473:. Despite the important findings, the authorities were running out of time and refugee housing needed to be built. A decision was taken, with a lot of controversy, to backfill the entire camp and seal it as a sarcophagus, protecting the archeological discoveries with a gigantic geo-textile and covering it with a concrete screed. "The sculpture presented by the artists shows the thin membrane between the past and the future, an imprint of the sarcophagus of the camp, while documents tell its archeological, human and military history, its destruction, and its reconstruction.".
390:
161:
98:
245:
writers, philosophers, historians, archaeologists and illustrators, and have spoken about the importance of this aspect: 'We believe in encounter more than in influence and, beyond that, we cultivate admiration: so many photos, film sequences, conversations, meetings and exchanges have nurtured and enabled us, at some time, to admire someone or something.'
38:
224:
the strange consequences of
Internet scams or the geological and archaeological undergrounds of cities. They occasionally use explicit life events as subjects for their work, such as the kidnapping and disappearance of Joreige's uncle, Alfred Junior Kettaneh, or Hadjithomas's paternal origins in the documentary
240:
Hadjithomas and
Joreige interweave formal, conceptual and thematic links through photographs, video installations and films. Their work in film often influences and leads to projects in the plastic arts, and vice versa. They are known to work over several years on a single project, and often revisit
432:
Since 1999, the artists have collected over four thousand junk emails, digital scams intended to con their readers into sending financial aid. Over the course of many exhibitions and installations, Hadjithomas and
Joreige created an itinerary around these modern day scams, and traced their history
223:
They have collaborated since the early 1990s on videos, films, photographs, and installations. They are known for their long-term research based on personal or political documents and their particular interest in the traces of the invisible and the absent, a forgotten space project from the 1960s,
244:
The importance of research in their work is such that they prefer to describe themselves not as artists but "chercheurs" – literally 'those that are looking for something' but also 'researchers'. Inspired by personal archives and found documents, they work and research in collaboration with other
464:
and tells the story of the "Nahr el Bared" refugee camp in the North of Beirut which was destroyed in 2007, leaving more than 30,000 people homeless. During reconstruction works, major archaeological discoveries were made, going down to as early as the
452:, a series of video and photographic works questioning: how can poetry be pitted against the chaos of today's world? The series focuses on the place where fiction and real modes intersect and blur; and in 2017, they started developing the art project
256:
and the authors of numerous publications and performances. Joana
Hadjithomas is a former member of the Curriculum Committee of the Ashkal Alwan Academy, Home Work Space. Both artists are co-founders of Abbout Productions, with
413:, shown at the Pompidou Center in Paris. The installation constituted of core samples that had been collected over the past three years, underneath the cities omnipresent in the artists' history and thinking:
476:
In 2016 and 2017, Hadjithomas and
Joreige presented a large selection of their work from the late 1990s to the present day in 'Two Suns in a Sunset', a traveling museum exhibition that was shown at the
1603:
2098:"Avant-première-"Je veux voir" de Joana Hadjithomas et Khalil Joreige: mon coup de coeur du Festival de Cannes, le film incontournable de cette fin d'année – IN THE MOOD FOR CINEMA"
1684:
802:'Khalil Joreige & Joana Hadjithomas. Le centre d'art du 3bisf, Aix-en-Provence, et le Frac Provence-Alpes-Côte d'Azur', Semaine, special issue 'Ulysses', no. 18, 2014.
532:(London) and they regularly present their works in solo and group exhibitions in museums and art centers around the world. They participated in many biennials such as
2428:
331:, released in 2021, which is based on Hadjithomas' notebooks and tapes made in Beirut as a teenager during the Lebanese civil war in the 1980s. and selected at the
2296:"Joana Hadjithomas & Khalil Joreige : Le cinéma de Joana Hadjithomas & Khalil Joreige – Entretiens avec Quentin Mével – Les presses du réel (livre)"
1440:
1204:
152:
filmmakers and artists. Their work includes feature and documentary films, video and photographic installations, sculpture, performance lectures and texts.
338:
In their fiction films, they are known to borrow tropes from documentary filmmaking, and vice versa, blurring the lines between the real and the illusory.
1633:
2423:
2097:
2433:
2418:
2173:
1466:
1255:
2383:
1739:
1611:
505:
490:
394:
509:
370:
306:
1578:
1692:
697:
441:, where they asked 38 amateur actors to read and incarnate these scams. A monograph under this title was published in 2015, edited by
275:
513:
2203:
915:
888:
73:
1541:
2393:
1389:
2403:
2398:
1821:
1131:
792:, co-edition Jeu de Paume / Sharjah Art Foundation / Haus der Kunst / Institut Valencià d'Art Modern / Koenig Books, 2016.
1659:
1491:
2388:
2378:
2228:
525:
48:
1559:
445:. The project has been theorized as a kind of true crime in its narrative blending of documentation and re-enactment.
1274:
529:
2024:
1106:
1516:
737:
297:
269:
As well as artists, Hadjithomas and
Joreige are film directors. Their filmography includes documentaries such as
213:
2413:
2408:
971:
844:
1791:
818:
El Blanco de los Orígenes. Cuaderno de Textos e Imágenes sobre el Cine de Joana
Hadjithomas y Khalil Joreige
205:
2373:
1974:
1182:
517:
482:
470:
2181:
1897:
776:
425:. Hadjithomas and Joreige have described this project as an interrogation about the possible era of the
341:
Several retrospectives of their films have been presented in renowned institutions such as Tate Modern (
290:
808:, edited by Clément Dirié., Zurich: JRP | Ringier, Montreal: Leonard and Bina Ellen Art Gallery, 2013.
389:
1492:"IVAM – Institut Valencià d'Art Modern | Joana Hadjithomas & Khalil Joreige. Two Suns in a Sunset"
1230:"Je veux voir (I Want to See). 2008. Written and directed by Joana Hadjithomas, Khalil Joreige | MoMA"
325:
in 2008, and was awarded Best
Singular Film by the French Critics Guild and their latest feature film
2368:
406:
378:
322:
123:
878:
1922:
1343:
931:
714:
2148:
1371:
209:
1318:"Joana Hadjithomas & Khalil Joreige – The Rumors of the World – Les presses du réel (book)"
280:
2013), which received multiple awards such as Best
Documentary Award in Doha Tribeca Festival,
2363:
2348:
2339:
2277:
2123:
1999:
1363:
1157:
911:
905:
884:
852:
676:
326:
314:
258:
2267:
1355:
563:
They are represented by in Situ – fabienne leclerc in Paris (France), and The Third Line in
466:
261:
and executive members of the board of
Metropolis Art Cinema and the Cinemathèque in Beirut.
989:
2264:
Critique d'art. Actualité internationale de la littérature critique sur l'art contemporain
501:
354:
185:
169:
149:
1414:
1317:
2076:
607:, Syndicat Français de la Critique de Cinéma et des Films de Télévision, Paris, France.
2295:
497:
486:
318:
177:
2049:
1851:
433:
back to the literary tradition known as The Jerusalem Letter. As part of this project
2357:
2259:
1714:
1375:
217:
639:
Montgolfière d'Argent, Best Actor and SACEM Prize for Sound and Original Music for
478:
442:
426:
160:
1829:
812:
Le Cinéma de Joana Hadjithomas & Khalil Joreige. Entretiens avec Quentin Mével
1300:"On Scams (I must first apologise) | Joana Hadjithomas & Khalil Joreige"
719:
17:
374:
2272:
1740:"FIDMarseille – Festival international de cinéma – International film festival"
1604:"Joana Hadjithomas and Khalil Joreige win Prix Marcel Duchamp 2017 | Art Radar"
1205:"'Memory Box' Review: A Collection of Family Artifacts Spark Links to the Past"
97:
1948:
276:
The Lebanese Rocket Society : The Strange Tale of the Lebanese Space Race
229:
2281:
2236:
1367:
856:
1876:
1765:
1359:
1229:
366:
346:
332:
1132:"Entretien avec Joana Hadjithomas et Khalil Joreige | Les Fiches du Cinéma"
1037:
1344:"Financial True Crime: Art, Para-Journalism, and Data-Driven Storytelling"
496:
Their artworks are part of major private and public collections including
1949:"Lebanese Rocket Society: The strange story of Lebanon's space programme"
541:
437:(2014), Hadjithomas and Joreige created the sound and video installation
398:
350:
698:
The Lebanese Rocket Society: The Strange Tale of the Lebanese Space Race
590:
The Lebanese Rocket Society: The Strange Tale of the Lebanese Space Race
456:
which unveils the geological and archaeological undergrounds of cities.
2344:
2335:
2153:
Le site de l'ACID – Association du Cinéma Indépendant pour sa Diffusion
1467:"Haus der Kunst exhibits works by Joana Hadjithomas and Khalil Joreige"
1084:
1062:
557:
549:
249:
201:
1634:"Le Prix Marcel Duchamp décerné à Joana Hadjithomas et Khalil Joreige"
1299:
907:
Standing by the Ruins: Elegiac Humanism in Wartime and Postwar Lebanon
644:
537:
533:
422:
414:
342:
253:
197:
193:
111:
2330:
1685:"Abraaj Capital Art Prize 2012 Winners Announced – The Abraaj Group"
1014:
972:"Joana Hadjithomas & Khalil Joreige: My Infuences | Frieze"
845:"Joana Hadjithomas & Khalil Joreige: My Infuences [sic]"
797:
The Rumors of the World. Rethinking Trust in the Age of the Internet
1579:"Joana Hadjithomas and Khalil Joreige Win 2017 Prix Marcel Duchamp"
1799:
564:
553:
418:
362:
358:
281:
159:
2324:
1256:"Joana Hadjithomas et Khalil Joreige rendent visible l'invisible"
134:
1769:
1718:
827:, Paris: Cahiers du cinéma, coll. 'Carnets de cinéastes', 2007.
545:
309:
and awarded, among many other prizes, the Fipresci Press Prize,
1898:"Autour de la Maison Rose | Beirut International Film Festival"
521:
208:
and Lebanese. They spent their childhood in Beirut during the
31:
1136:
Les Fiches du Cinéma | Maison d'édition cinéma depuis 1934
636:, Namur Francophone International Film Festival, Belgium.
248:
Hadjithomas and Joreige are also university lecturers in
1032:
1030:
1028:
654:, Belfort Entrevues International Film Festival, France
632:
Bayard d'Or for Best Actor and Special Jury Mention for
595:
Abraaj Capital Art Prize, Dubai, United Arab Emirates.
55:
353:), Flaherty Seminar (New York), Institut Français and
617:
Prix Georges de Beauregard pour Khiam, FID Marseille
1038:"Biography | Joana Hadjithomas & Khalil Joreige"
629:, Locarno International Film Festival, Switzerland.
1826:
Festival International du Film Francophone de Namur
1796:
Festival International du Film Francophone de Namur
883:. American University in Cairo Press. p. 157.
799:, edited by Omar Kholeif, Berlin: Sternberg, 2015.
129:
118:
104:
88:
820:, Gijón: Gijón International Film Festival, 2008.
1923:"Joana Hadjithomas & Khalil Joreige. Ismyrne"
460:(2020) is their latest installation, as part of
990:"Ashkal Alwan – Home Workspace Program 2014–15"
932:"Joana Hadjithomas and Khalil Joreige. Ismyrne"
666:, Beirut International Film Festival, Lebanon.
321:, which premiered in the official selection of
2204:"French Film Festival – Open the Door Please"
1852:"Festival des 3 Continents | Un jour parfait"
650:Best Film (with distribution assistance) for
8:
1766:"Locarno International Film Festival (2005)"
614:, Gijón International Film Festival, Spain.
393:Joana Hadjithomas and Khalil Joreige in the
1715:"Gijón International Film Festival (2008)"
1183:"58th Locarno International Film Festival"
759:(Al Film Al Mafkoud), Documentary, 42 min
288:(2016) as well as feature films including
96:
85:
2271:
910:. Fordham University Press. p. 181.
625:Fipresci Prize and Don Quixote Award for
361:), International Film Festival of Gijon (
196:in 1969 to refugee families, one of them
74:Learn how and when to remove this message
2260:"Joana Hadjithomas & Khalil Joreige"
1560:"Joana Hadjithomas & Khalil Joreige"
1542:"Joana Hadjithomas & Khalil Joreige"
1415:"Joana Hadjithomas & Khalil Joreige"
1275:"JOANA HADJITHOMAS & KHALIL JOREIGE"
795:Joana Hadjithomas & Khalil Joreige.
788:Joana Hadjithomas & Khalil Joreige,
388:
335:and released in more than 40 countries.
168:Joana Hadjithomas (born 10 August 1969,
1953:Cineuropa – the best of european cinema
1517:"The Guggenheim Museums and Foundation"
836:
814:, Paris: éditions Independencia, 2013.
2429:Lebanese people of Palestinian descent
2325:Joana Hadjithomas & Khalil Joreige
958:Joana Hadjithomas & Khalil Joreige
806:Joana Hadjithomas & Khalil Joreige
610:Non-fiction and Documentary Award for
448:In 2016, they presented works such as
212:. They both studied literature at the
2075:Je veux voir, fiction (17 May 2008).
1577:Greenberger, Alex (16 October 2017).
1521:The Guggenheim Museums and Foundation
880:Encyclopedia of Arab Women Filmmakers
823:Joana Hadjithomas et Khalil Joreige.
405:In 2017, Hadjithomas and Joreige won
7:
1279:Noirmontartproduction Art Production
960:. Zurich: JRP | Ringier. p. 44.
780:(Al Bayt Al Zaher), fiction, 92 min
146:Joana Hadjithomas and Khalil Joreige
90:Joana Hadjithomas and Khalil Joreige
371:Locarno International Film Festival
307:Locarno International Film Festival
189:
173:
2323:Artists' studio official website:
2258:Faitot, Julie (30 November 2016).
1902:Beirut International Film Festival
904:Seigneurie, Ken (3 October 2011).
469:and up to the great Roman city of
25:
2424:Lebanese people of Syrian descent
1254:Khoury, Giles (11 October 2017).
725:(I want to see), fiction, 75 min
313:(I Want to See) (2008), starring
2434:Lebanese people of Greek descent
2419:Paris Nanterre University alumni
1975:"On the Lebanese Rocket Society"
1691:. 4 October 2011. Archived from
592:, Doha Tribeca Festival, Qatar.
506:Fond national d'art contemporain
241:earlier works in retrospection.
36:
1441:"news – Sharjah Art Foundation"
1203:Weissberg, Jay (1 March 2021).
766:(Rounds), fiction, 8 min 2000:
688:in conversation with Etel Adnan
2208:frenchfilmfestival-archives.us
1390:"Taipei Biennial-Participants"
580:The Marcel Duchamp Prize: won
47:comply with Knowledge (XXG)'s
45:This article needs editing to
1:
2384:Lebanese contemporary artists
2104:(in French). 25 November 2008
2025:"The Lebanese Rocket Society"
2000:"The Lebanese Rocket Society"
1660:"The Lebanese Rocket Society"
1107:"The Lebanese Rocket Society"
643:, Festival des 3 Continents,
1640:(in French). 17 October 2017
956:Dirié, Clément, ed. (2013).
851:. No. 147. 1 May 2012.
530:Victoria & Albert Museum
228:, with the poet and painter
2180:(in French). Archived from
1828:(in French). Archived from
1798:(in French). Archived from
1790:Anne-Laure (10 July 2017).
588:Best Documentary Award for
560:, and the Paris Triennale.
526:Solomon R Guggenheim Museum
108:1969 (age 54–55)
2450:
2273:10.4000/critiquedart.23284
1342:Steinberg, Monica (2021).
1273:Production, Noirmont Art.
877:Hillauer, Rebecca (2005).
450:I stared at Beauty So Much
1138:(in French). 2 March 2006
752:(Ramad), fiction, 26 min
664:for Around the Pink House
365:), Harvard Film Archive (
214:Paris Nanterre University
181:
95:
1234:The Museum of Modern Art
730:: Open the Door, Please,
458:Under The Cold River Bed
407:The Marcel Duchamp Prize
271:Khiam 2000 – 2007 (2008)
204:and Lebanese, the other
27:Lebanon filmmaker couple
2394:Lebanese film directors
2149:"L'ACID – Je veux voir"
1360:10.1111/1467-8365.12571
603:Best Singular Film for
502:Centre Georges Pompidou
409:for their presentation
2404:Lebanese screenwriters
2399:Lebanese photographers
2174:"Open the door please"
2102:inthemoodforcinema.com
1304:hadjithomasjoreige.com
1042:hadjithomasjoreige.com
518:Sharjah Art Foundation
483:Sharjah Art Foundation
439:The Rumor of the World
402:
184:) and Khalil Joreige (
165:
1465:Villarreal, Ignacio.
1019:abboutproductions.com
777:Around the Pink House
709:Documentary, 103 min
392:
291:Around the Pink House
163:
2329:Abbout Productions:
2300:lespressesdureel.com
2077:"Festival de Cannes"
1322:lespressesdureel.com
1015:"Abbout Productions"
790:Two suns in a Sunset
770:Documentary, 52 min
702:Documentary, 93 min
692:Documentary, 53 min
514:Museum of Modern Art
323:Cannes Film Festival
220:. They are married.
124:Marcel Duchamp Prize
2389:Lebanese filmmakers
2379:Artists from Beirut
2233:1001productions.net
2029:Doha Film Institute
1802:on 22 November 2017
1664:Doha Film Institute
1614:on 22 December 2017
1608:artradarjournal.com
1111:Doha Film Institute
1085:"Joana Hadjithomas"
164:Hadjithomas in 2009
56:improve the content
2331:Abbout Productions
2239:on 30 January 2021
2184:on 2 February 2021
2128:Abbout Productions
2004:Abbout Productions
1832:on 25 January 2021
1394:taipeibiennial.org
1162:Abbout Productions
403:
210:Lebanese Civil War
166:
135:hadjithomasjoreige
2336:Joana Hadjithomas
2050:"Khiam 2000–2007"
1955:. 8 November 2012
571:Awards and prizes
315:Catherine Deneuve
259:Georges Schoucair
143:
142:
84:
83:
76:
18:Joana Hadjithomas
16:(Redirected from
2441:
2311:
2310:
2308:
2306:
2292:
2286:
2285:
2275:
2255:
2249:
2248:
2246:
2244:
2235:. Archived from
2225:
2219:
2218:
2216:
2214:
2200:
2194:
2193:
2191:
2189:
2170:
2164:
2163:
2161:
2159:
2145:
2139:
2138:
2136:
2134:
2120:
2114:
2113:
2111:
2109:
2094:
2088:
2087:
2085:
2083:
2072:
2066:
2065:
2063:
2061:
2046:
2040:
2039:
2037:
2035:
2021:
2015:
2014:
2012:
2010:
1996:
1990:
1989:
1987:
1985:
1971:
1965:
1964:
1962:
1960:
1945:
1939:
1938:
1936:
1934:
1919:
1913:
1912:
1910:
1908:
1894:
1888:
1887:
1885:
1883:
1873:
1867:
1866:
1864:
1862:
1848:
1842:
1841:
1839:
1837:
1818:
1812:
1811:
1809:
1807:
1787:
1781:
1780:
1778:
1776:
1762:
1756:
1755:
1753:
1751:
1744:fidmarseille.org
1736:
1730:
1729:
1727:
1725:
1711:
1705:
1704:
1702:
1700:
1689:The Abraaj Group
1681:
1675:
1674:
1672:
1670:
1656:
1650:
1649:
1647:
1645:
1630:
1624:
1623:
1621:
1619:
1610:. Archived from
1600:
1594:
1593:
1591:
1589:
1574:
1568:
1567:
1556:
1550:
1549:
1538:
1532:
1531:
1529:
1527:
1513:
1507:
1506:
1504:
1502:
1488:
1482:
1481:
1479:
1477:
1462:
1456:
1455:
1453:
1451:
1437:
1431:
1430:
1428:
1426:
1411:
1405:
1404:
1402:
1400:
1386:
1380:
1379:
1339:
1333:
1332:
1330:
1328:
1314:
1308:
1307:
1296:
1290:
1289:
1287:
1285:
1270:
1264:
1263:
1260:L'Orient Le Jour
1251:
1245:
1244:
1242:
1240:
1226:
1220:
1219:
1217:
1215:
1200:
1194:
1193:
1191:
1189:
1179:
1173:
1172:
1170:
1168:
1154:
1148:
1147:
1145:
1143:
1128:
1122:
1121:
1119:
1117:
1103:
1097:
1096:
1094:
1092:
1081:
1075:
1074:
1072:
1070:
1063:"Khalil Joreige"
1059:
1053:
1052:
1050:
1048:
1034:
1023:
1022:
1011:
1005:
1004:
1002:
1000:
986:
980:
979:
978:(147). May 2012.
968:
962:
961:
953:
947:
946:
944:
942:
928:
922:
921:
901:
895:
894:
874:
868:
867:
865:
863:
841:
745:Fiction, 88 min
732:Fiction, 11 min
723:
707:Khiam 2000–2007,
662:Best Film Award
528:(New York), and
467:Neolithic period
191:
183:
182:Ιωάννα Χατζηθωμά
175:
139:
136:
100:
86:
79:
72:
68:
65:
59:
40:
39:
32:
21:
2449:
2448:
2444:
2443:
2442:
2440:
2439:
2438:
2414:Married couples
2409:Filmmaking duos
2354:
2353:
2345:Khalili Joreige
2320:
2315:
2314:
2304:
2302:
2294:
2293:
2289:
2257:
2256:
2252:
2242:
2240:
2227:
2226:
2222:
2212:
2210:
2202:
2201:
2197:
2187:
2185:
2172:
2171:
2167:
2157:
2155:
2147:
2146:
2142:
2132:
2130:
2122:
2121:
2117:
2107:
2105:
2096:
2095:
2091:
2081:
2079:
2074:
2073:
2069:
2059:
2057:
2048:
2047:
2043:
2033:
2031:
2023:
2022:
2018:
2008:
2006:
1998:
1997:
1993:
1983:
1981:
1973:
1972:
1968:
1958:
1956:
1947:
1946:
1942:
1932:
1930:
1927:Le Jeu de Paume
1921:
1920:
1916:
1906:
1904:
1896:
1895:
1891:
1881:
1879:
1875:
1874:
1870:
1860:
1858:
1856:3continents.com
1850:
1849:
1845:
1835:
1833:
1820:
1819:
1815:
1805:
1803:
1792:"A Perfect Day"
1789:
1788:
1784:
1774:
1772:
1764:
1763:
1759:
1749:
1747:
1738:
1737:
1733:
1723:
1721:
1713:
1712:
1708:
1698:
1696:
1683:
1682:
1678:
1668:
1666:
1658:
1657:
1653:
1643:
1641:
1632:
1631:
1627:
1617:
1615:
1602:
1601:
1597:
1587:
1585:
1576:
1575:
1571:
1558:
1557:
1553:
1540:
1539:
1535:
1525:
1523:
1515:
1514:
1510:
1500:
1498:
1490:
1489:
1485:
1475:
1473:
1464:
1463:
1459:
1449:
1447:
1439:
1438:
1434:
1424:
1422:
1419:Le Jeu de Paume
1413:
1412:
1408:
1398:
1396:
1388:
1387:
1383:
1341:
1340:
1336:
1326:
1324:
1316:
1315:
1311:
1298:
1297:
1293:
1283:
1281:
1272:
1271:
1267:
1253:
1252:
1248:
1238:
1236:
1228:
1227:
1223:
1213:
1211:
1202:
1201:
1197:
1187:
1185:
1181:
1180:
1176:
1166:
1164:
1158:"A Perfect Day"
1156:
1155:
1151:
1141:
1139:
1130:
1129:
1125:
1115:
1113:
1105:
1104:
1100:
1090:
1088:
1083:
1082:
1078:
1068:
1066:
1061:
1060:
1056:
1046:
1044:
1036:
1035:
1026:
1013:
1012:
1008:
998:
996:
994:ashkalalwan.org
988:
987:
983:
970:
969:
965:
955:
954:
950:
940:
938:
936:Le Jeu de Paume
930:
929:
925:
918:
903:
902:
898:
891:
876:
875:
871:
861:
859:
843:
842:
838:
833:
786:
717:
681:Fiction, 95min
672:
573:
462:Unconformities,
387:
355:Mori Art Museum
267:
238:
192:) were born in
174:جوانا حاجي توما
158:
133:
114:
109:
91:
80:
69:
63:
60:
53:
49:Manual of Style
41:
37:
28:
23:
22:
15:
12:
11:
5:
2447:
2445:
2437:
2436:
2431:
2426:
2421:
2416:
2411:
2406:
2401:
2396:
2391:
2386:
2381:
2376:
2371:
2366:
2356:
2355:
2352:
2351:
2342:
2333:
2327:
2319:
2318:External links
2316:
2313:
2312:
2287:
2250:
2220:
2195:
2178:Le kinétoscope
2165:
2140:
2124:"Je veux voir"
2115:
2089:
2067:
2041:
2016:
1991:
1966:
1940:
1914:
1889:
1868:
1843:
1813:
1782:
1757:
1731:
1706:
1695:on 3 July 2017
1676:
1651:
1625:
1595:
1569:
1564:The Third Line
1551:
1533:
1508:
1483:
1457:
1445:sharjahart.org
1432:
1406:
1381:
1354:(2): 256–284.
1334:
1309:
1291:
1265:
1246:
1221:
1195:
1174:
1149:
1123:
1098:
1076:
1054:
1024:
1006:
981:
963:
948:
923:
916:
896:
889:
869:
835:
834:
832:
829:
785:
782:
741:(Yawmon Akhar)
671:
668:
572:
569:
498:British Museum
489:in Munich and
487:Haus der Kunst
454:Unconformities
411:Unconformities
386:
383:
266:
263:
237:
234:
157:
154:
141:
140:
131:
127:
126:
120:
116:
115:
110:
106:
102:
101:
93:
92:
89:
82:
81:
44:
42:
35:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2446:
2435:
2432:
2430:
2427:
2425:
2422:
2420:
2417:
2415:
2412:
2410:
2407:
2405:
2402:
2400:
2397:
2395:
2392:
2390:
2387:
2385:
2382:
2380:
2377:
2375:
2374:Living people
2372:
2370:
2367:
2365:
2362:
2361:
2359:
2350:
2346:
2343:
2341:
2337:
2334:
2332:
2328:
2326:
2322:
2321:
2317:
2301:
2297:
2291:
2288:
2283:
2279:
2274:
2269:
2265:
2261:
2254:
2251:
2238:
2234:
2230:
2224:
2221:
2209:
2205:
2199:
2196:
2183:
2179:
2175:
2169:
2166:
2154:
2150:
2144:
2141:
2129:
2125:
2119:
2116:
2103:
2099:
2093:
2090:
2078:
2071:
2068:
2055:
2051:
2045:
2042:
2030:
2026:
2020:
2017:
2005:
2001:
1995:
1992:
1980:
1976:
1970:
1967:
1954:
1950:
1944:
1941:
1928:
1924:
1918:
1915:
1903:
1899:
1893:
1890:
1878:
1872:
1869:
1857:
1853:
1847:
1844:
1831:
1827:
1823:
1817:
1814:
1801:
1797:
1793:
1786:
1783:
1771:
1767:
1761:
1758:
1745:
1741:
1735:
1732:
1720:
1716:
1710:
1707:
1694:
1690:
1686:
1680:
1677:
1665:
1661:
1655:
1652:
1639:
1635:
1629:
1626:
1613:
1609:
1605:
1599:
1596:
1584:
1580:
1573:
1570:
1565:
1561:
1555:
1552:
1547:
1543:
1537:
1534:
1522:
1518:
1512:
1509:
1497:
1493:
1487:
1484:
1472:
1468:
1461:
1458:
1446:
1442:
1436:
1433:
1420:
1416:
1410:
1407:
1395:
1391:
1385:
1382:
1377:
1373:
1369:
1365:
1361:
1357:
1353:
1349:
1345:
1338:
1335:
1323:
1319:
1313:
1310:
1305:
1301:
1295:
1292:
1280:
1276:
1269:
1266:
1261:
1257:
1250:
1247:
1235:
1231:
1225:
1222:
1210:
1206:
1199:
1196:
1184:
1178:
1175:
1163:
1159:
1153:
1150:
1137:
1133:
1127:
1124:
1112:
1108:
1102:
1099:
1086:
1080:
1077:
1064:
1058:
1055:
1043:
1039:
1033:
1031:
1029:
1025:
1020:
1016:
1010:
1007:
995:
991:
985:
982:
977:
973:
967:
964:
959:
952:
949:
937:
933:
927:
924:
919:
917:9780823234844
913:
909:
908:
900:
897:
892:
890:9789774249433
886:
882:
881:
873:
870:
858:
854:
850:
846:
840:
837:
830:
828:
826:
821:
819:
815:
813:
809:
807:
803:
800:
798:
793:
791:
783:
781:
779:
778:
771:
769:
765:
760:
758:
757:The Lost Film
753:
751:
746:
744:
740:
739:
738:A Perfect Day
733:
731:
726:
724:
721:
716:
710:
708:
703:
701:
699:
693:
691:
687:
682:
680:
678:
669:
667:
665:
660:
659:
655:
653:
652:A Perfect Day
648:
646:
642:
641:A Perfect Day
637:
635:
634:A Perfect Day
630:
628:
627:A Perfect Day
623:
622:
618:
615:
613:
608:
606:
601:
600:
596:
593:
591:
586:
585:
581:
578:
577:
570:
568:
566:
561:
559:
555:
551:
547:
543:
539:
535:
531:
527:
523:
519:
515:
511:
507:
503:
499:
494:
493:in Valencia.
492:
488:
484:
480:
474:
472:
468:
463:
459:
455:
451:
446:
444:
440:
436:
430:
428:
424:
420:
416:
412:
408:
400:
396:
391:
384:
382:
380:
376:
372:
368:
364:
360:
356:
352:
348:
344:
339:
336:
334:
330:
329:
324:
320:
316:
312:
308:
305:premiered at
304:
300:
299:
298:A Perfect Day
293:
292:
287:
283:
279:
277:
272:
264:
262:
260:
255:
251:
246:
242:
235:
233:
231:
227:
221:
219:
215:
211:
207:
203:
199:
195:
187:
179:
171:
162:
156:Personal life
155:
153:
151:
147:
138:
132:
128:
125:
121:
117:
113:
107:
103:
99:
94:
87:
78:
75:
67:
57:
52:
50:
43:
34:
33:
30:
19:
2303:. Retrieved
2299:
2290:
2263:
2253:
2241:. Retrieved
2237:the original
2232:
2223:
2211:. Retrieved
2207:
2198:
2186:. Retrieved
2182:the original
2177:
2168:
2156:. Retrieved
2152:
2143:
2131:. Retrieved
2127:
2118:
2106:. Retrieved
2101:
2092:
2080:. Retrieved
2070:
2058:. Retrieved
2054:FIDMarseille
2053:
2044:
2032:. Retrieved
2028:
2019:
2007:. Retrieved
2003:
1994:
1982:. Retrieved
1978:
1969:
1957:. Retrieved
1952:
1943:
1931:. Retrieved
1926:
1917:
1905:. Retrieved
1901:
1892:
1880:. Retrieved
1871:
1859:. Retrieved
1855:
1846:
1834:. Retrieved
1830:the original
1825:
1816:
1804:. Retrieved
1800:the original
1795:
1785:
1773:. Retrieved
1760:
1748:. Retrieved
1743:
1734:
1722:. Retrieved
1709:
1697:. Retrieved
1693:the original
1688:
1679:
1667:. Retrieved
1663:
1654:
1642:. Retrieved
1638:RTBF Culture
1637:
1628:
1616:. Retrieved
1612:the original
1607:
1598:
1586:. Retrieved
1582:
1572:
1563:
1554:
1545:
1536:
1524:. Retrieved
1520:
1511:
1499:. Retrieved
1495:
1486:
1474:. Retrieved
1471:artdaily.com
1470:
1460:
1448:. Retrieved
1444:
1435:
1423:. Retrieved
1418:
1409:
1397:. Retrieved
1393:
1384:
1351:
1347:
1337:
1325:. Retrieved
1321:
1312:
1303:
1294:
1282:. Retrieved
1278:
1268:
1259:
1249:
1237:. Retrieved
1233:
1224:
1212:. Retrieved
1208:
1198:
1186:. Retrieved
1177:
1165:. Retrieved
1161:
1152:
1140:. Retrieved
1135:
1126:
1114:. Retrieved
1110:
1101:
1089:. Retrieved
1079:
1067:. Retrieved
1057:
1045:. Retrieved
1041:
1018:
1009:
997:. Retrieved
993:
984:
975:
966:
957:
951:
939:. Retrieved
935:
926:
906:
899:
879:
872:
860:. Retrieved
848:
839:
825:Je veux voir
824:
822:
817:
816:
811:
810:
805:
804:
801:
796:
794:
789:
787:
784:Publications
774:
772:
767:
763:
762:· 2001:
761:
756:
755:. 2003:
754:
749:
748:· 2003:
747:
742:
736:
735:· 2005:
734:
729:
727:
715:Je veux voir
713:
712:· 2008:
711:
706:
705:· 2008:
704:
696:
695:· 2013:
694:
689:
685:
684:. 2016:
683:
675:
674:· 2021:
673:
663:
661:
657:
656:
651:
649:
640:
638:
633:
631:
626:
624:
620:
619:
616:
612:Je veux voir
611:
609:
605:Je veux voir
604:
602:
598:
597:
594:
589:
587:
583:
582:
579:
575:
574:
562:
495:
485:in Sharjah,
479:Jeu de paume
475:
461:
457:
453:
449:
447:
443:Omar Kholeif
438:
434:
431:
427:Anthropocene
410:
404:
381:(New York).
340:
337:
327:
311:Je Veux Voir
310:
302:
295:
289:
285:
274:
270:
268:
247:
243:
239:
225:
222:
216:and film in
167:
145:
144:
70:
61:
54:Please help
46:
29:
2369:1969 births
2056:(in French)
1929:(in French)
1907:26 November
1882:26 November
1861:26 November
1806:26 November
1775:26 November
1750:26 November
1746:(in French)
1724:26 November
1699:22 November
1669:22 November
1588:22 November
1501:22 November
1476:22 November
1450:22 November
1425:22 November
1421:(in French)
1399:10 February
1348:Art History
1327:26 November
1284:26 November
1091:26 November
1069:26 November
941:26 November
862:18 December
718: [
670:Filmography
510:MCA Chicago
375:Switzerland
319:Rabih Mroué
206:Palestinian
2358:Categories
2305:28 January
2243:25 January
2213:25 January
2188:28 January
2158:28 January
2133:25 January
2108:27 January
2082:28 January
2060:25 January
2034:28 January
2009:25 January
1984:27 January
1979:e-flux.com
1959:27 January
1933:25 January
1836:28 January
1822:"Archives"
1644:22 January
1618:22 January
1526:29 January
1239:29 January
1188:29 January
1167:25 January
1142:27 January
1116:29 January
1047:29 January
999:31 January
831:References
773:· 1999
728:· 2006
677:Memory Box
647:, France.
508:(France),
500:(London),
481:in Paris,
328:Memory Box
230:Etel Adnan
64:March 2018
2282:1246-8258
1376:233595956
1368:1467-8365
857:0962-0672
516:(Paris),
504:(Paris),
367:Cambridge
347:Cinematek
333:Berlinale
190:خليل جريج
2364:Art duos
1214:23 March
686:ISMYRNA,
542:Istanbul
471:Orthosia
399:Valencia
351:Brussels
301:, (2005)
294:, (1999)
218:New York
150:Lebanese
2229:"FILMS"
1583:ARTnews
1546:In Situ
1496:ivam.es
1209:Variety
567:(UAE).
558:Gwangju
550:Sharjah
401:, 2017.
286:ISMYRNA
250:Lebanon
226:ISMYRNA
130:Website
2280:
2266:(47).
1877:"2005"
1374:
1366:
1087:. IMDb
1065:. IMDb
976:Frieze
914:
887:
855:
849:Frieze
768:Khiam,
764:Barmeh
645:Nantes
538:Venice
534:Taipei
423:Beirut
415:Athens
377:) and
343:London
284:, and
254:Europe
202:Syrian
194:Beirut
186:Arabic
170:Arabic
119:Awards
112:Beirut
1372:S2CID
750:Ashes
722:]
565:Dubai
554:Kochi
435:SCAMS
419:Paris
363:Spain
359:Tokyo
282:Qatar
198:Greek
178:Greek
122:2017
2349:IMDb
2340:IMDb
2307:2021
2278:ISSN
2245:2021
2215:2021
2190:2021
2160:2021
2135:2021
2110:2021
2084:2021
2062:2021
2036:2021
2011:2021
1986:2021
1961:2021
1935:2021
1909:2017
1884:2017
1863:2017
1838:2021
1808:2017
1777:2017
1770:IMDb
1752:2017
1726:2017
1719:IMDb
1701:2017
1671:2017
1646:2018
1620:2018
1590:2017
1528:2021
1503:2017
1478:2017
1452:2017
1427:2017
1401:2021
1364:ISSN
1329:2017
1286:2017
1241:2021
1216:2021
1190:2021
1169:2021
1144:2021
1118:2021
1093:2017
1071:2017
1049:2021
1001:2021
943:2017
912:ISBN
885:ISBN
864:2023
853:ISSN
658:2000
621:2005
599:2008
584:2012
576:2017
546:Lyon
491:IVAM
421:and
395:IVAM
379:MoMA
317:and
265:Film
252:and
236:Work
148:are
137:.com
105:Born
2347:at
2338:at
2268:doi
1356:doi
524:),
522:UAE
385:Art
369:),
345:),
2360::
2298:.
2276:.
2262:.
2231:.
2206:.
2176:.
2151:.
2126:.
2100:.
2052:.
2027:.
2002:.
1977:.
1951:.
1925:.
1900:.
1854:.
1824:.
1794:.
1768:.
1742:.
1717:.
1687:.
1662:.
1636:.
1606:.
1581:.
1562:.
1544:.
1519:.
1494:.
1469:.
1443:.
1417:.
1392:.
1370:.
1362:.
1352:44
1350:.
1346:.
1320:.
1302:.
1277:.
1258:.
1232:.
1207:.
1160:.
1134:.
1109:.
1040:.
1027:^
1017:.
992:.
974:.
934:.
847:.
775::
720:fr
556:,
552:,
548:,
544:,
540:,
536:,
512:,
429:.
417:,
397:,
296:,
273:,
232:.
200:,
188::
180::
176:,
172::
2309:.
2284:.
2270::
2247:.
2217:.
2192:.
2162:.
2137:.
2112:.
2086:.
2064:.
2038:.
2013:.
1988:.
1963:.
1937:.
1911:.
1886:.
1865:.
1840:.
1810:.
1779:.
1754:.
1728:.
1703:.
1673:.
1648:.
1622:.
1592:.
1566:.
1548:.
1530:.
1505:.
1480:.
1454:.
1429:.
1403:.
1378:.
1358::
1331:.
1306:.
1288:.
1262:.
1243:.
1218:.
1192:.
1171:.
1146:.
1120:.
1095:.
1073:.
1051:.
1021:.
1003:.
945:.
920:.
893:.
866:.
743:,
700:,
690:,
679:,
520:(
373:(
357:(
349:(
303:,
278:(
77:)
71:(
66:)
62:(
58:.
51:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.