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74:, "He caused an inexplicable admiration with the prodigies that he made playing the violin: this little angel, smaller than the instrument he had in hand, was crowned and named partner of merit among a thousand demonstrations of general approval. This innocent child has surprised us, because it is an almost incredible phenomenon seeing so much disposition at so tender an age". He then moved to
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125:. It was especially admired in London, where he was compared with the most important violinists of his generation. He also played in Belgium, the Netherlands and Germany (where he played his own violin concerto in a recital with
22:(21 March 1836 – 28 September 1903) was a Spanish violinist, composer, conductor and teacher. He was one of the main promoters of instrumental music in Madrid during the nineteenth century.
82:. During his early formative years numerous press references about him were written in several musical magazines and he was named emeritus partner of several lyceums.
117:. Then he continued his career as a virtuoso being invited to festivals in England and Scotland and playing with the most influential musicians at that time, like
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Monasterio's concern about the state of
Spanish chamber music panorama was reflected in the creation along with the pianist
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105:. In 1852, he got the Prix extraordinaire at the Conservatoire, which had been delayed because of Monasterio's young age.
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with José Ortega Zapata. His first public performance was in 1843, during which he astonished the audience with his
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in 1863, which put on regular concerts of chamber music for a number of years, specifically until 5 January 1894.
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After successfully finishing his studies in
Brussels he returned to Madrid to be named honorary violinist of the
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After his father's death in mid 1845, his tutor
Basilio Montoya got Monasterio the opportunity to study with
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http://www.conservatoriojesusdemonasterio.es/el-conservatorio/nuestra-historia/jesus-de-monasterio/
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combined the classic repertoire with the release of works by
Spanish composers of that time.
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to pursue his studies, and received a pension and a violin after playing a concert for the
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abilities at such a young age. According to the review of that concert in the magazine
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Conservatorio Jesús de
Monasterio. Jesús de Monasterio . Santander . Available in
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to be professor of the
Brussels Conservatoire, but he preferred to stay in Spain.
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and in which he increased the technical and artistic level of the orchestra. The
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El violinista y compositor Jesús de
Monasterio. Estudio biográfico y analítico
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El violinista y compositor Jesús de
Monasterio. Estudio biográfico y analítico
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exerted also since 1857) and became director of that conservatory in 1894. On
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129:). On these tours he used to play some of his own compositions like the
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with his father, an amateur violinist, and he continued learning in
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and completed his literary education with his friend and protector
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628:(Fundación Autor. Sociedad General de Autores y Editores, 2002);
581:(Fundación Autor. Sociedad General de Autores y Editores, 2002);
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In 1864, he began conducting, becoming in 1869 conductor of the
671:(Fundación Autor. Sociedad General de Autores y Editores, 2002
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Exposición de la obra de Ataúfo
Argenta y Jesús de Monasterio
528:Álbum de la S.A.R. la Srma. Sra. Infanta Dª. Isabel de Borbón
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Grande fantasie nationale sur des airs populaires espagnoles
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Grande fantasie nationale sur des airs populaires espagnoles
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López-Calo, José: "Monasterio, Jesús", in Sadie, Stanley ,
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López-Calo, José: "Monasterio, Jesús", in Sadie, Stanley ,
542:, a dos voces con acompañamiento de órgano o piano (1884)
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179:, in which he promoted orchestral works of the great
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in 1857 (a job that he combined with the post at the
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Diccionario de la Música Española e Hispanoamericana
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Diccionario de la Música Española e Hispanoamericana
552:O sacrum Convivium, Motete al Santísimo Sacramento
554:, para tenor con acompañamiento de órgano (1897)
646:The New Grove Dictionary of Music and Musicians
624:García Velasco, M.: "Monasterio, Jesús de", in
613:The New Grove Dictionary of Music and Musicians
577:García Velasco, M.: "Monasterio, Jesús de", in
500:, con acompañamiento de órgano (o piano) op. 30
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648:, second edition (London: Macmillan, 2001).
615:, second edition (London: Macmillan, 2001).
377:. Romanza sin palabras (1861, rev. 1893)
187:composers, until then almost unknown in
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506:, con acompañamiento de orquesta op. 30
303:Veinte estudios artísticos de concierto
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145:He got the post of professor in the
558:Invitatio Christum Regem saeculorum
157:'s death in 1870 he was offered by
689:(Ayuntamiento de Santander, 1993).
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292:Violin Concerto (1859, rev. 1880)
759:19th-century classical composers
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275:Fantasía característica española
193:Sociedad de Conciertos de Madrid
177:Sociedad de Conciertos de Madrid
141:Professor and promoter in Madrid
131:Fantasía Característica Española
93:, where he studied harmony with
170:Sociedad de Cuartetos de Madrid
661:(Universidad de Oviedo, 2003).
602:(Universidad de Oviedo, 2003).
91:Royal Conservatory of Brussels
16:Spanish violinist and composer
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540:Cántico a la Santísima Virgen
72:La Iberia Musical y Literaria
20:Jesús de Monasterio y Agüeros
764:Spanish classical violinists
510:Plegaria a la Santísima Cruz
435:Salve para tiple y contralto
240:Pequeña fantasía de de salón
667:"Monasterio, Jesús de", in
206:Complete catalogue of works
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769:Spanish Romantic composers
271:Fantasía original española
260:(1877–83, revised in 1894)
50:De Monasterio was born in
685:Conde López, Rosa María:
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405:La violette et le camélia
327:Marcha fúnebre y triumfal
277:) (1853, revised in 1881)
546:Plegaria a 4 voces solas
447:Desconsuelo de una madre
80:Infanta Isabel de Borbón
58:. He began studying the
35:Academia de San Fernando
472:El regreso a la patria
466:Le retour des matelots
441:El cristiano moribundo
151:Capilla Real de Madrid
115:Capilla Real de Madrid
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494:. Motete a tres voces
29:Jesús de Monasterio (
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664:García Velasco, M.:
657:García Velasco, M.:
598:García Velasco, M.:
345:Estudio de concierto
265:Violin and orchestra
224:(1852, revised 1874)
166:Juan María Guelbenzu
97:, counterpoint with
460:Non religious works
387:Adiós a la Alhambra
357:Andantino expresivo
316:Adiós a la Alhambra
281:Adiós a la Alhambra
228:Adiós a la Alhambra
147:Madrid Conservatory
135:Adiós a la Alhambra
522:Requiescat in pace
381:Scherzo fantástico
333:Scherzo fantástico
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680:978-84-8048-303-2
634:978-84-8048-303-2
587:978-84-8048-303-2
339:Andante religioso
335:(1865, rev, 1866)
127:Giacomo Meyerbeer
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411:Las dos hermanas
383:(4 hands) (1875)
322:Andante melódico
216:Violin and piano
200:Casar de Periedo
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516:Véante mis ojos
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492:ve verum corpus
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485:Religious works
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417:Acuérdate de Mí
413:, Op. 16 (1857)
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399:Voice and piano
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318:, Op. 12 (1855)
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123:Heinrich Ernst
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31:V. Vallmitjana
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258:Sierra Morena
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453:Sí, recuerdo
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211:Instrumental
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119:Marie Pleyel
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754:1903 deaths
749:1836 births
721:Catholicism
534:O vos omnes
198:He died in
743:Categories
565:References
429:El trueque
423:El cautivo
369:La violeta
363:Piano solo
310:Orchestral
64:Valladolid
709:Biography
202:aged 67.
56:Cantabria
46:Education
33:, 1880),
375:Tristeza
222:Nocturno
181:Romantic
695:Portals
351:Melodía
252:Melodía
168:of the
103:Gevaert
95:Lemmens
89:in the
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585:
560:(1903)
548:(1886)
536:(1883)
530:(1883)
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512:(1872)
480:(1870)
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248:(1867)
236:(1855)
155:Bériot
87:Bériot
76:Madrid
68:violin
60:violin
39:Madrid
733:Spain
394:Vocal
189:Spain
159:Fétis
99:Fétis
52:Potes
676:ISBN
630:ISBN
583:ISBN
183:and
133:or
121:or
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490:A
273:(
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