this article
217:Professional ratings
202:Released: April 1973
1491:The Austin Sessions
1484:A Moment of Forever
1477:Third World Warrior
1072:, pp. 197–198.
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754:"Uncle Josh" Graves
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84:Alternative Country
1654:Me and Bobby McGee
1626:For the Good Times
1579:Compilation albums
1522:With Rita Coolidge
1505:Closer to the Bone
1346:Kris Kristofferson
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863:Top Country Albums
823:Chart (1972–1973)
730:Johnny Christopher
607:"Sugar Man" – 3:59
465:Memphis, Tennessee
295:Kris Kristofferson
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131:Kris Kristofferson
69:Monument Recording
42:Kris Kristofferson
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1710:One Day at a Time
1300:. HarperCollins.
1281:. Omnibus Press.
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760:Weldon Myrick
758:
756:- slide dobro
755:
752:
750:- bass guitar
749:
748:Tommy Cogbill
745:
742:
739:
735:
731:
727:
723:
719:
715:
711:
708:
705:
704:Kenny Buttrey
701:
698:
695:
694:Rita Coolidge
692:
689:
688:
681:
678:
670:
660:
656:
652:
646:
645:
641:
636:This section
634:
630:
625:
624:
618:
613:
609:
606:
603:
599:
596:
595:Donnie Fritts
592:
589:
586:
582:
578:
575:
572:
569:
565:
562:
558:
557:
556:
555:
549:Track listing
548:
546:
544:
543:
538:
531:
529:
526:
522:
518:
517:Frank Sinatra
512:
510:
506:
502:
496:
494:
490:
486:
485:Willie Nelson
482:
481:Conway Twitty
478:
477:Merle Haggard
474:
470:
466:
462:
458:
457:Elvis Presley
453:
451:
447:
443:
439:
438:
433:
432:
427:
423:
417:
415:
411:
407:
402:
398:
394:
389:
385:
381:
377:
373:
363:
360:
352:
342:
338:
332:
331:
326:This section
324:
320:
315:
314:
308:
306:
304:
303:Rita Coolidge
300:
296:
292:
288:
287:
277:
275:
274:
273:Rolling Stone
270:
269:
239:
237:
234:
233:
225:
222:Review scores
220:
209:
198:
192:
191:
188:
185:
181:
177:
173:
164:
163:
159:
155:
154:
150:
146:
145:
141:
140:
136:
132:
128:
125:
122:
120:
116:
113:
110:
108:
104:
92:
88:
85:
82:
80:
76:
70:
67:
64:
61:
60:
59:
55:
52:November 1972
51:
47:
43:
38:
34:
30:
25:
20:
1731:
1689:Lover Please
1606:
1599:
1592:
1585:
1567:
1560:
1542:
1535:
1528:
1510:
1503:
1496:
1489:
1482:
1475:
1468:
1461:
1454:
1447:
1440:
1433:
1426:
1419:
1412:
1405:
1399:
1398:
1391:
1384:
1377:
1297:
1277:
1269:Bibliography
1256:November 14,
1254:. Retrieved
1241:
1229:. Retrieved
1225:
1216:
1204:. Retrieved
1200:
1191:
1182:
1173:
1164:
1157:
1151:
1137:
1129:
1118:. Retrieved
1114:Record World
1113:
1101:
1089:
1077:
1065:
1059:(9): 171–75.
1056:
1052:
1046:
1036:
1016:
1005:
989:
970:
922:
911:
899:
867:
849:
834:
785:Larry Gatlin
770:David Briggs
766:Bobby Emmons
722:Grady Martin
714:Dennis Linde
673:
664:
649:Please help
637:
585:Larry Gatlin
553:
552:
542:Record World
540:
539:
535:
520:
513:
505:James Taylor
500:
497:
489:Connie Smith
473:George Jones
460:
454:
449:
442:Larry Gatlin
437:Man in Black
435:
429:
418:
406:Roger Miller
400:
393:Border Lord.
392:
387:
383:
379:
371:
370:
355:
346:
335:Please help
330:verification
327:
285:
284:
283:
271:
183:
160:
152:
151:
142:
37:Studio album
1755:1972 albums
1682:Loving Arms
1675:Nobody Wins
1544:Natural Act
1470:Repossessed
1449:To the Bone
1393:Border Lord
1362:Filmography
1357:Discography
1021:Miller 2009
568:Nobody Wins
509:Carole King
469:J.D. Sumner
426:Johnny Cash
380:Border Lord
376:Fred Foster
144:Border Lord
124:Fred Foster
1749:Categories
1120:2023-03-27
981:References
781:Billy Swan
774:Mike Utley
734:Mac Gayden
710:Chip Young
561:John Prine
525:Brenda Lee
397:John Prine
133:chronology
1703:The Heart
1537:Breakaway
1530:Full Moon
1226:Billboard
1201:Billboard
1183:Billboard
1165:Billboard
1158:Billboard
912:Billboard
900:Billboard
893:Position
868:Billboard
850:Billboard
828:position
638:does not
619:Personnel
563:)" – 2:28
532:Reception
162:Full Moon
1720:See also
999:AllMusic
965:500,000
740:- guitar
667:May 2022
614:" – 3:26
604:) – 2:58
597:) – 3:26
587:) – 3:22
570:" – 3:06
523:, while
349:May 2022
278:(mixed)
236:Allmusic
119:Producer
112:Monument
49:Released
39: by
1053:Playboy
950:/sales
941:Region
706:- drums
659:removed
644:sources
581:Help Me
446:Help Me
180:Singles
166:(1973)
157:(1972)
148:(1972)
1647:Why Me
1371:Albums
1304:
1285:
923:
806:Charts
612:Why Me
491:, and
444:sang "
230:Rating
227:Source
197:Why Me
90:Length
57:Studio
1618:Songs
1160:200)"
1110:(PDF)
962:Gold
528:Me.”
401:Uncut
291:album
182:from
107:Label
79:Genre
1554:Live
1302:ISBN
1283:ISBN
1258:2023
1233:2021
1208:2021
957:RIAA
902:200
826:Peak
642:any
640:cite
507:and
412:and
1139:RPM
997:at
917:10
905:31
898:US
861:US
856:31
852:200
847:US
842:27
836:RPM
653:by
583:" (
339:by
293:by
1751::
1249:.
1224:.
1199:.
1180:.
1162:.
1142:.
1136:.
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871:)
839:)
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732:,
728:,
720:,
716:,
712:,
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495:.
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199:"
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97::
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