Knowledge (XXG)

Jesús de Monasterio

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26: 74:, "He caused an inexplicable admiration with the prodigies that he made playing the violin: this little angel, smaller than the instrument he had in hand, was crowned and named partner of merit among a thousand demonstrations of general approval. This innocent child has surprised us, because it is an almost incredible phenomenon seeing so much disposition at so tender an age". He then moved to 716: 728: 704: 125:. It was especially admired in London, where he was compared with the most important violinists of his generation. He also played in Belgium, the Netherlands and Germany (where he played his own violin concerto in a recital with 22:(21 March 1836 – 28 September 1903) was a Spanish violinist, composer, conductor and teacher. He was one of the main promoters of instrumental music in Madrid during the nineteenth century. 82:. During his early formative years numerous press references about him were written in several musical magazines and he was named emeritus partner of several lyceums. 117:. Then he continued his career as a virtuoso being invited to festivals in England and Scotland and playing with the most influential musicians at that time, like 79: 758: 763: 679: 633: 586: 768: 652: 90: 164:
Monasterio's concern about the state of Spanish chamber music panorama was reflected in the creation along with the pianist
25: 105:. In 1852, he got the Prix extraordinaire at the Conservatoire, which had been delayed because of Monasterio's young age. 694: 154: 86: 130: 66:
with José Ortega Zapata. His first public performance was in 1843, during which he astonished the audience with his
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in 1863, which put on regular concerts of chamber music for a number of years, specifically until 5 January 1894.
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After successfully finishing his studies in Brussels he returned to Madrid to be named honorary violinist of the
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After his father's death in mid 1845, his tutor Basilio Montoya got Monasterio the opportunity to study with
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http://www.conservatoriojesusdemonasterio.es/el-conservatorio/nuestra-historia/jesus-de-monasterio/
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combined the classic repertoire with the release of works by Spanish composers of that time.
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to pursue his studies, and received a pension and a violin after playing a concert for the
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abilities at such a young age. According to the review of that concert in the magazine
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Conservatorio Jesús de Monasterio. Jesús de Monasterio . Santander . Available in
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to be professor of the Brussels Conservatoire, but he preferred to stay in Spain.
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and in which he increased the technical and artistic level of the orchestra. The
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El violinista y compositor Jesús de Monasterio. Estudio biográfico y analítico
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El violinista y compositor Jesús de Monasterio. Estudio biográfico y analítico
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exerted also since 1857) and became director of that conservatory in 1894. On
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with his father, an amateur violinist, and he continued learning in
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and completed his literary education with his friend and protector
188: 51: 24: 628:(Fundación Autor. Sociedad General de Autores y Editores, 2002); 581:(Fundación Autor. Sociedad General de Autores y Editores, 2002); 175:
In 1864, he began conducting, becoming in 1869 conductor of the
671:(Fundación Autor. Sociedad General de Autores y Editores, 2002 687:
Exposición de la obra de Ataúfo Argenta y Jesús de Monasterio
528:Álbum de la S.A.R. la Srma. Sra. Infanta Dª. Isabel de Borbón 287:
Grande fantasie nationale sur des airs populaires espagnoles
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Grande fantasie nationale sur des airs populaires espagnoles
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López-Calo, José: "Monasterio, Jesús", in Sadie, Stanley ,
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López-Calo, José: "Monasterio, Jesús", in Sadie, Stanley ,
542:, a dos voces con acompañamiento de órgano o piano (1884) 692: 179:, in which he promoted orchestral works of the great 149:
in 1857 (a job that he combined with the post at the
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Diccionario de la Música Española e Hispanoamericana
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Diccionario de la Música Española e Hispanoamericana
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Diccionario de la Música Española e Hispanoamericana
552:O sacrum Convivium, Motete al Santísimo Sacramento 554:, para tenor con acompañamiento de órgano (1897) 646:The New Grove Dictionary of Music and Musicians 624:García Velasco, M.: "Monasterio, Jesús de", in 613:The New Grove Dictionary of Music and Musicians 577:García Velasco, M.: "Monasterio, Jesús de", in 500:, con acompañamiento de órgano (o piano) op. 30 665: 8: 648:, second edition (London: Macmillan, 2001). 615:, second edition (London: Macmillan, 2001). 377:. Romanza sin palabras (1861, rev. 1893) 187:composers, until then almost unknown in 699: 570: 506:, con acompañamiento de orquesta op. 30 303:Veinte estudios artísticos de concierto 7: 145:He got the post of professor in the 558:Invitatio Christum Regem saeculorum 157:'s death in 1870 he was offered by 689:(Ayuntamiento de Santander, 1993). 14: 292:Violin Concerto (1859, rev. 1880) 759:19th-century classical composers 726: 714: 702: 275:Fantasía característica española 193:Sociedad de Conciertos de Madrid 177:Sociedad de Conciertos de Madrid 141:Professor and promoter in Madrid 131:Fantasía Característica Española 93:, where he studied harmony with 170:Sociedad de Cuartetos de Madrid 661:(Universidad de Oviedo, 2003). 602:(Universidad de Oviedo, 2003). 91:Royal Conservatory of Brussels 16:Spanish violinist and composer 1: 540:Cántico a la Santísima Virgen 72:La Iberia Musical y Literaria 20:Jesús de Monasterio y Agüeros 764:Spanish classical violinists 510:Plegaria a la Santísima Cruz 435:Salve para tiple y contralto 240:Pequeña fantasía de de salón 667:"Monasterio, Jesús de", in 206:Complete catalogue of works 785: 769:Spanish Romantic composers 271:Fantasía original española 260:(1877–83, revised in 1894) 50:De Monasterio was born in 685:Conde López, Rosa María: 666: 405:La violette et le camélia 327:Marcha fúnebre y triumfal 277:) (1853, revised in 1881) 546:Plegaria a 4 voces solas 447:Desconsuelo de una madre 80:Infanta Isabel de Borbón 58:. He began studying the 35:Academia de San Fernando 472:El regreso a la patria 466:Le retour des matelots 441:El cristiano moribundo 151:Capilla Real de Madrid 115:Capilla Real de Madrid 42: 494:. Motete a tres voces 29:Jesús de Monasterio ( 28: 664:García Velasco, M.: 657:García Velasco, M.: 598:García Velasco, M.: 345:Estudio de concierto 265:Violin and orchestra 224:(1852, revised 1874) 166:Juan María Guelbenzu 97:, counterpoint with 460:Non religious works 387:Adiós a la Alhambra 357:Andantino expresivo 316:Adiós a la Alhambra 281:Adiós a la Alhambra 228:Adiós a la Alhambra 147:Madrid Conservatory 135:Adiós a la Alhambra 522:Requiescat in pace 381:Scherzo fantástico 333:Scherzo fantástico 43: 680:978-84-8048-303-2 634:978-84-8048-303-2 587:978-84-8048-303-2 339:Andante religioso 335:(1865, rev, 1866) 127:Giacomo Meyerbeer 776: 731: 730: 729: 719: 718: 707: 706: 705: 698: 673: 672: 637: 622: 616: 609: 603: 596: 590: 575: 411:Las dos hermanas 383:(4 hands) (1875) 322:Andante melódico 216:Violin and piano 200:Casar de Periedo 784: 783: 779: 778: 777: 775: 774: 773: 739: 738: 737: 727: 725: 713: 703: 701: 693: 641: 640: 623: 619: 610: 606: 597: 593: 576: 572: 567: 516:Véante mis ojos 504:Salve a 4 voces 498:Salve a 4 voces 492:ve verum corpus 487: 485:Religious works 462: 417:Acuérdate de Mí 413:, Op. 16 (1857) 401: 399:Voice and piano 396: 365: 318:, Op. 12 (1855) 312: 299: 267: 242:, Op. 24 (1860) 230:, Op. 12 (1855) 218: 213: 208: 143: 111: 48: 17: 12: 11: 5: 782: 780: 772: 771: 766: 761: 756: 751: 741: 740: 736: 735: 723: 711: 691: 690: 683: 662: 655: 649: 639: 638: 617: 604: 591: 569: 568: 566: 563: 562: 561: 555: 549: 543: 537: 531: 525: 519: 513: 507: 501: 495: 486: 483: 482: 481: 475: 469: 461: 458: 457: 456: 450: 444: 438: 432: 426: 420: 414: 408: 400: 397: 395: 392: 391: 390: 384: 378: 372: 364: 361: 360: 359: 354: 348: 342: 336: 330: 324: 319: 311: 308: 307: 306: 298: 297:Didactic works 295: 294: 293: 290: 284: 278: 266: 263: 262: 261: 255: 249: 246:Fiebre de amor 243: 237: 231: 225: 217: 214: 212: 209: 207: 204: 142: 139: 123:Heinrich Ernst 110: 109:European tours 107: 47: 44: 31:V. Vallmitjana 15: 13: 10: 9: 6: 4: 3: 2: 781: 770: 767: 765: 762: 760: 757: 755: 752: 750: 747: 746: 744: 734: 724: 722: 717: 712: 710: 700: 696: 688: 684: 681: 677: 670: 663: 660: 656: 654: 650: 647: 643: 642: 635: 631: 627: 621: 618: 614: 608: 605: 601: 595: 592: 588: 584: 580: 574: 571: 564: 559: 556: 553: 550: 547: 544: 541: 538: 535: 532: 529: 526: 523: 520: 517: 514: 511: 508: 505: 502: 499: 496: 493: 489: 488: 484: 479: 478:Amor de madre 476: 473: 470: 467: 464: 463: 459: 454: 451: 448: 445: 442: 439: 436: 433: 430: 427: 424: 421: 418: 415: 412: 409: 406: 403: 402: 398: 393: 388: 385: 382: 379: 376: 373: 370: 367: 366: 362: 358: 355: 352: 349: 346: 343: 340: 337: 334: 331: 328: 325: 323: 320: 317: 314: 313: 309: 304: 301: 300: 296: 291: 288: 285: 282: 279: 276: 272: 269: 268: 264: 259: 258:Sierra Morena 256: 253: 250: 247: 244: 241: 238: 235: 232: 229: 226: 223: 220: 219: 215: 210: 205: 203: 201: 196: 194: 190: 186: 185:neo-classical 182: 178: 173: 171: 167: 162: 160: 156: 152: 148: 140: 138: 136: 132: 128: 124: 120: 116: 108: 106: 104: 100: 96: 92: 88: 83: 81: 77: 73: 69: 65: 61: 57: 53: 45: 40: 36: 32: 27: 23: 21: 686: 668: 658: 645: 625: 620: 612: 607: 599: 594: 578: 573: 557: 551: 545: 539: 533: 527: 521: 515: 509: 503: 497: 491: 477: 471: 465: 453:Sí, recuerdo 452: 446: 440: 434: 428: 422: 416: 410: 404: 386: 380: 374: 368: 356: 350: 344: 338: 332: 326: 321: 315: 302: 286: 280: 274: 270: 257: 251: 245: 239: 233: 227: 221: 211:Instrumental 197: 174: 163: 144: 119:Marie Pleyel 112: 84: 49: 19: 18: 754:1903 deaths 749:1836 births 721:Catholicism 534:O vos omnes 198:He died in 743:Categories 565:References 429:El trueque 423:El cautivo 369:La violeta 363:Piano solo 310:Orchestral 64:Valladolid 709:Biography 202:aged 67. 56:Cantabria 46:Education 33:, 1880), 375:Tristeza 222:Nocturno 181:Romantic 695:Portals 351:Melodía 252:Melodía 168:of the 103:Gevaert 95:Lemmens 89:in the 678:  632:  585:  560:(1903) 548:(1886) 536:(1883) 530:(1883) 524:(1882) 518:(1882) 512:(1872) 480:(1870) 474:(1860) 468:(1855) 455:(1868) 449:(1867) 443:(1867) 437:(1863) 431:(1861) 425:(1860) 419:(1857) 407:(1855) 389:(1897) 371:(1849) 353:(1876) 347:(1874) 341:(1872) 329:(1864) 305:(1878) 289:(1855) 283:(1855) 254:(1874) 248:(1867) 236:(1855) 155:Bériot 87:Bériot 76:Madrid 68:violin 60:violin 39:Madrid 733:Spain 394:Vocal 189:Spain 159:Fétis 99:Fétis 52:Potes 676:ISBN 630:ISBN 583:ISBN 183:and 133:or 121:or 745:: 674:; 137:. 54:, 41:). 697:: 682:. 636:. 589:. 490:A 273:( 37:(

Index


V. Vallmitjana
Academia de San Fernando
Madrid
Potes
Cantabria
violin
Valladolid
violin
La Iberia Musical y Literaria
Madrid
Infanta Isabel de Borbón
Bériot
Royal Conservatory of Brussels
Lemmens
Fétis
Gevaert
Capilla Real de Madrid
Marie Pleyel
Heinrich Ernst
Giacomo Meyerbeer
Fantasía Característica Española
Adiós a la Alhambra
Madrid Conservatory
Capilla Real de Madrid
Bériot
Fétis
Juan María Guelbenzu
Sociedad de Cuartetos de Madrid
Sociedad de Conciertos de Madrid

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