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worshipped. Then Los sensually constricts Reuben (Albion's son) in an attempt to control his lusts as Jesus imaginatively creates states through which humanity can find forgiveness. Angelmorphic
Eternals (cathedral cities) seek to help Albion, but they too get blighted by Selfhood. Los rouses them, but Albion chooses to remain trapped. Vala tramples Jerusalem but wise Erin (Ireland) separates the poem's heroine from Albion in whose body she is infected with bellicose Moral Law.
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thrusts her wrath cup upon
Jerusalem who is devoured by the dragon to rise again. Los keeps building, freeing himself from gender disputes. Time ends. The Breath Divine breathes. Albion awakens, and sees that Los is Christ and Christ is Los. He throws himself into Los's fires which become fountains of living water. Fragmented Zoas reunite in wars of love, in the Song of Jerusalem. All living things become a great Divine Body.
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mills where, infected by industrial chaos and Albion's morality, she can barely perceive Jesus and divine forgiveness. Vala melds with the rational beast, spreading war throughout the world, and her daughters enjoy human sacrifice. The peace of "heavenly Canaan" still hovers above Ulro's chaos, but Los fallibly builds
Golgonooza which becomes the structure of "Religion Hid in War". The harlot-dragon reigns.
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370:'s journey into Albion's interior and humanity's transfiguration in forgiveness of sins. In the first scene, Albion banishes Jerusalem and Jesus, blighting nature, culture and his internal life. Then Los contends with his Spectre, forcing him to work for Albion's restoration. Jerusalem mourns, animating shadowy Vala as Los builds
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Six copies (A-F) were printed between 1820 and 1827. Four copies (G–J) are posthumous (1832). Copy B is incomplete and includes only the First
Chapter (25 plates). The arrangement of the Second chapter is different in early (A & C) and late (D & E) copies. Copy F, which was collated later in
430:, in Australia, and the first lines from the poem can be found inscribed in the Chapel's north-eastern concrete wall (see picture above of Plate 1 in the Fitzwilliam Museum separate proof. The Fitzwilliam copy is the only version containing these particular lines. They were erased in later copies).
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Blake's Deists create more violence than the
Christianity they critique. When the chapter begins Albion's rational Moral Law infects Los, Albion falls yet again, and Vala's bellicose erotics encompass humanity. Urizen builds what he thinks is a redemptive Druid temple and Jerusalem works in Satanic
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Eternity. Urizenic rationality assaults
Jerusalem and enshrouds the life of the mind. Los battles against this, mapping Britain onto Israel, but his shadowy Spectre infects him with wrath and shame, stalking Albion's daughters and empowering Albion's warrior sons who banish Jerusalem. Vala tries to
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Now universal humanity awakens to forgiveness. Jerusalem finally melds love with wrath, confronting shadowy Vala whose daughters weave death. As Los sings, Jerusalem appears tri-locational, emanating angelmorphic and descending as a city and a woman. Sexual contentions obstruct Los' work and Vala
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Blake's Jews co-inhere with bellicose
British Druids. In this chapter Los and a host of angelic Eternals attempt to rescue Albion. Los's Spectre and Emanation appear as refugees, fleeing from Albion to tell their version of his fall. Los journeys into Albion's interior where bloodthirsty Vala is
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is the last, longest and greatest in scope of Blake's works. Etched in handwriting, accompanied by small sketches, marginal figures and huge full-plate illustrations, it has been described as "visionary theatre". The poet himself believed it was his masterpiece and it has been said that "of all
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Blake's illuminated epics, this is by far the most public and accessible". Nonetheless, only six copies were printed in Blake's lifetime and the book, like all of Blake's prophetic works, was all but ignored by his contemporaries.
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The poem, which was produced between 1804 and 1820, consists of 100 etched and illustrated plates, thus making it Blake's longest single work. The illustrated plates were made using Blake's self-devised technique of
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There are only two coloured copies (B & E). Copy B being incomplete, the sole complete extant colour edition of the work (copy E) is in the collection of the
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can seem confusing. The poem does not have a linear plot. Characters morph in and out of each other. A character can be a person and a place. Jerusalem, the
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seduce
Jerusalem. Albion curses them both, and finds himself enmeshed in Vala's deadly veil. He refuses divine forgiveness.
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An image of ‘Hand’ and ‘Jerusalem’ falls published in the book between chapters one and two. This image is plate 26 of
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The design corresponds to the following lines originally incised in the plate (see below the
Separate proof in
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s first chapter tells the story of Albion's fall into
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The Four and Twenty Elders Casting their Crowns before the Divine Throne
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Inscription in the north-eastern wall of the Cobar Sound Chapel.
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The long sufferings of God are not for ever there is a Judgment
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The Wood of the Self-Murderers: The Harpies and the Suicides
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There is a Void, outside of Existence, which if enterd into
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Themes from William Blake's The Marriage of Heaven and Hell
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The Works of William Blake: Poetic, Symbolic and Critical
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As he enterd the Door of Death for Albions sake Inspired
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The poetic narrative takes the form of a "drama of the
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The book was an important inspiration behind composer
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1827 by John Linnell, is arranged like early copy C.
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Plate 1. Frontispiece. Los enters the Door of Death
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144:Half Friendship is the bitterest Enmity said
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510:: CS1 maint: multiple names: authors list (
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1527:Scholarship, in popular culture, and more
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199:Copy C (Mrs. Ramsey Harvey's Collection).
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326:, his Emanation, weaves beams of beauty.
277:Because it includes a cast of billions,
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68:(text also by Blake, with music by Sir
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1591:Serenade for Tenor, Horn and Strings
608:and the available high quality scans
187:Copy B (Lord Cunliffe's Collection).
141:Englobes itself & becomes a Womb
1607:Songs and Proverbs of William Blake
1472:On the Morning of Christ's Nativity
1078:Visions of the Daughters of Albion
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410:Artistic influence in other media
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1355:Original Stories from Real Life
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247:tells the story of the fall of
122:Plate 1. Frontispiece, copy E (
16:Prophetic book by William Blake
1428:A Vision of the Last Judgement
474:Ackroyd, Peter, 1949- (1996).
308:, the primal man, linked with
1:
1566:Blake: Prophet Against Empire
1376:The Night of Enitharmon's Joy
975:The Voice of the Ancient Bard
558:The Complete Poetry and Prose
251:, Blake's embodiment of man,
62:The lyric to the famous hymn
715:There is No Natural Religion
392:Chapter Three: To the Deists
374:, a city that can open into
285:of Albion, is a woman and a
270:of Blake's self-constructed
236:. Copy A, Plate 92, detail (
25:Plate 2. Title page, copy E.
1168:Never pain to tell thy love
626:public domain audiobook at
426:'s sound installation, the
157:Plate 1, lines 1-2 and 8-10
124:Yale Center for British Art
100:Yale Center for British Art
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356:Chapter One: To the Public
342:embodies Reason. Gracious
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383:Chapter Two: To the Jews
266:", couched in the dense
1721:Poetry by William Blake
982:(found only in Copy BB)
860:The Clod and the Pebble
1667:Catherine Blake (wife)
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1646:William Blake Archive
1545:Life of William Blake
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1071:The French Revolution
875:The Little Girl Found
708:All Religions are One
701:An Island in the Moon
536:William Blake Archive
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134:), but erased later:
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1741:Culture of Jerusalem
1736:Art by William Blake
1442:The Great Red Dragon
1149:The Mental Traveller
870:The Little Girl Lost
782:The Little Boy Found
762:The Little Black Boy
600:at Wikimedia Commons
528:For more detail see
89:illuminated printing
82:Production technique
1464:Agony in the Garden
1457:The Ghost of a Flea
1362:The Ancient of Days
1161:Rossetti Manuscript
930:The Little Vagabond
910:My Pretty Rose Tree
880:The Chimney Sweeper
842:Songs of Experience
832:On Another's Sorrow
777:The Little Boy Lost
772:The Chimney Sweeper
221:Summary of the poem
1396:Illustrations for
1092:The Book of Ahania
1085:The Book of Urizen
1018:America a Prophecy
960:A Little Girl Lost
940:The Human Abstract
925:The Garden of Love
752:The Ecchoing Green
739:Songs of Innocence
727:Songs of Innocence
428:Cobar Sound Chapel
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312:, an earth mother.
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729:and of Experience
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594:Media related to
351:Chapter summaries
346:is his Emanation.
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1655:(1983 monologue)
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950:A Poison Tree
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945:Infant Sorrow
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787:Laughing Song
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257:western world
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1716:Poetry books
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885:Nurse's Song
850:Introduction
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817:Nurse's Song
747:The Shepherd
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457:. Retrieved
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259:as a whole.
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70:Hubert Parry
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1663:(1989 play)
1007:continental
767:The Blossom
108:Connecticut
1706:1820 books
1701:1820 poems
1695:Categories
1660:In Lambeth
1341:and prints
1271:Palamabron
1236:Golgonooza
1226:Enitharmon
1009:prophecies
822:Infant Joy
604:Record of
572:0385152132
489:067940967X
434:References
372:Golgonooza
324:Enitharmon
1444:paintings
1406:The Grave
1339:Paintings
1190:Mythology
995:Prophetic
965:To Tirzah
920:The Lilly
905:The Tyger
900:The Angel
506:cite book
482:. Knopf.
361:Jerusalem
299:Four Zoas
283:Emanation
279:Jerusalem
272:mythology
268:symbolism
245:Jerusalem
104:New Haven
65:Jerusalem
56:Jerusalem
1672:Ancients
1615:The Lamb
1496:Sketches
757:The Lamb
628:LibriVox
551:(1988).
498:34487577
459:18 March
171:Copy A (
155:—
1634:Related
1583:Musical
1301:Urthona
1286:Thiriel
1281:Tharmas
1276:Spectre
1216:Bromion
895:The Fly
827:A Dream
555:(ed.).
316:Urthona
306:Tharmas
255:or the
253:Britain
1626:(1998)
1618:(1982)
1610:(1965)
1602:(1958)
1594:(1943)
1383:Newton
1296:Urizen
1291:Tiriel
1251:Leutha
1241:Grodna
1211:Beulah
1206:Albion
1201:Ahania
1113:Milton
1050:Tiriel
935:London
812:Spring
569:
496:
486:
376:Edenic
344:Ahania
340:Urizen
295:Israel
291:Albion
264:psyche
249:Albion
75:Milton
1652:Blake
1261:Luvah
1231:Fuzon
1221:Enion
1042:Other
997:books
807:Night
478:Blake
364:'
330:Luvah
310:Enion
1450:Pity
1311:Vala
1306:Utha
1159:The
1005:The
567:ISBN
516:link
512:link
494:OCLC
484:ISBN
461:2013
334:Vala
287:city
1329:Art
1266:Orc
1256:Los
1246:Har
610:at
563:144
368:Los
320:Los
146:Los
102:in
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508:}}
504:{{
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