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as fireworks strapped to his chest exploded, like a baby born through a trial of fire and brimstone. After his then-wife Nancy Pivar cut him down, as if cutting the umbilical chord, and extinguished the fire, Coleman ripped the rest of screen apart to reveal a dead goat also hanging upside down. He then pulled two live white mice from his pocket, announcing, 'This is Mommy and Daddy'. He proceeded to bite the head off 'Daddy' and spit it into the audience. Then did the same to 'Mommy', but swallowed the head. "This is Joe
Coleman's stone ritualization of his mother's death," a 1990 article in Spin magazine reported about the performance. "Four days earlier, she had died of cancer." Fittingly, this would be the last ever appearance of Professor Mombooze-o.
192:. Coleman's birth date (11/22/55) and childhood home address (99 Ward Street), which all feature palindromic numbers, has fed a lifelong obsession with duality, reflection and symmetry that is represented in his work; as in his 1994 painting ''Mommy/Daddy'', a split portrait of his parents as two halves of the same body, standing over an image of his childhood home and the grave in which they are both buried. Coleman’s mother was a devout Catholic and, as a child, Coleman spent many hours in church. He would draw the stations of the cross in pencil using red crayon to represent the blood of the saints and Christ. Around age 5, his mother gave him a book of paintings by
478:, Pfeffer expanded the exhibit, to include all aspects of Coleman's work, as a painter, performance artist and also as a curator of the Odditorium, his personal museum. Taking over all four floors of the K-W Institute, visitors entered the show by walking into a cavernous ground floor space occupied by the sights and sounds of the Odditorium, largely housed in three German circus wagons. Each subsequent floor featured a different aspect of Coleman's oeuvre. Musician, actor, and outsider artist
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There is a ritualistic aspect to his work and the process by which he completes it. The frames of his paintings are often decorated with symbols from his own personal iconography to contain the forces within. Sometimes items of clothing or other artifacts related to his subject matter are appended to
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On
October 22, 1989, Coleman staged a performance as Professor Mombooze-o at the Boston Film/Video Foundation (BF/VF). It began with 20 minutes of black and white vintage porn projected onto a screen, at the end of which Coleman burst through the screen hanging upside down on a harness and screaming
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In the late 1970s
Coleman developed a carnival geek/ mad preacher persona for his early performances called Professor Mombooze-o—a name that was an amalgamation of his mother (‘Mom’) and father (‘Booze-0’). Professor Mombooze-o, who was depicted in a 1986 painting, would appear in performance spaces
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Taken as a whole, Joe
Coleman's body of paintings presents an ongoing exegesis of his life, influences, obsessions, family and friends with a particular focus on the pathological and the psychological, the sacred and the profane, pop culture and high art, and the inter-relations between them. He has
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curator David Owsley, whom
Coleman had met after picking him up his cab, bought a piece from one of his shows at Chronicide and hung it next to a Breughel in his collection. Owsley would also introduce Coleman to Mickey Cartin, who became the biggest collector of his work and convinced him to stop
492:, was personally invited by Coleman to play the dinner following the exhibition's public vernissage. The K-W Institute show is the largest and most comprehensive exhibition to date of Coleman's work. New York's Dickinson Gallery exhibited a number of Coleman's paintings together with paintings by
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Rather than sell his work through galleries and the art establishment, Coleman has long relied on a system of patronage common during the medieval and
Renaissance periods that inform his work. He has long-standing personal relationships with collectors of paintings, who are often able to view the
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The portrait paintings in particular are the fruit of
Coleman's voluminous research into his subjects, which he has often compared to an archeological dig to excavate their true nature. The portraits take the form of a large central figure surrounded by depictions of episodes in the lives of his
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He paints mainly using acrylic on wood panel, using a one-hair brush and viewing his work through jeweler's goggles. The smooth surface of the wood panel allows him to paint to an extraordinary level of microscopic detail. Through this painstaking process, he is able to paint an average of one
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When police and fireman arrived on the scene, they arrested
Coleman, Pivar and BF/VF manager, Jeri Rossi. Coleman was charged under an arcane statute, which had not been used since the 1800s, citing him for "possession of an infernal machine". He was fined $ 5000 for possessing and exploding
228:) that with its depictions of outsiders, freak shows and both historical and present day tableau, showing life in all its raw, unfiltered, gory detail, set the tone, style and subject matter of his later work. His first professionally published work appeared in issues of
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square-inch a day. Coleman does not make sketches or preparatory drawings of his paintings before embarking on them. The paintings usually begin from one detail and grow almost organically. It takes
Coleman between one and four years to complete a single painting.
135:. He has been described as the "walking ghost of Old America" by his wife, photographer Whitney Ward, for his over-riding interest in the historical arcana and personae that often populate his paintings. Of Coleman's work, The New York Times wrote that, “If
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Since 2017, Coleman has embarked on a series of spoken word performances accompanied by projections of the paintings. These have taken place in June 2017 at Salo Club, Paris, during three nights curated by director and actress,
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Alongside his performance art, Joe
Coleman has also appeared as an occasional actor, often playing the kind of misfits, outsiders, monsters and murderers who populate his paintings. In the early 1980s while attending the
247:(SVA) in New York for two years. While at SVA he started performing with punk band The Steel Tips, who were immortalized in an early 1979 painting, styled as a sideshow banner. The Steel Tips played at
2059:"Chronology: a chronological overview of known concert dates, dates of studio recordings, all line-ups and other trivia related to Lydia Lunch's Hangover Hotel/Ghosts of Spain/Sick With Desire project"
211:, but the stuff I saw in my taxi was way worse than that movie.” The street life he saw behind the wheel bled into his paintings and artwork from this period, which he described as ‘human-scapes’.
508:, which depicted Coleman and his wife Whitney Ward, encircled by a rainbow and riding atop a demon. They are surrounded on either side by friends and family who attended their wedding at the
1882:"Boston firemen looking at a goat hanging from the ceiling in a smoke-filled room at the Boston Film & Video Foundation after a performance by Joe Coleman, October 29th 1989"
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The two paintings also formed the center-piece of another large retrospective of Coleman's work, entitled ''Doorway to Joe'', held in 2017 at the Begovitch Gallery,
168:, is a living museum to his obsessions; a collection of artifacts, objects and documents from wax museums, crime museums, churches, pathology museums and sideshows.
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in Baltimore, while their symbolizing enemies are pitching into the fires of hell below them. The frame of the painting is adorned with blood-stained pages of the
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In 1973 he moved to New York and supported himself by driving a cab. “Times Square was a red light district,” said Coleman. “I was a taxi driver back then, like
504:, to draw attention to both the devotional aspect and use of religious and a personal iconography in Coleman's paintings. The show included the 1999 painting,
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1016:"The Walking Ghost of Old America – Cartoon Kittens, Serial Killers, Lovers and Literary Lions: Joe Coleman Paints a Journey Through His Labyrinthine Mind"
783:, a 1999 feature documentary by filmmaker Robert Adrien Pejo. In one of the film's set pieces, he is shown performing an autopsy on a woman performed in
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subjects that contributed to the development of their pathology, and influenced the drives and motivations that determine the course of their lives.
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driving a cab and devote himself to painting full-time. In the late ’80s and early ‘90s, Coleman had solo shows at Psychedelic Solution in
2006:
822:. A similar performance was presented at the Bergen International Festival in 2002 with an original score composed by the Norwegian band,
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fireworks and a further $ 300 for eating mice. The terms of his probation stipulated that he "not eat any Massachusetts mice for a year".
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Joe Coleman & his wife, Whitney Ward are the subjects of a new feature-length documentary film currently in production, entitled
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455:, curated by Steven Holmes. Among those who saw it were French journalist Clement Dirie who arranged for the show to travel to the
791:, (whom Coleman had previously made the subject of a 1993 painting) in his West Virginia home, and being interviewed by filmmaker
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339:). Over the years, he has also painted portraits of many of his closest friends, including tattoo artist, writer, and painter
204:, who bought a painting he made of garbage in 1965 for a children's art collection, as part of her ‘beautification’ campaign.
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in NY's Lower East Side and, while ranting as a madman preacher, would bite the heads off of live mice and explode on stage.
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painted portraits of a broad range of figures, both historical and contemporary, that include saints and sinners, writers (
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535:, a life-size portrait of Whitney Ward, completed in 2015, and unveiled at Unrealism, a show of figurative art curated by
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a.k.a. the Elephant Man). He has also painted portraits of obscure or controversial figures in American history (
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251:, as well as in strip clubs, a prison, an insane asylum, and a benefit for female alcoholics held in a church.
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802:, London, England presented two films created by Coleman featuring his paintings. The first film called
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He has also appeared in a number of documentaries, including films about two subjects of his paintings,
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In 1977, he self-published two mini-comix and produced a portfolio of ten graphite on paper drawings (
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347:. He has also produced many self-portraits and numerous portraits of his wife and muse Whitney Ward.
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The first exhibitions of Coleman's paintings were held at Lower East Side and Soho art galleries,
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754:. A performance by Professor Mombooze-o was featured in Harvey Nikolai Keith's 1988 documentary
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2414:"From Aggressive Overtures to Sexual Assault: Harvey Weinstein's Accusers Tell Their Stories"
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to paint sideshow banners, they might have resembled the art of Joe Coleman.” While Berlin's
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2843:
2311:"Satan Teens, Blood, Guts, LSD, Murder and Chaos: 'Where Evil Dwells' Has It All But A Plot"
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1765:"'Doorway To Joe: The Art Of Joe Coleman' Unflinchingly Looks Into The Gaping Maw Of Life"
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440:, on Melrose Avenue in Los Angeles. His first European show was held in 1998 at London's
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2085:"Interview: Joe Coleman: "My performance art is always a mirror image of my paintings""
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Coleman appeared in two shorts associated with the Lower East Side film movement, the
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2007:"Asia Argento is Given Full Creative Freedom to Take Over Salo for its Final Project"
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work-in-progress that they will acquire. His collectors have included Mickey Cartin,
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2106:"Le Guess Who? fest announces final lineup additions (Yves Tumor, Hot Snakes, more)"
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2362:"Asia Argento Put Harvey Weinstein's Alleged Sexual Assault On-Screen 17 Years Ago"
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Brutal Measures project at Club Berlin in New York and in November 2017 as part of
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427:, in 1986 and 1987. Chronocide's Bob Behrens would become Coleman's first dealer.
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Robert-Adrien Pejo's 1992 documentary about Joe Coleman, "R.I.P: Rest in Pieces"
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New York rock : from the rise of the Velvet Underground to the fall of CBGB
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1429:"Detail of Joe Coleman's portrait of Tod Browning (D. B. Doghouse Collection)"
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2388:"17 years before #MeToo, Asia Argento told us all about it in 'Scarlet Diva'"
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1068:"Babies in Jars, Death Masks, and Ponytails: My Induction to the Odditorium"
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Critical vision: random essays & tracts concerning sex, religion, death
444:, formerly a Victorian-era stable to house the sick horses of cab drivers.
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760:, about the NYC underground art and music scene. The film also featured
131:(born November 22, 1955) is an American painter, illustrator, actor and
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Two years later, in 2010, Dickinson put on a solo show by Joe Coleman,
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2260:"The Nightmarish History of "Lost" Underground Film WHERE EVIL DWELLS"
2034:"Le club parisien SALÒ donne sa dernière carte blanche à Asia Argento"
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810:, Coleman's favorite medieval composer and performed by a live choir,
188:, to a World War II-veteran father and the daughter of a professional
2207:
1036:"Joe Coleman Gets a Retrospective at the Tilton Gallery in Manhattan"
727:, alongside contemporary sideshow and burlesque performers including
189:
2771:"A Conversation with Painter, Performer and Collector, Joe Coleman"
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1944:(Expanded & rev. ed.). Port Townsend, WA: Feral House.
818:, was accompanied by specially composed music performed live by
619:. playing a serial killer in Jeri Cain Rossi's 1992 short film,
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Coleman did the original artwork for the posters for the movies
248:
200:, he began drawing his own. He has said his first collector was
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The 7th Orphan Film Symposium: Moving Pictures Around the World
447:
In 2006, Coleman had a mid-career retrospective at New York's
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in the 1920s, he holds a drastic mirror up to his own times."
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Joe Coleman: 30 Paintings and a Selection from the Odditorium
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He played producer Barry Paar, a thinly veiled depiction of
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In 1982, Coleman self-published a full-length comic book,
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Coleman, J., Pfeffer, S., Woodard, D., & Müller, M.,
905:, and Katharine Gates (Heck Editions, 1997, paperback,
735:, directed by James Habacker, founder of New York City
1631:"A vision of happiness: Whitney Ward and Joe Coleman"
1975:
Go to hell : a heated history of the underworld
663:'s 1998 loosely autobiographical directorial debut,
1404:"Step Right Up To Joe Coleman's Painted Freak Show"
847:
Cosmic Retribution: The Infernal Art of Joe Coleman
723:In 2016 Coleman appeared as the title character in
700:as a stoner comedy, alongside a cast that included
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1714:"A Devil With The Detail: Joe Coleman Interviewed"
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1197:"Joe Coleman: The Devil and Design in the Details"
2618:"Joe Coleman: Outsider Art/Music at the Barbican"
2517:"Review/Film; Seeking the Outrageous In New York"
1657:"Joe Coleman: Illuminating Icons Dark and Bright"
600:, he contributed to several avant-garde films by
531:was exhibited again, with its companion painting
1129:Schechter, Harold (1997). ""Carny of the Gods",
879:by Joe Coleman (Gates of Heck, 1993, hardcover,
502:Devotio Moderno: Joe Coleman/Northern Primitives
2340:New York University: Artist Archives Initiative
1326:(First ed.). New York: St Martin's Press.
335:; Swift Runner, a Cree Indian in the thrall of
2844:"Announcing Your 2024 Mermaid Parade Royalty!"
1743:California State Fullerton: Department of Arts
1506:"An Art Collection as Quirky as the Collector"
1158:Campion, Chris (February 1998). "Holy Libel".
1131:Original Sin: The Visionary Art of Joe Coleman
891:Original Sin: The Visionary Art of Joe Coleman
471:to pen an essay for the accompanying catalog.
2234:"WISE BLOOD, YES, BUT BLACK HEARTS BLEED RED"
606:Incontinence: A Diarrhetic Flow of Mismatches
236:, two underground comics titles published by
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1236:Kerekes, David; Slater, David, eds. (1995).
917:in the Special Recognition/Wildcard category
523:, that included the first public viewing of
459:in Paris, in March 2007, and German curator
2568:"Rest In Pieces: A Portrait Of Joe Coleman"
2491:"The Cruel Tale of the Medicine Man review"
1977:. Thompson, Kyra. New York: Gallery Books.
1531:"Palais de Tokyo, 1 February - 6 May, 2007"
18:
939:/La Luz de Jesus Press, 2003, hardcover,
474:For the K-W Institute show, now entitled
343:, and motorcycle builder and stunt rider
2797:"Scott Gracheff: Awards and Nominations"
2721:"Jazz In Norway… Grammy For New Orleans"
2336:"David Wojnarowicz Knowledge Base: Film"
1908:"The Horrible Happy Life of Joe Coleman"
1800:. Newark: University of Delaware Press.
1039:The New York Times" (03 September 2006).
641:portrayal of Jesus) in Tommy Turner and
463:, who invited Coleman to exhibit at the
196:. Also obsessed with comics, especially
175:
58:Painter, illustrator, performance artist
1180:"The Roving Eye by Anthony Haden-Guest"
1001:
688:and Michael Canzoniero's 2014 feature,
164:. His apartment and studio, called the
2642:Williams, Richard (27 February 2001).
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1629:Morvay, Joanne E. (26 November 2000).
1504:Genocchio, Benjamin (14 August 2005).
548:California State University, Fullerton
2822:"Firecracker Alternative Book Awards"
2131:Rosenbaum, Jonathan (24 March 1983).
1906:Appleford, Steve (17 December 2003).
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1402:Frank, Priscilla (23 November 2015).
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543:at Art Basel Miami in December 2015.
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2465:"The Cruel Tale of the Medicine Man"
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837:-winning filmmaker, Scott Gracheff.
180:"Mommy/Daddy" (1994) by Joe Coleman.
2309:Gallagher, Paul (13 January 2017).
2258:Burkhart, Gregory (13 March 2018).
2137:Jonathan Rosenbaum official website
2083:Willems, Jasper (11 October 2018).
2032:Duponchel, Marilou (27 June 2017).
1798:Leslie Fiedler and American culture
604:, as a writer and actor, including
2916:21st-century American male artists
2901:20th-century American male artists
2566:Metzger, Richard (31 March 2011).
2232:Novicoff, Bradley (16 July 2009).
915:Firecracker Alternative Book Award
806:, was accompanied by the music of
798:2001 “Outsider Art /Music” at the
725:The Cruel Tale of the Medicine Man
587:festival in Utrecht, Netherlands.
500:painters, in a 2008 show entitled
465:K-W Institute for Contemporary Art
357:Henry: Portrait of a Serial Killer
14:
2515:Goodman, Walter (22 April 1988).
2412:Farrow, Ronan (10 October 2017).
2386:Johnson, G. Allen (23 May 2018).
2183:"RAW NERVES: A Lacanian Thriller"
1829:Young, Dylan (18 November 2004).
256:The Mystery of Wolverine Woo-Bait
2941:People from Norwalk, Connecticut
1455:"Joe Coleman – Artist Biography"
1099:Campion, Chris (25 April 1998).
1056:Der Tagesspiegel" (26 May 2007).
1053:"Heilige Monster (Holy Monster)"
779:Coleman was also the subject of
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1655:Reich, Ronnie (July 22, 2015).
1559:"Joe Coleman: Internal Digging"
1376:from the original on 2022-06-09
1362:O'Neill, Declan (19 May 1998).
610:Raw Nerves: A Lacanian Thriller
103:
81:
2911:21st-century American painters
2906:20th-century American painters
2668:Service, Tom (23 March 2001).
2438:Mobarak, Jared (14 May 2014).
2360:Adams, Sam (10 October 2017).
1886:David P Henry official website
1712:Kitching, Sean (29 May 2016).
1240:. Stockport: Critical Vision.
1:
1739:"Doorway to Joe: Joe Coleman"
1604:"Joe Coleman art show in NYC"
1586:Joe Coleman: Internal Digging
951:Joe Coleman: Internal Digging
510:American Visionary Art Museum
476:Joe Coleman: Internal Digging
2946:School of Visual Arts alumni
2926:American performance artists
2597:Joe Coleman official website
2593:"Hasil Adkins: The Lone One"
1763:Barton, Dave (11 May 2017).
1365:"The Great Exploding Artist"
1101:"The Devil is in the Detail"
648:based on the 1984 murder of
403:, and Adam and Flora Hanft.
2719:Ramsey, Jan (1 July 2001).
1973:Chuck., Crisafulli (2014).
1912:Archive Today: LA City Beat
1270:"Steel Tips Painting, 1979"
1212:"The Joe Coleman Portfolio"
1183:Artnet" (09 November 1999).
989:Coney Island Mermaid Parade
467:in Berlin and commissioned
436:and Billy Shire's gallery,
160:Coleman lives and works in
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2489:S.D., Trav (28 May 2015).
1200:Juxtapoz" (04 March 2017).
669:, in a scene based on her
630:A Good Man Is Hard To Find
429:Victoria and Albert Museum
814:. The second film called
575:, as part of a show with
226:The Joe Coleman Portfolio
2546:Austrian Film Commission
2542:"R.I.P.: Rest in Pieces"
2208:"Black Hearts Bleed Red"
1831:"Coleman cooks with gas"
516:from a miniature bible.
363:Charles Manson Superstar
319:), visionaries, freaks (
1593:: Walther König, 2008).
887:; republished in 1998).
680:Coleman had a cameo as
617:Cinema of Transgression
506:The Book of Revelations
496:and other 15th century
153:said of Coleman, "Like
2921:American male painters
2695:"The Joe Coleman Jams"
1859:"The Infernal Machine"
1683:"COLEMAN'S ODDITORIUM"
1480:"Joe Coleman Timeline"
621:Black Hearts Bleed Red
273:Louis-Ferdinand Celine
181:
781:R.I.P: Rest in Pieces
772:, Emilio Cubeiro and
673:by Weinstein at the
598:School of Visual Arts
271:, Hunter S Thompson,
245:School of Visual Arts
179:
2670:"Outsider Art/Music"
2644:"Prince of Darkness"
2440:"Review: Don Peyote"
1918:on 26 September 2007
1459:www.arndtfineart.com
1160:Dazed & Confused
1133:, HECK Editions, 82.
931:, Rebecca Lieb, and
913:). Winner of a 1998
675:Cannes Film Festival
186:Norwalk, Connecticut
184:Coleman was born in
84: 1981;
2285:"Where Evil Dwells"
2112:. 12 September 2018
1869:(3): 62. June 1990.
1111:on 26 February 2016
1019:Wall Street Journal
965:, 2008, paperback,
927:, Katharine Gates,
925:Anthony Haden-Guest
865:, 1993, hardcover,
853:, 1992, paperback,
694:, a reimagining of
643:David Wojnarowicz's
623:, an adaptation of
498:early Netherlandish
449:Jack Tilton Gallery
2746:"A Doorway to Joe"
2521:The New York Times
2038:Les Inrockuptibles
2011:Communicart Agency
1942:Apocalypse culture
1790:Kellman, Steven G.
1681:McCormick, Carlo.
1510:The New York Times
1021:(28 October 2010).
877:The Man of Sorrows
646:Where Evil Dwells,
639:Rockets Redglare's
533:Doorway to Whitney
514:Book of Revelation
442:The Horse Hospital
238:Kitchen Sink Press
182:
162:Brooklyn, New York
133:performance artist
2750:The Collaborative
2622:Compulsion Online
2133:"Manuel de Landa"
2063:From the Archives
961:, Markus Müller (
812:The Clerk's Group
706:Annabella Sciorra
671:alleged 1997 rape
625:Flannery O'Connor
434:Greenwich Village
399:, D.B. Doghouse,
397:Leonardo DiCaprio
337:Wendigo psychosis
317:Captain Beefheart
202:Lady Bird Johnson
194:Hieronymous Bosch
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39:November 22, 1955
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2874:Official website
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2848:Coney Island USA
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2557:
2556:
2554:
2552:
2538:
2532:
2531:
2529:
2527:
2512:
2506:
2505:
2503:
2501:
2486:
2480:
2479:
2477:
2475:
2461:
2455:
2454:
2452:
2450:
2435:
2429:
2428:
2426:
2424:
2409:
2403:
2402:
2400:
2398:
2383:
2377:
2376:
2374:
2372:
2357:
2351:
2350:
2348:
2346:
2332:
2326:
2325:
2323:
2321:
2306:
2300:
2299:
2297:
2295:
2281:
2275:
2274:
2272:
2270:
2255:
2249:
2248:
2246:
2244:
2229:
2223:
2222:
2220:
2218:
2204:
2198:
2197:
2195:
2193:
2179:
2173:
2172:
2170:
2168:
2158:"Manuel DeLanda"
2154:
2148:
2147:
2145:
2143:
2128:
2122:
2121:
2119:
2117:
2102:
2096:
2095:
2093:
2091:
2080:
2074:
2073:
2071:
2069:
2055:
2049:
2048:
2046:
2044:
2029:
2023:
2022:
2020:
2018:
2003:
1997:
1996:
1970:
1964:
1963:
1934:
1928:
1927:
1925:
1923:
1914:. Archived from
1903:
1897:
1896:
1894:
1892:
1880:Henry, David P.
1877:
1871:
1870:
1855:
1846:
1845:
1843:
1841:
1826:
1820:
1819:
1786:
1780:
1779:
1777:
1775:
1760:
1754:
1753:
1751:
1749:
1735:
1729:
1728:
1726:
1724:
1709:
1698:
1697:
1695:
1693:
1678:
1672:
1671:
1669:
1667:
1652:
1646:
1645:
1643:
1641:
1626:
1620:
1619:
1617:
1615:
1600:
1594:
1581:
1575:
1574:
1572:
1570:
1555:
1546:
1545:
1543:
1541:
1527:
1521:
1520:
1518:
1516:
1501:
1495:
1494:
1492:
1490:
1476:
1470:
1469:
1467:
1465:
1451:
1445:
1444:
1442:
1440:
1425:
1419:
1418:
1416:
1414:
1399:
1386:
1385:
1383:
1381:
1367:
1359:
1346:
1345:
1316:
1310:
1309:
1307:
1305:
1291:
1285:
1284:
1282:
1280:
1266:
1260:
1259:
1233:
1227:
1226:
1224:
1222:
1208:
1202:
1194:
1185:
1177:
1168:
1167:
1155:
1134:
1127:
1121:
1120:
1118:
1116:
1107:. Archived from
1096:
1083:
1082:
1080:
1079:
1064:
1058:
1050:
1041:
1033:
1022:
1013:
953:by Joe Coleman,
923:by Joe Coleman,
903:Harold Schechter
893:by Joe Coleman,
849:by Joe Coleman (
800:Barbican Theatre
741:The Slipper Room
682:John the Baptist
657:Harvey Weinstein
633:, and Satan (to
425:Civilian Warfare
243:He attended the
107:
105:
89:
87:
83:
42:
38:
36:
19:
16:American painter
2961:
2960:
2956:
2955:
2954:
2952:
2951:
2950:
2886:
2885:
2872:
2871:
2868:
2863:
2862:
2853:
2851:
2842:
2841:
2837:
2832:on Mar 4, 2009.
2826:ReadersRead.com
2820:
2819:
2815:
2805:
2803:
2795:
2794:
2790:
2780:
2778:
2769:
2768:
2764:
2754:
2752:
2744:
2743:
2739:
2729:
2727:
2718:
2717:
2713:
2703:
2701:
2693:
2692:
2688:
2678:
2676:
2667:
2666:
2662:
2652:
2650:
2641:
2640:
2636:
2626:
2624:
2616:
2615:
2611:
2601:
2599:
2591:
2590:
2586:
2576:
2574:
2572:Dangerous Minds
2565:
2564:
2560:
2550:
2548:
2540:
2539:
2535:
2525:
2523:
2514:
2513:
2509:
2499:
2497:
2488:
2487:
2483:
2473:
2471:
2463:
2462:
2458:
2448:
2446:
2437:
2436:
2432:
2422:
2420:
2411:
2410:
2406:
2396:
2394:
2385:
2384:
2380:
2370:
2368:
2359:
2358:
2354:
2344:
2342:
2334:
2333:
2329:
2319:
2317:
2315:Dangerous Minds
2308:
2307:
2303:
2293:
2291:
2283:
2282:
2278:
2268:
2266:
2257:
2256:
2252:
2242:
2240:
2238:Dangerous Minds
2231:
2230:
2226:
2216:
2214:
2206:
2205:
2201:
2191:
2189:
2181:
2180:
2176:
2166:
2164:
2156:
2155:
2151:
2141:
2139:
2130:
2129:
2125:
2115:
2113:
2104:
2103:
2099:
2089:
2087:
2082:
2081:
2077:
2067:
2065:
2057:
2056:
2052:
2042:
2040:
2031:
2030:
2026:
2016:
2014:
2005:
2004:
2000:
1985:
1972:
1971:
1967:
1952:
1936:
1935:
1931:
1921:
1919:
1905:
1904:
1900:
1890:
1888:
1879:
1878:
1874:
1857:
1856:
1849:
1839:
1837:
1828:
1827:
1823:
1808:
1796:, eds. (1999).
1788:
1787:
1783:
1773:
1771:
1762:
1761:
1757:
1747:
1745:
1737:
1736:
1732:
1722:
1720:
1711:
1710:
1701:
1691:
1689:
1680:
1679:
1675:
1665:
1663:
1654:
1653:
1649:
1639:
1637:
1628:
1627:
1623:
1613:
1611:
1602:
1601:
1597:
1582:
1578:
1568:
1566:
1557:
1556:
1549:
1539:
1537:
1535:Palais de Tokyo
1529:
1528:
1524:
1514:
1512:
1503:
1502:
1498:
1488:
1486:
1478:
1477:
1473:
1463:
1461:
1453:
1452:
1448:
1438:
1436:
1427:
1426:
1422:
1412:
1410:
1408:Huffington Post
1401:
1400:
1389:
1379:
1377:
1370:The Independent
1361:
1360:
1349:
1334:
1318:
1317:
1313:
1303:
1301:
1293:
1292:
1288:
1278:
1276:
1268:
1267:
1263:
1248:
1235:
1234:
1230:
1220:
1218:
1210:
1209:
1205:
1195:
1188:
1178:
1171:
1157:
1156:
1137:
1128:
1124:
1114:
1112:
1098:
1097:
1086:
1077:
1075:
1066:
1065:
1061:
1051:
1044:
1034:
1025:
1014:
1003:
998:
980:
955:Susanne Pfeffer
921:The Book of Joe
843:
733:Julie Atlas Muz
627:'s short story
593:
581:Weasel Walter's
556:
554:Performance art
461:Susanne Pfeffer
457:Palais de Tokyo
438:La Luz de Jesus
409:
380:
331:; abolitionist
293:Jayne Mansfield
269:Edgar Allan Poe
264:
222:
217:
174:
112:
109:
106: 2000)
101:
97:
91:
88: 1990)
79:
75:
72:
40:
34:
32:
24:
17:
12:
11:
5:
2959:
2957:
2949:
2948:
2943:
2938:
2933:
2928:
2923:
2918:
2913:
2908:
2903:
2898:
2888:
2887:
2884:
2883:
2878:
2867:
2866:External links
2864:
2861:
2860:
2835:
2813:
2788:
2762:
2737:
2711:
2686:
2660:
2634:
2609:
2584:
2558:
2533:
2507:
2481:
2456:
2444:The Film Stage
2430:
2418:The New Yorker
2404:
2378:
2352:
2327:
2301:
2276:
2250:
2224:
2199:
2174:
2149:
2123:
2110:Brooklyn Vegan
2097:
2075:
2050:
2024:
2013:. 29 June 2017
1998:
1983:
1965:
1950:
1940:, ed. (1990).
1929:
1898:
1872:
1847:
1835:Hour Community
1821:
1806:
1781:
1755:
1730:
1699:
1673:
1647:
1621:
1595:
1576:
1547:
1522:
1496:
1484:joecoleman.com
1471:
1446:
1420:
1387:
1347:
1332:
1322:(2016-10-04).
1311:
1299:joecoleman.com
1286:
1274:joecoleman.com
1261:
1246:
1228:
1216:joecoleman.com
1203:
1186:
1169:
1135:
1122:
1084:
1059:
1042:
1023:
1000:
999:
997:
994:
993:
992:
979:
976:
975:
974:
948:
918:
888:
874:
842:
839:
833:, directed by
831:Doorway to Joe
808:Carlo Gesualdo
757:Mondo New York
602:Manuel DeLanda
592:
589:
555:
552:
541:Larry Gagosian
537:Jeffrey Deitch
529:Doorway to Joe
525:Doorway To Joe
482:, the star of
408:
405:
379:
376:
374:the painting.
329:Boston Corbett
325:Joseph Merrick
307:), musicians (
295:), murderers (
285:Charles Manson
263:
260:
221:
218:
216:
213:
173:
170:
129:Joseph Coleman
124:
123:
121:joecoleman.com
118:
114:
113:
111:
110:
99:
95:
94:
92:
77:
73:
70:
69:
66:
64:
60:
59:
56:
55:Known for
52:
51:
48:
44:
43:
30:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
2958:
2947:
2944:
2942:
2939:
2937:
2936:Living people
2934:
2932:
2931:Fantastic art
2929:
2927:
2924:
2922:
2919:
2917:
2914:
2912:
2909:
2907:
2904:
2902:
2899:
2897:
2894:
2893:
2891:
2882:
2879:
2875:
2870:
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2789:
2776:
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2738:
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2696:
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2687:
2675:
2671:
2664:
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2649:
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2635:
2623:
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2613:
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2585:
2573:
2569:
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2559:
2547:
2543:
2537:
2534:
2522:
2518:
2511:
2508:
2496:
2492:
2485:
2482:
2470:
2466:
2460:
2457:
2445:
2441:
2434:
2431:
2419:
2415:
2408:
2405:
2393:
2389:
2382:
2379:
2367:
2363:
2356:
2353:
2341:
2337:
2331:
2328:
2316:
2312:
2305:
2302:
2290:
2286:
2280:
2277:
2265:
2261:
2254:
2251:
2239:
2235:
2228:
2225:
2213:
2209:
2203:
2200:
2188:
2184:
2178:
2175:
2163:
2159:
2153:
2150:
2138:
2134:
2127:
2124:
2111:
2107:
2101:
2098:
2086:
2079:
2076:
2064:
2060:
2054:
2051:
2039:
2035:
2028:
2025:
2012:
2008:
2002:
1999:
1994:
1990:
1986:
1984:9781451604733
1980:
1976:
1969:
1966:
1961:
1957:
1953:
1951:9781936239566
1947:
1943:
1939:
1938:Parfrey, Adam
1933:
1930:
1917:
1913:
1909:
1902:
1899:
1887:
1883:
1876:
1873:
1868:
1864:
1860:
1854:
1852:
1848:
1836:
1832:
1825:
1822:
1817:
1813:
1809:
1803:
1799:
1795:
1794:Malin, Irving
1791:
1785:
1782:
1770:
1766:
1759:
1756:
1744:
1740:
1734:
1731:
1719:
1715:
1708:
1706:
1704:
1700:
1688:
1684:
1677:
1674:
1662:
1658:
1651:
1648:
1636:
1635:Baltimore Sun
1632:
1625:
1622:
1609:
1605:
1599:
1596:
1592:
1588:
1587:
1580:
1577:
1564:
1560:
1554:
1552:
1548:
1536:
1532:
1526:
1523:
1511:
1507:
1500:
1497:
1485:
1481:
1475:
1472:
1460:
1456:
1450:
1447:
1434:
1430:
1424:
1421:
1409:
1405:
1398:
1396:
1394:
1392:
1388:
1375:
1371:
1366:
1358:
1356:
1354:
1352:
1348:
1343:
1339:
1335:
1333:9781250083616
1329:
1325:
1321:
1320:Blush, Steven
1315:
1312:
1300:
1296:
1290:
1287:
1275:
1271:
1265:
1262:
1257:
1253:
1249:
1243:
1239:
1232:
1229:
1217:
1213:
1207:
1204:
1201:
1198:
1193:
1191:
1187:
1184:
1181:
1176:
1174:
1170:
1165:
1161:
1154:
1152:
1150:
1148:
1146:
1144:
1142:
1140:
1136:
1132:
1126:
1123:
1110:
1106:
1105:The Telegraph
1102:
1095:
1093:
1091:
1089:
1085:
1073:
1069:
1063:
1060:
1057:
1054:
1049:
1047:
1043:
1040:
1037:
1032:
1030:
1028:
1024:
1020:
1017:
1012:
1010:
1008:
1006:
1002:
995:
990:
986:
982:
981:
977:
972:
971:3-8656028-0-0
968:
964:
963:Walther König
960:
959:David Woodard
956:
952:
949:
946:
945:0-86719-578-9
942:
938:
934:
933:Jack Sargeant
930:
926:
922:
919:
916:
912:
911:0-9638129-6-3
908:
904:
900:
896:
892:
889:
886:
885:0-9638129-0-4
882:
878:
875:
872:
871:0-922915-13-X
868:
864:
860:
859:0-922915-06-7
856:
852:
851:Fantagraphics
848:
845:
844:
840:
838:
836:
832:
827:
825:
821:
817:
813:
809:
805:
801:
796:
795:in a church.
794:
790:
786:
782:
777:
775:
771:
767:
766:Phoebe Legere
763:
759:
758:
753:
749:
744:
742:
738:
737:neo-burlesque
734:
730:
726:
721:
719:
718:Wallace Shawn
715:
711:
707:
703:
702:Anne Hathaway
699:
698:
693:
692:
687:
683:
678:
676:
672:
668:
667:
662:
658:
653:
651:
647:
644:
640:
636:
632:
631:
626:
622:
618:
613:
611:
607:
603:
599:
590:
588:
586:
585:Le Guess Who?
582:
578:
574:
568:
564:
560:
553:
551:
549:
544:
542:
538:
534:
530:
526:
522:
517:
515:
511:
507:
503:
499:
495:
491:
490:
485:
484:Werner Herzog
481:
477:
472:
470:
469:David Woodard
466:
462:
458:
454:
450:
445:
443:
439:
435:
430:
426:
422:
418:
414:
406:
404:
402:
398:
394:
390:
386:
377:
375:
371:
367:
365:
364:
359:
358:
352:
348:
346:
342:
341:Jonathan Shaw
338:
334:
330:
326:
322:
318:
314:
313:Hank Williams
310:
306:
302:
298:
294:
290:
286:
282:
278:
274:
270:
261:
259:
257:
252:
250:
246:
241:
239:
235:
231:
227:
219:
214:
212:
210:
209:Travis Bickle
205:
203:
199:
195:
191:
187:
178:
171:
169:
167:
163:
158:
156:
152:
151:
146:
142:
138:
134:
130:
122:
119:
115:
93:
68:
67:
65:
61:
57:
53:
49:
45:
41:(age 68)
31:
27:
20:
2852:. Retrieved
2838:
2830:the original
2825:
2816:
2804:. Retrieved
2800:
2791:
2779:. Retrieved
2775:Stay Thirsty
2774:
2765:
2753:. Retrieved
2749:
2740:
2728:. Retrieved
2724:
2714:
2702:. Retrieved
2698:
2689:
2677:. Retrieved
2674:The Guardian
2673:
2663:
2651:. Retrieved
2648:The Guardian
2647:
2637:
2625:. Retrieved
2621:
2612:
2600:. Retrieved
2596:
2587:
2575:. Retrieved
2571:
2561:
2549:. Retrieved
2545:
2536:
2524:. Retrieved
2520:
2510:
2498:. Retrieved
2494:
2484:
2472:. Retrieved
2468:
2459:
2447:. Retrieved
2443:
2433:
2421:. Retrieved
2417:
2407:
2395:. Retrieved
2391:
2381:
2369:. Retrieved
2365:
2355:
2343:. Retrieved
2339:
2330:
2318:. Retrieved
2314:
2304:
2292:. Retrieved
2288:
2279:
2267:. Retrieved
2263:
2253:
2241:. Retrieved
2237:
2227:
2215:. Retrieved
2211:
2202:
2190:. Retrieved
2186:
2177:
2165:. Retrieved
2161:
2152:
2140:. Retrieved
2136:
2126:
2114:. Retrieved
2109:
2100:
2088:. Retrieved
2078:
2066:. Retrieved
2062:
2053:
2041:. Retrieved
2037:
2027:
2015:. Retrieved
2010:
2001:
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