604:, "perhaps because it isn't an album to dance to, nor for selling only, nor for protesting only". Mario Cesar Carvalho, writing for the same newspaper, noticed that, unlike the previous album, this tackled everyday issues such as love, food, fun, disorder and lies. However, he noticed "a manifesto atmosphere" on "Comida", stating the album "is more a poetical listing of urgent demands".
931:
926:
921:
916:
911:
437:, you guys demolished the five pillars of social order, the police, the State, the church, family and wild capitalism. Now it's time for you to start demolishing things from within. Titãs is what's left of rock, their lyrics are what's left of a failed country, a vice-country, vice-ruled, vice-happy, vice-versa."
948:
said, with regards to social critiques and non-conventional structure of the songs, the album exceeded expectations. On the other hand, he pointed out that its calculated abrasiveness "fell much short" of replicating the "genius" of the previous album. Due to the usage of digital effects and
454:, Vânia. She said Brazil was "the land of the toothless", referring to the poverty that affected the country. The front and back covers feature eight pillars of a Greek temple (four on each side), each representing one of the members. The spaces between them are like empty slots in a
989:
The album sold over 250,000 copies and boosted some of its songs' popularity, such as "Lugar Nenhum" and "Nome aos Bois". The most popular one was "Comida", which became an anthem for student protests in the 1980s. In 1994, the album was certified double platinum by
29:
358:, in order to commence work in studio on 20 August. The recording began amidst its predecessor's promotional tour, at Nas Nuvens studios. On 24 October, its mixing was finished, and the material was sent to
536:. Reis, Liminha and Paulo Junqueiro were chatting at the studio's kitchen when Reis accidentally dropped one and its sound hitting the floor pleased them all so much, they wanted to have it recorded.
1810:
Alonso, Gustavo (2017). "A MPBzação do rock mainstream no Brasil". In Amaral, Adriana; Bomfim, Ivan; Bergamin, Marcelo; Conter, Gustavo Daudt
Fischer; Goddard, Michael N.; Silveira, Fabricio (eds.).
497:". Even with the electronic elements, the album retained its predecessor's heaviness. The album was split in a "J" and a "T" side, instead of the typical "A" and "B"; one side is characterized by
2507:
543:. The final result of "Diversão" involved so many sounds that the 24 channels of the studio were not enough, and the musicians had to record some sounds simultaneously at the same channel.
1994:
1784:
944:", according to Arthur Dapieve, who said the sophistication of the arrangements and of the lyrics didn't cause a decrease in the aggressiveness of the band. Eduardo Rivadavia from
2341:
517:. Gavin ended up with a smaller set provided by the studio and, later, he and producer talked about what he wanted from the instrument. Because Gavin was heavily influenced by
991:
322:
1340:
321:
The album was a critical and commercial success, being considered one of the best and most important albums by the band and being certified double platinum by (then)
2070:
2043:
2586:
513:
1930:
477:, according to Antunes, is that this album had "the electronic data, the electronic drum, the programming". He referred to the usage of electronic beats and
2098:
1305:
2684:
1811:
511:. This caused conflicts in studio; one particular episode in which Liminha tells him off was filmed by Mello and featured in the band's documentary
493:
978:
magazine considers it and its successor "watersheds for Titãs's career and for
Brazilian rock itself." On the other hand, André Forastieri from
413:
considered it "a
Brazilian rock landmark". Around that time, Titãs's experienced a sharp rise in popularity, which was named a "titanmania" by
2150:
1824:
1841:
1788:
314:, which boosted the band's popularity. Songs such as "Lugar Nenhum", "Nome aos Bois" and especially "Comida", which became an anthem for
2679:
2674:
2181:
2521:
960:
It is considered one of the best and most important albums by Titãs, which was "in its creative and popularity apogee", according to
1989:
2415:
423:. On 19 February 1988, the album was officially released with a show at Projeto SP, which marked the beginning of a domestic tour.
371:
1274:
1851:
555:
1878:
526:
2408:
1144:
540:
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1940:
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2306:
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2401:
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2109:
391:
The album was released on 23 November 1987, but it was only performed to the public the following year, at the
2669:
2638:
2500:
2348:
2320:
2229:
2440:
546:"Nome aos Bois" lists several infamous or controversial personalities of World and Brazilian History such as
2643:
2612:
1713:
CHARLES GAVIN: A Produção do "CABEÇA DINOSSAURO" ao "JESUS NÃO TEM DENTES[...]" (Entrevista Parte 1)
567:
303:
influences, besides tackling social issues in its lyrics. Its recording took place at Nas Nuvens studio in
2174:
585:
In a 2021 video, Reis said the song felt a bit biased for including mostly right-wing names. He also said
73:
1243:
1113:
1658:
1597:
400:
2664:
2580:
2369:
2285:
1653:
1279:
962:
957:, Luiz Carlos Mansur said the album could be considered "the best album produced in Brazil in 1987".
507:
sought new sounds for his drums for this album, expanding his kit and trying new and more elaborated
396:
339:
287:
145:
2542:
2528:
2021:
1089:
355:
263:
198:
1762:
1725:
1569:
1128:
593:. Reis says he now regrets having mentioned him. In 1989, the band released "O Pulso", seen as a
571:
347:
292:
125:
113:
2355:
2299:
2142:
1016:
In a 2021 video in his YouTube channel, Reis said it was his favorite Titãs album, give or take
586:
483:
2071:"'Cabeça dinossauro', dos Titãs, volta às lojas com canção inédita e acompanhado de disco demo"
2633:
2479:
2422:
2362:
2167:
2146:
1847:
1820:
1592:
758:"Jesus não Tem Dentes no País dos Banguelas" (Jesus Has No Teeth in the Land Of The Toothless)
575:
539:
Improvised percussion was used with other non-musical objects throughout the album, besides a
359:
237:
224:
2136:
998:
2549:
2472:
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2209:
1371:
1148:
1085:
940:
The album was well received by the critics. It expanded the horizons of the "claustrophobic
665:
559:
405:
385:
380:
315:
296:
211:
346:
Titãs already had their songs ready for the album but were awaiting the return of producer
2394:
2234:
1904:
1310:
1132:
1042:
1001:
re-released the album on 180 grams vinyl. It was also included on the band's catalogue on
641:
589:
was included because he once wrote an article panning the band following a performance at
463:
458:, alluding to the title. The temple also alludes to the band's name (Titãs translating as
420:
163:
120:
1999:
1463:
Nando Reis: 50 fatos sobre os Titãs (Parte II): Cabeça
Dinossauro e Jesus Não Tem Dentes
2535:
2239:
1063:
661:
597:
counterpart to "Nome aos Bois" for listing several diseases, conditions and disorders.
443:
392:
378:. One of them, with the members on top of a grave, was featured on the front page of a
326:
311:
304:
181:
69:
403:
on 13 January. The band's performance was considered the best part of the festival by
2658:
2493:
2249:
2216:
2103:
1105:
1076:
1067:
1024:
1006:
795:
688:
563:
504:
2044:"Titãs comemora 30 anos de carreira com lançamento de 'Cabeça Dinossauro' no iTunes"
450:
The title of the album came from an expression said by a friend of vocalist/bassist
2454:
2313:
2254:
2202:
1560:
1315:
1140:
1057:
1051:
684:
551:
547:
522:
508:
467:
419:
magazine. Members were doing more shows that they wanted to, according to vocalist
271:
108:
2278:
532:
One of the sounds heard at the rhythmic section of "Diversão" was obtained from a
375:
2514:
2334:
2327:
2224:
1963:
1565:
1235:
1099:
1080:
1071:
518:
478:
455:
80:
1684:
1529:
1422:
1395:
1366:
1204:
2602:
2486:
2244:
1748:
1711:
1555:
1490:
1461:
1136:
1095:
724:
590:
451:
278:
1623:
1341:"Titãs fazem shows em SP e tocam dez inéditas que podem estar em novo disco"
594:
579:
533:
300:
1005:, in 2012, to mark their 30th anniversary. For the same purpose, guitarist
2617:
2607:
2190:
1935:
1109:
945:
903:
415:
282:
132:
85:
41:
2563:
2075:
1785:"Nando Reis e Os Infernais comandam virada de ano nas areias de Tambaú"
1758:
1721:
1467:
1046:
1813:
Mapeando cenas da música pop: cidades, mediações e arquivos - Volume I
529:" on "Lugar Nenhum". "Lugar Nenhum" received airplay in October 1987.
343:
was a commercial success and is considered a
Brazilian rock landmark.
1556:"Titãs - "Jesus não tem dentes no país dos banguelas" / Arte na Capa"
1002:
459:
351:
275:
600:
The album was labeled "difficult to understand" by André Singer at
267:
36:
28:
2597:
498:
388:
was upset with the photograph and fired the cemetery's manager.
2163:
1306:"Titãs comemoram 30 anos de carreira com clássicos e novidades"
481:, which would later be used on the band's next studio effort,
1787:. Prefeitura de João Pessoa. 9 December 2014. Archived from
325:
in 1994. In 2011, it was re-released and made available for
953:
called it "Brazil's most inventive 87 album." Writing for
270:
Has no Teeth in the Land of the
Toothless") is the fourth
863:"Violência" (Violence; not included in the vinyl version)
2159:
1181:
1179:
1177:
1175:
1173:
1171:
1169:
1167:
1165:
1256:
1254:
1252:
1143:(in "Todo Mundo Quer Amor", "Comida" and "O Inimigo")
974:"form the best sequence of albums by the band", while
285:, released on November 23, 1987. Like its predecessor
982:
said the album was "too irregular and sounded like a
2626:
2573:
2464:
2432:
2386:
2263:
1995:
Dicionário Cravo Albin da Música
Popular Brasileira
1530:"Titãs tocam em SP e são convidados para Montreaux"
629:
615:
466:). The pictures were taken by an uncle of vocalist
180:
131:
119:
107:
91:
79:
64:
56:
48:
35:
21:
2508:A Melhor Banda de Todos os Tempos da Última Semana
2342:A Melhor Banda de Todos os Tempos da Última Semana
1750:CHARLES GAVIN: Em ESTÚDIO com os TITÃS nos ANOS 80
1205:"Titãs mostram os dentes no país do rock banguela"
1022:. "Comida" was ranked by the Brazilian edition of
525:), Liminha helped him create lines inspired by "
2099:"As 100 Maiores Músicas Brasileiras - "Comida""
1624:"Hollywood Rock quer reviver grandes festivais"
1470:. 13 January 2021. Event occurs at 24:50-39:18
431:
370:The album's promotional pictures were taken at
1819:. João Pessoa: Marca de Fantasia. p. 95.
1456:
1454:
1452:
1450:
1448:
1446:
1444:
2175:
638:"Todo Mundo Quer Amor" (Everybody Wants Love)
8:
1013:with bonus, previously unreleased material.
908:
307:and lasted for little more than two months.
186:Jesus não Tem Dentes no País dos Banguelas
2293:Jesus não Tem Dentes no País dos Banguelas
2182:
2168:
2160:
1678:
1676:
1654:"Relembre a discografia completa do Titãs"
1528:Carvalho, Mario Cesar (19 February 1988).
1489:Carvalho, Mario Cesar (13 November 1988).
1238:Jesus Não Tem Dentes no País dos Banguelas
1203:Carvalho, Mario Cesar (22 November 1987).
1011:Jesus não Tem Dentes no País dos Banguelas
883:
259:Jesus não Tem Dentes no País dos Banguelas
155:Jesus não Tem Dentes no País dos Banguelas
27:
22:Jesus não Tem Dentes no País dos Banguelas
18:
1964:"Titãs voltam ao topo com 'Õ Blésq Blom'"
1198:
1196:
1194:
1617:
1615:
815:Antunes, Gavin, Fromer, Britto, Bellotto
612:
442:Section of the album's press-release by
2108:(in Portuguese). Spring. Archived from
1877:Garcia, Lauro Lisboa (8 January 2011).
1872:
1870:
1515:
1334:
1332:
1260:
1185:
1161:
949:electronic music, Luciano Borges, from
501:beats, while the other is "more rock."
473:The differences between this album and
1647:
1645:
1275:"Dos tempos em que ele só era o 'Ben'"
1273:Garcia, Lauro Liscboa (19 June 2010).
704:"Corações e Mentes" (Hearts and Minds)
1962:Forastieri, André (18 October 1989).
1843:BRock — O Rock Brasileiro dos anos 80
1421:Pascowitch, Joyce (30 October 1987).
1028:as the 68th greatest Brazilian song.
889:
318:, became notorious among the public.
7:
2138:BRock: o rock brasileiro dos anos 80
1929:Ferreira, Mauro (17 November 2003).
1747:Naspolini, Gilson (21 August 2020).
1299:
1297:
1230:
1228:
1226:
829:"Armas pra Lutar" (Weapons to Fight)
2587:Titãs – A Vida Até Parece Uma Festa
1903:Vieira, Roberto (14 January 1999).
1710:Naspolini, Gilson (7 August 2020).
1365:Pascowitch, Joyce (5 August 1987).
846:"Nome aos Bois" (Names to the Oxen)
514:Titãs – A Vida Até Parece Uma Festa
1683:Singer, André (13 November 1987).
1622:Borges, Luciano (6 January 1988).
1394:Calado, Carlos (26 October 1987).
1339:Menezes, Thales de (2 July 2013).
491:, described the album as "Titãs's
14:
910:
2685:1980s Portuguese-language albums
2069:Miranda, Michele (22 May 2012).
1879:"O peso dos Titãs em 180 gramas"
929:
924:
919:
914:
909:
832:Antunes, Mello, Fromer, Bellotto
1765:from the original on 2021-12-13
1728:from the original on 2021-12-13
1652:Faria, Tiago (3 October 2012).
1591:Ciuffa, Silmara (9 June 2009).
1572:from the original on 2021-12-13
1491:"O Hollywood Rock começa em SP"
849:Antunes, Reis, Fromer, Bellotto
393:first edition of Hollywood Rock
2416:Cabeça Dinossauro ao Vivo 2012
1304:Motta, Nelson (21 July 2012).
741:"Infelizmente" (Unfortunately)
616:
470:, who had traveled to Greece.
427:Songwriting and lyrical themes
16:1987 studio album by Titãs
1:
1685:"Titãs: Agora o rock difícil"
1905:"Titãs para todos os gostos"
1396:"Titãs comemoram novo disco"
1724:. Event occurs at 23:30-.
1246:. Retrieved 15 August 2011.
2701:
2680:Albums produced by Liminha
1990:"Titãs - Dados Artísticos"
966:. The same newspaper said
337:The band's previous album
2675:Warner Music Group albums
2593:Nando Reis e Os Infernais
2522:O Mundo É Bão, Sebastião!
2307:Tudo ao Mesmo Tempo Agora
2197:
1755:Canal de Gilson Naspolini
1718:Canal de Gilson Naspolini
1019:Tudo ao Mesmo Tempo Agora
897:
894:
859:
842:
825:
808:
788:
771:
754:
737:
717:
700:
677:
653:
634:
626:
623:
620:
333:Background and production
251:
191:
176:
139:
26:
2557:Porque Eu Sei que É Amor
2135:Dapieve, Arthur (1995).
1840:DAPIEVE, Arthur (1995).
1234:Rivadavia, Eduardo.
1009:considered re-releasing
812:"Lugar Nenhum" (Nowhere)
778:Fromer, Britto, Bellotto
2613:Os Paralamas do Sucesso
681:"O Inimigo" (The Enemy)
310:It was promoted at the
2097:Paulo, Terron (2009).
1081:lead and rhythm guitar
439:
2501:É Preciso Saber Viver
792:"Desordem" (Disorder)
487:. Luciano Borges, at
299:experimentations and
291:, it was produced by
60:August – October 1987
2370:Doze Flores Amarelas
2112:on 21 September 2016
1423:"Devidas proporções"
1280:O Estado de S. Paulo
1147:(in "Diversão") and
1123:Additional personnel
963:O Estado de S. Paulo
885:Professional ratings
880:Reception and legacy
399:on 6 January and at
366:Launch and publicity
329:the following year.
68:Estúdio Nas Nuvens,
2529:Enquanto Houver Sol
2402:Acústico MTV: Titãs
2377:Titãs Trio Acústico
1931:"Como estão vocês?"
886:
372:Consolação Cemitery
356:Sigue Sigue Sputnik
312:1988 Hollywood Rock
2448:Titãs – 84 94 Dois
2433:Compilation albums
2409:MTV ao Vivo: Titãs
2141:. Rio de Janeiro:
2048:Estado de S. Paulo
2002:on 2 December 2013
1909:Diário do Nordeste
1883:Estado de S. Paulo
1659:Diário de S. Paulo
1598:Diário do Nordeste
884:
384:issue. Then mayor
2652:
2651:
2423:Nheengatu ao Vivo
2387:Live/video albums
2349:Como Estão Vocês?
2286:Cabeça Dinossauro
2152:978-8-573-26008-3
1826:978-85-67732-82-4
1593:"Leite derramado"
1568:. 28 April 2019.
997:In January 2011,
970:, this album and
968:Cabeça Dinossauro
942:Cabeça Dinossauro
938:
937:
876:
875:
775:"Mentiras" (Lies)
475:Cabeça Dinossauro
435:Cabeça Dinossauro
360:Townhouse Studios
340:Cabeça Dinossauro
316:student activists
288:Cabeça Dinossauro
255:
254:
172:
171:
146:Cabeça Dinossauro
52:November 23, 1987
2692:
2574:Related articles
2543:Vossa Excelência
2441:Titãs – 84 94 Um
2184:
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2170:
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2156:
2122:
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2119:
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2059:
2057:
2055:
2040:
2034:
2033:
2031:
2029:
2018:
2012:
2011:
2009:
2007:
1998:. Archived from
1986:
1980:
1979:
1977:
1975:
1968:Folha de S.Paulo
1959:
1953:
1952:
1950:
1948:
1939:. Archived from
1926:
1920:
1919:
1917:
1915:
1900:
1894:
1893:
1891:
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1874:
1865:
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1744:
1738:
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1707:
1701:
1700:
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1689:Folha de S.Paulo
1680:
1671:
1670:
1668:
1666:
1649:
1640:
1639:
1637:
1635:
1628:Folha de S.Paulo
1619:
1610:
1609:
1607:
1605:
1588:
1582:
1581:
1579:
1577:
1552:
1546:
1545:
1543:
1541:
1534:Folha de S.Paulo
1525:
1519:
1513:
1507:
1506:
1504:
1502:
1495:Folha de S.Paulo
1486:
1480:
1479:
1477:
1475:
1458:
1439:
1438:
1436:
1434:
1427:Folha de S.Paulo
1418:
1412:
1411:
1409:
1407:
1400:Folha de S.Paulo
1391:
1385:
1384:
1382:
1380:
1372:Folha de S.Paulo
1362:
1356:
1355:
1353:
1351:
1345:Folha de S.Paulo
1336:
1327:
1326:
1324:
1322:
1301:
1292:
1291:
1289:
1287:
1270:
1264:
1258:
1247:
1232:
1221:
1220:
1218:
1216:
1209:Folha de S.Paulo
1200:
1189:
1183:
1149:classical guitar
980:Folha de S.Paulo
955:Jornal do Brasil
951:Folha de S.Paulo
934:
933:
932:
928:
927:
923:
922:
918:
917:
913:
912:
887:
798:, Fromer, Britto
721:"Diversão" (Fun)
618:
613:
602:Folha de S.Paulo
582:, among others.
489:Folha de S.Paulo
462:, gods from the
446:
411:Folha de S.Paulo
406:Jornal do Brasil
381:Folha de S.Paulo
327:digital download
297:electronic music
244:
241:
231:
228:
218:
215:
205:
202:
141:
140:
103:
102:
98:
31:
19:
2700:
2699:
2695:
2694:
2693:
2691:
2690:
2689:
2655:
2654:
2653:
2648:
2622:
2569:
2460:
2428:
2382:
2356:Sacos Plásticos
2259:
2235:Arnaldo Antunes
2193:
2188:
2153:
2145:. p. 215.
2134:
2131:
2126:
2125:
2115:
2113:
2096:
2095:
2091:
2081:
2079:
2068:
2067:
2063:
2053:
2051:
2042:
2041:
2037:
2027:
2025:
2020:
2019:
2015:
2005:
2003:
1988:
1987:
1983:
1973:
1971:
1961:
1960:
1956:
1946:
1944:
1943:on 3 March 2016
1928:
1927:
1923:
1913:
1911:
1902:
1901:
1897:
1887:
1885:
1876:
1875:
1868:
1858:
1856:
1854:
1839:
1838:
1834:
1827:
1816:
1809:
1808:
1804:
1794:
1792:
1791:on 3 March 2016
1783:
1782:
1778:
1768:
1766:
1746:
1745:
1741:
1731:
1729:
1709:
1708:
1704:
1694:
1692:
1682:
1681:
1674:
1664:
1662:
1651:
1650:
1643:
1633:
1631:
1621:
1620:
1613:
1603:
1601:
1590:
1589:
1585:
1575:
1573:
1554:
1553:
1549:
1539:
1537:
1527:
1526:
1522:
1514:
1510:
1500:
1498:
1488:
1487:
1483:
1473:
1471:
1460:
1459:
1442:
1432:
1430:
1420:
1419:
1415:
1405:
1403:
1393:
1392:
1388:
1378:
1376:
1364:
1363:
1359:
1349:
1347:
1338:
1337:
1330:
1320:
1318:
1311:Jornal da Globo
1303:
1302:
1295:
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1283:
1272:
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1267:
1259:
1250:
1233:
1224:
1214:
1212:
1202:
1201:
1192:
1184:
1163:
1158:
1151:(in "Desordem")
1139:in ("Comida"),
1133:electric guitar
1125:
1119:
1043:Arnaldo Antunes
1039:
1034:
930:
925:
920:
915:
882:
877:
657:"Comida" (Food)
642:Arnaldo Antunes
610:
587:Ronaldo Bôscoli
464:Greek mythology
448:
441:
429:
421:Arnaldo Antunes
401:Morumbi Stadium
397:Apoteose Square
368:
335:
247:
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216:
209:
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44:
17:
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11:
5:
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2536:Provas de Amor
2532:
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2258:
2257:
2252:
2247:
2242:
2240:Marcelo Fromer
2237:
2232:
2227:
2221:
2220:
2213:
2206:
2198:
2195:
2194:
2189:
2187:
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2172:
2164:
2158:
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2127:
2124:
2123:
2089:
2061:
2035:
2013:
1981:
1954:
1921:
1895:
1866:
1852:
1846:. Editora 34.
1832:
1825:
1802:
1776:
1739:
1702:
1672:
1641:
1611:
1583:
1547:
1520:
1518:, p. 102.
1508:
1481:
1440:
1413:
1386:
1357:
1328:
1293:
1265:
1248:
1222:
1190:
1188:, p. 101.
1160:
1159:
1157:
1154:
1153:
1152:
1124:
1121:
1117:
1116:
1103:
1093:
1083:
1074:
1064:Marcelo Fromer
1061:
1055:
1049:
1038:
1035:
1033:
1030:
936:
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708:
707:Fromer, Britto
705:
702:
698:
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682:
679:
675:
674:
671:
668:
662:Marcelo Fromer
658:
655:
651:
650:
647:
644:
639:
636:
632:
631:
628:
625:
622:
619:
611:
609:
606:
576:Plínio Salgado
568:General Custer
444:Paulo Leminski
430:
428:
425:
367:
364:
334:
331:
305:Rio de Janeiro
253:
252:
249:
248:
246:
245:
243:Released: 1988
232:
230:Released: 1988
219:
217:Released: 1987
206:
204:Released: 1987
192:
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178:
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174:
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70:Rio de Janeiro
66:
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2561:
2558:
2554:
2551:
2550:Antes de Você
2547:
2544:
2540:
2537:
2533:
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2526:
2523:
2519:
2516:
2512:
2509:
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2473:Sonífera Ilha
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2280:
2276:
2274:
2273:
2269:
2268:
2266:
2264:Studio albums
2262:
2256:
2253:
2251:
2250:Charles Gavin
2248:
2246:
2243:
2241:
2238:
2236:
2233:
2231:
2228:
2226:
2223:
2222:
2219:
2218:
2217:Tony Bellotto
2214:
2212:
2211:
2210:Sérgio Britto
2207:
2205:
2204:
2200:
2199:
2196:
2192:
2185:
2180:
2178:
2173:
2171:
2166:
2165:
2162:
2154:
2148:
2144:
2140:
2139:
2133:
2132:
2128:
2111:
2107:
2105:
2104:Rolling Stone
2100:
2093:
2090:
2078:
2077:
2072:
2065:
2062:
2050:. 28 May 2012
2049:
2045:
2039:
2036:
2023:
2017:
2014:
2001:
1997:
1996:
1991:
1985:
1982:
1969:
1965:
1958:
1955:
1942:
1938:
1937:
1932:
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1276:
1269:
1266:
1263:, p. 99.
1262:
1257:
1255:
1253:
1249:
1245:
1241:
1239:
1231:
1229:
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1120:
1115:
1111:
1107:
1106:Charles Gavin
1104:
1101:
1097:
1094:
1091:
1087:
1086:Sérgio Britto
1084:
1082:
1078:
1077:Tony Bellotto
1075:
1073:
1069:
1065:
1062:
1059:
1056:
1053:
1050:
1048:
1044:
1041:
1040:
1036:
1031:
1029:
1027:
1026:
1025:Rolling Stone
1021:
1020:
1014:
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1008:
1007:Tony Bellotto
1004:
1000:
995:
993:
987:
985:
981:
977:
973:
969:
965:
964:
958:
956:
952:
947:
943:
907:
905:
902:
901:
893:
890:Review scores
888:
879:
871:
868:
866:Gavin, Britto
865:
862:
858:
854:
851:
848:
845:
841:
837:
834:
831:
828:
824:
820:
817:
814:
811:
807:
803:
800:
797:
796:Charles Gavin
794:
791:
787:
783:
780:
777:
774:
770:
766:
763:
760:
757:
753:
749:
746:
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732:
729:
726:
723:
720:
716:
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709:
706:
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699:
695:
692:
690:
689:Tony Bellotto
686:
683:
680:
676:
672:
669:
667:
666:Sérgio Britto
663:
659:
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648:
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516:
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510:
506:
505:Charles Gavin
502:
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412:
408:
407:
402:
398:
394:
389:
387:
386:Jânio Quadros
383:
382:
377:
373:
365:
363:
361:
357:
354:working with
353:
350:, who was in
349:
344:
342:
341:
332:
330:
328:
324:
319:
317:
313:
308:
306:
302:
298:
295:and featured
294:
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289:
284:
280:
277:
273:
269:
265:
261:
260:
250:
239:
233:
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220:
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106:
94:
90:
87:
84:
82:
78:
75:
71:
67:
63:
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
2670:Titãs albums
2639:Titãs albums
2585:
2455:E-collection
2453:
2446:
2439:
2421:
2414:
2407:
2400:
2393:
2375:
2368:
2361:
2354:
2347:
2340:
2333:
2326:
2319:
2314:Titanomaquia
2312:
2305:
2300:Õ Blésq Blom
2298:
2292:
2291:
2284:
2277:
2270:
2255:Paulo Miklos
2215:
2208:
2203:Branco Mello
2201:
2137:
2129:Bibliography
2114:. Retrieved
2110:the original
2102:
2092:
2080:. Retrieved
2074:
2064:
2052:. Retrieved
2047:
2038:
2026:. Retrieved
2016:
2004:. Retrieved
2000:the original
1993:
1984:
1972:. Retrieved
1967:
1957:
1945:. Retrieved
1941:the original
1934:
1924:
1912:. Retrieved
1908:
1898:
1886:. Retrieved
1882:
1857:. Retrieved
1842:
1835:
1812:
1805:
1793:. Retrieved
1789:the original
1779:
1767:. Retrieved
1754:
1749:
1742:
1730:. Retrieved
1717:
1712:
1705:
1693:. Retrieved
1688:
1663:. Retrieved
1657:
1632:. Retrieved
1627:
1602:. Retrieved
1596:
1586:
1574:. Retrieved
1561:Canal Brasil
1559:
1550:
1538:. Retrieved
1533:
1523:
1516:Dapieve 1995
1511:
1499:. Retrieved
1494:
1484:
1472:. Retrieved
1462:
1431:. Retrieved
1426:
1416:
1404:. Retrieved
1399:
1389:
1377:. Retrieved
1370:
1360:
1348:. Retrieved
1344:
1319:. Retrieved
1309:
1284:. Retrieved
1278:
1268:
1261:Dapieve 1995
1237:
1213:. Retrieved
1208:
1186:Dapieve 1995
1141:drum machine
1118:
1058:Paulo Miklos
1052:Branco Mello
1023:
1017:
1015:
1010:
996:
988:
983:
979:
975:
972:Õ Blésq Blom
971:
967:
961:
959:
954:
950:
941:
939:
761:Fromer, Reis
685:Branco Mello
601:
599:
595:pathological
584:
572:Mark Chapman
545:
538:
531:
523:Led Zeppelin
512:
503:
494:Sgt. Peppers
492:
488:
484:Õ Blésq Blom
482:
479:synthesizers
474:
472:
468:Branco Mello
449:
440:
434:
432:
414:
410:
404:
390:
379:
369:
345:
338:
336:
320:
309:
286:
272:studio album
258:
257:
256:
199:Lugar Nenhum
185:
162:
154:
153:
144:
37:Studio album
2665:1987 albums
2644:Titãs songs
2581:Discography
2335:As Dez Mais
2328:Volume Dois
2225:Ciro Pessoa
2082:17 November
2054:17 November
2028:26 February
2006:18 November
1974:25 November
1947:18 November
1914:18 November
1888:17 November
1695:25 November
1691:(21408): 33
1665:18 November
1634:25 November
1630:(21462): 29
1604:18 November
1576:14 February
1566:Grupo Globo
1540:23 November
1536:(21506): 29
1501:23 November
1497:(21469): 29
1433:23 November
1429:(21394): 38
1406:23 November
1402:(21390): 33
1379:23 November
1375:(21308): 33
1350:17 November
1321:17 November
1286:17 November
1240:> Review
1215:25 November
1211:(21408): 63
1100:bass guitar
1072:lead guitar
627:Lead vocals
519:John Bonham
456:dental arch
362:in London.
2659:Categories
2627:Categories
2603:Kleiderman
2245:Nando Reis
2230:André Jung
2143:Editora 34
1853:8573260084
1769:31 January
1732:30 January
1474:30 January
1156:References
1137:synth bass
1114:percussion
1102:and vocals
1096:Nando Reis
1092:and vocals
725:Nando Reis
687:, Fromer,
608:Track list
452:Nando Reis
264:Portuguese
135:chronology
2363:Nheengatu
2279:Televisão
2116:6 January
1032:Personnel
986:remake".
660:Antunes,
580:Jim Jones
534:sheet pan
527:Black Dog
376:São Paulo
301:funk rock
276:Brazilian
2618:Beto Lee
2608:Cabine C
2515:Epitáfio
1763:Archived
1726:Archived
1570:Archived
1367:"Férias"
1244:AllMusic
1090:keyboard
1060:— vocals
1054:— vocals
946:Allmusic
904:AllMusic
727:, Britto
564:Idi Amin
238:Diversão
225:Desordem
121:Producer
86:Pop rock
57:Recorded
49:Released
39: by
2564:Fardado
2487:Família
2480:Polícia
2465:Singles
2395:Go Back
2321:Domingo
2076:O Globo
2022:"Titãs"
1859:12 June
1759:YouTube
1722:YouTube
1468:YouTube
1236:Titãs:
1145:sampler
1129:Liminha
999:Polysom
818:Antunes
670:Antunes
646:Antunes
591:Canecão
541:sampler
348:Liminha
293:Liminha
182:Singles
168:(1988)
164:Go Back
159:(1987)
150:(1986)
126:Liminha
2494:Flores
2149:
2106:Brasil
2024:. ABPD
1850:
1823:
1795:1 June
1068:rhythm
1047:vocals
1003:iTunes
984:Cabeça
898:Rating
895:Source
869:Miklos
801:Britto
781:Miklos
747:Britto
744:Britto
730:Miklos
710:Britto
630:Length
624:Lyrics
560:Franco
556:Médici
552:Stalin
548:Hitler
460:Titans
409:while
352:London
212:Comida
92:Length
65:Studio
2634:Titãs
2272:Titãs
2191:Titãs
1936:IstoÉ
1817:(PDF)
1110:drums
1037:Titãs
976:IstoÉ
835:Mello
693:Mello
621:Title
509:fills
416:IstoÉ
374:, in
283:Titãs
281:band
268:Jesus
266:for "
184:from
133:Titãs
109:Label
81:Genre
42:Titãs
2598:Ira!
2147:ISBN
2118:2014
2084:2013
2056:2013
2030:2015
2008:2013
1976:2013
1949:2013
1916:2013
1890:2013
1861:2017
1848:ISBN
1821:ISBN
1797:2015
1771:2021
1734:2021
1697:2013
1667:2013
1636:2013
1606:2013
1578:2021
1542:2013
1503:2013
1476:2020
1435:2013
1408:2013
1381:2013
1352:2013
1323:2013
1288:2013
1217:2013
1135:and
1112:and
1070:and
992:ABPD
872:2:48
855:2:06
852:Reis
838:2:10
821:2:56
804:4:01
784:2:09
767:2:11
764:Reis
750:3:01
733:4:45
713:3:47
696:2:13
673:3:59
649:1:18
499:funk
323:ABPD
279:rock
1970:: 1
1242:at
860:13.
843:12.
826:11.
809:10.
617:No.
433:In
395:at
274:by
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