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Jim Vallance

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contribute some of his songs. One of them, "Open Soul Surgery" caught the ear of a record company executive at GRT who offered Fairbairn's group a recording contract. Using various musicians from Sunshyne and another Vancouver band, Seeds of Time, Fairbairn recorded and produced a nine-song album, seven of which were written by Vallance. The band was renamed Prism and Vallance decided to use the pseudonym "Rodney Higgs" rather than his real name in the album credits. The debut Prism album was a success as it hit platinum status in Canada (sales in excess of 100,000.) But Vallance decided to leave the Prism lineup before the next album as he didn't enjoy the constant travel necessary for touring. What he did enjoy was songwriting and arranging and preferred to work out of his makeshift home studio. Although Vallance left the band's lineup, he did help his former bandmates by contributing one song for each of the subsequent two albums, then one more for the 2008 album
771:", and Jones was interested in including a song by the Canadian artists on the album. Foster accepted and approached Vallance who he knew was working out of the same studio at that time. Although Foster and Vallance knew each other through the music industry, they had never collaborated on a song before this. Foster arrived at Vallance's home the next day and the two worked on the music in Vallance's home studio. Foster had to leave that evening to return to the studio and left the lyrics to Vallance. Rachel Paiement, Vallance's wife, wrote the French lyrics as she is Franco-Ontarian and a songwriter in her own right. Bryan Adams returned from touring the following day to help complete the lyrics. The title was taken from an unrelated, unrecorded song by Bob Rock and Paul Hyde of the Canadian band 597:. Adams decided to leave the band for a solo career but at 18, he was still inexperienced in the music business. In search of assistance, an informal meeting was arranged between Vallance and Adams at a Long and McQuade musical instrument shop in Vancouver. Vallance and Adams had known about each other through the Vancouver music scene, although they had never been introduced. At the meeting, both admitted they liked the idea of a songwriting partnership and agreed to forge one. The arrangement was twofold. In the long term, the songs would be primarily used as the material for Adams' solo career while, in the short term, they would serve as a source of income by licensing songs to other artists. 798:, it was a commercial disappointment. Meanwhile, Vallance had just become a father and his lifestyle had changed considerably. Also, Adams complained that Vallance was coming back to the partnership burnt out from writing and producing songs with other artists and insisted that if they were to continue at the level they had been at, Vallance should put other projects on hold until they had another album. Vallance complied with Adams' request but after several failed attempts to write and record what Adams felt was suitable material, Vallance informed Adams that he no longer wanted to work with him and the Adams-Vallance partnership went into hiatus. 451: 389: 348: 703:". "I'm Ready", "The Only One" and "Take Me Back" also received airplay. Ironically, "Straight from the Heart" was the highest charting of the three and is not a Vallance composition. It was written by Vancouver singer/songwriter Eric Kagna, with Adams adding the instrumental bridge, and credited as Adams-Kagna. The others were Adams-Vallance compositions. The album 690:
was Adams' breakthrough album. Released in 1983, it established him as a legitimate North American music star (the album did not chart in Europe.) It also established the Adams-Vallance songwriting team in the music industry as other artists started to consider their songs seriously. The album spun 3
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was certified three times platinum in Canada and certified one time platinum in the US. At the Canadian Juno music awards, "Cuts Like a Knife" and "Straight from the Heart" were nominated for a Single of the Year award, while "Cuts Like a Knife" won the Composer of the Year award for Adams-Vallance.
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and needed help with songwriting. Since the departure of Vallance (Rodney Higgs), the current lineup was unable to fill the songwriting void adequately. Vallance brought his new protege, Adams, along to help. Adams wrote or co-wrote three songs for the album and played guitar on one track. "Take It
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Upon leaving the Prism lineup, Vallance worked as a session musician in and around Vancouver to earn a living while his ultimate objective was to be a full-time songwriter. He was in need of a performing artist as a vehicle to promote his songs. Meanwhile, a talented, brash young artist named Bryan
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had spun off six singles and sold millions of copies worldwide. Adams-Vallance was now considered one of the top songwriting acts in the music industry. No longer did they have to forward demos to artists hoping they would consider them as now their agents were contacting Adams-Vallance requesting
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The early going was quite difficult. Adams' solo demo recordings were rejected by numerous record companies. Persistence paid off as Adams-Vallance was signed as a songwriting team by A&M late in 1978. The songwriting tandem was unknown, so most artists were not interested in considering their
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James Douglas Vallance was born on May 31, 1952, in Chilliwack, BC. He grew up in a series of small towns on the west coast of Canada, including Vanderhoof (1964-1967) and Terrace (1967-1970) where he collected fond memories that would later show up in lyrics to some of his songs, like 'Summer of
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went below the radar in sales and airplay. To make matters worse, band members' alcohol and drug habits were causing problems. Geffen Records would only fund their next recording provided all the bandmembers complete drug and alcohol rehab which they did. After listening to the demos, the record
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that summer. Vallance then landed another contract through Bruce Fairbairn to write songs for Ian Lloyd in 1980 and again in 1982. In total, six Adams-Vallance compositions were used by Lloyd and another four were collaborations between Vallance and Lloyd's band. In between, Vallance worked as a
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which Foster was producing at the time. The songwriting is credited to Foster, Vallance, Adams, Paiement, Rock & Hyde. The recording with the grand ensemble of Canadian artists took place on February 10, 1985, at Manta Studios in Toronto, Ontario. Vallance played the drums on the recording.
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Vallance has been awarded or honored with over 35 SOCAN and Procan Classics and related awards, as well as awards from BMI, and ASCAP. Vallance served on the boards of PROCAN (1985–90); SOCAN (1996-8, 2000-3, 2006-9); FACTOR (1985-7); and the Songwriters Association of Canada in 2008, and the
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who would later become an influential Canadian record producer. In 1975, Fairbairn approached Vallance about recording a demo of some of the band's music in hopes of landing a recording contract. Initially, the music was not Vallance's but after several rehearsals, Fairbairn asked Vallance to
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In 1982, Vallance and Adams received a call from producer Michael James Jackson inquiring about contributing songs for the next Kiss album. Although Vallance and Adams were not heavy metal fans, it was a golden opportunity for exposure for their songs by a world-class rock act. With outside
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Adams and Vallance were essentially estranged for some time, with only sporadic contact. In 2003, Adams approached Vallance inquiring if he would like to co-write a few songs for his next album. Vallance agreed and three songs on Adams' album
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company did not believe there was any material that would get them airplay. A second condition was then placed on them and that was to have outside songwriters to work with the band members. Initially, band members were not warm to the idea.
550:'69'. He took piano lessons starting at age 7. He then took up guitar and drums at 13. In 1965 he formed a band with some classmates called The Tremelones which was later renamed The Fourmost. At 18, he enrolled in the music program at the 675:. Vallance doubled as co-producer on the first. Although neither album was a big success, Adams' extensive touring helped him garner a lot of recognition as an artist. The Adams-Vallance songwriting team was starting to gain momentum. 562:, flute with Conrad Crocker and cello with Hans Seigrist. He re-entered the UBC Music program again in 1973 but dropped out to travel Europe with fellow musicians Peter Bjerring (aka Peter Berring) and Tom Mirhady . 927:. She is an accomplished singer-songwriter in her own right. They have one child, Jimmy, who was a house DJ during his high school years and is currently an electronic musician for house/alternative band 629:
session and club musician, and took a job as the drummer for Tom Jones' TV show produced out of Vancouver. Also, in 1981, Vallance co-produced (along with the band) the second album by Vancouver's
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During 1989, the Adams-Vallance songwriting partnership became strained to the point that it was dissolved. The team was under intense pressure from the record company to follow up
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who heard a demo of their song "No Way To Treat A Lady" decided to record it. Between 1980 and 1982, Adams recorded and released his first two solo albums, self-titled
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are credited with Vallance as co-writer. Adams then approached him to write the Olympic song with him and another Olympic song for ARD TV in Germany.
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for Africa, an ensemble of Canadian recording artists in support of the 1985 African famine relief. He has won the Canadian music industry
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Vallance was involved in the Northern Lights for Africa famine relief cause in 1985 as co-writer and executive producer of the song "
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under the pseudonym "Rodney Higgs." In addition to Adams, Vallance has written songs for many famous international artists such as
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Or Leave It" was credited as "B. Adams/R. Higgs" since Vallance wanted to identify with his Prism fans by using his pseudonym.
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In the late 1980s and early 1990s, Vallance helped to write several songs with the band, including some of the hit singles "
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latter's advisory board 1998-2008. In 2003, Vallance won an International Achievement Award for the song "Heaven" at the
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Vallance was credited as executive producer for recording Bruce Cockburn's part in a studio in Hamburg, Germany.
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Vallance joined Vancouver jazz-blues-rock band Sunshyne as a drummer in the early 70s. There he met band member
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collaboration from Gene Simmons, "War Machine" and a re-written "Rock 'n Roll Hell" were recorded for Kiss'
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Vallance is best known as Bryan Adams' songwriting partner from 1978 to 1989 and again from 2005 to 2019.
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ensemble, asking him if he could the same by Canadian artists. The American artists had just recorded "
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Interview with Bryan Adams Fan Club Netherlands (February 2004), Jim Vallance Interviews
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Adams had just established himself on the Vancouver music scene with the local band
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In 2007, Vallance was appointed to the Order of Canada and invested in 2008.
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songs. Vallance then landed a contract to write and arrange BTO's next album
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Vallance has also been involved with the music industry member associations.
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In 1979, Prism was back in the studio to record their third album,
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In 1986, Aerosmith was a band in turmoil. Their previous album
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in the early 1980s. Paiement is a former member of the groups
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Interview with The Musician's Voice, Jim Vallance Interviews
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Society of Composers, Authors and Music Publishers of Canada
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made Adams an international superstar. By the end of 1985,
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The Adams-Vallance team wrote songs for artists such as
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His most recognizable songs are " 16:Canadian musical artist (born 1952) 828:. Vallance co-wrote such hits as " 14: 533:Songwriters Association of Canada 357:This section has multiple issues. 230:and main songwriter for Canadian 449: 387: 346: 1084:Friend, David (March 9, 2022). 1045:Encyclopedia of Music in Canada 834:Don't Forget Me (When I'm Gone) 641:on an unreleased track called " 365:or discuss these issues on the 1243:Members of the Order of Canada 552:University of British Columbia 1: 888:Music from Another Dimension! 1147:"2003 SOCAN AWARDS - SOCAN" 413:the claims made and adding 1274: 780:Breakup and reconciliation 747:Northern Lights for Africa 659:release that year. Later, 476:Such statements should be 1238:Canadian male songwriters 1233:Canadian record producers 816:Following the release of 788:. Instead they delivered 981:Jim Vallance Discography 839:Following Glass Tiger's 173:1977–2005 (semi-retired) 693:Straight from the Heart 566:Prism (as Rodney Higgs) 1248:People from Chilliwack 1090:CBC/The Canadian Press 759:had been contacted by 672:You Want It You Got It 656:Creatures of the Night 215:James Douglas Vallance 34:James Douglas Vallance 204:Jim Vallance homepage 1258:Prism (band) members 1038:Betty Nygaard King. 753:Tears Are Not Enough 560:Frances Marr Adaskin 530:(SOCAN), FACTOR and 478:clarified or removed 328:Composer of the Year 316:Tears Are Not Enough 904:Awards in Toronto. 604:Rock n' Roll Nights 296:Spaceship Superstar 1157:on 12 October 2016 1133:2009-08-13 at the 1115:2006-01-04 at the 1071:2009-08-13 at the 986:2009-06-21 at the 968:2009-06-01 at the 763:, producer of the 631:Doug and the Slugs 398:possibly contains 310:" (Bryan Adams), " 306:" (Bryan Adams), " 302:" (Bryan Adams), " 1003:"Order of Canada" 854:Done with Mirrors 705:Cuts Like a Knife 697:Cuts Like a Knife 687:Cuts Like a Knife 680:Cuts Like a Knife 554:where he studied 513: 512: 505: 495: 494: 443: 442: 435: 400:original research 380: 304:Cuts Like a Knife 209: 208: 1265: 1180:Official website 1167: 1166: 1164: 1162: 1153:. Archived from 1143: 1137: 1125: 1119: 1107: 1101: 1100: 1098: 1096: 1081: 1075: 1063: 1057: 1056: 1054: 1052: 1035: 1018: 1017: 1015: 1013: 999: 990: 978: 972: 960: 769:We Are the World 728:their services. 508: 501: 490: 487: 481: 453: 452: 445: 438: 431: 427: 424: 418: 415:inline citations 391: 390: 383: 372: 350: 349: 342: 221: 170: 75:British Columbia 62: 58: 56: 41: 31: 19: 1273: 1272: 1268: 1267: 1266: 1264: 1263: 1262: 1213: 1212: 1192:discography at 1185:Armoury Studios 1176: 1171: 1170: 1160: 1158: 1145: 1144: 1140: 1135:Wayback Machine 1126: 1122: 1117:Wayback Machine 1108: 1104: 1094: 1092: 1083: 1082: 1078: 1073:Wayback Machine 1064: 1060: 1050: 1048: 1037: 1036: 1021: 1011: 1009: 1001: 1000: 993: 988:Wayback Machine 979: 975: 970:Wayback Machine 961: 952: 947: 937: 917:Rachel Paiement 913: 897: 883:Legendary Child 879:Deuces are Wild 877:" (1993), and " 849: 814: 782: 749: 716: 683: 643:What About Love 590: 585: 572:Bruce Fairbairn 568: 547: 542: 509: 498: 497: 496: 491: 485: 482: 475: 454: 450: 439: 428: 422: 419: 404: 392: 388: 351: 347: 340: 320:Northern Lights 292:What About Love 217: 212: 168: 60: 54: 52: 39: 29: 24: 17: 12: 11: 5: 1271: 1269: 1261: 1260: 1255: 1250: 1245: 1240: 1235: 1230: 1225: 1215: 1214: 1211: 1210: 1201: 1196: 1187: 1182: 1175: 1174:External links 1172: 1169: 1168: 1138: 1120: 1102: 1076: 1058: 1040:"Jim Vallance" 1019: 991: 973: 949: 948: 946: 943: 936: 933: 912: 909: 896: 893: 871:The Other Side 848: 845: 813: 810: 781: 778: 765:USA for Africa 748: 745: 715: 710: 682: 677: 589: 586: 584: 581: 567: 564: 546: 543: 541: 538: 511: 510: 493: 492: 457: 455: 448: 441: 440: 423:September 2010 395: 393: 386: 381: 355: 354: 352: 345: 339: 336: 211:Musical artist 210: 207: 206: 201: 197: 196: 193: 192: 179: 175: 174: 171: 165: 164: 143: 139: 138: 125: 121: 120: 83: 79: 78: 68: 64: 63: 50: 46: 45: 42: 36: 35: 32: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1270: 1259: 1256: 1254: 1251: 1249: 1246: 1244: 1241: 1239: 1236: 1234: 1231: 1229: 1228:Living people 1226: 1224: 1221: 1220: 1218: 1209: 1205: 1202: 1200: 1197: 1195: 1191: 1188: 1186: 1183: 1181: 1178: 1177: 1173: 1156: 1152: 1148: 1142: 1139: 1136: 1132: 1129: 1124: 1121: 1118: 1114: 1111: 1106: 1103: 1091: 1087: 1080: 1077: 1074: 1070: 1067: 1062: 1059: 1047: 1046: 1041: 1034: 1032: 1030: 1028: 1026: 1024: 1020: 1008: 1007:Archive.gg.ca 1004: 998: 996: 992: 989: 985: 982: 977: 974: 971: 967: 964: 959: 957: 955: 951: 944: 942: 941: 934: 932: 930: 926: 922: 918: 911:Personal life 910: 908: 905: 903: 894: 892: 890: 889: 884: 880: 876: 872: 868: 864: 859: 856: 855: 846: 844: 842: 837: 835: 831: 827: 823: 819: 811: 809: 807: 806: 799: 797: 793: 792: 791:Into the Fire 787: 779: 777: 774: 770: 766: 762: 758: 754: 746: 744: 742: 738: 734: 729: 726: 722: 721: 714: 711: 709: 706: 702: 698: 694: 689: 688: 681: 678: 676: 674: 673: 668: 667: 662: 658: 657: 650: 648: 644: 640: 636: 632: 627: 622: 619: 618: 612: 610: 606: 605: 598: 596: 587: 582: 580: 578: 577:Big Black Sky 573: 565: 563: 561: 557: 553: 544: 539: 537: 535: 534: 529: 528: 523: 522: 516: 507: 504: 489: 479: 473: 471: 467: 463: 458:This section 456: 447: 446: 437: 434: 426: 416: 412: 408: 402: 401: 396:This section 394: 385: 384: 379: 377: 370: 369: 364: 363: 358: 353: 344: 343: 337: 335: 333: 329: 325: 321: 317: 313: 312:Summer of '69 309: 305: 301: 297: 293: 289: 285: 281: 277: 273: 269: 268:Ozzy Osbourne 265: 261: 257: 256:Roger Daltrey 253: 249: 245: 241: 237: 233: 229: 225: 220: 216: 205: 202: 198: 194: 191: 187: 183: 180: 176: 172: 166: 163: 159: 155: 151: 147: 144: 142:Instrument(s) 140: 137: 133: 129: 126: 124:Occupation(s) 122: 119: 115: 111: 107: 103: 99: 95: 91: 87: 84: 80: 76: 72: 69: 65: 61:(age 72) 51: 47: 43: 40:Also known as 37: 33: 27: 20: 1204:Jim Vallance 1190:Jim Vallance 1159:. Retrieved 1155:the original 1150: 1141: 1123: 1105: 1093:. Retrieved 1089: 1079: 1061: 1049:. Retrieved 1043: 1010:. 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Index

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Songwriter
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Drums
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