Knowledge (XXG)

Jigri Dost

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300:
Then, Narayan Das expels Gopi and announces Shobha's knot with Anand, which he refuses, declaring his love for Komal. Thereupon, Narayan Das declares Neelkanth as the homicide of his father, who forged it as suicide. Plus, he learns that his father gathered evidence against Neelkanth in a diary. Listening to it, Anand collapses and flares up on Neelkanth, but he is seized. Further, Neelkanth extorts Narayan Das, so he immediately rushes, and Neelkanth ploys to slay him when Gopi gamely saves him. Everyone comprehends Gopi's virtue at this, and Shobha bows down before him. In that chaos, Anand is hidden in Neelkanth's dark den. Therein, startlingly, Raji is unveiled as a specially appointed secret cop to get hold of Neelkanth. At last, Gopi breaks out the dairy secret, frees Anand, and ceases Neelkanth. Finally, the movie ends happily with the marriages of love birds.
296:
Neelkanth's good-natured son, rescues him. Advocate Narayan Das, a man of integrity, always confronts Neelkanth. He is lively, with his ideal wife, Annapurna, and a daughter, Shobha. Narayan Das fixes Shobha's alliance with his childhood friend Sripathi's son Anand, the doppelganger of Gopi. On the advice of Kasthuri, Gopi lands at Narayan Das's residence, mistaking him for Anand, and they honor him when he falls for Shobha. Eventually, Anand arrives to apprentice Narayana Das when Neelkanth's goons batter him instead of Gopi. However, he absconds and reaches Narayana Das, where he is surprised to see Gopi and understands the status quo.
299:
Now, they play a confusing drama without revealing their identity. Anand & Komal rift, assuming him for Gopi, but later crushes. Parallelly, as a glimpse, Kasthuri loves their maid, Raji. Once, Shobha misinterprets witnessing Anand & Komal when the Gopi & Anand divulge the actuality.
295:
Gopi is a callow who rears cattle and adores it. Besides, ruinous municipal chair Neelkanth, an honorable-seeking hoodlum who creates turbulence in the town. Once, his vainglory daughter Komal squabbled with Gopi, and he mocked her. Knowing it, Neelkanth mandates to knock out Gopi when Kasturi,
31: 495:"A moment from the dream song sequence 'Kolalanoodhi Kuniva' from the film #EmmeThammanna, starring #FaceOfTheWeek Rajkumar and Bharathi. The film was later remade in Telugu (Govula Gopanna), Tamil (Mattukkara Velan) and Hindi (Jigri Dost)" 555: 565: 476: 560: 545: 490: 550: 315: 242: 104: 250: 134: 498: 540: 525: 30: 283: 258: 234: 44: 453: 429: 403: 386: 272: 494: 277: 267: 74: 534: 390: 327: 321: 254: 246: 108: 354: 333: 226: 348: 309: 238: 100: 477:"Filmfare Recommends: Top Films of Jeetendra Where He Played a Double Role" 519: 502: 339: 262: 230: 87: 222: 201: 191: 233:
under the Vijaya Lakhshmi Pictures banner and directed by
281:
and which later went on to be remade in Tamil in 1970 as
197: 187: 177: 154: 140: 130: 122: 114: 96: 82: 69: 61: 50: 40: 23: 253:. The heroine Komal in the movie is actually 8: 29: 20: 365: 468: 312:as Gopi and Advocate Anand (dual role) 261:'s wife. The film is a remake of 1966 7: 414:"Mere Des Mein Pavan Chale Purvai" 271:, which had earlier been remade in 229:, produced by Sunderlal Nahata and 215: 566:Films directed by Ravikant Nagaich 556:Films scored by Laxmikant–Pyarelal 14: 491:National Film Archive of India 561:Hindi remakes of Kannada films 1: 425:"Raat Suhani Jaag Rahi Hain" 383:"Dil Mein Kya Hai (Revival)" 16:1969 film by Ravikant Nagaich 582: 546:1960s Hindi-language films 357:as Neelkanth's maidservant 163:7 November 1969 35:Theatrical release poster 28: 149:Vijaya Lakhshmi Pictures 450:"Phool Hai Baharon Ka" 400:"Dil Men Kya Hai Tere" 330:as Advocate Narayan Das 249:and music composed by 345:Prem Kumar as Jagawar 336:as Chairman Neelkanth 439:"Tirchhi Topi Wale" 351:as Annapurna N. Das 551:1960s Indian films 251:Laxmikant–Pyarelal 219: Best Friend 135:Laxmikant–Pyarelal 54:Vishwamittar Adil 493:(26 April 2018). 460: 459: 207: 206: 573: 507: 506: 487: 481: 480: 473: 456:, Mohammed Rafi 442:Lata Mangeshkar 406:, Mohammed Rafi 366: 318:as Shobha N. Das 284:Maattukara Velan 259:Shatrughan Sinha 235:Ravikant Nagaich 220: 217: 170: 168: 118:Ravikant Nagaich 92:Sunderlal Nahata 57: 45:Ravikant Nagaich 33: 21: 581: 580: 576: 575: 574: 572: 571: 570: 531: 530: 516: 511: 510: 489: 488: 484: 475: 474: 470: 465: 454:Lata Mangeshkar 430:Suman Kalyanpur 428:Mohammed Rafi, 404:Lata Mangeshkar 387:Lata Mangeshkar 364: 306: 293: 218: 180: 173: 166: 164: 157: 150: 145: 143: 107: 103: 91: 55: 36: 17: 12: 11: 5: 579: 577: 569: 568: 563: 558: 553: 548: 543: 533: 532: 529: 528: 515: 514:External links 512: 509: 508: 501:) – via 482: 467: 466: 464: 461: 458: 457: 451: 448: 444: 443: 440: 437: 433: 432: 426: 423: 419: 418: 417:Mohammed Rafi 415: 412: 408: 407: 401: 398: 394: 393: 384: 381: 377: 376: 373: 370: 363: 360: 359: 358: 352: 346: 343: 337: 331: 325: 319: 313: 305: 302: 292: 289: 278:Govula Gopanna 268:Emme Thammanna 205: 204: 199: 195: 194: 189: 185: 184: 181: 178: 175: 174: 172: 171: 160: 158: 155: 152: 151: 148: 146: 141: 138: 137: 132: 128: 127: 124: 120: 119: 116: 115:Cinematography 112: 111: 98: 94: 93: 84: 80: 79: 75:Emme Thammanna 71: 67: 66: 63: 59: 58: 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 578: 567: 564: 562: 559: 557: 554: 552: 549: 547: 544: 542: 539: 538: 536: 527: 523: 522: 518: 517: 513: 504: 500: 496: 492: 486: 483: 478: 472: 469: 462: 455: 452: 449: 446: 445: 441: 438: 435: 434: 431: 427: 424: 421: 420: 416: 413: 410: 409: 405: 402: 399: 396: 395: 392: 391:Mohammed Rafi 388: 385: 382: 379: 378: 374: 371: 368: 367: 361: 356: 353: 350: 347: 344: 341: 338: 335: 332: 329: 326: 323: 320: 317: 314: 311: 308: 307: 303: 301: 297: 290: 288: 286: 285: 280: 279: 274: 270: 269: 264: 260: 256: 252: 248: 244: 240: 236: 232: 228: 224: 213: 212: 203: 200: 196: 193: 190: 186: 182: 176: 162: 161: 159: 153: 147: 139: 136: 133: 129: 126:N. S. Prakash 125: 121: 117: 113: 110: 106: 102: 99: 95: 90: 89: 85: 81: 77: 76: 72: 68: 64: 60: 53: 49: 46: 43: 39: 32: 27: 22: 19: 520: 485: 471: 322:Poonam Sinha 298: 294: 282: 276: 266: 255:Poonam Sinha 247:Poonam Sinha 221:) is a 1969 210: 209: 208: 179:Running time 156:Release date 109:Poonam Sinha 86: 73: 18: 355:Aruna Irani 334:K. N. Singh 275:in 1968 as 237:. It stars 227:comedy film 183:155 minutes 83:Produced by 65:A. K. Velan 56:(dialogues) 41:Directed by 541:1969 films 535:Categories 521:Jigri Dost 463:References 375:Singer(s) 362:Soundtrack 349:Nirupa Roy 342:as Kasturi 225:-language 211:Jigri Dost 167:1969-11-07 142:Production 51:Written by 24:Jigri Dost 310:Jeetendra 239:Jeetendra 123:Edited by 101:Jeetendra 324:as Komal 198:Language 131:Music by 97:Starring 70:Based on 62:Story by 503:Twitter 340:Jagdeep 263:Kannada 231:Dhoondy 216:transl. 188:Country 165: ( 144:company 316:Mumtaz 273:Telugu 265:movie 243:Mumtaz 105:Mumtaz 88:Doondi 78:(1966) 499:Tweet 372:Title 223:Hindi 202:Hindi 192:India 526:IMDb 328:Agha 304:Cast 291:Plot 245:and 524:at 537:: 447:6 436:5 422:4 411:3 397:2 389:, 380:1 287:. 257:, 241:, 505:. 497:( 479:. 369:# 214:( 169:)

Index


Ravikant Nagaich
Emme Thammanna
Doondi
Jeetendra
Mumtaz
Poonam Sinha
Laxmikant–Pyarelal
India
Hindi
Hindi
comedy film
Dhoondy
Ravikant Nagaich
Jeetendra
Mumtaz
Poonam Sinha
Laxmikant–Pyarelal
Poonam Sinha
Shatrughan Sinha
Kannada
Emme Thammanna
Telugu
Govula Gopanna
Maattukara Velan
Jeetendra
Mumtaz
Poonam Sinha
Agha
K. N. Singh

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