497:
and commiserate on keeping the flighty creatives in check and under budget. However, Lane expresses inappropriate and unappreciated sexual interest in Joan, and she resents that he feels entitled to her in that way, while she skillfully shuts him down. She gets along well with Don Draper on a friendly level since they are fellow spirits when it comes to their pragmatic views of relationships, and he was the only one who opposed the Jaguar deal, but she is wary of his changeable-creative-side impact on the business on a professional level. Cooper respects her as a business woman and a woman, which she appreciates, though they are not particularly close. Her relationship with Roger is fond, but distant given their past, and she views Peter
Campbell as a greasy worm. She and Harry Crane (who is not a partner) are open enemies and despise each other.
569:, Joan completely cedes her office manager role to Dawn and takes a more active role as junior partner and account executive — handling Avon and Butler Footwear. She proves to be capable, as well as a quick study. Her personality has hardened considerably, and she seems more money-conscious, which is likely motivated by her status as single mother. Initially, she bears a clear animus towards Don for having fired Jaguar, as it cost her a substantial amount of money when the public offering fell through. She casts a vote to fire Don for "costing me money" when he violates the terms of his return, though she later favors the sale to McCann-Erickson because it stands to provide her with more than $ 1 million. Joan also rejects a marriage proposal from Bob, who is
367:
well-off, married woman (the pinnacle of her ambition) and the fear that she will become a bored, lonely housewife. Joan chose Greg over the stereotypical rich men she has affairs with because he is handsome and a promising young doctor just about to launch his career as a surgeon. Greg needs her support, and seems like a good bet that he'll become a successful, romantic, and devoted husband. He turns out to be a poor choice, when his delicate ego, anger issues, and sense of entitlement clash with his utter lack of professional skill, preventing him from being either a successful husband, or a successful doctor.
493:) in order to secure the Jaguar account for SCDP. She asks if all the partners are on board with this request, and Pete lies and says yes, even though Don objected, and that they are offering her $ 50,000. Lane, concerned that his embezzlement might be discovered if they try to pay Joan the cash, recommends privately that she demand a voting partnership and 5% of SCDP instead. Joan agrees to the request on the condition she be made partner, as Lane suggested. It's not until after her rendezvous with Herb that she learns Don was actually the one dissenting partner.
386:," Greg meets Joan at Sterling Cooper to take her on a dinner date. Joan introduces him to Roger for the first time, and Greg picks up on the fact that Roger knows Joan's likes and dislikes. Joan attempts to dismiss his suspicions by claiming that Roger only knows her well because of how long she has been with the agency. As she's locking up for the day, Greg follows Joan into Don's office, closes the door behind him, and tries to convince her to be intimate with him. When she playfully declines, he forces her to the floor and
558:), but doesn't mention it to Don until they go over budget for a commercial. Joan is shocked when Don smooths the client's feathers by saying the expensive idea was that of the deceased Gleason. This averts the client's anger but embarrasses Ted and takes credit away from Peggy in the process. Don's punishing choice in dealing with the situation, in addition to his earlier impetuousness in firing Jaguar, makes her wary of Don. When Thanksgiving 1968 approaches, Joan agrees with Cooper, Sterling, and senior partner Jim Cutler (
306:), who starts at Sterling Cooper as a secretary and eventually becomes a copywriter. Joan and Peggy do not get along at first; Joan is contemptuous of Peggy's demure attitude and conservative dress, while Peggy is intimidated by Joan's beauty and assertiveness. Over the course of the series, however, the two become good friends, and support each other through their personal and professional struggles, with Joan being supportive of Peggy's evolution as a copywriter in the male-dominated culture of advertising.
471:," Greg returns home on furlough from Vietnam, but informs Joan he is being ordered to go back for an additional year. However, at a dinner with Greg's parents, Joan learns he reenlisted voluntarily since the army makes him feel powerful and it is likely the only place where his abysmal surgical skills would be accepted. Joan becomes enraged and throws him out. Joan tells him he has never been a good man, alluding to his rape. He threatens to divorce her if he leaves, but Joan simply tells him to leave.
310:
Joan has carefully prepared and practiced, learning the social and housewife skills necessary to be a helpful, upper-class partner, while maintaining a beautiful appearance through self care. She has many playful affairs with powerful men who adore her, but whom she discounts as marriage material. They have already achieved their success, and with most of them being married, do not fit her romantic ideal of devoted husband. Joan has little desire to be a trophy second wife.
584:), a wealthy and very charming real estate developer whom she begins dating (though he initially expresses regret over the fact that Joan has a small child). However, as her personal life begins to come together for the first time since her divorce from Greg, she suffers professionally when SCDP is absorbed into McCann. She takes issue with the lewd and sexist treatment that she receives from her male colleagues at the new agency and complains to Jim Hobart (
562:) that Don should be placed on leave, as she is concerned with Don's erratic behavior and its overall effect on the firm. Joan reveals that she has made arrangements for Creative to continue functioning, with Ted overseeing Peggy long-distance. Joan invites Roger to spend Thanksgiving with her. When Roger responds negatively to the presence of Bob, whom Joan had also invited, she warns him that she is allowing him into Kevin's life, but not hers.
1611:
649:
as a whole and hopes to earn her fairy tale dream. She hardens considerably over the series as she is repeatedly, and casually, betrayed by the various men in her personal and professional life in both small and large ways. The stricken, optimistic dreamer is forced to be self reliant, and to expand her own power beyond her sexual influence into the realms of position and money as a result of these betrayals.
504:," Joan discovers Lane's body after he dies by suicide in his office. She later expresses bewilderment to Don, wondering if she had slept with Lane, maybe he would not have died. Don assures her that she is worth more than her body, which she is grateful for. In the season 5 finale, Joan appears to have taken over Lane's accounting duties and presides over the acquisition of new office space for the firm.
543:), an eager new hire in accounts, walks in on Joan, who is in extreme pain. He discreetly escorts her to the hospital and is also able to expedite her care. Joan is suspicious of Bob's motives for helping her, but her mother advises her that not every good deed is a front. In return, Joan quietly steps in to save Bob's job when he is about to be laid off.
413:
later places a call to Roger
Sterling's office after hours, asking him to help her find another office manager job. Greg ultimately obtains an officer's commission in the Army where he will serve as a military surgeon, and tells Joan she will no longer have to work. Despite this, Joan comes to the aid of Don, Roger, Lane, and Bert Cooper (
524:), Don's secretary, punch out her time cards. Joan confronts them and fires Scarlet, angering Harry. He yells at the other partners for letting Joan do whatever she wants, clearly resenting being passed over for partner. He implies that Joan made partner only because prostituted herself, much to Joan's humiliation.
662:
finale, her role at
Sterling Cooper (and later Sterling Cooper Draper Pryce) is made clear. The office is essentially unable to operate without her, as no one else knows how the office is organized, Joan also detests the idea of people coming to her defense, such as Peggy firing Joey for the sexist drawing of her.
648:
Holloway is pragmatic about the sexual realities of her work environment and her appearance, and chooses to be aware and smart about it, rather than dismissive or naïve. This is reflective in her advice to new secretaries about birth control and discretion. Yet, she is still a romantic, who likes men
412:
Joan helps Greg prepare for a job interview, but he fails to get the job. The two have a heated argument, ending with Joan smashing a vase over Greg's head after he says she'll never understand wanting and planning for something she always expected to get, and then realizing she'll never get it. Joan
309:
Joan is a hyper-feminine and charming woman, with a pragmatic view of sex and attraction. Though skilled in her career, her ultimate goal is to find a promising and devoted man to marry, and then become the strength and motivation supporting him behind the scenes as he achieves success. To this end,
665:
Joan was born on
February 24, 1931. She is a green-eyed redhead, stands 5 feet 8 inches tall, and her New York State drivers license (as of Season 2) indicates she weighs 140 pounds. She lives at 42 West 12th Street, apartment 4C. Many commentators seized upon Joan's friendship with the apparently
496:
As partner, Joan's overall role in day-to-day operations doesn't change much beyond the fact that she now votes in partners' meetings. Her relationships with the other partners vary. She is closest compatriots with Lane, since they frequently work together on the practical running of the business,
366:
at St. Luke's
Hospital. Joan is in a difficult place when it comes to marrying Greg, as she struggles to balance both her sassy, independent personality and the traditional vulnerability of a woman being dependent on her husband. As the season goes on, Joan is clearly torn between wanting to be a
599:
In the series finale, "Person to Person," Joan starts her own film production company. She attempts to recruit Peggy as a partner, but Peggy chooses to stay at McCann. Joan and
Richard continue dating and become somewhat serious about one another, but he is opposed to her re-entering the business
691:
explained that people think her character is "hot" because "She's got fire to her. She snaps back. And men love her because she's in touch with her sexuality and femininity. The men in the office can play with her a little bit. They can tease her, and she's not going to be in the bathroom crying
661:
Olson." Despite being tolerant of flirtation, throughout all stages of her career, Holloway always insists on good work coming first, and has little tolerance for the inept: "You can be a pretty face hunting for a husband, so long as you do good work in the interim." As shown in the third season
538:
In "For
Immediate Release," Joan is outraged when Don fires Jaguar after a tense meeting with Rennett. She publicly lambasts Don for negating the sacrifice she made to ensure the account and their personal relationship permanently suffers. In "Man with a Plan," Joan presides over the complicated
656:
of the office secretarial pool, with a sharp sense of office politics and protocol. While her conduct is generally professional, she is also apt to punish her subordinates in order to make her point. She believes discretion is the most important quality in a secretary and will never hesitate to
595:
Hobart offers to buy Joan's remaining contract out for half of what it's worth. Joan vows to stay at McCann and fight, but when she seeks out Roger
Sterling for support, Roger instead tells her that it would be more pragmatic to take the money and walk away. Betrayed, Joan takes the payout and
550:
In "A Tale of Two Cities," Joan goes on a blind date with an Avon executive, which is arranged by Kate. However, it turns out to be a business meeting, as Avon is looking for a new direction. Joan is eager to expand her role in the firm and recruits Peggy to assist her in securing the account.
429:
Joan is recognized by most of the staff as being integral in SCDP's daily operations. A notable feature of Joan's new office, which is more of a thoroughfare, than a legitimate office space, is an intercom to the conference room that she can use to monitor meetings with; a feature conveniently
546:
By "The Better Half," Joan and Bob have become close friends, and are preparing to go to the beach together with Kevin. Roger appears unannounced and is suspicious of Bob's presence. Roger attempts to be a part of Joan and Kevin's lives, but she tells him that she intends to let Kevin grow up
720:
Weiner originally envisioned Joan as a "smaller," "mousier," and more "sharp-tongued" character, but he changed his mind when
Hendricks was cast. Initially, Joan was set to be a guest role only. However, the role was extended to regular status because of Hendricks' "on-screen magnetism".
397:," they host a dinner party with Greg's colleagues where Joan learns that not only has he not made chief resident, but that his skill — and thus his future — as a surgeon is in question. Nonetheless, she leaves her job at Sterling Cooper as planned. Not long after, accounts executive
269:
at the advertising agency
Sterling Cooper. Her primary responsibilities are to manage the secretarial, steno, and telephone operators pools; attend to the needs of the executives; and organize agency events. She is also seen during meetings with the heads of departments, implementing
535:. Kate expresses her admiration for Joan, believing that Joan's partnership has more power than it actually has. This causes Joan to realize that she must stop acting like a secretary. She transfers many of her office manager duties to Dawn in order to concentrate on her new role.
600:
world. When Joan announces she is starting her own company, he ends their relationship. She is last seen watching her mother and Kevin go off to the park and then resuming her work at the new venture, which is operating out of her apartment under the name Holloway-Harris.
329:'s death, Roger walks into his office to find Joan lying on his couch and crying. Realizing she is upset over the similarities she sees between the actress's life and her own, Roger comforts Joan by assuring her she will not end up alone and in despair like Monroe.
213:
449:, and Roger insists on paying for it. She travels to a clinic for the procedure, as she waits to be called in, she's mistaken for a mother of a teen daughter getting an abortion. Joan continues with the pregnancy and lets Greg believe the child is his.
209:
482:), and storms off. Don offers to take her out for the day and the two test drive a Jaguar. They spend the remainder of the afternoon drinking in a midtown bar, and she confesses to Don that she is unsure of how to start over with a baby.
657:
remind other secretaries to safeguard their bosses' private affairs at all times. She also enforces proper deference among the secretaries for their superiors, such as sharply correcting Lois, who refers to Peggy by her given name, as "
539:
physical logistics of SCDP's merger with CGC. CGC's secretaries express irritation at being placed under Joan's command, but she brushes them off to warmly welcome back Peggy, who had briefly left to work for CGC. Bob Benson (
205:
409:, where he's surprised to find her working as a shop assistant. Clearly embarrassed, Joan lies and says that Greg is considering going into psychiatry, so she needed to work a little longer while he continued his training.
370:
Her mixed feelings about her future are exacerbated when she is briefly given additional responsibilities at Sterling Cooper reading television scripts to determine ad placement, which thrills her. However, Media Director
452:
At the end of season 4, Joan is promoted to director of agency operations, in recognition of her role in keeping SCDP afloat amid its recent financial troubles. However, it is in title only, without a raise in pay.
551:
However, she nearly blows it by excluding Pete from the proceedings and coming on aggressively at the meeting. Peggy is able to narrowly salvage the situation and the two women again reach an understanding.
445:. While he's gone, Joan and Roger have a friendly dinner, but are robbed at gunpoint on the walk home and have a brief one-night stand that leads to Joan getting pregnant. She plans to get an
588:), the director at McCann. Hobart responds first with condescension and then with contempt. When Joan threatens to take legal action and to reveal McCann's misogynistic culture to the
393:
When season 3 premieres, Joan and Greg have recently married, and she's preparing to leave her job to become a housewife just as soon as Greg is promoted to chief resident. In "
347:) sometime before the series began. Joan ended the relationship because Paul had "a big mouth," implying that he bragged about the relationship to others. Her roommate, Carol (
1589:
1670:
1660:
1655:
573:, on the grounds that both of them deserve real love and not an "arrangement" that is meant only to cope with Joan's financial difficulties and Bob's need to be in
1675:
629:
has said that Holloway occupies "a sort of middle ground between the show's main female characters, who represent opposing paths for women of their day"; as
580:
During the second half of season 7, Joan has gained confidence in her new position. During a business trip to SCDP's West Coast office, she meets Richard (
332:
Sometime before the start of the series, Joan was briefly married to a man named Scotty. Though Scotty is never seen, she mentioned to a friend in the
1645:
1368:
1347:
763:
478:," a process server shows up at the SCDP office to serve Joan with divorce papers, which upsets her. Joan yells at SCDP's receptionist, Meredith (
351:), who Joan knows from college, expresses romantic interest in Joan in the episode "The Long Weekend," although Joan gently rebuffs her advances.
1272:
860:
1306:
989:
645:) tries to become a copywriter in "a world where men routinely call women 'girls', and sometimes literally chase them through the office".
516:, Joan has settled into her new role as partner at SCDP. In "To Have and To Hold," Joan discovers that Harry Crane's secretary, Scarlet (
417:) to launch the new Sterling Cooper Draper Pryce by finding accounting materials and client records. When the new company sets up shop at
1595:
1230:
42:
1635:
1133:
1048:
59:
460:, Joan has recently given birth to a boy named Kevin and is nearing the end of her maternity leave from SCDP. Her mother, Gail (
1292:
394:
1396:
1258:
1665:
1147:
828:
1650:
1640:
1320:
1203:
383:
1568:
1340:
1067:
796:
372:
242:
153:
71:
935:
1507:
1500:
1472:
486:
475:
1115:
276:, taking notes, and reminding the male staff of their duties to their clients, and assisting creative director
321:), which started when she was his secretary, cooled when she rose to office manager, and ended after Roger's
1417:
1354:
1313:
1154:
285:
1493:
1486:
1458:
1424:
1410:
1382:
1361:
1196:
653:
468:
272:
1521:
1140:
1041:
623:
tried to make her appear not as a television stereotype, but as an unpredictable and complicated woman.
437:, Joan and Greg are shown trying to conceive at child, but their marriage is strained by Greg going to
379:) ultimately hires a young, unqualified man to take over the ad placement job, to her disappointment.
1514:
1451:
1251:
745:
501:
363:
201:
1548:
1479:
1465:
1210:
994:
749:
688:
461:
194:
92:
46:
889:
1237:
701:
532:
402:
238:
1299:
1168:
806:
801:
585:
489:," Joan is taken aback when Pete approaches her with a proposition to sleep with Herb Rennet (
336:
episode "To Have and To Hold" that her marriage to him was the "worst six months of my life."
1614:
1559:
1532:
1435:
1331:
1283:
1221:
1124:
1034:
865:
625:
566:
513:
457:
434:
355:
333:
262:
258:
184:
1403:
1375:
1265:
1189:
1175:
945:
833:
692:
later." In the season two episode "Maidenform", each secretary is categorized as either a
581:
517:
479:
1389:
1100:
740:
709:
697:
693:
642:
620:
590:
554:
Later on, Joan easily sees the attraction between Peggy and CGC executive Ted Chaough (
528:
521:
438:
344:
326:
314:
303:
266:
82:
1020:
214:
Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series
1629:
1444:
1244:
1182:
1090:
773:
671:
634:
490:
406:
398:
318:
140:
1161:
1085:
894:
630:
609:
559:
414:
322:
292:
133:
Junior Partner and Director of Agency Operations at SCDP and SC&P (seasons 4–7)
41:
1541:
1080:
638:
442:
376:
359:
340:
299:
1105:
1075:
684:
574:
555:
540:
418:
348:
288:
277:
210:
Critics' Choice Television Award for Best Supporting Actress in a Drama Series
940:
829:""Mad Men" calvacade of Stars, part 5: christina hendricks on joan holloway"
679:
464:), is staying with her to help with the baby while Greg is away in Vietnam.
446:
281:
1058:
967:
918:
768:
705:
612:, Holloway is a bold and sassy character. When creating the character,
234:
189:
31:
712:) answers: "Well, Marilyn's really a Joan, not the other way around".
708:; when asked what kind of woman Holloway is, copywriter Paul Kinsey (
246:
917:
Writ: Weiner, Matthew; Albert, Lisa (August 3, 2008). "Flight 1".
838:
527:
In the same episode, Joan is visited by a childhood friend, Kate (
387:
1030:
667:
570:
861:"What the women of 'Mad Men' can teach us about Sarah Palin"
339:
Joan had also had an intimate relationship with copywriter
1026:
869:. Boston, Massachusetts: Boston Globe Media Partners, LLC
966:
Writ: Weiner, Matthew (August 31, 2008). "Maidenform".
637:) gave up a modeling career to become a housewife and
233:
Joan Holloway (born February 24, 1931) was raised in
738:
Ripley, Tim (July 25, 2008). "See Mad Men Already".
1582:
1558:
1531:
1434:
1330:
1282:
1220:
1123:
1114:
1066:
170:
160:
149:
127:
119:
111:
103:
98:
88:
78:
66:
54:
24:
16:
Fictional character on American TV series "Mad Men"
421:hotel, Joan takes the position of office manager.
131:Founder and Director of Holloway-Harris (season 7)
206:Outstanding Supporting Actress in a Drama Series
990:"Christina Hendricks: a fine figure of a woman"
898:. Toronto, Ontario: Toronto Star Newspapers Ltd
137:Office Manager, Sterling Cooper (seasons 1–3)
1042:
683:, addressing the character's perception as a
313:Joan had a lengthy romantic involvement with
8:
983:
981:
979:
430:forgotten by everyone except her and Peggy.
245:, a single mother. She attended college in
1120:
1049:
1035:
1027:
212:for her performance. She has also won the
508:Sterling Cooper & Partners (SC&P)
295:) with Sterling Cooper financial duties.
1671:American female characters in television
1661:Television characters introduced in 2007
988:Elsworth, Catherine (January 19, 2009).
298:Joan is also the original supervisor of
1656:Fictional characters from New York City
730:
358:, Joan becomes engaged to Greg Harris (
200:Hendricks has received six consecutive
934:Carter, Kelley L. (October 23, 2008).
164:Scotty (last name unknown; ex-husband)
21:
7:
1307:Guy Walks Into an Advertising Agency
859:Weiss, Joanna (September 21, 2008).
670:Bob Benson and pointed out that the
1676:Fictional victims of sexual assault
1596:Retrospective: The Music of Mad Men
425:Sterling Cooper Draper Pryce (SCDP)
674:is not far from Joan's residence.
547:thinking that Greg is his father.
174:Kevin Harris (with Roger Sterling)
14:
795:Penner, Steve (August 22, 2008).
1646:Fictional advertising executives
1610:
1609:
827:Ryan, Maureen (August 6, 2008).
183:is a fictional character on the
135:Office Manager, SCDP (season 4)
40:
1369:The Chrysanthemum and the Sword
1348:Christmas Comes But Once a Year
936:"The women of 'Mad Men' evolve"
764:"Where style matches substance"
193:(2007–15). She is portrayed by
1:
805:. Portsmouth, New Hampshire:
224:Fictional character biography
216:twice along with the cast of
888:Salem, Rob (July 27, 2008).
797:"Does Mad Men make you mad?"
1321:Shut the Door. Have a Seat.
1273:Meditations in an Emergency
972:. Season 2. Episode 6. AMC.
923:. Season 2. Episode 2. AMC.
652:Holloway is considered the
115:Joan Holloway (maiden name)
1692:
1605:
1231:For Those Who Think Young
520:), has been having Dawn (
39:
29:
1636:Fictional businesspeople
772:. Melbourne, Australia:
716:Creation and development
441:and later being sent to
229:Early life and education
166:Greg Harris (ex-husband)
1134:Smoke Gets in Your Eyes
181:Joan P. Holloway Harris
99:In-universe information
60:Smoke Gets in Your Eyes
1590:Awards and nominations
1023:official AMC biography
608:Embodying the role of
273:Roberts Rules of Order
837:. Chicago, Illinois:
677:In an interview with
531:), who now works for
1515:Commissions and Fees
1293:My Old Kentucky Home
944:. Mclean, Virginia:
890:"Don't be mad, baby"
746:Woodland, California
502:Commissions and Fees
405:) runs into Joan at
395:My Old Kentucky Home
202:Primetime Emmy Award
1666:Fictional producers
1480:At the Codfish Ball
1397:The Beautiful Girls
1259:A Night to Remember
995:The Daily Telegraph
750:Digital First Media
689:Christina Hendricks
462:Christine Estabrook
195:Christina Hendricks
139:Sales Associate at
93:Christina Hendricks
47:Christina Hendricks
19:Fictional character
1651:Fictional managers
1641:Mad Men characters
1148:Marriage of Figaro
533:Mary Kay Cosmetics
403:Vincent Kartheiser
364:resident physician
187:television series
145:Housewife season 3
1623:
1622:
1578:
1577:
1204:Nixon vs. Kennedy
998:. London, England
807:Local Media Group
802:Portsmouth Herald
586:H. Richard Greene
384:The Mountain King
178:
177:
1683:
1613:
1612:
1569:Person to Person
1341:Public Relations
1121:
1051:
1044:
1037:
1028:
1008:
1007:
1005:
1003:
985:
974:
973:
963:
957:
956:
954:
952:
931:
925:
924:
914:
908:
907:
905:
903:
885:
879:
878:
876:
874:
866:The Boston Globe
856:
850:
849:
847:
845:
824:
818:
817:
815:
813:
792:
786:
785:
783:
781:
776:. April 16, 2009
760:
754:
753:
735:
626:The Boston Globe
618:
512:At the start of
456:At the start of
208:and has won two
204:nominations for
72:Person to Person
55:First appearance
44:
22:
1691:
1690:
1686:
1685:
1684:
1682:
1681:
1680:
1626:
1625:
1624:
1619:
1601:
1574:
1554:
1527:
1508:The Other Woman
1501:Christmas Waltz
1473:Far Away Places
1430:
1404:Hands and Knees
1376:Waldorf Stories
1326:
1278:
1266:Six Month Leave
1216:
1176:Red in the Face
1110:
1062:
1055:
1017:
1012:
1011:
1001:
999:
987:
986:
977:
965:
964:
960:
950:
948:
946:Gannett Company
933:
932:
928:
916:
915:
911:
901:
899:
887:
886:
882:
872:
870:
858:
857:
853:
843:
841:
834:Chicago Tribune
826:
825:
821:
811:
809:
794:
793:
789:
779:
777:
762:
761:
757:
737:
736:
732:
727:
718:
616:
606:
582:Bruce Greenwood
518:Sadie Alexandru
510:
487:The Other Woman
480:Stephanie Drake
476:Christmas Waltz
427:
255:
253:Sterling Cooper
231:
226:
165:
144:
138:
136:
134:
132:
67:Last appearance
50:
20:
17:
12:
11:
5:
1689:
1687:
1679:
1678:
1673:
1668:
1663:
1658:
1653:
1648:
1643:
1638:
1628:
1627:
1621:
1620:
1618:
1617:
1606:
1603:
1602:
1600:
1599:
1592:
1586:
1584:
1580:
1579:
1576:
1575:
1573:
1572:
1564:
1562:
1556:
1555:
1553:
1552:
1545:
1537:
1535:
1529:
1528:
1526:
1525:
1518:
1511:
1504:
1497:
1490:
1483:
1476:
1469:
1462:
1455:
1448:
1440:
1438:
1432:
1431:
1429:
1428:
1421:
1414:
1407:
1400:
1393:
1390:The Summer Man
1386:
1379:
1372:
1365:
1358:
1351:
1344:
1336:
1334:
1328:
1327:
1325:
1324:
1317:
1310:
1303:
1296:
1288:
1286:
1280:
1279:
1277:
1276:
1269:
1262:
1255:
1248:
1241:
1234:
1226:
1224:
1218:
1217:
1215:
1214:
1207:
1200:
1193:
1186:
1179:
1172:
1165:
1158:
1151:
1144:
1137:
1129:
1127:
1118:
1112:
1111:
1109:
1108:
1103:
1101:Roger Sterling
1098:
1093:
1088:
1083:
1078:
1072:
1070:
1064:
1063:
1056:
1054:
1053:
1046:
1039:
1031:
1025:
1024:
1016:
1015:External links
1013:
1010:
1009:
975:
958:
926:
909:
880:
851:
819:
787:
755:
741:Daily Democrat
729:
728:
726:
723:
717:
714:
710:Michael Gladis
698:Jackie Kennedy
694:Marilyn Monroe
643:Elisabeth Moss
621:Matthew Weiner
605:
602:
591:New York Times
529:Marley Shelton
522:Teyonah Parris
509:
506:
439:basic training
426:
423:
345:Michael Gladis
327:Marilyn Monroe
315:Roger Sterling
304:Elisabeth Moss
267:office manager
265:, Joan is the
254:
251:
230:
227:
225:
222:
176:
175:
172:
168:
167:
162:
158:
157:
151:
147:
146:
129:
125:
124:
121:
117:
116:
113:
109:
108:
107:Joan P. Harris
105:
101:
100:
96:
95:
90:
86:
85:
83:Matthew Weiner
80:
76:
75:
68:
64:
63:
56:
52:
51:
49:as Joan Harris
45:
37:
36:
27:
26:
18:
15:
13:
10:
9:
6:
4:
3:
2:
1688:
1677:
1674:
1672:
1669:
1667:
1664:
1662:
1659:
1657:
1654:
1652:
1649:
1647:
1644:
1642:
1639:
1637:
1634:
1633:
1631:
1616:
1608:
1607:
1604:
1598:
1597:
1593:
1591:
1588:
1587:
1585:
1581:
1570:
1566:
1565:
1563:
1561:
1557:
1550:
1546:
1543:
1539:
1538:
1536:
1534:
1530:
1523:
1519:
1516:
1512:
1509:
1505:
1502:
1498:
1495:
1491:
1488:
1484:
1481:
1477:
1474:
1470:
1467:
1463:
1460:
1456:
1453:
1449:
1446:
1445:A Little Kiss
1442:
1441:
1439:
1437:
1433:
1426:
1422:
1419:
1418:Blowing Smoke
1415:
1412:
1408:
1405:
1401:
1398:
1394:
1391:
1387:
1384:
1380:
1377:
1373:
1370:
1366:
1363:
1359:
1356:
1355:The Good News
1352:
1349:
1345:
1342:
1338:
1337:
1335:
1333:
1329:
1322:
1318:
1315:
1314:The Grown-Ups
1311:
1308:
1304:
1301:
1297:
1294:
1290:
1289:
1287:
1285:
1281:
1274:
1270:
1267:
1263:
1260:
1256:
1253:
1249:
1246:
1245:Three Sundays
1242:
1239:
1235:
1232:
1228:
1227:
1225:
1223:
1219:
1212:
1208:
1205:
1201:
1198:
1194:
1191:
1187:
1184:
1183:The Hobo Code
1180:
1177:
1173:
1170:
1166:
1163:
1159:
1156:
1155:New Amsterdam
1152:
1149:
1145:
1142:
1138:
1135:
1131:
1130:
1128:
1126:
1122:
1119:
1117:
1113:
1107:
1104:
1102:
1099:
1097:
1094:
1092:
1091:Pete Campbell
1089:
1087:
1084:
1082:
1079:
1077:
1074:
1073:
1071:
1069:
1065:
1061:
1060:
1052:
1047:
1045:
1040:
1038:
1033:
1032:
1029:
1022:
1021:Joan Holloway
1019:
1018:
1014:
997:
996:
991:
984:
982:
980:
976:
971:
970:
962:
959:
947:
943:
942:
937:
930:
927:
922:
921:
913:
910:
897:
896:
891:
884:
881:
868:
867:
862:
855:
852:
840:
836:
835:
830:
823:
820:
808:
804:
803:
798:
791:
788:
775:
774:Fairfax Media
771:
770:
765:
759:
756:
751:
747:
743:
742:
734:
731:
724:
722:
715:
713:
711:
707:
703:
699:
695:
690:
686:
682:
681:
675:
673:
672:Stonewall Inn
669:
663:
660:
655:
650:
646:
644:
640:
636:
635:January Jones
632:
628:
627:
622:
615:
611:
603:
601:
597:
594:
592:
587:
583:
578:
576:
572:
568:
563:
561:
557:
552:
548:
544:
542:
536:
534:
530:
525:
523:
519:
515:
507:
505:
503:
498:
494:
492:
491:Gary Basaraba
488:
483:
481:
477:
472:
470:
465:
463:
459:
454:
450:
448:
444:
440:
436:
431:
424:
422:
420:
416:
410:
408:
407:Bonwit Teller
404:
400:
399:Pete Campbell
396:
391:
389:
385:
380:
378:
374:
368:
365:
361:
357:
352:
350:
346:
342:
337:
335:
330:
328:
324:
320:
319:John Slattery
316:
311:
307:
305:
301:
296:
294:
290:
287:
283:
279:
275:
274:
268:
264:
260:
252:
250:
248:
244:
243:Gail Holloway
240:
236:
228:
223:
221:
219:
215:
211:
207:
203:
198:
196:
192:
191:
186:
182:
173:
169:
163:
159:
155:
154:Gail Holloway
152:
148:
142:
141:Bonwit Teller
130:
126:
122:
118:
114:
110:
106:
102:
97:
94:
91:
87:
84:
81:
77:
73:
69:
65:
61:
57:
53:
48:
43:
38:
34:
33:
28:
23:
1594:
1494:Dark Shadows
1487:Lady Lazarus
1459:Mystery Date
1425:Tomorrowland
1411:Chinese Wall
1383:The Suitcase
1362:The Rejected
1197:Long Weekend
1095:
1086:Betty Draper
1057:
1000:. Retrieved
993:
968:
961:
949:. Retrieved
939:
929:
919:
912:
900:. Retrieved
895:Toronto Star
893:
883:
871:. Retrieved
864:
854:
842:. Retrieved
832:
822:
810:. Retrieved
800:
790:
778:. Retrieved
767:
758:
739:
733:
719:
678:
676:
664:
658:
651:
647:
631:Betty Draper
624:
613:
610:femme fatale
607:
598:
589:
579:
564:
560:Harry Hamlin
553:
549:
545:
537:
526:
511:
499:
495:
484:
473:
469:Mystery Date
466:
455:
451:
432:
428:
415:Robert Morse
411:
392:
381:
369:
353:
338:
331:
323:heart attack
312:
308:
297:
293:Jared Harris
271:
256:
232:
217:
199:
188:
180:
179:
143:(season 3)
89:Portrayed by
30:
1542:The Doorway
1522:The Phantom
1141:Ladies Room
1096:Joan Harris
1081:Peggy Olson
639:Peggy Olson
604:Personality
377:Rich Sommer
373:Harry Crane
360:Samuel Page
341:Paul Kinsey
300:Peggy Olson
25:Joan Harris
1630:Categories
1452:Tea Leaves
1252:Maidenform
1106:Lane Pryce
1076:Don Draper
1068:Characters
725:References
685:sex symbol
619:s creator
575:the closet
556:Kevin Rahm
541:James Wolk
419:The Pierre
349:Kate Norby
289:Lane Pryce
278:Don Draper
239:Washington
128:Occupation
79:Created by
1549:The Crash
1466:Signal 30
1211:The Wheel
941:USA Today
680:USA Today
654:queen bee
104:Full name
35:character
1615:Category
1560:Season 7
1533:Season 6
1436:Season 5
1332:Season 4
1284:Season 3
1238:Flight 1
1222:Season 2
1125:Season 1
1116:Episodes
1002:June 20,
951:June 20,
902:June 20,
873:June 20,
844:June 20,
812:June 20,
780:June 20,
702:campaign
596:leaves.
567:season 7
514:season 6
458:season 5
447:abortion
435:season 4
356:season 2
334:season 6
325:. After
282:Jon Hamm
263:season 3
261:through
259:season 1
171:Children
156:(mother)
120:Nickname
74:" (7.14)
62:" (1.01)
1583:Related
1300:The Fog
1169:Babylon
1059:Mad Men
969:Mad Men
920:Mad Men
769:The Age
706:Playtex
614:Mad Men
443:Vietnam
235:Spokane
218:Mad Men
190:Mad Men
32:Mad Men
284:) and
247:Boston
161:Spouse
150:Family
1190:Shoot
839:Tronc
700:as a
696:or a
617:'
390:her.
388:rapes
362:), a
257:From
241:, by
112:Alias
1004:2009
953:2009
904:2009
875:2009
846:2009
814:2009
782:2009
704:for
659:Miss
500:In "
485:In "
474:In "
467:In "
382:In "
668:gay
571:gay
565:In
433:In
354:In
286:CFO
185:AMC
123:Red
1632::
1162:5G
992:.
978:^
938:.
892:.
863:.
831:.
799:.
766:.
748::
744:.
687:,
577:.
249:.
237:,
220:.
197:.
1571:"
1567:"
1551:"
1547:"
1544:"
1540:"
1524:"
1520:"
1517:"
1513:"
1510:"
1506:"
1503:"
1499:"
1496:"
1492:"
1489:"
1485:"
1482:"
1478:"
1475:"
1471:"
1468:"
1464:"
1461:"
1457:"
1454:"
1450:"
1447:"
1443:"
1427:"
1423:"
1420:"
1416:"
1413:"
1409:"
1406:"
1402:"
1399:"
1395:"
1392:"
1388:"
1385:"
1381:"
1378:"
1374:"
1371:"
1367:"
1364:"
1360:"
1357:"
1353:"
1350:"
1346:"
1343:"
1339:"
1323:"
1319:"
1316:"
1312:"
1309:"
1305:"
1302:"
1298:"
1295:"
1291:"
1275:"
1271:"
1268:"
1264:"
1261:"
1257:"
1254:"
1250:"
1247:"
1243:"
1240:"
1236:"
1233:"
1229:"
1213:"
1209:"
1206:"
1202:"
1199:"
1195:"
1192:"
1188:"
1185:"
1181:"
1178:"
1174:"
1171:"
1167:"
1164:"
1160:"
1157:"
1153:"
1150:"
1146:"
1143:"
1139:"
1136:"
1132:"
1050:e
1043:t
1036:v
1006:.
955:.
906:.
877:.
848:.
816:.
784:.
752:.
641:(
633:(
593:,
401:(
375:(
343:(
317:(
302:(
291:(
280:(
70:"
58:"
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
