134:"Only the best writers put us right at the site of myth and thus assert, for us, our right to be part of the beginning and end of any world, any heaven. That Jill Alexander Essbaum does it so quietly, so delicately, and puts herself, and us, at the center of Heaven itself leads me only to envy. For how else can one convincingly transcend the domestic? There is simply no self-congratulation in these poems. Just a graceful, magical way of taking oneself - and one's bare uncertainties - for granted.
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Dancing on the edge of her words one finds despair and salvation, often in the same word. She echoes Donne and Plath and riffs on Eliot but has the precise benefit of being alive and full of our time.
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98:(neoNuma Arts, 2008). Essbaum's poetry features puns, wordplay and dark humor, often mixed with religious and erotic imagery. She currently teaches at the
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90:, United States) is an American poet, writer, and professor. Her most recent collections are the full-length manuscripts
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267:"A Review: Jill Alexander Essbaum: The Devastation, Necropolis, and Harlot"
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Of
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in the
Masters of Creative Writing Graduate Program. Essbaum's
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University of
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109:(Random House) was published in March, 2015.
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422:Doyne, Shannon (14 February 2013).
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265:Palmer, G. M. (7 January 2010).
161:Literature Grants, 2003 and 2013
404:"Poetry Pairing - 'Precipice'"
240:The Best American Erotic Poems
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506:20th-century American poets
476:21st-century American poets
210:(Cooper Dillon Books, 2009)
48:1971 (age 52–53)
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223:(Random House, March 2015)
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443:"Coldfront"
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452:30 October
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325:30 October
301:2015-10-27
276:30 October
247:References
195:Necropolis
141:, writes,
96:Necropolis
58:Occupation
202:Chapbooks
221:Hausfrau
107:Hausfrau
66:Language
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69:English
215:Novels
189:Harlot
177:Heaven
150:Awards
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